Songs like Mean To Love by Harry Hudson
Based on a tempo of (+/- 10%) and a similar genre
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Rence
Expensive
90 bpm • C min • 03:07 • -6.5db
36% Popularity • 65% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
36% Popularity • 65% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Vin Bogart
Songs For You
90 bpm • G# Maj • 02:34 • -3db
48% Popularity • 72% Danceability • 65% Energy • 25% Liveness
0% Instrumentalness • 56% Positiveness
48% Popularity • 72% Danceability • 65% Energy • 25% Liveness
0% Instrumentalness • 56% Positiveness
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Nox Holloway
Separate Ways
90 bpm • C# min • 03:03 • -6db
21% Popularity • 65% Danceability • 67% Energy • 10% Liveness
13% Instrumentalness • 60% Positiveness
21% Popularity • 65% Danceability • 67% Energy • 10% Liveness
13% Instrumentalness • 60% Positiveness
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Bryce Vine
Love Me Hate Me
90 bpm • G Maj • 03:14 • -5db
23% Popularity • 47% Danceability • 54% Energy • 44% Liveness
0% Instrumentalness • 22% Positiveness
23% Popularity • 47% Danceability • 54% Energy • 44% Liveness
0% Instrumentalness • 22% Positiveness
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Harry Hudson
Mean To Love
90 bpm • C# Maj • 02:54 • -7db
40% Popularity • 59% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
40% Popularity • 59% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Motel 7
Would U Believe Me
90 bpm • F# min • 02:47 • -10db
26% Popularity • 70% Danceability • 67% Energy • 20% Liveness
1% Instrumentalness • 12% Positiveness
26% Popularity • 70% Danceability • 67% Energy • 20% Liveness
1% Instrumentalness • 12% Positiveness
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Rence
Magnolia
90 bpm • D# Maj • 02:12 • -10db
26% Popularity • 61% Danceability • 38% Energy • 10% Liveness
2% Instrumentalness • 8% Positiveness
26% Popularity • 61% Danceability • 38% Energy • 10% Liveness
2% Instrumentalness • 8% Positiveness
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Matt Hylom
Headspace
89 bpm • B min • 03:50 • -9.82db
33% Popularity • 72% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
33% Popularity • 72% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
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Quinn Lewis
Hurt Me Now
89 bpm • B Maj • 03:05 • -7.71db
32% Popularity • 56% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
32% Popularity • 56% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Wingtip
Happiness
91 bpm • C# min • 02:51 • -8db
51% Popularity • 81% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
51% Popularity • 81% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
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Julia Wolf
In My Way
91 bpm • G# Maj • 02:03 • -9.7db
36% Popularity • 78% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
36% Popularity • 78% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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Max Landry
Back to Sleep
88 bpm • C# Maj • 03:27 • -12db
30% Popularity • 56% Danceability • 35% Energy • 36% Liveness
0% Instrumentalness • 42% Positiveness
30% Popularity • 56% Danceability • 35% Energy • 36% Liveness
0% Instrumentalness • 42% Positiveness
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Tim Halperin
Innocence
88 bpm • C Maj • 03:16 • -8.85db
17% Popularity • 60% Danceability • 40% Energy • 5% Liveness
0% Instrumentalness • 38% Positiveness
17% Popularity • 60% Danceability • 40% Energy • 5% Liveness
0% Instrumentalness • 38% Positiveness
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Checo
Colorado - Acoustic
88 bpm • G min • 02:57 • -11.12db
21% Popularity • 64% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 44% Positiveness
21% Popularity • 64% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 44% Positiveness
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Lost Kings
Me Myself & Adderall
88 bpm • C# Maj • 02:12 • -4.95db
45% Popularity • 43% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
45% Popularity • 43% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Social House
Haunt You
92 bpm • C Maj • 03:18 • -9db
47% Popularity • 66% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
47% Popularity • 66% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Scott Helman
Ripple Effect - Herag Sanbalian Remix
88 bpm • G# Maj • 03:30 • -5db
18% Popularity • 46% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
18% Popularity • 46% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Joshua Golden
hurt people
92 bpm • C# min • 02:43 • -5.82db
30% Popularity • 79% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
30% Popularity • 79% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
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CaRter
Jasper Avenue
88 bpm • A Maj • 04:34 • -10.66db
42% Popularity • 44% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
42% Popularity • 44% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Julia Wolf
Immortale
88 bpm • A Maj • 01:30 • -8.07db
38% Popularity • 70% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
38% Popularity • 70% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Juke Ross
Trading Places
88 bpm • A# Maj • 03:43 • -8db
29% Popularity • 62% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
29% Popularity • 62% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Bazzi
Who Am I?
