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Maybe Don't
Songs like
Maybe Don't
by
Driving Blue
Based on a tempo of (+/- 10%) and a similar genre
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Driving Blue
Maybe Don't
180 bpm • G# Maj • 04:08 • -10.51db
2% Popularity • 49% Danceability • 44% Energy • 19% Liveness
0% Instrumentalness • 50% Positiveness
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Carlos Dizon
Across The Vast Reality
180 bpm • C# Maj • 03:13 • -15.72db
17% Popularity • 71% Danceability • 40% Energy • 12% Liveness
24% Instrumentalness • 70% Positiveness
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Mountainkind
Here Is Your God
179 bpm • D Maj • 02:54 • -7.96db
7% Popularity • 44% Danceability • 52% Energy • 28% Liveness
0% Instrumentalness • 28% Positiveness
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Lana Nauphal
The Sweetest Thing
181 bpm • G Maj • 03:32 • -10.83db
19% Popularity • 32% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Sophie Janna
Here Now
181 bpm • D# Maj • 04:17 • -11.16db
16% Popularity • 35% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Carson Kelley
Please Don't Be in Love With Someone Els...
178 bpm • D# Maj • 02:05 • -11.44db
9% Popularity • 41% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Two Blondes
Moving On
182 bpm • G Maj • 03:56 • -10.19db
18% Popularity • 23% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
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Caroline Cotter
The Year of the Wrecking Ball
182 bpm • C# Maj • 03:37 • -8.97db
25% Popularity • 39% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Sara Trunzo
Anthracite Girl
183 bpm • E Maj • 04:05 • -8.09db
9% Popularity • 33% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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The Wolff Sisters
Up in Wellfleet
177 bpm • F Maj • 05:14 • -11.77db
8% Popularity • 46% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Roseanne Reid
Lawside
177 bpm • E Maj • 04:44 • -12.45db
21% Popularity • 29% Danceability • 24% Energy • 13% Liveness
1% Instrumentalness • 32% Positiveness
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Vanessa Forero
Critters & Kings
184 bpm • G Maj • 03:18 • -14.56db
8% Popularity • 45% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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She Returns From War
Always Something
184 bpm • G Maj • 03:29 • -6.36db
12% Popularity • 39% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Neil Murray
Pikilyi
184 bpm • C Maj • 04:14 • -9.6db
13% Popularity • 52% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
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Adam Holmes
Follow Her Anywhere
184 bpm • C Maj • 03:14 • -12.74db
12% Popularity • 36% Danceability • 28% Energy • 8% Liveness
17% Instrumentalness • 27% Positiveness
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Gracie Yates
Do You
176 bpm • B min • 03:00 • -8.62db
11% Popularity • 42% Danceability • 48% Energy • 34% Liveness
0% Instrumentalness • 25% Positiveness
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Jacy Penland
Bottom of the Sea
176 bpm • G# Maj • 03:52 • -9.56db
14% Popularity • 34% Danceability • 30% Energy • 52% Liveness
0% Instrumentalness • 6% Positiveness
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Tim Easton
Find Your Way
185 bpm • E Maj • 04:15 • -10.14db
9% Popularity • 42% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Mike Cavanaugh
Til My Dying Day
175 bpm • F Maj • 03:39 • -16.99db
2% Popularity • 29% Danceability • 23% Energy • 14% Liveness
8% Instrumentalness • 24% Positiveness
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Kelly Hunt
Ozark Symphony
185 bpm • G min • 05:06 • -10.54db
8% Popularity • 30% Danceability • 47% Energy • 16% Liveness
3% Instrumentalness • 44% Positiveness
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Thom Cowley
Sackcloth And Ashes
186 bpm • C# min • 04:38 • -13.08db
17% Popularity • 52% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Chris Smither
If I Had a Dollar
174 bpm • C Maj • 02:50 • -10.52db
22% Popularity • 41% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
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Ashtyn Barbaree
The Great Forgiver
173 bpm • A# Maj • 02:44 • -9.74db
27% Popularity • 43% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Jefferson Berry & the UAC
First Purple Light
174 bpm • G Maj • 03:51 • -11.31db
13% Popularity • 44% Danceability • 39% Energy • 7% Liveness
14% Instrumentalness • 32% Positiveness
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Hunter Stone
Ballad of a Man with No Name
171 bpm • C# min • 03:45 • -9.49db
15% Popularity • 31% Danceability • 62% Energy • 12% Liveness
2% Instrumentalness • 50% Positiveness
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Joel Jerome
Today
190 bpm • D# Maj • 04:08 • -7.18db
22% Popularity • 50% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
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Aire & Sol
Sum Of Me
170 bpm • D# Maj • 04:05 • -9.59db
8% Popularity • 26% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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The Alexander Meadows
Cherry Tree
168 bpm • C Maj • 03:51 • -17db
10% Popularity • 52% Danceability • 25% Energy • 8% Liveness
55% Instrumentalness • 33% Positiveness
