Songs like Me And Billy The Kid - Live At Antone's, Austin, TX / January 22 & 23, 1999 by Joe Ely
Based on a tempo of (+/- 10%) and a similar genre
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The Derailers
All The Rage In Paris
121 bpm • G Maj • 04:28 • -8.19db
21% Popularity • 60% Danceability • 59% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
21% Popularity • 60% Danceability • 59% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
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Southern Culture on the Skids
Drunk And Lonesome (Again)
121 bpm • G Maj • 02:53 • -5.48db
24% Popularity • 73% Danceability • 64% Energy • 31% Liveness
0% Instrumentalness • 91% Positiveness
24% Popularity • 73% Danceability • 64% Energy • 31% Liveness
0% Instrumentalness • 91% Positiveness
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Junior Brown
My Wife Thinks You're Dead
121 bpm • E Maj • 03:48 • -13db
37% Popularity • 64% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
37% Popularity • 64% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Joe Ely
Honky Tonkin' - 2022 Remaster
121 bpm • D Maj • 03:29 • -8.83db
6% Popularity • 39% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
6% Popularity • 39% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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The Flatlanders
Right Where I Belong
121 bpm • G Maj • 04:06 • -6.68db
10% Popularity • 84% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
10% Popularity • 84% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Tom Russell
U.S. Steel
120 bpm • A Maj • 04:04 • -12.17db
11% Popularity • 85% Danceability • 26% Energy • 27% Liveness
0% Instrumentalness • 48% Positiveness
11% Popularity • 85% Danceability • 26% Energy • 27% Liveness
0% Instrumentalness • 48% Positiveness
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The Derailers
Mohair Sam
121 bpm • A Maj • 02:57 • -7.99db
19% Popularity • 68% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
19% Popularity • 68% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
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Adam Carroll
Home Again
122 bpm • G# Maj • 03:07 • -6.59db
15% Popularity • 56% Danceability • 59% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
15% Popularity • 56% Danceability • 59% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
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JP Harris
Badly Bent
122 bpm • C Maj • 04:47 • -8.83db
14% Popularity • 64% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
14% Popularity • 64% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Joe Ely
Me And Billy The Kid - Live At Antone's,...
121 bpm • G Maj • 04:11 • -8.35db
17% Popularity • 49% Danceability • 64% Energy • 98% Liveness
0% Instrumentalness • 60% Positiveness
17% Popularity • 49% Danceability • 64% Energy • 98% Liveness
0% Instrumentalness • 60% Positiveness
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Jesse Dayton
Just What I Needed
120 bpm • D# Maj • 03:14 • -5.52db
10% Popularity • 55% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
10% Popularity • 55% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Bill Kirchen
Looking At The World Through A Windshiel...
120 bpm • C Maj • 02:33 • -7.41db
9% Popularity • 56% Danceability • 92% Energy • 88% Liveness
0% Instrumentalness • 93% Positiveness
9% Popularity • 56% Danceability • 92% Energy • 88% Liveness
0% Instrumentalness • 93% Positiveness
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The Gourds
Meat Off the Bone
120 bpm • C Maj • 03:46 • -7.24db
10% Popularity • 57% Danceability • 63% Energy • 10% Liveness
1% Instrumentalness • 69% Positiveness
10% Popularity • 57% Danceability • 63% Energy • 10% Liveness
1% Instrumentalness • 69% Positiveness
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Drive-By Truckers
Self Destructive Zones
122 bpm • G Maj • 04:12 • -5.44db
37% Popularity • 59% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
37% Popularity • 59% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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The Bottle Rockets
Human Perfection
120 bpm • A Maj • 02:55 • -5.47db
22% Popularity • 68% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
