Songs like Maybe It's Me by Jack Hylton & His Orchestra
Based on a tempo of (+/- 10%) and a similar genre
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Ben Selvin & His Orchestra
Broadway Melody
98 bpm • A# Maj • 02:33 • -9.81db
13% Popularity • 82% Danceability • 26% Energy • 33% Liveness
81% Instrumentalness • 70% Positiveness
13% Popularity • 82% Danceability • 26% Energy • 33% Liveness
81% Instrumentalness • 70% Positiveness
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Henry Hall
Goody-Goody
98 bpm • G Maj • 02:51 • -13.53db
15% Popularity • 87% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
15% Popularity • 87% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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The BBC Dance Orchestra
Anything Goes
97 bpm • G Maj • 02:50 • -20.39db
13% Popularity • 81% Danceability • 18% Energy • 8% Liveness
26% Instrumentalness • 79% Positiveness
13% Popularity • 81% Danceability • 18% Energy • 8% Liveness
26% Instrumentalness • 79% Positiveness
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Jack Hylton & His Orchestra
Heartaches
97 bpm • G Maj • 01:59 • -18.48db
11% Popularity • 38% Danceability • 12% Energy • 20% Liveness
4% Instrumentalness • 70% Positiveness
11% Popularity • 38% Danceability • 12% Energy • 20% Liveness
4% Instrumentalness • 70% Positiveness
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Al Bowlly
It's All Forgotten Now
97 bpm • F min • 03:19 • -14.12db
41% Popularity • 47% Danceability • 24% Energy • 20% Liveness
24% Instrumentalness • 49% Positiveness
41% Popularity • 47% Danceability • 24% Energy • 20% Liveness
24% Instrumentalness • 49% Positiveness
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Betty Hutton
It Had To Be You
97 bpm • A# min • 03:11 • -14.99db
36% Popularity • 54% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
36% Popularity • 54% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Dick Powell
The Gold Diggers' Song (We're In the Mon...
97 bpm • C Maj • 03:11 • -13.22db
12% Popularity • 68% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
12% Popularity • 68% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
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Henry Hall
How Can You Say No?
98 bpm • A# Maj • 02:33 • -13.63db
15% Popularity • 72% Danceability • 36% Energy • 10% Liveness
50% Instrumentalness • 74% Positiveness
15% Popularity • 72% Danceability • 36% Energy • 10% Liveness
50% Instrumentalness • 74% Positiveness
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Jack Hylton
Turn On The Heat
97 bpm • G# Maj • 03:22 • -9.08db
8% Popularity • 80% Danceability • 46% Energy • 32% Liveness
23% Instrumentalness • 96% Positiveness
8% Popularity • 80% Danceability • 46% Energy • 32% Liveness
23% Instrumentalness • 96% Positiveness
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Jack Hylton & His Orchestra
The World's Greatest Sweetheart Is You
97 bpm • D# min • 02:43 • -15.17db
0% Popularity • 60% Danceability • 36% Energy • 32% Liveness
14% Instrumentalness • 88% Positiveness
0% Popularity • 60% Danceability • 36% Energy • 32% Liveness
14% Instrumentalness • 88% Positiveness
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Buster Bailey
There's a House in Harlem for Sale
99 bpm • D min • 02:50 • -10db
17% Popularity • 68% Danceability • 26% Energy • 10% Liveness
85% Instrumentalness • 45% Positiveness
17% Popularity • 68% Danceability • 26% Energy • 10% Liveness
85% Instrumentalness • 45% Positiveness
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Billy Murray
Come Josephine in My Flying Machine
99 bpm • F Maj • 04:07 • -10.06db
12% Popularity • 79% Danceability • 49% Energy • 60% Liveness
0% Instrumentalness • 49% Positiveness
12% Popularity • 79% Danceability • 49% Energy • 60% Liveness
0% Instrumentalness • 49% Positiveness
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Al Goodhart
Auf Wiedersehen My Dear
99 bpm • C min • 02:57 • -18.88db
8% Popularity • 46% Danceability • 17% Energy • 55% Liveness
15% Instrumentalness • 40% Positiveness
8% Popularity • 46% Danceability • 17% Energy • 55% Liveness
15% Instrumentalness • 40% Positiveness
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The Golden Gate Orchestra
Glad Rag Doll