88 bpm • F Maj • 02:51 • -6.35db
36% Popularity • 59% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 22% Positiveness
36% Popularity • 59% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 22% Positiveness
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Ben Kessler
Concrete
92 bpm • C Maj • 02:32 • -9.93db
42% Popularity • 58% Danceability • 46% Energy • 23% Liveness
2% Instrumentalness • 34% Positiveness
42% Popularity • 58% Danceability • 46% Energy • 23% Liveness
2% Instrumentalness • 34% Positiveness
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Vin Bogart
Love Fuel
88 bpm • G Maj • 02:58 • -4.23db
32% Popularity • 70% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
32% Popularity • 70% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Loote
Songs About Girls
88 bpm • G Maj • 03:11 • -11db
21% Popularity • 58% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
21% Popularity • 58% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Quinn Lewis
Only Everything
88 bpm • D Maj • 02:52 • -7.65db
43% Popularity • 52% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
43% Popularity • 52% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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John K
Chill
92 bpm • C# min • 03:25 • -5.48db
29% Popularity • 51% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
29% Popularity • 51% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Cannon
These Walls
88 bpm • F# min • 03:53 • -6db
27% Popularity • 52% Danceability • 67% Energy • 26% Liveness
0% Instrumentalness • 39% Positiveness
27% Popularity • 52% Danceability • 67% Energy • 26% Liveness
0% Instrumentalness • 39% Positiveness
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Lost Kings
Too Far Gone
93 bpm • G Maj • 03:16 • -4.94db
38% Popularity • 62% Danceability • 83% Energy • 24% Liveness
0% Instrumentalness • 53% Positiveness
38% Popularity • 62% Danceability • 83% Energy • 24% Liveness
0% Instrumentalness • 53% Positiveness
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Benji Lewis
New Day
93 bpm • G Maj • 02:53 • -7.95db
31% Popularity • 74% Danceability • 66% Energy • 10% Liveness
7% Instrumentalness • 57% Positiveness
31% Popularity • 74% Danceability • 66% Energy • 10% Liveness
7% Instrumentalness • 57% Positiveness
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birthday
October
93 bpm • C Maj • 03:31 • -9.4db
22% Popularity • 58% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
22% Popularity • 58% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
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P A R A G O N
Letters
93 bpm • G min • 03:38 • -12.11db
27% Popularity • 72% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
27% Popularity • 72% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Harry Hudson
Lighthouse
93 bpm • A Maj • 03:22 • -9.22db
28% Popularity • 61% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
28% Popularity • 61% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Rosie Darling
L.A.