22% Popularity • 68% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
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Joe Ely
Me And Billy The Kid
120 bpm • G Maj • 03:23 • -7.12db
10% Popularity • 49% Danceability • 80% Energy • 70% Liveness
0% Instrumentalness • 54% Positiveness
10% Popularity • 49% Danceability • 80% Energy • 70% Liveness
0% Instrumentalness • 54% Positiveness
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Wrinkle Neck Mules
Okeechobee
122 bpm • G Maj • 04:23 • -7.42db
10% Popularity • 65% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
10% Popularity • 65% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Bruce Robison
Angry All The Time
122 bpm • F# Maj • 04:43 • -11.99db
24% Popularity • 63% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
24% Popularity • 63% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Marty Stuart And His Fabulous Superlatives
Rough Around the Edges
120 bpm • G Maj • 03:06 • -6.76db
10% Popularity • 50% Danceability • 62% Energy • 33% Liveness
0% Instrumentalness • 81% Positiveness
10% Popularity • 50% Danceability • 62% Energy • 33% Liveness
0% Instrumentalness • 81% Positiveness
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Steve Young
Renegade Picker
120 bpm • E min • 03:10 • -9.61db
18% Popularity • 63% Danceability • 73% Energy • 50% Liveness
0% Instrumentalness • 88% Positiveness
18% Popularity • 63% Danceability • 73% Energy • 50% Liveness
0% Instrumentalness • 88% Positiveness
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Buddy & Julie Miller
Ellis County
122 bpm • A Maj • 03:51 • -6.47db
19% Popularity • 54% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 44% Positiveness
19% Popularity • 54% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 44% Positiveness
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Hank Williams III
You're The Reason
120 bpm • E Maj • 02:51 • -7.82db
25% Popularity • 64% Danceability • 67% Energy • 34% Liveness
0% Instrumentalness • 80% Positiveness
25% Popularity • 64% Danceability • 67% Energy • 34% Liveness
0% Instrumentalness • 80% Positiveness
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Shinyribs
Song of Lime Juice and Despair
120 bpm • D min • 03:29 • -7.65db
14% Popularity • 52% Danceability • 79% Energy • 98% Liveness
0% Instrumentalness • 86% Positiveness
14% Popularity • 52% Danceability • 79% Energy • 98% Liveness
0% Instrumentalness • 86% Positiveness
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Gary P. Nunn
London Homesick Blues (Home With the Arm...
119 bpm • G Maj • 06:03 • -11.95db
30% Popularity • 46% Danceability • 52% Energy • 90% Liveness
0% Instrumentalness • 56% Positiveness
30% Popularity • 46% Danceability • 52% Energy • 90% Liveness
0% Instrumentalness • 56% Positiveness
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Kinky Friedman
Flyin' Down The Freeway
119 bpm • D Maj • 02:12 • -11.61db
15% Popularity • 62% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
15% Popularity • 62% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Drive-By Truckers
Aftermath USA
119 bpm • C Maj • 03:16 • -5db
28% Popularity • 55% Danceability • 90% Energy • 55% Liveness
0% Instrumentalness • 84% Positiveness
28% Popularity • 55% Danceability • 90% Energy • 55% Liveness
0% Instrumentalness • 84% Positiveness
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Wrinkle Neck Mules
The Waters All Run Dry
123 bpm • G Maj • 04:12 • -8.7db
8% Popularity • 60% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
8% Popularity • 60% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Joe Ely
Gallo Del Cielo - Live At Antone's, Aust...
119 bpm • E Maj • 07:04 • -8.81db
20% Popularity • 42% Danceability • 72% Energy • 94% Liveness
0% Instrumentalness • 54% Positiveness
20% Popularity • 42% Danceability • 72% Energy • 94% Liveness
0% Instrumentalness • 54% Positiveness
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Tom Russell
The Death Of Jimmy Martin
123 bpm • D Maj • 03:29 • -6.33db
8% Popularity • 72% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
8% Popularity • 72% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
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Gary P. Nunn
London Homesick Blues / Home With the Ar...