97 bpm • F Maj • 03:09 • -7.18db
22% Popularity • 75% Danceability • 52% Energy • 19% Liveness
91% Instrumentalness • 83% Positiveness
22% Popularity • 75% Danceability • 52% Energy • 19% Liveness
91% Instrumentalness • 83% Positiveness
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Billy Jones
Yes! We Have No Bananas
97 bpm • C Maj • 02:59 • -11.77db
13% Popularity • 80% Danceability • 27% Energy • 6% Liveness
76% Instrumentalness • 74% Positiveness
13% Popularity • 80% Danceability • 27% Energy • 6% Liveness
76% Instrumentalness • 74% Positiveness
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Ambrose
If I Had a Talking Picture of You
97 bpm • F min • 02:58 • -15.72db
9% Popularity • 86% Danceability • 20% Energy • 10% Liveness
72% Instrumentalness • 94% Positiveness
9% Popularity • 86% Danceability • 20% Energy • 10% Liveness
72% Instrumentalness • 94% Positiveness
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Charlie Spivak & His Orchestra
Blue Champagne
99 bpm • F# Maj • 02:24 • -18db
24% Popularity • 36% Danceability • 14% Energy • 22% Liveness
84% Instrumentalness • 34% Positiveness
24% Popularity • 36% Danceability • 14% Energy • 22% Liveness
84% Instrumentalness • 34% Positiveness
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Henry Hall
The Music Goes 'Round and Around
99 bpm • C Maj • 03:17 • -6.01db
13% Popularity • 73% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
13% Popularity • 73% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Jimmy Dorsey
Blue Champagne
99 bpm • D# Maj • 03:04 • -12db
29% Popularity • 51% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
29% Popularity • 51% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Johnny Mercer
G.I. Jive
97 bpm • F min • 03:21 • -14.09db
28% Popularity • 58% Danceability • 20% Energy • 40% Liveness
0% Instrumentalness • 67% Positiveness
28% Popularity • 58% Danceability • 20% Energy • 40% Liveness
0% Instrumentalness • 67% Positiveness
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Jack Hylton
Ya Got Something There
97 bpm • F Maj • 03:04 • -8.53db
2% Popularity • 82% Danceability • 44% Energy • 32% Liveness
6% Instrumentalness • 70% Positiveness
2% Popularity • 82% Danceability • 44% Energy • 32% Liveness
6% Instrumentalness • 70% Positiveness
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Ben Selvin & His Orchestra
Love, Your Spell Is Everywhere
99 bpm • C# Maj • 02:45 • -21.7db
20% Popularity • 54% Danceability • 10% Energy • 13% Liveness
14% Instrumentalness • 73% Positiveness
20% Popularity • 54% Danceability • 10% Energy • 13% Liveness
14% Instrumentalness • 73% Positiveness
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Frankie Carle
Cruising Down the River
97 bpm • D# Maj • 02:51 • -8.51db
10% Popularity • 62% Danceability • 33% Energy • 30% Liveness
0% Instrumentalness • 44% Positiveness
10% Popularity • 62% Danceability • 33% Energy • 30% Liveness
0% Instrumentalness • 44% Positiveness
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Paul Whiteman & His Orchestra
Whispering
97 bpm • D Maj • 03:21 • -21.93db
9% Popularity • 61% Danceability • 15% Energy • 11% Liveness
90% Instrumentalness • 52% Positiveness
9% Popularity • 61% Danceability • 15% Energy • 11% Liveness
90% Instrumentalness • 52% Positiveness
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Jimmy Dorsey
My Sister and I
97 bpm • G# Maj • 03:06 • -7.39db
9% Popularity • 50% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
9% Popularity • 50% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Larry Clinton & His Orchestra
You Go To My Head
100 bpm • D# Maj • 03:41 • -24.76db
25% Popularity • 35% Danceability • 3% Energy • 12% Liveness
1% Instrumentalness • 13% Positiveness
25% Popularity • 35% Danceability • 3% Energy • 12% Liveness
1% Instrumentalness • 13% Positiveness
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Jack Hylton
I Want To Be Bad
97 bpm • D# Maj • 03:03 • -10.27db
1% Popularity • 83% Danceability • 36% Energy • 10% Liveness
10% Instrumentalness • 80% Positiveness
1% Popularity • 83% Danceability • 36% Energy • 10% Liveness
10% Instrumentalness • 80% Positiveness
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Chick Webb
Midnite in a Madhouse (Midnite in Harlem...