93 bpm • E Maj • 03:01 • -8db
36% Popularity • 46% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 13% Positiveness
36% Popularity • 46% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 13% Positiveness
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Jackson Guthy
Stories
87 bpm • B Maj • 02:33 • -8db
30% Popularity • 47% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
30% Popularity • 47% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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Kazlo
Oxygen
94 bpm • B Maj • 03:46 • -10db
24% Popularity • 37% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
24% Popularity • 37% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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unheard
Walk With Me
94 bpm • G# min • 02:49 • -7.89db
25% Popularity • 66% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
25% Popularity • 66% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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CAL
AFU
94 bpm • E min • 03:07 • -5.02db
33% Popularity • 82% Danceability • 78% Energy • 9% Liveness
1% Instrumentalness • 89% Positiveness
33% Popularity • 82% Danceability • 78% Energy • 9% Liveness
1% Instrumentalness • 89% Positiveness
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Jason Walker
Fun While It Lasted
94 bpm • C# Maj • 03:48 • -7db
25% Popularity • 74% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
25% Popularity • 74% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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han.irl <3
lost in brooklyn
94 bpm • A# Maj • 03:39 • -9.93db
24% Popularity • 73% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
24% Popularity • 73% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Lost Kings
Mountains
94 bpm • G Maj • 02:09 • -8db
47% Popularity • 64% Danceability • 78% Energy • 52% Liveness
0% Instrumentalness • 48% Positiveness
47% Popularity • 64% Danceability • 78% Energy • 52% Liveness
0% Instrumentalness • 48% Positiveness
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Lennon Stella
Kissing Other People
94 bpm • D Maj • 02:41 • -5.94db
52% Popularity • 71% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
52% Popularity • 71% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Griffin Stoller
Ricochet
94 bpm • G# Maj • 03:08 • -5.61db
23% Popularity • 59% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
23% Popularity • 59% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Harry Hudson
Cry For Love
94 bpm • B min • 03:09 • -6.51db
32% Popularity • 60% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 21% Positiveness
32% Popularity • 60% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 21% Positiveness
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blackbear
I feel 2 much
86 bpm • A Maj • 04:00 • -7db
48% Popularity • 61% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
48% Popularity • 61% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Jackson Guthy
Crash
94 bpm • C Maj • 03:05 • -7.8db
22% Popularity • 49% Danceability • 66% Energy • 4% Liveness
0% Instrumentalness • 14% Positiveness
22% Popularity • 49% Danceability • 66% Energy • 4% Liveness
0% Instrumentalness • 14% Positiveness
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Bazzi
Young & Alive
86 bpm • D# Maj • 02:40 • -5db
59% Popularity • 72% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
59% Popularity • 72% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Conor Matthews
Drunk
95 bpm • C Maj • 02:16 • -7.06db
30% Popularity • 79% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
30% Popularity • 79% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Blake Rose
Lost - Remix
95 bpm • B Maj • 02:34 • -8.48db
30% Popularity • 50% Danceability • 76% Energy • 25% Liveness
0% Instrumentalness • 74% Positiveness
30% Popularity • 50% Danceability • 76% Energy • 25% Liveness
0% Instrumentalness • 74% Positiveness
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Harry Hudson
Just Slide
86 bpm • F min • 02:39 • -7.33db
40% Popularity • 59% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
40% Popularity • 59% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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mike.
little more time
85 bpm • G Maj • 03:09 • -8.29db
39% Popularity • 60% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
39% Popularity • 60% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Jack Vandervelde
My Mind
95 bpm • A Maj • 03:13 • -6.22db
26% Popularity • 74% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 71% Positiveness
26% Popularity • 74% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 71% Positiveness
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Loote
Somebody Else
95 bpm • G Maj • 02:43 • -7.53db
32% Popularity • 73% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
32% Popularity • 73% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Gavin Haley
Long Game
95 bpm • A Maj • 03:06 • -4.78db
31% Popularity • 71% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
31% Popularity • 71% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Blake Rose
Lost
95 bpm • E Maj • 03:54 • -6.54db
59% Popularity • 60% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
59% Popularity • 60% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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New Friends
Purple Candy