119 bpm • G Maj • 05:42 • -5.87db
14% Popularity • 48% Danceability • 62% Energy • 68% Liveness
0% Instrumentalness • 65% Positiveness
14% Popularity • 48% Danceability • 62% Energy • 68% Liveness
0% Instrumentalness • 65% Positiveness
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Radney Foster
Prove Me Right
123 bpm • D Maj • 03:39 • -7.2db
14% Popularity • 63% Danceability • 82% Energy • 35% Liveness
0% Instrumentalness • 69% Positiveness
14% Popularity • 63% Danceability • 82% Energy • 35% Liveness
0% Instrumentalness • 69% Positiveness
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Marty Stuart
High On A Mountain Top
123 bpm • A# Maj • 04:03 • -6db
27% Popularity • 61% Danceability • 76% Energy • 24% Liveness
0% Instrumentalness • 67% Positiveness
27% Popularity • 61% Danceability • 76% Energy • 24% Liveness
0% Instrumentalness • 67% Positiveness
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Johnny Cash
The Running Kind
124 bpm • E Maj • 03:10 • -6db
37% Popularity • 65% Danceability • 80% Energy • 27% Liveness
0% Instrumentalness • 75% Positiveness
37% Popularity • 65% Danceability • 80% Energy • 27% Liveness
0% Instrumentalness • 75% Positiveness
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Joe Ely
Row Of Dominoes
119 bpm • C# Maj • 03:38 • -14.99db
11% Popularity • 50% Danceability • 46% Energy • 34% Liveness
0% Instrumentalness • 32% Positiveness
11% Popularity • 50% Danceability • 46% Energy • 34% Liveness
0% Instrumentalness • 32% Positiveness
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Pure Prairie League
I'll Change Your Flat Tire, Merle
118 bpm • A Maj • 02:09 • -10.59db
23% Popularity • 64% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
23% Popularity • 64% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Gary P. Nunn
Red Neck Riviera
118 bpm • A# Maj • 04:05 • -7.12db
20% Popularity • 74% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 84% Positiveness
20% Popularity • 74% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 84% Positiveness
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Kris Kristofferson
I May Smoke Too Much
118 bpm • D Maj • 03:08 • -15.27db
16% Popularity • 82% Danceability • 39% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
16% Popularity • 82% Danceability • 39% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
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James McMurtry
See the Elephant
118 bpm • G Maj • 04:25 • -6.99db
20% Popularity • 32% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
20% Popularity • 32% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Johnny Cash
Doin' My Time
118 bpm • F Maj • 03:24 • -8.12db
24% Popularity • 59% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
24% Popularity • 59% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Steve Goodman
You Never Even Call Me By My Name
118 bpm • C min • 04:19 • -5.87db
24% Popularity • 66% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 52% Positiveness
24% Popularity • 66% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 52% Positiveness
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Joe Ely
Gallo Del Cielo
123 bpm • E Maj • 07:03 • -8.52db
18% Popularity • 53% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
18% Popularity • 53% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
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Eleven Hundred Springs
Stuff You Can't Refuse
118 bpm • G Maj • 03:16 • -5.99db
26% Popularity • 77% Danceability • 74% Energy • 9% Liveness
1% Instrumentalness • 83% Positiveness
26% Popularity • 77% Danceability • 74% Energy • 9% Liveness
1% Instrumentalness • 83% Positiveness
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Corb Lund
Weight Of The Gun
118 bpm • G Maj • 03:40 • -6.57db
28% Popularity • 76% Danceability • 67% Energy • 29% Liveness
0% Instrumentalness • 71% Positiveness
28% Popularity • 76% Danceability • 67% Energy • 29% Liveness
0% Instrumentalness • 71% Positiveness
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Doug Sahm
(Is Anybody Going To) San Antone - Singl...
