Songs like Maybe Don't (feat. JP Saxe) by Maisie Peters
Based on a tempo of (+/- 10%) and a similar genre
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Maisie Peters
Maybe Don't
167 bpm • G Maj • 02:54 • -5.23db
51% Popularity • 71% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
51% Popularity • 71% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
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Nina Nesbitt
Summer Fling
166 bpm • C min • 03:35 • -6db
27% Popularity • 53% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
27% Popularity • 53% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Sody
Maybe It Was Me
166 bpm • F Maj • 02:59 • -9.76db
46% Popularity • 46% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
46% Popularity • 46% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
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Cian Ducrot
hurt so bad
168 bpm • D Maj • 04:02 • -6.53db
46% Popularity • 46% Danceability • 45% Energy • 27% Liveness
0% Instrumentalness • 28% Positiveness
46% Popularity • 46% Danceability • 45% Energy • 27% Liveness
0% Instrumentalness • 28% Positiveness
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renforshort
fuck, i luv my friends
168 bpm • E Maj • 02:43 • -5.67db
42% Popularity • 44% Danceability • 55% Energy • 33% Liveness
0% Instrumentalness • 68% Positiveness
42% Popularity • 44% Danceability • 55% Energy • 33% Liveness
0% Instrumentalness • 68% Positiveness
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Taylor Swift
willow - 90's trend remix
168 bpm • G Maj • 03:45 • -8.7db
50% Popularity • 60% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
50% Popularity • 60% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Maisie Peters
Villain
166 bpm • A Maj • 03:45 • -6.39db
44% Popularity • 54% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
44% Popularity • 54% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Blake Rose
Lady
168 bpm • G# Maj • 04:02 • -4db
44% Popularity • 44% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
44% Popularity • 44% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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James Smith
I Don't Wanna Know
165 bpm • G Maj • 03:28 • -8.6db
38% Popularity • 25% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
38% Popularity • 25% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Lana Condor
For Real
169 bpm • C Maj • 02:12 • -9.69db
34% Popularity • 50% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
34% Popularity • 50% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Sasha Alex Sloan
I Blame The World
165 bpm • G# Maj • 03:17 • -6db
40% Popularity • 58% Danceability • 78% Energy • 12% Liveness
24% Instrumentalness • 69% Positiveness
40% Popularity • 58% Danceability • 78% Energy • 12% Liveness
24% Instrumentalness • 69% Positiveness
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Dylan
You're Not Harry Styles
165 bpm • F# Maj • 02:56 • -4.56db
51% Popularity • 55% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
51% Popularity • 55% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Deacon
Long Run
170 bpm • D Maj • 02:54 • -8.51db
40% Popularity • 68% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
40% Popularity • 68% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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LANY
good guys
170 bpm • C Maj • 03:44 • -7.45db
50% Popularity • 46% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
50% Popularity • 46% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Alec Chambers
Boston
170 bpm • G# Maj • 03:26 • -5db
36% Popularity • 53% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
36% Popularity • 53% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Rhys Lewis
Be Your Man
170 bpm • A min • 04:00 • -8.24db
36% Popularity • 52% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
36% Popularity • 52% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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LÉON
Hope Is a Heartache
171 bpm • F Maj • 03:21 • -6.63db
57% Popularity • 47% Danceability • 50% Energy • 30% Liveness
0% Instrumentalness • 24% Positiveness
57% Popularity • 47% Danceability • 50% Energy • 30% Liveness
0% Instrumentalness • 24% Positiveness
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Alexander 23
The Hardest Part
162 bpm • G# Maj • 03:23 • -9db
46% Popularity • 50% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
46% Popularity • 50% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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James Smith
Call Me When It's Over
173 bpm • F# Maj • 03:47 • -9.78db
41% Popularity • 48% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
41% Popularity • 48% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Dylan
Someone Else
174 bpm • F# Maj • 03:11 • -4.1db
47% Popularity • 48% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
47% Popularity • 48% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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Valley
hiccup
160 bpm • A Maj • 02:44 • -8.96db
50% Popularity • 42% Danceability • 58% Energy • 33% Liveness
0% Instrumentalness • 55% Positiveness
50% Popularity • 42% Danceability • 58% Energy • 33% Liveness
0% Instrumentalness • 55% Positiveness
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Blake Rose
Movie
160 bpm • F Maj • 04:07 • -9db
36% Popularity • 27% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
36% Popularity • 27% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Benson Boone
ROOM FOR 2
160 bpm • D Maj • 02:31 • -5.64db
69% Popularity • 59% Danceability • 50% Energy • 33% Liveness
0% Instrumentalness • 28% Positiveness
69% Popularity • 59% Danceability • 50% Energy • 33% Liveness
0% Instrumentalness • 28% Positiveness
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Alexander 23
Hate Me If It Helps
162 bpm • D Maj • 03:16 • -8.84db
45% Popularity • 53% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
45% Popularity • 53% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Rosie Darling
Witness
174 bpm • D Maj • 03:55 • -9.76db
52% Popularity • 43% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
52% Popularity • 43% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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shy martin
Nobody Likes Moving On
160 bpm • B Maj • 02:46 • -10.78db
43% Popularity • 64% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
43% Popularity • 64% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Fly By Midnight
Lovely
160 bpm • C Maj • 02:56 • -6.8db
48% Popularity • 55% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
48% Popularity • 55% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
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david hugo
we made it.
