Songs like May the Road Rise to Meet You by Cathie Ryan
Based on a tempo of (+/- 10%) and a similar genre
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Byrne and Kelly
Rock 'n' Roll Kids
118 bpm • G Maj • 03:39 • -10.28db
14% Popularity • 56% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
14% Popularity • 56% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Cherish The Ladies
Waltzing Down the Aisle
118 bpm • D Maj • 03:41 • -9.85db
13% Popularity • 54% Danceability • 35% Energy • 11% Liveness
16% Instrumentalness • 29% Positiveness
13% Popularity • 54% Danceability • 35% Energy • 11% Liveness
16% Instrumentalness • 29% Positiveness
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Jim Malcolm
A Man's A Man for A' That
118 bpm • G Maj • 04:08 • -8.37db
17% Popularity • 61% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
17% Popularity • 61% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Emily Smith
Come Home Pretty Bird
118 bpm • C# Maj • 03:19 • -14.03db
15% Popularity • 64% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
15% Popularity • 64% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Celtic Thunder
When New York Was Irish
118 bpm • B Maj • 04:30 • -12.62db
19% Popularity • 51% Danceability • 15% Energy • 35% Liveness
0% Instrumentalness • 50% Positiveness
19% Popularity • 51% Danceability • 15% Energy • 35% Liveness
0% Instrumentalness • 50% Positiveness
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Show Of Hands
Keep Hauling
118 bpm • G Maj • 02:47 • -9.39db
27% Popularity • 30% Danceability • 26% Energy • 27% Liveness
0% Instrumentalness • 42% Positiveness
27% Popularity • 30% Danceability • 26% Energy • 27% Liveness
0% Instrumentalness • 42% Positiveness
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Cathie Ryan
May the Road Rise to Meet You
118 bpm • A Maj • 04:04 • -15.19db
27% Popularity • 52% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
27% Popularity • 52% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Sinéad Lohan
Sailing By
119 bpm • A# Maj • 03:35 • -17.64db
39% Popularity • 63% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
39% Popularity • 63% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Ruth Moody
Life Is Long
117 bpm • D Maj • 05:37 • -15.5db
21% Popularity • 35% Danceability • 13% Energy • 5% Liveness
0% Instrumentalness • 17% Positiveness
21% Popularity • 35% Danceability • 13% Energy • 5% Liveness
0% Instrumentalness • 17% Positiveness
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Cherish The Ladies
Farewell to the Catskills
119 bpm • G Maj • 03:59 • -9.8db
12% Popularity • 48% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
12% Popularity • 48% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Heidi Talbot
Drink to Me Only with Thine Eyes
119 bpm • C Maj • 04:18 • -13.49db
14% Popularity • 51% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
14% Popularity • 51% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Eleanor Shanley
Her Mantle so Green
117 bpm • C# Maj • 04:34 • -10db
28% Popularity • 62% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
28% Popularity • 62% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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John Spillane
All The Ways You Wander - 2009 Digital R...