100 bpm • G min • 02:36 • -10.89db
20% Popularity • 61% Danceability • 40% Energy • 7% Liveness
94% Instrumentalness • 64% Positiveness
20% Popularity • 61% Danceability • 40% Energy • 7% Liveness
94% Instrumentalness • 64% Positiveness
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Ambrose & His Orchestra
It's a Hap-Hap-Happy World
96 bpm • C Maj • 02:54 • -5.86db
14% Popularity • 61% Danceability • 73% Energy • 16% Liveness
65% Instrumentalness • 64% Positiveness
14% Popularity • 61% Danceability • 73% Energy • 16% Liveness
65% Instrumentalness • 64% Positiveness
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Paul Whiteman & His Orchestra
Whispering
96 bpm • D Maj • 03:21 • -8db
15% Popularity • 69% Danceability • 41% Energy • 11% Liveness
91% Instrumentalness • 52% Positiveness
15% Popularity • 69% Danceability • 41% Energy • 11% Liveness
91% Instrumentalness • 52% Positiveness
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Henry Hall
The Broken Record
96 bpm • F Maj • 03:02 • -14.92db
11% Popularity • 72% Danceability • 25% Energy • 45% Liveness
51% Instrumentalness • 52% Positiveness
11% Popularity • 72% Danceability • 25% Energy • 45% Liveness
51% Instrumentalness • 52% Positiveness
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George Olsen and His Music
The Best Things in Life Are Free
100 bpm • D# Maj • 03:24 • -9.09db
11% Popularity • 63% Danceability • 34% Energy • 10% Liveness
56% Instrumentalness • 71% Positiveness
11% Popularity • 63% Danceability • 34% Energy • 10% Liveness
56% Instrumentalness • 71% Positiveness
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Jack Hylton
Heartaches
96 bpm • D Maj • 02:00 • -9.72db
3% Popularity • 55% Danceability • 32% Energy • 15% Liveness
1% Instrumentalness • 66% Positiveness
3% Popularity • 55% Danceability • 32% Energy • 15% Liveness
1% Instrumentalness • 66% Positiveness
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Bea Wain
Put Your Arms Arround Me
96 bpm • A# Maj • 01:47 • -7.38db
19% Popularity • 68% Danceability • 48% Energy • 13% Liveness
1% Instrumentalness • 86% Positiveness
19% Popularity • 68% Danceability • 48% Energy • 13% Liveness
1% Instrumentalness • 86% Positiveness
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Lew Stone & His Band
Pick Yourself Up
96 bpm • A# Maj • 02:29 • -18.84db
10% Popularity • 86% Danceability • 29% Energy • 19% Liveness
84% Instrumentalness • 61% Positiveness
10% Popularity • 86% Danceability • 29% Energy • 19% Liveness
84% Instrumentalness • 61% Positiveness
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Harry Roy and His Orchestra
What's the Good Word Mr. Bluebird
100 bpm • F# Maj • 02:23 • -9.65db
17% Popularity • 66% Danceability • 38% Energy • 15% Liveness
72% Instrumentalness • 70% Positiveness
17% Popularity • 66% Danceability • 38% Energy • 15% Liveness
72% Instrumentalness • 70% Positiveness
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Vaughn Monroe
There I Go
100 bpm • G# Maj • 02:53 • -7db
13% Popularity • 55% Danceability • 28% Energy • 28% Liveness
5% Instrumentalness • 55% Positiveness
13% Popularity • 55% Danceability • 28% Energy • 28% Liveness
5% Instrumentalness • 55% Positiveness
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Ben Selvin Orchestra
Broadway Melody
96 bpm • A# Maj • 02:40 • -12.75db
15% Popularity • 78% Danceability • 16% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
15% Popularity • 78% Danceability • 16% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
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Charles Kaley and His Orchestra
(What Do We Do On a) Dew-Dew-Dewey Day