95 bpm • D# Maj • 04:15 • -8.92db
43% Popularity • 58% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
43% Popularity • 58% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Harry Hudson
Holdin’ On
86 bpm • C# Maj • 02:56 • -8.77db
48% Popularity • 51% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
48% Popularity • 51% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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flora cash
Missing Home - filous remix
95 bpm • B Maj • 03:10 • -7.16db
41% Popularity • 73% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
41% Popularity • 73% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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FRENSHIP
Anywhere But Here
95 bpm • D Maj • 03:43 • -5.37db
35% Popularity • 70% Danceability • 82% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
35% Popularity • 70% Danceability • 82% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
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Wingtip
Use Your Words
95 bpm • A# Maj • 02:44 • -5.7db
37% Popularity • 72% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
37% Popularity • 72% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Joshua Golden
dying together
95 bpm • B min • 02:36 • -7db
33% Popularity • 79% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 58% Positiveness
33% Popularity • 79% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 58% Positiveness
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PRETTY YOUNG
Me & Hennessy
95 bpm • D Maj • 02:38 • -9.55db
36% Popularity • 77% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
36% Popularity • 77% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
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CAL
Roll the Credits
85 bpm • A Maj • 02:19 • -6.75db
39% Popularity • 79% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
39% Popularity • 79% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
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Matt Hall
Something That You Miss
85 bpm • B Maj • 02:22 • -4.77db
18% Popularity • 57% Danceability • 79% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
18% Popularity • 57% Danceability • 79% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
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Gavin Haley
Be There for You
85 bpm • D# Maj • 02:09 • -10db
15% Popularity • 37% Danceability • 44% Energy • 54% Liveness
0% Instrumentalness • 52% Positiveness
15% Popularity • 37% Danceability • 44% Energy • 54% Liveness
0% Instrumentalness • 52% Positiveness
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Harry Hudson
Give Up On Us
85 bpm • F# Maj • 02:38 • -10db
27% Popularity • 71% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
27% Popularity • 71% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Rence
Space For You
96 bpm • G# Maj • 02:12 • -9.62db
31% Popularity • 84% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
31% Popularity • 84% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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WESLEY
DON'T HAVE TO SAY YOU'RE SORRY
96 bpm • F Maj • 03:42 • -5.72db
28% Popularity • 66% Danceability • 40% Energy • 73% Liveness
0% Instrumentalness • 25% Positiveness
28% Popularity • 66% Danceability • 40% Energy • 73% Liveness
0% Instrumentalness • 25% Positiveness
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Ryan Pulford
Holding You Close
96 bpm • C Maj • 03:21 • -7.7db
32% Popularity • 71% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
32% Popularity • 71% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Sam Setton
10
96 bpm • F# Maj • 02:47 • -10db
29% Popularity • 63% Danceability • 39% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
29% Popularity • 63% Danceability • 39% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
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Dan Talevski
If I Ain't Got You
84 bpm • G# Maj • 02:57 • -8.09db
33% Popularity • 63% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
33% Popularity • 63% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Harry Hudson
Mad Enough
84 bpm • A min • 02:28 • -9.13db
24% Popularity • 52% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
24% Popularity • 52% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Neptune
Far Apart
84 bpm • E Maj • 02:43 • -11.34db
24% Popularity • 58% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
24% Popularity • 58% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Forester
Towns
84 bpm • G# Maj • 03:45 • -8.22db
30% Popularity • 37% Danceability • 67% Energy • 32% Liveness
0% Instrumentalness • 25% Positiveness
30% Popularity • 37% Danceability • 67% Energy • 32% Liveness
0% Instrumentalness • 25% Positiveness
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Austin Riddle
Something Good
97 bpm • D Maj • 03:26 • -6.63db
22% Popularity • 58% Danceability • 47% Energy • 36% Liveness
0% Instrumentalness • 90% Positiveness
22% Popularity • 58% Danceability • 47% Energy • 36% Liveness
0% Instrumentalness • 90% Positiveness
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WOOF! IT'S BILLY
LIGHT RAIN
97 bpm • C min • 03:39 • -6.41db
33% Popularity • 35% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
33% Popularity • 35% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Group Project
Priest
84 bpm • B Maj • 03:19 • -7.34db
