Songs like Matte Kudasai by Kurt Elling
Based on a tempo of (+/- 10%) and a similar genre
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Kurt Elling
The Enchantress
105 bpm • D min • 06:20 • -17.74db
9% Popularity • 64% Danceability • 26% Energy • 7% Liveness
2% Instrumentalness • 28% Positiveness
9% Popularity • 64% Danceability • 26% Energy • 7% Liveness
2% Instrumentalness • 28% Positiveness
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Abbey Lincoln
Learning How To Listen - 2007 Abbey sing...
105 bpm • F# Maj • 04:35 • -13.55db
8% Popularity • 44% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
8% Popularity • 44% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Tuck & Patti
Learning How To Fly
105 bpm • C min • 04:27 • -16.25db
19% Popularity • 58% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
19% Popularity • 58% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Charlie Hunter Trio
Come As You Are
105 bpm • A min • 06:10 • -12.71db
23% Popularity • 34% Danceability • 53% Energy • 11% Liveness
89% Instrumentalness • 46% Positiveness
23% Popularity • 34% Danceability • 53% Energy • 11% Liveness
89% Instrumentalness • 46% Positiveness
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Jazzmeia Horn
No More
105 bpm • C# Maj • 03:47 • -8.92db
28% Popularity • 72% Danceability • 46% Energy • 30% Liveness
0% Instrumentalness • 58% Positiveness
28% Popularity • 72% Danceability • 46% Energy • 30% Liveness
0% Instrumentalness • 58% Positiveness
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Sara Gazarek
Carey
105 bpm • C Maj • 04:54 • -12.41db
17% Popularity • 59% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
17% Popularity • 59% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Somi
Brown Round Things
105 bpm • A# min • 04:30 • -10.98db
16% Popularity • 45% Danceability • 25% Energy • 12% Liveness
7% Instrumentalness • 31% Positiveness
16% Popularity • 45% Danceability • 25% Energy • 12% Liveness
7% Instrumentalness • 31% Positiveness
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Kurt Elling
Matte Kudasai
105 bpm • C Maj • 04:19 • -21db
21% Popularity • 39% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
21% Popularity • 39% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
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Lauren Henderson
From the Inside Out
105 bpm • D min • 06:25 • -16.22db
27% Popularity • 49% Danceability • 28% Energy • 11% Liveness
4% Instrumentalness • 30% Positiveness
27% Popularity • 49% Danceability • 28% Energy • 11% Liveness
4% Instrumentalness • 30% Positiveness
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Brian Blade & The Fellowship Band
Landmarks
105 bpm • G# Maj • 08:20 • -22.22db
31% Popularity • 38% Danceability • 13% Energy • 12% Liveness
84% Instrumentalness • 14% Positiveness
31% Popularity • 38% Danceability • 13% Energy • 12% Liveness
84% Instrumentalness • 14% Positiveness
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Eliane Elias
Time Alone
105 bpm • A# Maj • 06:36 • -18.57db
41% Popularity • 29% Danceability • 13% Energy • 22% Liveness
38% Instrumentalness • 6% Positiveness
41% Popularity • 29% Danceability • 13% Energy • 22% Liveness
38% Instrumentalness • 6% Positiveness
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Tord Gustavsen
The Source Of Now
104 bpm • C Maj • 04:19 • -24.32db
20% Popularity • 49% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
20% Popularity • 49% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Macy Gray
Annabelle
105 bpm • C Maj • 05:11 • -18db
27% Popularity • 55% Danceability • 19% Energy • 5% Liveness
0% Instrumentalness • 42% Positiveness
27% Popularity • 55% Danceability • 19% Energy • 5% Liveness
0% Instrumentalness • 42% Positiveness
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Kurt Elling
A Hard Rain's A-Gonna Fall
104 bpm • E Maj • 08:05 • -10.72db