124 bpm • A Maj • 03:09 • -9db
30% Popularity • 68% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
30% Popularity • 68% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
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Tom Russell
The Pugilist At 59
118 bpm • C Maj • 04:29 • -9.51db
13% Popularity • 58% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
13% Popularity • 58% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Jason Isbell
Super 8
125 bpm • G Maj • 03:27 • -9.15db
10% Popularity • 55% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
10% Popularity • 55% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Joe Ely
Lord Of The Highway
123 bpm • A Maj • 03:57 • -5.71db
6% Popularity • 50% Danceability • 91% Energy • 24% Liveness
0% Instrumentalness • 71% Positiveness
6% Popularity • 50% Danceability • 91% Energy • 24% Liveness
0% Instrumentalness • 71% Positiveness
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Adam Carroll
Red Bandanna Blues
125 bpm • E Maj • 04:00 • -6.98db
26% Popularity • 58% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
26% Popularity • 58% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Buddy & Julie Miller
Gasoline and Matches
125 bpm • A min • 03:14 • -5.19db
28% Popularity • 58% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
28% Popularity • 58% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
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JP Harris
When I Quit Drinking
125 bpm • G Maj • 03:56 • -7.6db
29% Popularity • 66% Danceability • 61% Energy • 11% Liveness
2% Instrumentalness • 48% Positiveness
29% Popularity • 66% Danceability • 61% Energy • 11% Liveness
2% Instrumentalness • 48% Positiveness
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Marty Stuart
Branded
125 bpm • G Maj • 03:37 • -5.84db
17% Popularity • 66% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
17% Popularity • 66% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
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Eleven Hundred Springs
This Ain't the First Time (But It's the ...
125 bpm • D Maj • 03:37 • -4.71db
29% Popularity • 75% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 80% Positiveness
29% Popularity • 75% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 80% Positiveness
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Joe Ely
Up On The Ridge
118 bpm • E min • 04:59 • -7.9db
5% Popularity • 53% Danceability • 59% Energy • 32% Liveness
8% Instrumentalness • 38% Positiveness
5% Popularity • 53% Danceability • 59% Energy • 32% Liveness
8% Instrumentalness • 38% Positiveness
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The Flatlanders
Story of You
125 bpm • C Maj • 02:00 • -11.25db
30% Popularity • 63% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
30% Popularity • 63% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Amazing Rhythm Aces
Amazing Grace (Used to Be Her Favorite S...
125 bpm • G Maj • 03:17 • -11.6db
20% Popularity • 64% Danceability • 36% Energy • 38% Liveness
0% Instrumentalness • 58% Positiveness
20% Popularity • 64% Danceability • 36% Energy • 38% Liveness
0% Instrumentalness • 58% Positiveness
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The Derailers
Bar Exam
125 bpm • D Maj • 03:28 • -6db
27% Popularity • 68% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
27% Popularity • 68% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Paul Thorn
You Might Be Wrong
117 bpm • A Maj • 03:29 • -12.75db
23% Popularity • 85% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
23% Popularity • 85% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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The Black Lillies
Three in the Mornin'
117 bpm • D Maj • 03:08 • -8.56db
12% Popularity • 60% Danceability • 60% Energy • 24% Liveness
0% Instrumentalness • 62% Positiveness
12% Popularity • 60% Danceability • 60% Energy • 24% Liveness
0% Instrumentalness • 62% Positiveness
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Joe Ely
Whenever Kindness Fails
125 bpm • F Maj • 04:05 • -8.01db
10% Popularity • 76% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
10% Popularity • 76% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Robert Earl Keen
The Road Goes On Forever
117 bpm • E Maj • 05:27 • -7db
13% Popularity • 38% Danceability • 84% Energy • 95% Liveness
0% Instrumentalness • 45% Positiveness
13% Popularity • 38% Danceability • 84% Energy • 95% Liveness
0% Instrumentalness • 45% Positiveness
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Delbert McClinton
Birmingham Tonight
116 bpm • C Maj • 03:59 • -8.08db
20% Popularity • 62% Danceability • 49% Energy • 30% Liveness
0% Instrumentalness • 54% Positiveness
20% Popularity • 62% Danceability • 49% Energy • 30% Liveness