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Gailna
Big Day
166 bpm • G Maj • 02:38 • -9.45db
13% Popularity • 42% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Desi and Cody
In the End
165 bpm • G Maj • 03:18 • -13.6db
9% Popularity • 50% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Sarah Bellstedt
strangers
196 bpm • A Maj • 02:48 • -14.16db
7% Popularity • 37% Danceability • 24% Energy • 12% Liveness
1% Instrumentalness • 15% Positiveness
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Driftwood Holly
Bear Song
164 bpm • F# min • 04:51 • -12.74db
8% Popularity • 30% Danceability • 33% Energy • 10% Liveness
38% Instrumentalness • 22% Positiveness
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The Eagle Rock Gospel Singers
The Breaking
164 bpm • E min • 03:40 • -8.29db
17% Popularity • 54% Danceability • 62% Energy • 35% Liveness
0% Instrumentalness • 67% Positiveness
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Roseanne Reid
Made Just For You
162 bpm • D min • 03:54 • -11.76db
13% Popularity • 40% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Deacon Blue
She'll Understand - Acoustic Version
161 bpm • A# Maj • 03:41 • -10.07db
26% Popularity • 42% Danceability • 32% Energy • 36% Liveness
0% Instrumentalness • 34% Positiveness
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Tom Scully
We'll Do Right
160 bpm • F# Maj • 03:06 • -10.53db
10% Popularity • 63% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
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Maggie Halfman
Red Blue
160 bpm • B Maj • 03:39 • -12.8db
20% Popularity • 57% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Allison Russell
Many Mansions
160 bpm • A Maj • 03:31 • -8.77db
24% Popularity • 51% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Sinead Angele
The Blow
160 bpm • C Maj • 04:23 • -7.97db
10% Popularity • 54% Danceability • 31% Energy • 12% Liveness
3% Instrumentalness • 25% Positiveness
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Nursery Rhymes A to Z
Little Miss Muffet
160 bpm • C Maj • 01:18 • -9.85db
20% Popularity • 44% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Johnathan Rice
Millions of Miles
203 bpm • A Maj • 03:20 • -4.8db
8% Popularity • 34% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Laura Silverstone
Like the Moon
204 bpm • A Maj • 03:56 • -8.59db
15% Popularity • 41% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
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Thomas Csorba
Windchimes
158 bpm • E Maj • 03:26 • -10.95db
25% Popularity • 55% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Certainly So
I Still Miss Someone - Acoustic Cover
157 bpm • E Maj • 03:40 • -10.92db
12% Popularity • 41% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Rachel Sumner
3000 Miles
158 bpm • C Maj • 04:18 • -14db
18% Popularity • 59% Danceability • 35% Energy • 11% Liveness
64% Instrumentalness • 58% Positiveness
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Nursery Rhymes A to Z
Ruba Dub Dub
159 bpm • C Maj • 00:57 • -8.17db
17% Popularity • 38% Danceability • 36% Energy • 10% Liveness
1% Instrumentalness • 58% Positiveness
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Ruby Rae
Beehive
157 bpm • G Maj • 03:08 • -10.45db
11% Popularity • 63% Danceability • 53% Energy • 9% Liveness
21% Instrumentalness • 85% Positiveness
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Paper Wings
Mad Thing
156 bpm • A# min • 03:29 • -10.7db
16% Popularity • 38% Danceability • 41% Energy • 22% Liveness
5% Instrumentalness • 33% Positiveness
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Sara Trunzo
In the Bend of the Cumberland
157 bpm • B Maj • 03:57 • -9.79db
15% Popularity • 25% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Mark Shiiba
Lost at Sea
208 bpm • D Maj • 02:53 • -9.56db
29% Popularity • 32% Danceability • 46% Energy • 65% Liveness
0% Instrumentalness • 63% Positiveness
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Denise Glover
Blue Sky
156 bpm • G Maj • 03:36 • -12db
16% Popularity • 57% Danceability • 32% Energy • 10% Liveness
1% Instrumentalness • 51% Positiveness
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Tim Flannery
Gamblin'
156 bpm • C min • 03:56 • -7.33db
10% Popularity • 60% Danceability • 55% Energy • 11% Liveness
16% Instrumentalness • 44% Positiveness
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Riley Catherall
Coming Down, Coming Over
155 bpm • G Maj • 03:35 • -13.4db
17% Popularity • 44% Danceability • 23% Energy • 25% Liveness
0% Instrumentalness • 35% Positiveness
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Esterita Vanin
You throw me down
156 bpm • A Maj • 03:11 • -8.02db
25% Popularity • 47% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Joe George
Stone's Throw
154 bpm • A# Maj • 02:56 • -9.3db
31% Popularity • 66% Danceability • 45% Energy • 16% Liveness
6% Instrumentalness • 35% Positiveness
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Milkweed
Drunk Fish
154 bpm • F Maj • 03:26 • -9.69db
10% Popularity • 56% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Ruby Mae
Keeper
154 bpm • G min • 03:48 • -4.83db
18% Popularity • 52% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Antoinette Hinitt
Lovers and Rings
154 bpm • A# Maj • 02:43 • -8.11db
17% Popularity • 55% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Maybe Don't