38% Popularity • 52% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
38% Popularity • 52% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Tok Tok Tok
50 Ways To Leave Your Lover*
106 bpm • G# Maj • 03:40 • -20db
30% Popularity • 82% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
30% Popularity • 82% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Howe Gelb
A Thousand Kisses Deep
106 bpm • F min • 05:39 • -16db
29% Popularity • 76% Danceability • 27% Energy • 44% Liveness
1% Instrumentalness • 75% Positiveness
29% Popularity • 76% Danceability • 27% Energy • 44% Liveness
1% Instrumentalness • 75% Positiveness
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Rigmor Gustafsson
Is It a Crime
106 bpm • C min • 04:12 • -10.53db
22% Popularity • 47% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
22% Popularity • 47% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Peter Cincotti
Comes Love
106 bpm • G min • 04:17 • -12db
44% Popularity • 63% Danceability • 25% Energy • 10% Liveness
1% Instrumentalness • 19% Positiveness
44% Popularity • 63% Danceability • 25% Energy • 10% Liveness
1% Instrumentalness • 19% Positiveness
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Orlando Le Fleming
Life of the Party
106 bpm • A Maj • 06:05 • -15.93db
3% Popularity • 61% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
3% Popularity • 61% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Kurt Elling
There's a Boat Dat's Leavin' Soon for Ne...
106 bpm • C Maj • 05:24 • -10.78db
12% Popularity • 54% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
12% Popularity • 54% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Melanie De Biasio
Down
104 bpm • E min • 03:20 • -16.61db
27% Popularity • 55% Danceability • 13% Energy • 10% Liveness
1% Instrumentalness • 13% Positiveness
27% Popularity • 55% Danceability • 13% Energy • 10% Liveness
1% Instrumentalness • 13% Positiveness
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Indra Rios-Moore
Money
106 bpm • F# min • 04:09 • -11.26db
25% Popularity • 61% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
25% Popularity • 61% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Helge Lien Trio
Gamut Warning
107 bpm • C Maj • 04:41 • -16.19db
19% Popularity • 52% Danceability • 48% Energy • 12% Liveness
78% Instrumentalness • 36% Positiveness
19% Popularity • 52% Danceability • 48% Energy • 12% Liveness
78% Instrumentalness • 36% Positiveness
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Kat Edmonson
What Else Can I Do
107 bpm • F# min • 04:44 • -13.52db
45% Popularity • 67% Danceability • 44% Energy • 11% Liveness
2% Instrumentalness • 24% Positiveness
45% Popularity • 67% Danceability • 44% Energy • 11% Liveness
2% Instrumentalness • 24% Positiveness
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Abdullah Ibrahim
The Balance
103 bpm • F min • 03:04 • -19.19db
39% Popularity • 50% Danceability • 9% Energy • 11% Liveness
65% Instrumentalness • 35% Positiveness
39% Popularity • 50% Danceability • 9% Energy • 11% Liveness
65% Instrumentalness • 35% Positiveness
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Kurt Elling
After The Door
103 bpm • A# min • 03:55 • -14db
20% Popularity • 59% Danceability • 24% Energy • 14% Liveness
2% Instrumentalness • 16% Positiveness
20% Popularity • 59% Danceability • 24% Energy • 14% Liveness
2% Instrumentalness • 16% Positiveness
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Melanie De Biasio
Let Me Love You
107 bpm • G Maj • 05:35 • -13db
14% Popularity • 46% Danceability • 40% Energy • 25% Liveness
43% Instrumentalness • 46% Positiveness
14% Popularity • 46% Danceability • 40% Energy • 25% Liveness
43% Instrumentalness • 46% Positiveness
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Esbjörn Svensson Trio
From Gagarin's Point of View
103 bpm • D min • 04:03 • -21.5db
49% Popularity • 64% Danceability • 3% Energy • 21% Liveness