0% Instrumentalness • 54% Positiveness
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The Gourds
Hooky Junk
126 bpm • F Maj • 04:43 • -9.11db
17% Popularity • 48% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
17% Popularity • 48% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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Paul Thorn
Weeds In My Roses
116 bpm • F# min • 03:03 • -10.65db
14% Popularity • 76% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
14% Popularity • 76% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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Alejandro Escovedo
Bottom Of The World
126 bpm • D Maj • 03:04 • -9db
29% Popularity • 66% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
29% Popularity • 66% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Joe Ely
Run Preciosa
125 bpm • A min • 04:54 • -8.77db
5% Popularity • 69% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
5% Popularity • 69% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
► Preview
Rusty Wier
Don't It Make You Wanna Dance
126 bpm • A Maj • 03:45 • -7.64db
32% Popularity • 72% Danceability • 89% Energy • 36% Liveness
0% Instrumentalness • 84% Positiveness
32% Popularity • 72% Danceability • 89% Energy • 36% Liveness
0% Instrumentalness • 84% Positiveness
► Preview
John Hiatt
Master of Disaster
127 bpm • D Maj • 05:26 • -8db
38% Popularity • 68% Danceability • 77% Energy • 30% Liveness
5% Instrumentalness • 82% Positiveness
38% Popularity • 68% Danceability • 77% Energy • 30% Liveness
5% Instrumentalness • 82% Positiveness
► Preview
The Gourds
Hallelujah Shine
127 bpm • A Maj • 03:36 • -7.79db
12% Popularity • 69% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
12% Popularity • 69% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
► Preview
Otis Gibbs
The Darker Side of Me
115 bpm • E Maj • 04:22 • -11db
29% Popularity • 64% Danceability • 54% Energy • 35% Liveness
3% Instrumentalness • 68% Positiveness
29% Popularity • 64% Danceability • 54% Energy • 35% Liveness
3% Instrumentalness • 68% Positiveness
► Preview
James McMurtry
Childish Things
127 bpm • E Maj • 04:35 • -7db
30% Popularity • 43% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
30% Popularity • 43% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
► Preview
Joe Ely
Letter To Laredo
117 bpm • D Maj • 04:39 • -8.94db
12% Popularity • 45% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
12% Popularity • 45% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
► Preview
The Flatlanders
Borderless Love
127 bpm • D Maj • 03:16 • -8db
22% Popularity • 73% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
22% Popularity • 73% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
► Preview
Jim Lauderdale
Some Horses Run Free
115 bpm • A Maj • 02:22 • -5db
10% Popularity • 60% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
10% Popularity • 60% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
► Preview
Paul Thorn
Old Stray Dogs & Jesus
115 bpm • E Maj • 04:42 • -6.27db
11% Popularity • 74% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
11% Popularity • 74% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
► Preview
Doug Sahm
Beautiful Texas Sunshine
115 bpm • G Maj • 03:22 • -8.41db
23% Popularity • 58% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
23% Popularity • 58% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
► Preview
Jason Boland & The Stragglers
Can't Tell If I Drink
115 bpm • C Maj • 03:30 • -6.85db
8% Popularity • 67% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
8% Popularity • 67% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
► Preview
Joe Ely
Gambler's Bride - 2022 Remaster
125 bpm • D min • 02:34 • -6.91db
8% Popularity • 48% Danceability • 81% Energy • 18% Liveness
49% Instrumentalness • 92% Positiveness
8% Popularity • 48% Danceability • 81% Energy • 18% Liveness
49% Instrumentalness • 92% Positiveness
► Preview
The Flatlanders
Dallas
115 bpm • E Maj • 03:01 • -8db
33% Popularity • 55% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
33% Popularity • 55% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
► Preview
Bruce Robison
What Would Willie Do
115 bpm • E Maj • 05:14 • -10db
22% Popularity • 50% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
22% Popularity • 50% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
► Preview
Chuck Mead
She Got the Ring
128 bpm • A Maj • 03:23 • -2.97db
10% Popularity • 60% Danceability • 98% Energy • 60% Liveness
9% Instrumentalness • 82% Positiveness
10% Popularity • 60% Danceability • 98% Energy • 60% Liveness
9% Instrumentalness • 82% Positiveness
► Preview
Doug Sahm
I Can't Go Back To Austin
128 bpm • E Maj • 03:38 • -10db
17% Popularity • 54% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 61% Positiveness