38% Popularity • 44% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
38% Popularity • 44% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Joshua Golden
happysad
84 bpm • G# Maj • 02:54 • -7db
37% Popularity • 73% Danceability • 40% Energy • 26% Liveness
0% Instrumentalness • 49% Positiveness
37% Popularity • 73% Danceability • 40% Energy • 26% Liveness
0% Instrumentalness • 49% Positiveness
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ASTN
Leave Me Before I Love You
84 bpm • F Maj • 02:40 • -11db
34% Popularity • 60% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
34% Popularity • 60% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Skeez
Sunday Morning
97 bpm • A Maj • 03:17 • -7.54db
37% Popularity • 74% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
37% Popularity • 74% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Rosie Darling
Heavy
97 bpm • A# Maj • 02:46 • -8db
52% Popularity • 72% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
52% Popularity • 72% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Harry Hudson
Gone
97 bpm • G Maj • 03:46 • -8db
32% Popularity • 57% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
32% Popularity • 57% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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FRENSHIP
Remind You - Vacation Version
97 bpm • G Maj • 03:51 • -11.45db
20% Popularity • 66% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
20% Popularity • 66% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Loote
lost
97 bpm • E Maj • 02:56 • -6.01db
42% Popularity • 58% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
42% Popularity • 58% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Conventioner
Patterns
83 bpm • A Maj • 02:53 • -8db
28% Popularity • 41% Danceability • 54% Energy • 37% Liveness
0% Instrumentalness • 41% Positiveness
28% Popularity • 41% Danceability • 54% Energy • 37% Liveness
0% Instrumentalness • 41% Positiveness
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Bajillionaire
Sleepwalking
97 bpm • C# min • 03:26 • -7.49db
28% Popularity • 48% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
28% Popularity • 48% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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blackbear
if I were u
83 bpm • G# Maj • 03:06 • -5.61db
54% Popularity • 67% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 77% Positiveness
54% Popularity • 67% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 77% Positiveness
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Suriel Hess
Overthinking
98 bpm • F Maj • 02:30 • -6.94db
42% Popularity • 73% Danceability • 64% Energy • 56% Liveness
0% Instrumentalness • 82% Positiveness
42% Popularity • 73% Danceability • 64% Energy • 56% Liveness
0% Instrumentalness • 82% Positiveness
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Bryce Vine
La La Land - Acoustic
98 bpm • C# min • 02:17 • -8.59db
47% Popularity • 73% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
47% Popularity • 73% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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J.Cyrus
Slowly Falling
98 bpm • F# min • 03:57 • -6.08db
29% Popularity • 65% Danceability • 70% Energy • 11% Liveness
3% Instrumentalness • 20% Positiveness
29% Popularity • 65% Danceability • 70% Energy • 11% Liveness
3% Instrumentalness • 20% Positiveness
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John K
learning how to love
98 bpm • G min • 03:23 • -5.37db
28% Popularity • 68% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
28% Popularity • 68% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Preston Pablo
OMO
82 bpm • C# Maj • 03:42 • -10.53db
26% Popularity • 50% Danceability • 48% Energy • 15% Liveness
1% Instrumentalness • 4% Positiveness
26% Popularity • 50% Danceability • 48% Energy • 15% Liveness
1% Instrumentalness • 4% Positiveness
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7715
Week
82 bpm • A Maj • 02:47 • -5db
31% Popularity • 64% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
31% Popularity • 64% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Ross Harris
GOOSEBUMPS
82 bpm • F Maj • 03:03 • -6.21db
35% Popularity • 61% Danceability • 48% Energy • 35% Liveness
0% Instrumentalness • 57% Positiveness
35% Popularity • 61% Danceability • 48% Energy • 35% Liveness
0% Instrumentalness • 57% Positiveness
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Cody Lovaas
Finally Fallen
82 bpm • C min • 03:42 • -7db
27% Popularity • 62% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
27% Popularity • 62% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Mishaal Tamer
Run Baby
99 bpm • C# Maj • 02:49 • -5.96db
36% Popularity • 75% Danceability • 79% Energy • 70% Liveness
0% Instrumentalness • 76% Positiveness
36% Popularity • 75% Danceability • 79% Energy • 70% Liveness
0% Instrumentalness • 76% Positiveness
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Harry Hudson
Hell To The Stars
99 bpm • D min • 03:41 • -6.59db
27% Popularity • 61% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
27% Popularity • 61% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
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Gavin Haley
The Way I Am
100 bpm • G Maj • 02:58 • -8.27db
47% Popularity • 53% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
47% Popularity • 53% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