87% Instrumentalness • 12% Positiveness
49% Popularity • 64% Danceability • 3% Energy • 21% Liveness
87% Instrumentalness • 12% Positiveness
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Connie Lansberg
Everything Happens to Me
102 bpm • C Maj • 06:19 • -16.63db
39% Popularity • 55% Danceability • 15% Energy • 38% Liveness
0% Instrumentalness • 19% Positiveness
39% Popularity • 55% Danceability • 15% Energy • 38% Liveness
0% Instrumentalness • 19% Positiveness
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Bob Belden Project
Tanganyika Dance
107 bpm • C Maj • 06:54 • -13.67db
2% Popularity • 47% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
2% Popularity • 47% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Peter Cincotti
Sway
102 bpm • B min • 04:11 • -12.5db
53% Popularity • 81% Danceability • 32% Energy • 9% Liveness
2% Instrumentalness • 28% Positiveness
53% Popularity • 81% Danceability • 32% Energy • 9% Liveness
2% Instrumentalness • 28% Positiveness
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Joe Henry
Richard Pryor Addresses A Tearful Nation
108 bpm • E min • 06:20 • -11.09db
20% Popularity • 39% Danceability • 38% Energy • 12% Liveness
45% Instrumentalness • 7% Positiveness
20% Popularity • 39% Danceability • 38% Energy • 12% Liveness
45% Instrumentalness • 7% Positiveness
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Kurt Elling
Where Are You, My Love?
108 bpm • D# Maj • 05:25 • -13.09db
9% Popularity • 36% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
9% Popularity • 36% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Brad Mehldau Trio
Great Day
108 bpm • E min • 05:54 • -15db
21% Popularity • 49% Danceability • 40% Energy • 10% Liveness
90% Instrumentalness • 28% Positiveness
21% Popularity • 49% Danceability • 40% Energy • 10% Liveness
90% Instrumentalness • 28% Positiveness
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Esbjörn Svensson Trio
Believe, Beleft, Below
102 bpm • A# Maj • 04:51 • -21.2db
42% Popularity • 65% Danceability • 5% Energy • 9% Liveness
78% Instrumentalness • 14% Positiveness
42% Popularity • 65% Danceability • 5% Energy • 9% Liveness
78% Instrumentalness • 14% Positiveness
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Anthony Wilson
The Geranium
108 bpm • C min • 06:28 • -12.56db
7% Popularity • 55% Danceability • 33% Energy • 8% Liveness
90% Instrumentalness • 42% Positiveness
7% Popularity • 55% Danceability • 33% Energy • 8% Liveness
90% Instrumentalness • 42% Positiveness
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Sara K.
Set You Free
108 bpm • F# Maj • 05:38 • -10.55db
17% Popularity • 65% Danceability • 32% Energy • 34% Liveness
0% Instrumentalness • 23% Positiveness
17% Popularity • 65% Danceability • 32% Energy • 34% Liveness
0% Instrumentalness • 23% Positiveness
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Carla Bley
Útviklingssang
108 bpm • D Maj • 07:55 • -20db
32% Popularity • 41% Danceability • 3% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
32% Popularity • 41% Danceability • 3% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
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Kurt Elling
Nightmoves
108 bpm • C# Maj • 04:21 • -9.74db
12% Popularity • 68% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
12% Popularity • 68% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Sara Gazarek
Blackbird - Bye Bye Blackbird
108 bpm • G# min • 05:55 • -15db
30% Popularity • 40% Danceability • 24% Energy • 8% Liveness
7% Instrumentalness • 22% Positiveness
30% Popularity • 40% Danceability • 24% Energy • 8% Liveness
7% Instrumentalness • 22% Positiveness
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Vijay Iyer
Galang (Trio Riot Version)
108 bpm • A Maj • 02:40 • -8.38db
13% Popularity • 54% Danceability • 74% Energy • 28% Liveness
83% Instrumentalness • 84% Positiveness