17% Popularity • 54% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 61% Positiveness
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Marty Stuart
The Observations Of A Crow
115 bpm • D min • 05:26 • -11.23db
9% Popularity • 76% Danceability • 44% Energy • 16% Liveness
1% Instrumentalness • 50% Positiveness
9% Popularity • 76% Danceability • 44% Energy • 16% Liveness
1% Instrumentalness • 50% Positiveness
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Joe Ely
All Just To Get To You
116 bpm • G Maj • 04:15 • -9.25db
25% Popularity • 59% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
25% Popularity • 59% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
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Tom Russell
Lily, Rosemary and the Jack of Hearts
115 bpm • C Maj • 09:44 • -10.42db
15% Popularity • 55% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
15% Popularity • 55% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Rusty Wier
Texas Morning
128 bpm • C Maj • 04:45 • -13.73db
17% Popularity • 55% Danceability • 34% Energy • 9% Liveness
2% Instrumentalness • 22% Positiveness
17% Popularity • 55% Danceability • 34% Energy • 9% Liveness
2% Instrumentalness • 22% Positiveness
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Robbie Fulks
Every Kind Of Music But Country
128 bpm • B min • 02:18 • -7.95db
25% Popularity • 85% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
25% Popularity • 85% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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Whitey Morgan and the 78's
Buick City
128 bpm • G Maj • 03:11 • -5.42db
27% Popularity • 67% Danceability • 91% Energy • 2% Liveness
0% Instrumentalness • 81% Positiveness
27% Popularity • 67% Danceability • 91% Energy • 2% Liveness
0% Instrumentalness • 81% Positiveness
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James McMurtry
Just Us Kids
128 bpm • F Maj • 05:08 • -7db
37% Popularity • 62% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
37% Popularity • 62% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Joe Ely
The Road Goes On Forever - Live At Anton...
116 bpm • E Maj • 05:03 • -8.46db
7% Popularity • 45% Danceability • 79% Energy • 98% Liveness
0% Instrumentalness • 48% Positiveness
7% Popularity • 45% Danceability • 79% Energy • 98% Liveness
0% Instrumentalness • 48% Positiveness
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Jim Lauderdale
Deep Well of Sadness
114 bpm • F# min • 03:49 • -5.74db
23% Popularity • 62% Danceability • 62% Energy • 22% Liveness
0% Instrumentalness • 81% Positiveness
23% Popularity • 62% Danceability • 62% Energy • 22% Liveness
0% Instrumentalness • 81% Positiveness
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Doug Sahm
Faded Love
128 bpm • D Maj • 03:56 • -12db
15% Popularity • 52% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
15% Popularity • 52% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
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Eleven Hundred Springs
Why You Been Gone so Long
128 bpm • E Maj • 04:23 • -8.81db
32% Popularity • 68% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
32% Popularity • 68% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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Buddy Miller
Worry Too Much
114 bpm • A# min • 04:48 • -7.76db
26% Popularity • 57% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
26% Popularity • 57% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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James McMurtry
Where'd You Hide The Body
114 bpm • F# Maj • 03:40 • -7.65db
32% Popularity • 57% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
32% Popularity • 57% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Joe Ely
She Finally Spoke Spanish To Me
128 bpm • E Maj • 03:38 • -8.79db
8% Popularity • 63% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
8% Popularity • 63% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Gurf Morlix
Diamonds To Dust
128 bpm • C# min • 03:26 • -9.2db
11% Popularity • 77% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
11% Popularity • 77% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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Gary P. Nunn
Terlingua Sky
128 bpm • D Maj • 04:42 • -11.24db
12% Popularity • 58% Danceability • 38% Energy • 26% Liveness
0% Instrumentalness • 59% Positiveness
12% Popularity • 58% Danceability • 38% Energy • 26% Liveness
0% Instrumentalness • 59% Positiveness
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Jeremy Pinnell
The Way Country Sounds
114 bpm • A Maj • 03:56 • -8.5db
24% Popularity • 73% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
24% Popularity • 73% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