176 bpm • F Maj • 02:44 • -7.91db
50% Popularity • 65% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
50% Popularity • 65% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Rhys Lewis
No Right To Love You
159 bpm • C# Maj • 03:58 • -8.15db
45% Popularity • 59% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
45% Popularity • 59% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Dermot Kennedy
Giants
158 bpm • G# min • 02:57 • -5.29db
59% Popularity • 57% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
59% Popularity • 57% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
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Avery Lynch
Holding My Own Hand
158 bpm • D# Maj • 03:36 • -7db
31% Popularity • 68% Danceability • 45% Energy • 26% Liveness
0% Instrumentalness • 51% Positiveness
31% Popularity • 68% Danceability • 45% Energy • 26% Liveness
0% Instrumentalness • 51% Positiveness
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JP Saxe
Soft Landing
158 bpm • B min • 02:27 • -6.38db
35% Popularity • 49% Danceability • 58% Energy • 45% Liveness
0% Instrumentalness • 60% Positiveness
35% Popularity • 49% Danceability • 58% Energy • 45% Liveness
0% Instrumentalness • 60% Positiveness
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Heather Sommer
talking in my sleep
158 bpm • G# Maj • 02:34 • -5.38db
44% Popularity • 69% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
44% Popularity • 69% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Maisie Peters
Favourite Ex
177 bpm • F Maj • 03:21 • -10.28db
56% Popularity • 40% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
56% Popularity • 40% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Julia Wolf
Hoops
157 bpm • C Maj • 03:19 • -9.18db
41% Popularity • 62% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
41% Popularity • 62% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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John K
ilym
178 bpm • C# min • 03:53 • -7.44db
40% Popularity • 26% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
40% Popularity • 26% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Noah Kahan
Someone Like You
178 bpm • F Maj • 03:06 • -7.49db
66% Popularity • 61% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
66% Popularity • 61% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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LANY
cowboy in LA
178 bpm • G# Maj • 03:33 • -8.92db
62% Popularity • 62% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
62% Popularity • 62% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Alexa Cappelli
Forbidden
178 bpm • D Maj • 03:44 • -5.75db
29% Popularity • 55% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
29% Popularity • 55% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Mimi Webb
Reasons
178 bpm • F# Maj • 02:42 • -10db
46% Popularity • 40% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
46% Popularity • 40% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Alec Benjamin
Oh My God
156 bpm • F min • 03:07 • -7.24db
55% Popularity • 70% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
55% Popularity • 70% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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We Three
i wanna love somebody
156 bpm • A Maj • 03:53 • -7.38db
47% Popularity • 59% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
47% Popularity • 59% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Forest Blakk
If You Love Her - Meghan Trainor
156 bpm • C# Maj • 03:35 • -7.16db
58% Popularity • 34% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
58% Popularity • 34% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Tate McRae
rubberband
155 bpm • A# Maj • 02:27 • -8.91db
64% Popularity • 64% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
64% Popularity • 64% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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John K
ilym
179 bpm • C# min • 03:56 • -8.14db
50% Popularity • 26% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
50% Popularity • 26% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Maisie Peters
Blonde
180 bpm • A Maj • 03:01 • -3.98db
55% Popularity • 41% Danceability • 82% Energy • 31% Liveness
0% Instrumentalness • 63% Positiveness
55% Popularity • 41% Danceability • 82% Energy • 31% Liveness
0% Instrumentalness • 63% Positiveness
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Valley
homebody
155 bpm • C# Maj • 03:11 • -7.24db
43% Popularity • 62% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
43% Popularity • 62% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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We Three
hold me, baby
180 bpm • G# Maj • 03:19 • -5.21db
42% Popularity • 61% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
42% Popularity • 61% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
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Georgia Ku
What Do I Do?