13% Popularity • 54% Danceability • 74% Energy • 28% Liveness
83% Instrumentalness • 84% Positiveness
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Tingvall Trio
Beat
108 bpm • B min • 03:52 • -19db
44% Popularity • 57% Danceability • 18% Energy • 11% Liveness
82% Instrumentalness • 24% Positiveness
44% Popularity • 57% Danceability • 18% Energy • 11% Liveness
82% Instrumentalness • 24% Positiveness
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Erik Truffaz
She's The Moon
109 bpm • D# Maj • 03:01 • -12.9db
20% Popularity • 46% Danceability • 33% Energy • 10% Liveness
12% Instrumentalness • 4% Positiveness
20% Popularity • 46% Danceability • 33% Energy • 10% Liveness
12% Instrumentalness • 4% Positiveness
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Pat Metheny Trio
Travels
109 bpm • G Maj • 05:43 • -16.28db
39% Popularity • 64% Danceability • 18% Energy • 34% Liveness
77% Instrumentalness • 28% Positiveness
39% Popularity • 64% Danceability • 18% Energy • 34% Liveness
77% Instrumentalness • 28% Positiveness
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Kurt Elling
Washing of the Water
108 bpm • G# Maj • 04:08 • -17db
19% Popularity • 42% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
19% Popularity • 42% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Lucia Cadotsch
Ain't Got No, I Got Life
101 bpm • G Maj • 04:28 • -12db
9% Popularity • 59% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
9% Popularity • 59% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Kandace Springs
Angel Eyes
101 bpm • F Maj • 06:00 • -10.47db
36% Popularity • 46% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
36% Popularity • 46% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Sophie Milman
Beautiful Love
109 bpm • G min • 02:59 • -9.57db
41% Popularity • 44% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
41% Popularity • 44% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Sachal Vasandani
Don't Think Twice, It's All Right
101 bpm • D# Maj • 03:18 • -13.41db
10% Popularity • 50% Danceability • 18% Energy • 11% Liveness
3% Instrumentalness • 23% Positiveness
10% Popularity • 50% Danceability • 18% Energy • 11% Liveness
3% Instrumentalness • 23% Positiveness
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Tord Gustavsen Trio
Deep As Love
101 bpm • A min • 05:54 • -26.23db
38% Popularity • 57% Danceability • 3% Energy • 16% Liveness
79% Instrumentalness • 11% Positiveness
38% Popularity • 57% Danceability • 3% Energy • 16% Liveness
79% Instrumentalness • 11% Positiveness
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Kurt Elling
Not While I'm Around
108 bpm • D# Maj • 06:26 • -13.57db
14% Popularity • 38% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
14% Popularity • 38% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Melanie De Biasio
Convictions
109 bpm • C min • 06:56 • -17.15db
11% Popularity • 45% Danceability • 16% Energy • 14% Liveness
25% Instrumentalness • 17% Positiveness
11% Popularity • 45% Danceability • 16% Energy • 14% Liveness
25% Instrumentalness • 17% Positiveness
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Roberta Flack
Tryin' Times
109 bpm • G Maj • 05:08 • -14db
33% Popularity • 65% Danceability • 12% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
33% Popularity • 65% Danceability • 12% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
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Abbey Lincoln
Mr. Tambourine Man
109 bpm • A Maj • 06:53 • -8.84db
28% Popularity • 45% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
28% Popularity • 45% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Kevin Mahogany
Fix It in the Mix
101 bpm • C min • 05:17 • -16db
21% Popularity • 71% Danceability • 30% Energy • 9% Liveness
3% Instrumentalness • 51% Positiveness
21% Popularity • 71% Danceability • 30% Energy • 9% Liveness
3% Instrumentalness • 51% Positiveness