117 bpm • F Maj • 03:58 • -11.62db
26% Popularity • 65% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
26% Popularity • 65% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
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Sinéad Lohan
This Time the Difference Is
119 bpm • A# Maj • 03:13 • -21db
28% Popularity • 72% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
28% Popularity • 72% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Cathie Ryan
I'm Going Back
120 bpm • G# Maj • 04:36 • -14.58db
5% Popularity • 57% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
5% Popularity • 57% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Colm Keegan
Raglan Road
117 bpm • D Maj • 04:05 • -17.6db
29% Popularity • 41% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
29% Popularity • 41% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Emily Smith
Silver Tassie
120 bpm • F# Maj • 03:09 • -12db
28% Popularity • 60% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
28% Popularity • 60% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Back of The Moon
The Final Trawl
120 bpm • C Maj • 04:41 • -11.63db
12% Popularity • 54% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
12% Popularity • 54% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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Aoife Scott
What You Do with What You've Got
120 bpm • D Maj • 02:47 • -9db
11% Popularity • 58% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
11% Popularity • 58% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Sinéad Lohan
Who Do You Think I Am
117 bpm • D# Maj • 04:24 • -20.18db
30% Popularity • 64% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
30% Popularity • 64% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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The Lomond Lads and Lassies
Loch Lomond - Acoustic Choral Mix
116 bpm • C Maj • 02:43 • -9.56db
31% Popularity • 42% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
31% Popularity • 42% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Celtic Thunder
The Streets Of Belfast
116 bpm • D Maj • 03:26 • -12.94db
15% Popularity • 60% Danceability • 40% Energy • 23% Liveness
2% Instrumentalness • 78% Positiveness
15% Popularity • 60% Danceability • 40% Energy • 23% Liveness
2% Instrumentalness • 78% Positiveness
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Lisa Kelly
Dubhdarra
115 bpm • D Maj • 03:33 • -11.79db
18% Popularity • 32% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
18% Popularity • 32% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Ross Kennedy
Bay Of Storms
115 bpm • D# Maj • 04:04 • -12.66db
25% Popularity • 53% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
25% Popularity • 53% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
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Mary Fahl
Gravity (Move Mountains, Turn Rivers Aro...
121 bpm • A Maj • 04:04 • -10.77db
18% Popularity • 39% Danceability • 20% Energy • 23% Liveness
0% Instrumentalness • 22% Positiveness
18% Popularity • 39% Danceability • 20% Energy • 23% Liveness
0% Instrumentalness • 22% Positiveness
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Sinéad Lohan
She's Lazy
121 bpm • B Maj • 02:56 • -13.72db
30% Popularity • 87% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
30% Popularity • 87% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Gretchen Peters
Sunday Morning (Up and Down My Street)
115 bpm • C Maj • 04:10 • -8.92db
24% Popularity • 63% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
24% Popularity • 63% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Byrne and Kelly
Black Is the Colour
115 bpm • E min • 03:07 • -10.94db
9% Popularity • 55% Danceability • 29% Energy • 25% Liveness
0% Instrumentalness • 14% Positiveness
9% Popularity • 55% Danceability • 29% Energy • 25% Liveness
0% Instrumentalness • 14% Positiveness
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Arcady
John O'Dreams
115 bpm • E Maj • 03:42 • -18.22db
28% Popularity • 54% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
28% Popularity • 54% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
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Niamh Parsons
West Coast of Clare
121 bpm • F# min • 04:47 • -17.56db
8% Popularity • 45% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 45% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Michelle Wright
The Reasons Why I'm Gone
121 bpm • C Maj • 03:35 • -9.74db
8% Popularity • 48% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
8% Popularity • 48% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Sean Tyrrell
Isle of Inish Free
115 bpm • G Maj • 04:02 • -10.39db
13% Popularity • 39% Danceability • 25% Energy • 17% Liveness
0% Instrumentalness • 26% Positiveness
13% Popularity • 39% Danceability • 25% Energy • 17% Liveness
0% Instrumentalness • 26% Positiveness
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Frances Black
Sky Road
122 bpm • G Maj • 04:28 • -11.17db
30% Popularity • 70% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
30% Popularity • 70% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Jean Redpath
Will Ye No Come Back Again
114 bpm • G Maj • 03:54 • -16db
16% Popularity • 28% Danceability • 5% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
16% Popularity • 28% Danceability • 5% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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The Celtic Angels
In The Arms Of The Angel - Original perf...