180 bpm • A# Maj • 03:25 • -2.6db
33% Popularity • 42% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
33% Popularity • 42% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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CARYS
When A Girl
180 bpm • G min • 03:32 • -5.98db
37% Popularity • 73% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
37% Popularity • 73% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Griff
Sound of Your Voice
180 bpm • D Maj • 03:02 • -5.14db
40% Popularity • 70% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
40% Popularity • 70% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
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Maisie Peters
Place We Were Made
180 bpm • C Maj • 03:05 • -9.11db
51% Popularity • 36% Danceability • 35% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
51% Popularity • 36% Danceability • 35% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
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Walk off the Earth
Nicknames
180 bpm • F Maj • 03:06 • -7.62db
30% Popularity • 60% Danceability • 56% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
30% Popularity • 60% Danceability • 56% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
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Jax
Ring Pop
180 bpm • F Maj • 02:26 • -11.98db
47% Popularity • 64% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
47% Popularity • 64% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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John K
Rum n Tequila
155 bpm • A Maj • 02:17 • -5.18db
50% Popularity • 61% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
50% Popularity • 61% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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Clinton Kane
i don't want to watch the world end with...
154 bpm • D Maj • 03:04 • -9.34db
64% Popularity • 54% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
64% Popularity • 54% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Blake Rose
Casanova
155 bpm • B Maj • 03:01 • -6db
44% Popularity • 57% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 77% Positiveness
44% Popularity • 57% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 77% Positiveness
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Sadie Jean
WYD Now?
181 bpm • C# Maj • 02:24 • -10.99db
68% Popularity • 38% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
68% Popularity • 38% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Zachary Knowles
johnny & june
182 bpm • G# min • 02:44 • -8db
27% Popularity • 60% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
27% Popularity • 60% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
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salem ilese
Coke & Mentos
183 bpm • G Maj • 02:07 • -5.4db
43% Popularity • 60% Danceability • 66% Energy • 16% Liveness
1% Instrumentalness • 75% Positiveness
43% Popularity • 60% Danceability • 66% Energy • 16% Liveness
1% Instrumentalness • 75% Positiveness
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Maisie Peters
Lunar Years
152 bpm • C# Maj • 02:55 • -7.52db
40% Popularity • 70% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 87% Positiveness
40% Popularity • 70% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 87% Positiveness
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Alexander 23
Crash
185 bpm • E Maj • 03:14 • -5.25db
41% Popularity • 57% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 72% Positiveness
41% Popularity • 57% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 72% Positiveness
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Caleb Hearn
Brown Eyes, Brown Hair
184 bpm • D Maj • 03:06 • -10.83db
53% Popularity • 39% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
53% Popularity • 39% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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Beth McCarthy
She Gets the Flowers
151 bpm • D Maj • 03:39 • -7.06db
50% Popularity • 44% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
50% Popularity • 44% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Carlie Hanson
Back in My Arms
150 bpm • C# min • 03:15 • -4.85db
41% Popularity • 54% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
41% Popularity • 54% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Beren Olivia
Read My Mind
150 bpm • D Maj • 02:58 • -9.2db
40% Popularity • 53% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
40% Popularity • 53% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Luz
counting houses
150 bpm • A# Maj • 03:20 • -12.09db
35% Popularity • 57% Danceability • 49% Energy • 33% Liveness
0% Instrumentalness • 42% Positiveness
35% Popularity • 57% Danceability • 49% Energy • 33% Liveness
0% Instrumentalness • 42% Positiveness
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Quinn XCII
We Don’t Talk Enough
186 bpm • F Maj • 02:28 • -14.34db
45% Popularity • 59% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
45% Popularity • 59% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Maisie Peters
Tough Act
150 bpm • A# Maj • 03:37 • -5.38db
40% Popularity • 46% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
40% Popularity • 46% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Clinton Kane
remember the mornings
149 bpm • C Maj • 03:22 • -5.66db
46% Popularity • 59% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
46% Popularity • 59% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Carlie Hanson
Side Effects
186 bpm • E Maj • 03:08 • -5.34db
46% Popularity • 57% Danceability • 73% Energy • 24% Liveness
0% Instrumentalness • 37% Positiveness
46% Popularity • 57% Danceability • 73% Energy • 24% Liveness
0% Instrumentalness • 37% Positiveness
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John K
in case you miss me
149 bpm • D# Maj • 02:50 • -7.11db
36% Popularity • 67% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
36% Popularity • 67% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Ruel
distance