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Joshua Redman
Hide and Seek
101 bpm • G Maj • 05:36 • -12.61db
26% Popularity • 76% Danceability • 28% Energy • 7% Liveness
28% Instrumentalness • 43% Positiveness
26% Popularity • 76% Danceability • 28% Energy • 7% Liveness
28% Instrumentalness • 43% Positiveness
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Kurt Elling
Where The Streets Have No Name
101 bpm • G Maj • 04:51 • -11db
29% Popularity • 42% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
29% Popularity • 42% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Marc Sarrazy
Funeral Blues
101 bpm • F# Maj • 06:10 • -11.89db
16% Popularity • 39% Danceability • 16% Energy • 10% Liveness
91% Instrumentalness • 24% Positiveness
16% Popularity • 39% Danceability • 16% Energy • 10% Liveness
91% Instrumentalness • 24% Positiveness
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Indra Rios-Moore
From Silence
101 bpm • G Maj • 03:53 • -13.04db
13% Popularity • 41% Danceability • 13% Energy • 11% Liveness
1% Instrumentalness • 11% Positiveness
13% Popularity • 41% Danceability • 13% Energy • 11% Liveness
1% Instrumentalness • 11% Positiveness
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Olu Dara
Harlem Country Girl
101 bpm • C# Maj • 05:48 • -14.38db
27% Popularity • 50% Danceability • 27% Energy • 31% Liveness
0% Instrumentalness • 22% Positiveness
27% Popularity • 50% Danceability • 27% Energy • 31% Liveness
0% Instrumentalness • 22% Positiveness
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Enrico Pieranunzi
Come Rose Dai Muri
110 bpm • C# min • 07:02 • -21.84db
15% Popularity • 39% Danceability • 26% Energy • 70% Liveness
90% Instrumentalness • 27% Positiveness
15% Popularity • 39% Danceability • 26% Energy • 70% Liveness
90% Instrumentalness • 27% Positiveness
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Ellas Kapell
Cheek to Cheek
100 bpm • G# Maj • 07:03 • -10.85db
17% Popularity • 44% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
17% Popularity • 44% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Kurt Elling
Undun
110 bpm • D# min • 05:06 • -8.69db
11% Popularity • 71% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
11% Popularity • 71% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Rigmor Gustafsson
After The Rain
100 bpm • G Maj • 02:52 • -10.87db
45% Popularity • 58% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
45% Popularity • 58% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Sara Gazarek
Never Will I Marry
100 bpm • G# Maj • 03:47 • -11.43db
23% Popularity • 68% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
23% Popularity • 68% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Sara K.
Brick House
100 bpm • G Maj • 06:00 • -21.58db
16% Popularity • 69% Danceability • 19% Energy • 11% Liveness
2% Instrumentalness • 41% Positiveness
16% Popularity • 69% Danceability • 19% Energy • 11% Liveness
2% Instrumentalness • 41% Positiveness
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Tord Gustavsen Ensemble
Lay Your Sleeping Head, My Love
100 bpm • A min • 02:50 • -23.16db
9% Popularity • 60% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
9% Popularity • 60% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Madeleine Peyroux
The Summer Wind
100 bpm • G# Maj • 03:54 • -14.99db
51% Popularity • 66% Danceability • 22% Energy • 12% Liveness
40% Instrumentalness • 23% Positiveness
51% Popularity • 66% Danceability • 22% Energy • 12% Liveness
40% Instrumentalness • 23% Positiveness
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Makiko Hirabayashi
Surely
100 bpm • C# Maj • 04:14 • -14.12db
22% Popularity • 60% Danceability • 32% Energy • 6% Liveness
94% Instrumentalness • 76% Positiveness
22% Popularity • 60% Danceability • 32% Energy • 6% Liveness
94% Instrumentalness • 76% Positiveness
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Esbjörn Svensson Trio