101 bpm • F Maj • 02:38 • -9db
23% Popularity • 78% Danceability • 39% Energy • 20% Liveness
85% Instrumentalness • 91% Positiveness
23% Popularity • 78% Danceability • 39% Energy • 20% Liveness
85% Instrumentalness • 91% Positiveness
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Horace Heidt And His Orchestra
Dawn of a new day
95 bpm • F Maj • 02:30 • -10.15db
12% Popularity • 85% Danceability • 36% Energy • 8% Liveness
4% Instrumentalness • 87% Positiveness
12% Popularity • 85% Danceability • 36% Energy • 8% Liveness
4% Instrumentalness • 87% Positiveness
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Lew Stone & His Band
Haunting Me
95 bpm • C# Maj • 03:11 • -21.83db
13% Popularity • 32% Danceability • 10% Energy • 20% Liveness
72% Instrumentalness • 52% Positiveness
13% Popularity • 32% Danceability • 10% Energy • 20% Liveness
72% Instrumentalness • 52% Positiveness
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Eddy Howard
I Married an Angel
101 bpm • F Maj • 02:27 • -9db
22% Popularity • 69% Danceability • 46% Energy • 26% Liveness
34% Instrumentalness • 82% Positiveness
22% Popularity • 69% Danceability • 46% Energy • 26% Liveness
34% Instrumentalness • 82% Positiveness
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Charlie Spivak & His Orchestra
Solitude
95 bpm • G min • 02:30 • -18.21db
17% Popularity • 29% Danceability • 11% Energy • 19% Liveness
95% Instrumentalness • 25% Positiveness
17% Popularity • 29% Danceability • 11% Energy • 19% Liveness
95% Instrumentalness • 25% Positiveness
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Ted Lewis
Alexander's Ragtime Band
101 bpm • F Maj • 03:03 • -8db
10% Popularity • 73% Danceability • 50% Energy • 40% Liveness
19% Instrumentalness • 97% Positiveness
10% Popularity • 73% Danceability • 50% Energy • 40% Liveness
19% Instrumentalness • 97% Positiveness
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Jack Hylton & His Orchestra
I Wanna Go Places and Do Thingsi'm All o...
95 bpm • A# Maj • 03:14 • -17.25db
0% Popularity • 71% Danceability • 24% Energy • 17% Liveness
54% Instrumentalness • 83% Positiveness
0% Popularity • 71% Danceability • 24% Energy • 17% Liveness
54% Instrumentalness • 83% Positiveness
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Henry Hall
Radio Times
95 bpm • G# Maj • 02:38 • -20db
15% Popularity • 81% Danceability • 23% Energy • 37% Liveness
69% Instrumentalness • 92% Positiveness
15% Popularity • 81% Danceability • 23% Energy • 37% Liveness
69% Instrumentalness • 92% Positiveness
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Ben Selvin & His Orchestra
My Sin
95 bpm • D min • 02:56 • -7.41db
8% Popularity • 61% Danceability • 39% Energy • 8% Liveness
2% Instrumentalness • 59% Positiveness
8% Popularity • 61% Danceability • 39% Energy • 8% Liveness
2% Instrumentalness • 59% Positiveness
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Ted Heath
Stardust
101 bpm • C# Maj • 02:42 • -13db
20% Popularity • 46% Danceability • 24% Energy • 12% Liveness
6% Instrumentalness • 32% Positiveness
20% Popularity • 46% Danceability • 24% Energy • 12% Liveness
6% Instrumentalness • 32% Positiveness
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Orlando & His Gleneagles Hotel Orchestra
Love Is Good for Anything That Ails You
95 bpm • E min • 02:31 • -16.48db
14% Popularity • 79% Danceability • 28% Energy • 28% Liveness
76% Instrumentalness • 68% Positiveness
14% Popularity • 79% Danceability • 28% Energy • 28% Liveness
76% Instrumentalness • 68% Positiveness
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Rudy Vallee
If I Had a Girl Like You
102 bpm • F# min • 03:08 • -13.54db