114 bpm • C# Maj • 04:32 • -22.35db
38% Popularity • 36% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
38% Popularity • 36% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
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Cathie Ryan
Mo NÃon Ó
114 bpm • B min • 04:44 • -14.46db
12% Popularity • 40% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
12% Popularity • 40% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Niamh Parsons
The Rigs of Rye
122 bpm • C Maj • 04:24 • -14db
9% Popularity • 57% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
9% Popularity • 57% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Karan Casey
The Creggan White Hare
122 bpm • D Maj • 04:17 • -9db
12% Popularity • 50% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
12% Popularity • 50% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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Doug Meier
Little Tommy's Prayer
122 bpm • D Maj • 04:13 • -11.01db
14% Popularity • 56% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 17% Positiveness
14% Popularity • 56% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 17% Positiveness
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Christie Hennessy
Song for Stephen
122 bpm • E Maj • 03:59 • -17.46db
20% Popularity • 44% Danceability • 21% Energy • 18% Liveness
19% Instrumentalness • 47% Positiveness
20% Popularity • 44% Danceability • 21% Energy • 18% Liveness
19% Instrumentalness • 47% Positiveness
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Emily Smith
Craigieburn Wood
122 bpm • G# Maj • 04:37 • -9.43db
31% Popularity • 51% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
31% Popularity • 51% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Dolores Keane
Telling Me Lies
114 bpm • A Maj • 03:52 • -12.71db
9% Popularity • 60% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 14% Positiveness
9% Popularity • 60% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 14% Positiveness
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Colm Keegan
Beautiful Day
114 bpm • G Maj • 03:52 • -7.95db
16% Popularity • 68% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
16% Popularity • 68% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
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Clanna
The Older I Get
114 bpm • D Maj • 03:32 • -6.11db
19% Popularity • 69% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
19% Popularity • 69% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Carrie Newcomer
Where the Light Comes Down
114 bpm • D Maj • 04:03 • -12.91db
10% Popularity • 63% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
10% Popularity • 63% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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De Dannan
Anthem for Ireland
114 bpm • G Maj • 03:34 • -20.73db
25% Popularity • 37% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
25% Popularity • 37% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Seamus Begley
Annie Laurie
114 bpm • A# Maj • 03:02 • -13.14db
8% Popularity • 33% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
8% Popularity • 33% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Cathie Ryan
Dance the Baby (slip jig set)
114 bpm • D Maj • 04:12 • -8.14db
2% Popularity • 52% Danceability • 37% Energy • 32% Liveness
0% Instrumentalness • 73% Positiveness
2% Popularity • 52% Danceability • 37% Energy • 32% Liveness
0% Instrumentalness • 73% Positiveness
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Sinéad Lohan
Down On My Luck
123 bpm • F# Maj • 02:56 • -14.52db
31% Popularity • 82% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
31% Popularity • 82% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Karan Casey
Exiles Return
113 bpm • B Maj • 04:52 • -13.04db
11% Popularity • 69% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
11% Popularity • 69% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Cherish The Ladies
Ar Éirinn Nà Neosfainn Cé Hà (For Ir...
113 bpm • D Maj • 04:57 • -7.79db
20% Popularity • 50% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
20% Popularity • 50% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Solas
A Chomaraigh Aolbhinn o
113 bpm • C min • 04:43 • -15.14db
31% Popularity • 34% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
31% Popularity • 34% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Beth Nielsen Chapman
Sand and Water
113 bpm • F# Maj • 04:08 • -10.61db
34% Popularity • 46% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
34% Popularity • 46% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Colm Keegan
Where We'll Be
113 bpm • E Maj • 03:44 • -8.7db
15% Popularity • 70% Danceability • 60% Energy • 16% Liveness
1% Instrumentalness • 75% Positiveness
15% Popularity • 70% Danceability • 60% Energy • 16% Liveness
1% Instrumentalness • 75% Positiveness
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The O'Neill Sisters
Red Is the Rose
123 bpm • E Maj • 04:06 • -15.81db
12% Popularity • 35% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
12% Popularity • 35% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Niamh Parsons
Tide Full In