In My Garage
100 bpm • F min • 04:18 • -12.03db
27% Popularity • 60% Danceability • 65% Energy • 9% Liveness
90% Instrumentalness • 65% Positiveness
27% Popularity • 60% Danceability • 65% Energy • 9% Liveness
90% Instrumentalness • 65% Positiveness
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Lyambiko
Parakeet Prowl
111 bpm • D min • 06:48 • -11.86db
19% Popularity • 46% Danceability • 57% Energy • 11% Liveness
88% Instrumentalness • 56% Positiveness
19% Popularity • 46% Danceability • 57% Energy • 11% Liveness
88% Instrumentalness • 56% Positiveness
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Ben Sidran
Don't Cry for No Hipster
100 bpm • F min • 04:57 • -13.06db
9% Popularity • 59% Danceability • 25% Energy • 9% Liveness
4% Instrumentalness • 11% Positiveness
9% Popularity • 59% Danceability • 25% Energy • 9% Liveness
4% Instrumentalness • 11% Positiveness
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Kandace Springs
Devil May Care
99 bpm • A Maj • 02:59 • -9.59db
29% Popularity • 55% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
29% Popularity • 55% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Brian Blade & The Fellowship Band
Traveling Mercies
111 bpm • E Maj • 04:32 • -13.1db
29% Popularity • 46% Danceability • 24% Energy • 11% Liveness
91% Instrumentalness • 15% Positiveness
29% Popularity • 46% Danceability • 24% Energy • 11% Liveness
91% Instrumentalness • 15% Positiveness
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Tord Gustavsen Trio
At Home
99 bpm • C# min • 06:06 • -25db
25% Popularity • 48% Danceability • 2% Energy • 9% Liveness
40% Instrumentalness • 4% Positiveness
25% Popularity • 48% Danceability • 2% Energy • 9% Liveness
40% Instrumentalness • 4% Positiveness
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Anna Gréta
Nightjar in the Northern Sky
111 bpm • F# min • 04:47 • -16.35db
42% Popularity • 52% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 11% Positiveness
42% Popularity • 52% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 11% Positiveness
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Pat Metheny Group
Another Life
111 bpm • C min • 07:08 • -17.85db
28% Popularity • 39% Danceability • 22% Energy • 10% Liveness
73% Instrumentalness • 11% Positiveness
28% Popularity • 39% Danceability • 22% Energy • 10% Liveness
73% Instrumentalness • 11% Positiveness
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Walter Wolfman Washington
What A Diff'rence A Day Makes
111 bpm • C# Maj • 03:14 • -19.69db
11% Popularity • 60% Danceability • 6% Energy • 29% Liveness
1% Instrumentalness • 40% Positiveness
11% Popularity • 60% Danceability • 6% Energy • 29% Liveness
1% Instrumentalness • 40% Positiveness
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Madeleine Peyroux
Party Tyme
99 bpm • C Maj • 04:34 • -11.17db
19% Popularity • 73% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
19% Popularity • 73% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Stacey Kent
Never Let Me Go
111 bpm • E Maj • 04:39 • -17db
47% Popularity • 44% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
47% Popularity • 44% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Kurt Elling
Bonita Cuba
111 bpm • A# min • 06:37 • -15.17db
12% Popularity • 57% Danceability • 17% Energy • 33% Liveness
0% Instrumentalness • 24% Positiveness
12% Popularity • 57% Danceability • 17% Energy • 33% Liveness
0% Instrumentalness • 24% Positiveness
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Tomasz Stanko Quartet
Kattorna
99 bpm • G Maj • 06:29 • -17.08db
27% Popularity • 46% Danceability • 21% Energy • 10% Liveness
90% Instrumentalness • 21% Positiveness
27% Popularity • 46% Danceability • 21% Energy • 10% Liveness
90% Instrumentalness • 21% Positiveness
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Betty Carter
Open The Door - Live At Bradshaw's Great...