12% Popularity • 53% Danceability • 14% Energy • 23% Liveness
7% Instrumentalness • 33% Positiveness
12% Popularity • 53% Danceability • 14% Energy • 23% Liveness
7% Instrumentalness • 33% Positiveness
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Jack Hylton & His Orchestra
Kiss Me Goodnight
95 bpm • F min • 02:43 • -8.21db
1% Popularity • 56% Danceability • 43% Energy • 20% Liveness
82% Instrumentalness • 64% Positiveness
1% Popularity • 56% Danceability • 43% Energy • 20% Liveness
82% Instrumentalness • 64% Positiveness
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Bert Ambrose
Red Sails in the Sunset
102 bpm • C# Maj • 03:31 • -17db
20% Popularity • 42% Danceability • 18% Energy • 12% Liveness
7% Instrumentalness • 35% Positiveness
20% Popularity • 42% Danceability • 18% Energy • 12% Liveness
7% Instrumentalness • 35% Positiveness
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Jack Hylton
What Goes on Here in My Heart
94 bpm • G Maj • 02:25 • -10.31db
1% Popularity • 63% Danceability • 33% Energy • 14% Liveness
91% Instrumentalness • 53% Positiveness
1% Popularity • 63% Danceability • 33% Energy • 14% Liveness
91% Instrumentalness • 53% Positiveness
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Lew Stone & His Band
The Continental
102 bpm • G# Maj • 02:58 • -21db
14% Popularity • 64% Danceability • 20% Energy • 9% Liveness
85% Instrumentalness • 53% Positiveness
14% Popularity • 64% Danceability • 20% Energy • 9% Liveness
85% Instrumentalness • 53% Positiveness
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Fletcher Henderson
Sing You Sinners
94 bpm • C# Maj • 02:39 • -8.16db
32% Popularity • 76% Danceability • 50% Energy • 26% Liveness
93% Instrumentalness • 94% Positiveness
32% Popularity • 76% Danceability • 50% Energy • 26% Liveness
93% Instrumentalness • 94% Positiveness
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Frankie Carle
A Little On The Lonely Side
94 bpm • G min • 03:04 • -13.81db
11% Popularity • 50% Danceability • 12% Energy • 21% Liveness
1% Instrumentalness • 52% Positiveness
11% Popularity • 50% Danceability • 12% Energy • 21% Liveness
1% Instrumentalness • 52% Positiveness
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Jack Hylton & His Orchestra
The Band That Jack Built
102 bpm • G# Maj • 02:41 • -10.35db
0% Popularity • 70% Danceability • 42% Energy • 29% Liveness
88% Instrumentalness • 71% Positiveness
0% Popularity • 70% Danceability • 42% Energy • 29% Liveness
88% Instrumentalness • 71% Positiveness
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Harry Roy and His Orchestra
La Cucaracha
94 bpm • G# Maj • 03:08 • -13db
14% Popularity • 68% Danceability • 52% Energy • 31% Liveness
84% Instrumentalness • 92% Positiveness
14% Popularity • 68% Danceability • 52% Energy • 31% Liveness
84% Instrumentalness • 92% Positiveness
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B. A. Rolfe & His Lucky Strike Orchestra
Let's Do It (Let's Fall in Love)
102 bpm • F Maj • 03:33 • -12db
19% Popularity • 73% Danceability • 33% Energy • 11% Liveness
65% Instrumentalness • 84% Positiveness
19% Popularity • 73% Danceability • 33% Energy • 11% Liveness
65% Instrumentalness • 84% Positiveness
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Bea Wain
My Reverie
102 bpm • F Maj • 03:25 • -12db
17% Popularity • 35% Danceability • 15% Energy • 36% Liveness
3% Instrumentalness • 40% Positiveness
17% Popularity • 35% Danceability • 15% Energy • 36% Liveness
3% Instrumentalness • 40% Positiveness
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Red McKenzie
Murder in the Moonlight (It's Love in th...