113 bpm • F Maj • 02:26 • -13.55db
14% Popularity • 59% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
14% Popularity • 59% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Alison Krauss & Union Station
A Living Prayer
113 bpm • A Maj • 03:34 • -12db
40% Popularity • 43% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
40% Popularity • 43% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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De Dannan
Let It Be
124 bpm • D Maj • 03:29 • -19db
34% Popularity • 36% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
34% Popularity • 36% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Ella Roberts
The Skye Boat Song
123 bpm • F Maj • 04:16 • -9.05db
35% Popularity • 33% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
35% Popularity • 33% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Dolores Keane
Have I Told You Lately
124 bpm • F Maj • 03:53 • -10.78db
27% Popularity • 36% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
27% Popularity • 36% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Melissa Errico
Mockingbird
124 bpm • F Maj • 02:56 • -13db
24% Popularity • 78% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
24% Popularity • 78% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Arcady
The Rambling Irishman
112 bpm • F# Maj • 03:33 • -13.41db
21% Popularity • 64% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
21% Popularity • 64% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Leonie
Losing You
112 bpm • A Maj • 05:10 • -13.04db
17% Popularity • 43% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
17% Popularity • 43% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Siobhan Miller
While the Whole World Sleeps
124 bpm • B Maj • 04:00 • -11.9db
23% Popularity • 46% Danceability • 31% Energy • 10% Liveness
12% Instrumentalness • 26% Positiveness
23% Popularity • 46% Danceability • 31% Energy • 10% Liveness
12% Instrumentalness • 26% Positiveness
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Kim Orabona
O Danny Boy
124 bpm • A# Maj • 03:43 • -17.44db
11% Popularity • 28% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
11% Popularity • 28% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Dolores Keane
Solid Ground
112 bpm • D Maj • 03:54 • -11.89db
19% Popularity • 65% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
19% Popularity • 65% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Peter Mayer
Church of the Earth
112 bpm • E Maj • 05:16 • -8.69db
8% Popularity • 57% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
8% Popularity • 57% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Cathie Ryan
The Lights Of San Francisco
124 bpm • A# Maj • 04:02 • -17.68db
4% Popularity • 38% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
4% Popularity • 38% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Anúna
Love's Old Sweet Song
112 bpm • A Maj • 04:07 • -18db
20% Popularity • 28% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
20% Popularity • 28% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Luka Bloom
I'll Walk Beside You
112 bpm • D Maj • 03:14 • -16.18db
23% Popularity • 33% Danceability • 11% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
23% Popularity • 33% Danceability • 11% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
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The McCalmans
Wild Mountain Thyme
112 bpm • G Maj • 03:20 • -15.58db
12% Popularity • 44% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
12% Popularity • 44% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Lisa Kelly
Send Me a Song
111 bpm • F Maj • 04:48 • -10.73db
20% Popularity • 42% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
20% Popularity • 42% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Yulia
Scarborough Fair
125 bpm • B min • 04:20 • -11db
20% Popularity • 52% Danceability • 26% Energy • 26% Liveness
0% Instrumentalness • 19% Positiveness
20% Popularity • 52% Danceability • 26% Energy • 26% Liveness
0% Instrumentalness • 19% Positiveness
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Cathie Ryan
Somewhere Along The Road
125 bpm • C Maj • 04:23 • -15db
29% Popularity • 33% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
29% Popularity • 33% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Christie Hennessy
All the Lies That You Told Me
125 bpm • G Maj • 03:29 • -10db
29% Popularity • 73% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
29% Popularity • 73% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Emma
Skye Boat Song
111 bpm • D Maj • 02:27 • -12db
31% Popularity • 57% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
31% Popularity • 57% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Katie Theasby
One Starry Night
126 bpm • C Maj • 03:54 • -9.69db
10% Popularity • 45% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
10% Popularity • 45% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
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Garnet Rogers
All That Is
111 bpm • D Maj • 03:44 • -12db
20% Popularity • 60% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