99 bpm • G# Maj • 05:08 • -20.13db
23% Popularity • 52% Danceability • 19% Energy • 70% Liveness
6% Instrumentalness • 52% Positiveness
23% Popularity • 52% Danceability • 19% Energy • 70% Liveness
6% Instrumentalness • 52% Positiveness
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Kat Edmonson
Just Like Heaven
99 bpm • G# Maj • 04:12 • -11.38db
52% Popularity • 72% Danceability • 30% Energy • 31% Liveness
0% Instrumentalness • 44% Positiveness
52% Popularity • 72% Danceability • 30% Energy • 31% Liveness
0% Instrumentalness • 44% Positiveness
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Brian Blade
You'll Always Be My Baby
99 bpm • A min • 05:37 • -17.54db
11% Popularity • 43% Danceability • 18% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
11% Popularity • 43% Danceability • 18% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
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Kandace Springs
Soul Eyes
99 bpm • F min • 03:22 • -9.94db
38% Popularity • 37% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
38% Popularity • 37% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Kurt Elling
Lonely Town
99 bpm • D min • 06:52 • -14.58db
10% Popularity • 57% Danceability • 39% Energy • 11% Liveness
36% Instrumentalness • 59% Positiveness
10% Popularity • 57% Danceability • 39% Energy • 11% Liveness
36% Instrumentalness • 59% Positiveness
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Norah Jones
Sleeping Wild
112 bpm • E min • 03:07 • -20db
36% Popularity • 66% Danceability • 13% Energy • 10% Liveness
52% Instrumentalness • 23% Positiveness
36% Popularity • 66% Danceability • 13% Energy • 10% Liveness
52% Instrumentalness • 23% Positiveness
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Abdullah Ibrahim
Dreamtime
99 bpm • A# min • 04:05 • -19.5db
32% Popularity • 49% Danceability • 15% Energy • 22% Liveness
93% Instrumentalness • 7% Positiveness
32% Popularity • 49% Danceability • 15% Energy • 22% Liveness
93% Instrumentalness • 7% Positiveness
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Rigmor Gustafsson
Twist in My Sobriety
112 bpm • E Maj • 04:22 • -10.7db
22% Popularity • 76% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
22% Popularity • 76% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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The Carla Bley Band
The Lord Is Listenin' To Ya, Hallelujah!
112 bpm • A# Maj • 07:24 • -18db
11% Popularity • 43% Danceability • 25% Energy • 69% Liveness
92% Instrumentalness • 19% Positiveness
11% Popularity • 43% Danceability • 25% Energy • 69% Liveness
92% Instrumentalness • 19% Positiveness
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Lee Ritenour
River Man
112 bpm • G# Maj • 04:35 • -12.26db
27% Popularity • 65% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
27% Popularity • 65% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Kurt Elling
A Certain Continuum
112 bpm • C# min • 05:07 • -12.7db
8% Popularity • 50% Danceability • 47% Energy • 9% Liveness
13% Instrumentalness • 34% Positiveness
8% Popularity • 50% Danceability • 47% Energy • 9% Liveness
13% Instrumentalness • 34% Positiveness
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Arkadia Jazz All-Stars
What's Your Choice, Rolls Royce? - New Y...
112 bpm • C Maj • 05:51 • -9.1db
0% Popularity • 55% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
0% Popularity • 55% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Wynton Marsalis Septet
The Worst Thing
98 bpm • A min • 06:43 • -10.6db
13% Popularity • 39% Danceability • 39% Energy • 80% Liveness
38% Instrumentalness • 33% Positiveness
13% Popularity • 39% Danceability • 39% Energy • 80% Liveness
38% Instrumentalness • 33% Positiveness
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Michael Brecker
The Nearness Of You
98 bpm • A# Maj • 04:37 • -15.86db
28% Popularity • 52% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
28% Popularity • 52% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Kat Edmonson
Summertime
113 bpm • D# min • 05:12 • -12.54db
41% Popularity • 48% Danceability • 25% Energy • 9% Liveness
2% Instrumentalness • 8% Positiveness
41% Popularity • 48% Danceability • 25% Energy • 9% Liveness
2% Instrumentalness • 8% Positiveness
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Bob Mintzer Big Band
My One And Only Love
113 bpm • C Maj • 05:47 • -17.7db
2% Popularity • 35% Danceability • 16% Energy • 89% Liveness
0% Instrumentalness • 17% Positiveness
2% Popularity • 35% Danceability • 16% Energy • 89% Liveness
0% Instrumentalness • 17% Positiveness