94 bpm • A min • 02:59 • -11.32db
10% Popularity • 67% Danceability • 29% Energy • 18% Liveness
94% Instrumentalness • 36% Positiveness
10% Popularity • 67% Danceability • 29% Energy • 18% Liveness
94% Instrumentalness • 36% Positiveness
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Andrea Litkei
Closer Than Kisses
103 bpm • A Maj • 02:05 • -7.44db
10% Popularity • 52% Danceability • 42% Energy • 38% Liveness
0% Instrumentalness • 28% Positiveness
10% Popularity • 52% Danceability • 42% Energy • 38% Liveness
0% Instrumentalness • 28% Positiveness
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Roger Wolfe Kahn & His Orchestra
Crazy Rhythm
93 bpm • G# Maj • 03:15 • -14.41db
13% Popularity • 61% Danceability • 28% Energy • 26% Liveness
4% Instrumentalness • 88% Positiveness
13% Popularity • 61% Danceability • 28% Energy • 26% Liveness
4% Instrumentalness • 88% Positiveness
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Henry Hall
The Blue of the Night
103 bpm • G Maj • 03:18 • -20db
15% Popularity • 40% Danceability • 8% Energy • 10% Liveness
34% Instrumentalness • 16% Positiveness
15% Popularity • 40% Danceability • 8% Energy • 10% Liveness
34% Instrumentalness • 16% Positiveness
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Jack Hylton & His Orchestra
My Blackbirds Are Bluebirds Now
103 bpm • G# Maj • 03:13 • -16.16db
0% Popularity • 71% Danceability • 22% Energy • 18% Liveness
66% Instrumentalness • 70% Positiveness
0% Popularity • 71% Danceability • 22% Energy • 18% Liveness
66% Instrumentalness • 70% Positiveness
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Victor Silvester and His Ballroom Orchestra
Waltzing In The Clouds
93 bpm • G# Maj • 02:47 • -25.26db
14% Popularity • 34% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 52% Positiveness
14% Popularity • 34% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 52% Positiveness
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Ben Selvin & His Orchestra
Between the Devil and the Deep Blue Sea
93 bpm • G min • 03:29 • -10.06db
14% Popularity • 75% Danceability • 37% Energy • 4% Liveness
0% Instrumentalness • 79% Positiveness
14% Popularity • 75% Danceability • 37% Energy • 4% Liveness
0% Instrumentalness • 79% Positiveness
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Geraldo & His Orchestra
Long Ago & Far Away
103 bpm • G# min • 03:07 • -17db
19% Popularity • 28% Danceability • 13% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
19% Popularity • 28% Danceability • 13% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
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Marion Harris
Charleston Crazy
103 bpm • D# min • 02:43 • -11db
18% Popularity • 83% Danceability • 42% Energy • 23% Liveness
84% Instrumentalness • 89% Positiveness
18% Popularity • 83% Danceability • 42% Energy • 23% Liveness
84% Instrumentalness • 89% Positiveness
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The London West End Orchestra
Niagara
93 bpm • C Maj • 02:22 • -11db
13% Popularity • 75% Danceability • 40% Energy • 25% Liveness
88% Instrumentalness • 71% Positiveness
13% Popularity • 75% Danceability • 40% Energy • 25% Liveness
88% Instrumentalness • 71% Positiveness
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Lew Stone & His Band
Zing! Went The Strings Of My Heart
93 bpm • A min • 02:56 • -19.47db
16% Popularity • 77% Danceability • 19% Energy • 5% Liveness
77% Instrumentalness • 91% Positiveness
16% Popularity • 77% Danceability • 19% Energy • 5% Liveness
77% Instrumentalness • 91% Positiveness
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Irving Aaronson and His Commanders
Let's Misbehave
104 bpm • G Maj • 02:52 • -13db
32% Popularity • 69% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
32% Popularity • 69% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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Jack Hylton
One, Two, Button Your Shoe
93 bpm • C min • 02:34 • -17.06db
17% Popularity • 86% Danceability • 22% Energy • 8% Liveness
7% Instrumentalness • 84% Positiveness
17% Popularity • 86% Danceability • 22% Energy • 8% Liveness
7% Instrumentalness • 84% Positiveness
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Ambrose & His Orchestra
You've Got Me Crying Again
104 bpm • G# Maj • 03:03 • -26db
7% Popularity • 60% Danceability • 4% Energy • 19% Liveness
40% Instrumentalness • 58% Positiveness
7% Popularity • 60% Danceability • 4% Energy • 19% Liveness
40% Instrumentalness • 58% Positiveness
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Marion Harris
Tea for Two
92 bpm • B min • 03:07 • -14.24db
11% Popularity • 34% Danceability • 12% Energy • 24% Liveness
51% Instrumentalness • 37% Positiveness
11% Popularity • 34% Danceability • 12% Energy • 24% Liveness
51% Instrumentalness • 37% Positiveness
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Bob Crosby
I Don'T Know Whether to Laugh or Cry ove...