149 bpm • D# min • 02:59 • -8.56db
53% Popularity • 56% Danceability • 33% Energy • 56% Liveness
0% Instrumentalness • 50% Positiveness
53% Popularity • 56% Danceability • 33% Energy • 56% Liveness
0% Instrumentalness • 50% Positiveness
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FINNEAS
I Don't Miss You at All
148 bpm • C# min • 02:08 • -7.57db
56% Popularity • 84% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
56% Popularity • 84% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Maisie Peters
Funeral
149 bpm • D Maj • 02:34 • -5.85db
35% Popularity • 50% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
35% Popularity • 50% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Bailey Bryan
play w/ me
148 bpm • F# Maj • 03:03 • -7db
41% Popularity • 74% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
41% Popularity • 74% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Carlie Hanson
Daze Inn
149 bpm • C Maj • 02:38 • -5.33db
41% Popularity • 64% Danceability • 77% Energy • 38% Liveness
0% Instrumentalness • 58% Positiveness
41% Popularity • 64% Danceability • 77% Energy • 38% Liveness
0% Instrumentalness • 58% Positiveness
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LANY
if this is the last time
148 bpm • B Maj • 03:23 • -7.73db
62% Popularity • 57% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 43% Positiveness
62% Popularity • 57% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 43% Positiveness
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Sasha Alex Sloan
Matter To You
148 bpm • D# Maj • 03:37 • -8.81db
45% Popularity • 64% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
45% Popularity • 64% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Elina
Paper Planes
148 bpm • C# Maj • 03:19 • -12.48db
53% Popularity • 53% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
53% Popularity • 53% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Jess Spink
Same but Different
148 bpm • A Maj • 03:33 • -6.81db
18% Popularity • 77% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
18% Popularity • 77% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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John K
everything
189 bpm • C# Maj • 02:52 • -7.53db
43% Popularity • 45% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
43% Popularity • 45% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Niall Horan
Black And White
148 bpm • D Maj • 03:13 • -6.02db
68% Popularity • 44% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
68% Popularity • 44% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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PJ Harding
Dear August
147 bpm • C Maj • 03:20 • -7.82db
65% Popularity • 64% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
65% Popularity • 64% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Maisie Peters
Lost The Breakup
147 bpm • E Maj • 03:09 • -3.44db
61% Popularity • 60% Danceability • 89% Energy • 36% Liveness
0% Instrumentalness • 68% Positiveness
61% Popularity • 60% Danceability • 89% Energy • 36% Liveness
0% Instrumentalness • 68% Positiveness
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AUSTN
In Betweenin'
147 bpm • D Maj • 03:12 • -4.83db
50% Popularity • 70% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
50% Popularity • 70% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Zedd
Inside Out
146 bpm • D Maj • 03:06 • -4.31db
51% Popularity • 64% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
51% Popularity • 64% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Harry Hudson
Yellow Lights
146 bpm • D# Maj • 02:51 • -10.81db
53% Popularity • 44% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
53% Popularity • 44% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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JP Saxe
Like That
146 bpm • G Maj • 02:54 • -5.95db
39% Popularity • 47% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
39% Popularity • 47% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Hailee Steinfeld
End This (L.O.V.E.)
192 bpm • B min • 03:03 • -9.73db
42% Popularity • 62% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
42% Popularity • 62% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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John K
6 months
146 bpm • D# Maj • 03:37 • -6db
52% Popularity • 66% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
52% Popularity • 66% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Mimi Webb
Halfway
145 bpm • C# min • 03:17 • -3.5db
46% Popularity • 61% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
46% Popularity • 61% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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FINNEAS
What They'll Say About Us
145 bpm • G min • 03:01 • -13.04db
59% Popularity • 54% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
59% Popularity • 54% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Ingrid Andress
Runnin
145 bpm • C Maj • 03:26 • -7db
36% Popularity • 54% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
36% Popularity • 54% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Etham
Opposite Of Loving Me - Stripped
145 bpm • G min • 03:31 • -10.83db
44% Popularity • 62% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
44% Popularity • 62% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Delaney Jane
Safe With You
145 bpm • A# min • 03:08 • -7db
33% Popularity • 63% Danceability • 61% Energy • 28% Liveness
0% Instrumentalness • 43% Positiveness
33% Popularity • 63% Danceability • 61% Energy • 28% Liveness
0% Instrumentalness • 43% Positiveness
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ROSIE
Sad Sad Sad
193 bpm • D Maj • 03:01 • -8.62db
24% Popularity • 39% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
24% Popularity • 39% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Sophie Cates
crowd
144 bpm • D Maj • 02:46 • -6.31db
32% Popularity • 47% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
32% Popularity • 47% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