20% Popularity • 60% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Solfrid Gavang
I Will Pray for You
111 bpm • A# Maj • 04:46 • -9.9db
16% Popularity • 26% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 9% Positiveness
16% Popularity • 26% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 9% Positiveness
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Cathie Ryan
Peata Beag do Mhathar
111 bpm • G# Maj • 03:04 • -7.11db
4% Popularity • 77% Danceability • 60% Energy • 22% Liveness
1% Instrumentalness • 96% Positiveness
4% Popularity • 77% Danceability • 60% Energy • 22% Liveness
1% Instrumentalness • 96% Positiveness
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Jim McCann
Easy and Slow
111 bpm • C Maj • 04:29 • -18.18db
17% Popularity • 41% Danceability • 12% Energy • 14% Liveness
2% Instrumentalness • 17% Positiveness
17% Popularity • 41% Danceability • 12% Energy • 14% Liveness
2% Instrumentalness • 17% Positiveness
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Eleanor Tomlinson
If You Could Read My Mind
126 bpm • A# Maj • 04:01 • -9.12db
11% Popularity • 60% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
11% Popularity • 60% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Karine Polwart
Follow The Heron
126 bpm • A Maj • 03:11 • -9.08db
31% Popularity • 55% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
31% Popularity • 55% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Eric Bogle
Now I'm Easy
110 bpm • D Maj • 04:09 • -15.79db
22% Popularity • 60% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
22% Popularity • 60% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Karan Casey
Down in the Glen
110 bpm • C Maj • 04:49 • -9.69db
16% Popularity • 31% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
16% Popularity • 31% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Christie Hennessy
Roll Back the Clouds
126 bpm • A Maj • 05:32 • -14.11db
32% Popularity • 52% Danceability • 13% Energy • 9% Liveness
3% Instrumentalness • 32% Positiveness
32% Popularity • 52% Danceability • 13% Energy • 9% Liveness
3% Instrumentalness • 32% Positiveness
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Mary Fahl
Both Sides Now
110 bpm • F Maj • 04:37 • -13.71db
19% Popularity • 57% Danceability • 20% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
19% Popularity • 57% Danceability • 20% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
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Aoife Scott
The Hills of South Armagh
110 bpm • D Maj • 04:47 • -15.7db
13% Popularity • 66% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
13% Popularity • 66% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Cherish The Ladies
The Lake Isle of Innisfree
110 bpm • C min • 03:05 • -17.36db
15% Popularity • 42% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
15% Popularity • 42% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Maireid Sullivan
Connamara Cradle Song
110 bpm • D Maj • 05:28 • -13.04db
15% Popularity • 52% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
15% Popularity • 52% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Danú
County Down
127 bpm • F Maj • 04:50 • -14.23db
25% Popularity • 48% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
25% Popularity • 48% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Deanta
The Benedy Glen
127 bpm • E min • 05:53 • -15db
17% Popularity • 33% Danceability • 13% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
17% Popularity • 33% Danceability • 13% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
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Carrie Newcomer
Holy As A Day Is Spent
110 bpm • A Maj • 03:09 • -9.51db
17% Popularity • 48% Danceability • 28% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
17% Popularity • 48% Danceability • 28% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
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Sinéad Lohan
If I Go
110 bpm • A Maj • 03:55 • -19.45db
30% Popularity • 63% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
30% Popularity • 63% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Cathie Ryan
Follow the Heron
109 bpm • A Maj • 03:29 • -8.97db
7% Popularity • 39% Danceability • 36% Energy • 10% Liveness
1% Instrumentalness • 48% Positiveness
7% Popularity • 39% Danceability • 36% Energy • 10% Liveness
1% Instrumentalness • 48% Positiveness
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Jim McCann
Carrickfergus
109 bpm • B Maj • 04:02 • -17.12db
18% Popularity • 49% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
18% Popularity • 49% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Tim O'Brien
Like I Used to Do
128 bpm • F Maj • 04:12 • -12.53db
14% Popularity • 55% Danceability • 32% Energy • 25% Liveness
0% Instrumentalness • 42% Positiveness
14% Popularity • 55% Danceability • 32% Energy • 25% Liveness
0% Instrumentalness • 42% Positiveness
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Niamh Parsons
The Water Is Wide
109 bpm • D Maj • 04:49 • -13.32db
18% Popularity • 47% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
18% Popularity • 47% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