104 bpm • C min • 01:48 • -11.44db
30% Popularity • 72% Danceability • 23% Energy • 12% Liveness
94% Instrumentalness • 79% Positiveness
30% Popularity • 72% Danceability • 23% Energy • 12% Liveness
94% Instrumentalness • 79% Positiveness
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Jack Payne
You're Driving Me Crazy
104 bpm • C Maj • 03:02 • -17db
7% Popularity • 78% Danceability • 25% Energy • 23% Liveness
3% Instrumentalness • 54% Positiveness
7% Popularity • 78% Danceability • 25% Energy • 23% Liveness
3% Instrumentalness • 54% Positiveness
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Lew Stone & His Band
Isn't It Heavenly
104 bpm • G# Maj • 03:10 • -21.56db
26% Popularity • 61% Danceability • 10% Energy • 33% Liveness
86% Instrumentalness • 33% Positiveness
26% Popularity • 61% Danceability • 10% Energy • 33% Liveness
86% Instrumentalness • 33% Positiveness
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Noel Coward
Party's over Now, The (Words and Music)
92 bpm • C Maj • 03:37 • -19db
31% Popularity • 33% Danceability • 13% Energy • 35% Liveness
48% Instrumentalness • 34% Positiveness
31% Popularity • 33% Danceability • 13% Energy • 35% Liveness
48% Instrumentalness • 34% Positiveness
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Jack Hylton
Love Makes the World Go Round
104 bpm • F Maj • 02:24 • -8.46db
15% Popularity • 68% Danceability • 40% Energy • 10% Liveness
89% Instrumentalness • 73% Positiveness
15% Popularity • 68% Danceability • 40% Energy • 10% Liveness
89% Instrumentalness • 73% Positiveness
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Art Jarret & Ted Weems Orchestra
There's Too Many Eyes
104 bpm • F min • 03:10 • -14.83db
11% Popularity • 71% Danceability • 25% Energy • 9% Liveness
9% Instrumentalness • 74% Positiveness
11% Popularity • 71% Danceability • 25% Energy • 9% Liveness
9% Instrumentalness • 74% Positiveness
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Paul Whiteman & His Orchestra
You Were Never Lovelier
92 bpm • D# Maj • 03:17 • -17db
15% Popularity • 27% Danceability • 11% Energy • 28% Liveness
3% Instrumentalness • 22% Positiveness
15% Popularity • 27% Danceability • 11% Energy • 28% Liveness
3% Instrumentalness • 22% Positiveness
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Bunny Berigan
All God s Chillun Got Rhyth
105 bpm • A# Maj • 02:25 • -11db
18% Popularity • 71% Danceability • 47% Energy • 8% Liveness
63% Instrumentalness • 80% Positiveness
18% Popularity • 71% Danceability • 47% Energy • 8% Liveness
63% Instrumentalness • 80% Positiveness
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Lew Stone & His Band
That's A Plenty
104 bpm • F min • 03:05 • -19db
7% Popularity • 79% Danceability • 30% Energy • 11% Liveness
88% Instrumentalness • 90% Positiveness
7% Popularity • 79% Danceability • 30% Energy • 11% Liveness
88% Instrumentalness • 90% Positiveness
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Leslie Sarony
Jollity Farm
105 bpm • C Maj • 03:14 • -17.38db
2% Popularity • 80% Danceability • 22% Energy • 13% Liveness
38% Instrumentalness • 92% Positiveness
2% Popularity • 80% Danceability • 22% Energy • 13% Liveness
38% Instrumentalness • 92% Positiveness
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Sid Phillips
Rock Cake
92 bpm • A# Maj • 02:42 • -11.05db
31% Popularity • 59% Danceability • 47% Energy • 9% Liveness
81% Instrumentalness • 93% Positiveness
31% Popularity • 59% Danceability • 47% Energy • 9% Liveness
81% Instrumentalness • 93% Positiveness
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Ben Selvin & His Orchestra
Dardanella
91 bpm • D# Maj • 03:21 • -8.09db
1% Popularity • 55% Danceability • 44% Energy • 9% Liveness
90% Instrumentalness • 46% Positiveness
1% Popularity • 55% Danceability • 44% Energy • 9% Liveness
90% Instrumentalness • 46% Positiveness
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Bob Crosby & His Orchestra
What's New?
105 bpm • A# min • 02:57 • -25db
13% Popularity • 56% Danceability • 6% Energy • 7% Liveness
90% Instrumentalness • 35% Positiveness
13% Popularity • 56% Danceability • 6% Energy • 7% Liveness
90% Instrumentalness • 35% Positiveness
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Anne Shelton
Coming in on a Wing & a Prayer
106 bpm • D# Maj • 02:45 • -10.75db
23% Popularity • 66% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
23% Popularity • 66% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
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Lew Stone & His Band
Anything Goes
92 bpm • G# Maj • 02:47 • -13db
23% Popularity • 83% Danceability • 26% Energy • 6% Liveness
57% Instrumentalness • 93% Positiveness
23% Popularity • 83% Danceability • 26% Energy • 6% Liveness
57% Instrumentalness • 93% Positiveness
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Jack Hylton
Why Doesn't Someone Tell Me These Things
91 bpm • C Maj • 03:08 • -7.43db
3% Popularity • 58% Danceability • 48% Energy • 33% Liveness
2% Instrumentalness • 70% Positiveness
3% Popularity • 58% Danceability • 48% Energy • 33% Liveness
2% Instrumentalness • 70% Positiveness
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Tony Martin
Lilacs in the Rain
106 bpm • G Maj • 02:41 • -17db
18% Popularity • 34% Danceability • 10% Energy • 19% Liveness
0% Instrumentalness • 22% Positiveness
18% Popularity • 34% Danceability • 10% Energy • 19% Liveness
0% Instrumentalness • 22% Positiveness
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Cab Calloway & His Orchestra
Happy Feet
106 bpm • G min • 02:38 • -8.17db
20% Popularity • 78% Danceability • 62% Energy • 5% Liveness
87% Instrumentalness • 96% Positiveness
20% Popularity • 78% Danceability • 62% Energy • 5% Liveness
87% Instrumentalness • 96% Positiveness
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Henry Hall & The BBC Dance Orchestra
Hands Across the Table
106 bpm • A# min • 03:07 • -18db
12% Popularity • 33% Danceability • 16% Energy • 17% Liveness
79% Instrumentalness • 38% Positiveness
12% Popularity • 33% Danceability • 16% Energy • 17% Liveness
79% Instrumentalness • 38% Positiveness
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Irving Aaronson and His Commanders
Let's Misbehave - Instrumental
106 bpm • G Maj • 02:47 • -23.31db
8% Popularity • 69% Danceability • 14% Energy • 22% Liveness
0% Instrumentalness • 84% Positiveness
8% Popularity • 69% Danceability • 14% Energy • 22% Liveness
0% Instrumentalness • 84% Positiveness
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Al Friedman & his Orchestra
Building a Nest for Mary
106 bpm • F Maj • 03:10 • -8.57db
20% Popularity • 76% Danceability • 63% Energy • 6% Liveness
82% Instrumentalness • 95% Positiveness
20% Popularity • 76% Danceability • 63% Energy • 6% Liveness
82% Instrumentalness • 95% Positiveness
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Noel Coward
The Party's over Now
106 bpm • C Maj • 03:35 • -18db
11% Popularity • 41% Danceability • 14% Energy • 41% Liveness
83% Instrumentalness • 42% Positiveness
11% Popularity • 41% Danceability • 14% Energy • 41% Liveness
83% Instrumentalness • 42% Positiveness
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Leslie Sarony
We All Go Oo, Ha, Ha! Together
107 bpm • F Maj • 03:22 • -13.03db
2% Popularity • 90% Danceability • 26% Energy • 18% Liveness
1% Instrumentalness • 77% Positiveness
2% Popularity • 90% Danceability • 26% Energy • 18% Liveness
1% Instrumentalness • 77% Positiveness
