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Meaningless Existence
Songs like
Meaningless Existence
by
Johnny Klimek
Based on a tempo of (+/- 10%) and a similar genre
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Jeff Russo
Thin Ice
110 bpm • C min • 01:21 • -16.58db
15% Popularity • 46% Danceability • 18% Energy • 20% Liveness
0% Instrumentalness • 16% Positiveness
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Rupert Gregson-Williams
Okinawa Battlefield
110 bpm • E min • 03:59 • -19db
32% Popularity • 16% Danceability • 18% Energy • 4% Liveness
90% Instrumentalness • 3% Positiveness
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Harald Kloser
The Day After Tomorrow
110 bpm • C Maj • 03:27 • -20.47db
49% Popularity • 20% Danceability • 21% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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조영욱과 THE SOUNDTRACKINGS
Wedding
110 bpm • D min • 04:59 • -11db
27% Popularity • 18% Danceability • 34% Energy • 9% Liveness
95% Instrumentalness • 5% Positiveness
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Jeff Beal
Losing Rachel
110 bpm • G# Maj • 02:26 • -17db
33% Popularity • 34% Danceability • 23% Energy • 10% Liveness
87% Instrumentalness • 6% Positiveness
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Marco Beltrami
It's Hard To Kill A McClane
110 bpm • C Maj • 03:01 • -13.11db
23% Popularity • 24% Danceability • 24% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Burkhard Dallwitz
Reunion
111 bpm • D# Maj • 02:26 • -14db
30% Popularity • 21% Danceability • 18% Energy • 38% Liveness
88% Instrumentalness • 4% Positiveness
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Mychael Danna
First Night, First Day
109 bpm • G# min • 03:45 • -21db
32% Popularity • 16% Danceability • 13% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
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Alejandro Amenábar
The Others - Instrumental
109 bpm • F Maj • 02:24 • -24.52db
17% Popularity • 22% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 11% Positiveness
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Anne Dudley
Two Brothers
112 bpm • E min • 02:55 • -22db
31% Popularity • 17% Danceability • 8% Energy • 31% Liveness
56% Instrumentalness • 6% Positiveness
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Michael Giacchino
Closure
108 bpm • C Maj • 08:09 • -24.97db
15% Popularity • 16% Danceability • 3% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Johnny Klimek
Nachtlied
108 bpm • D# min • 03:44 • -15.07db
22% Popularity • 47% Danceability • 32% Energy • 10% Liveness
94% Instrumentalness • 18% Positiveness
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Steven Price
The Blue Whale
112 bpm • F# min • 05:12 • -16db
38% Popularity • 17% Danceability • 28% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
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Reinhold Heil
Waltzing Matilda
113 bpm • D Maj • 02:45 • -21.93db
17% Popularity • 28% Danceability • 3% Energy • 9% Liveness
74% Instrumentalness • 26% Positiveness
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Alan Silvestri
Halley's Comet
113 bpm • C Maj • 02:55 • -15db
19% Popularity • 24% Danceability • 20% Energy • 13% Liveness
81% Instrumentalness • 4% Positiveness
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Clint Mansell
Death Is a Disease
113 bpm • A min • 02:34 • -22.06db
30% Popularity • 40% Danceability • 18% Energy • 6% Liveness
96% Instrumentalness • 4% Positiveness
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Marco Beltrami
Main Title & Yosemite Valley
113 bpm • A# min • 04:41 • -20.94db
19% Popularity • 17% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 3% Positiveness
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Burkhard Dallwitz
Drive
107 bpm • G# Maj • 03:36 • -17.34db
19% Popularity • 69% Danceability • 28% Energy • 9% Liveness
88% Instrumentalness • 74% Positiveness
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Rob Simonsen
The Road Ahead
106 bpm • F min • 02:31 • -23.26db
15% Popularity • 60% Danceability • 20% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
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Reinhold Heil
Wild Bill / Finding Charlie
107 bpm • E min • 03:00 • -30.87db
9% Popularity • 21% Danceability • 5% Energy • 17% Liveness
97% Instrumentalness • 3% Positiveness
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David Hirschfelder
They Were Starting to Like Me
115 bpm • G min • 02:16 • -22.94db
29% Popularity • 21% Danceability • 7% Energy • 15% Liveness
92% Instrumentalness • 23% Positiveness
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Clint Mansell
Starry Night Over The Rhone
106 bpm • D Maj • 01:17 • -17.55db
41% Popularity • 24% Danceability • 18% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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David Buckley
Our Office Is Busier Than Yours
115 bpm • G min • 02:30 • -23db
11% Popularity • 68% Danceability • 12% Energy • 9% Liveness
88% Instrumentalness • 38% Positiveness
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Burkhard Dallwitz
Underground
114 bpm • F# Maj • 00:57 • -14.92db
23% Popularity • 52% Danceability • 41% Energy • 11% Liveness
82% Instrumentalness • 34% Positiveness
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Christopher Young
The Uninvited
114 bpm • G min • 03:28 • -25.09db
17% Popularity • 17% Danceability • 7% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
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Reinhold Heil
I'll Deliver Your Fucking Answer
114 bpm • G Maj • 01:27 • -27.99db
17% Popularity • 30% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Johnny Klimek
Der Prangertag
115 bpm • C Maj • 06:32 • -11.42db
18% Popularity • 60% Danceability • 50% Energy • 5% Liveness
89% Instrumentalness • 12% Positiveness
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Clint Mansell
Finish It
113 bpm • A# Maj • 04:25 • -16.76db
28% Popularity • 31% Danceability • 9% Energy • 14% Liveness
93% Instrumentalness • 5% Positiveness
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Debbie Wiseman
Wolf Hall
105 bpm • G Maj • 03:18 • -19.02db
30% Popularity • 81% Danceability • 22% Energy • 12% Liveness
94% Instrumentalness • 61% Positiveness
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Burkhard Dallwitz
Interrogation
105 bpm • D Maj • 03:36 • -26db
9% Popularity • 30% Danceability • 11% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
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Michael Nyman
The Other Side
116 bpm • D min • 03:40 • -12db
31% Popularity • 32% Danceability • 26% Energy • 27% Liveness
94% Instrumentalness • 6% Positiveness
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Reinhold Heil
Lynching Samuel
114 bpm • F# Maj • 01:18 • -25.54db
7% Popularity • 47% Danceability • 17% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
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Johnny Klimek
Calling Kevin
105 bpm • E min • 01:51 • -21.63db
2% Popularity • 58% Danceability • 37% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Clint Mansell
Tree of Life
116 bpm • D min • 03:44 • -12.24db
30% Popularity • 23% Danceability • 44% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
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Rupert Gregson-Williams
Dressing Down
116 bpm • A min • 03:09 • -19.95db
30% Popularity • 29% Danceability • 22% Energy • 10% Liveness
93% Instrumentalness • 10% Positiveness
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Jeff Beal
Forward March
117 bpm • C Maj • 02:02 • -17.37db
34% Popularity • 65% Danceability • 30% Energy • 11% Liveness
81% Instrumentalness • 40% Positiveness
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Klaus Badelt
Godspeed
118 bpm • A min • 05:19 • -14db
42% Popularity • 22% Danceability • 14% Energy • 8% Liveness
31% Instrumentalness • 12% Positiveness
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Ilan Eshkeri
Shogun's Sentence
103 bpm • C min • 02:04 • -21.92db
50% Popularity • 15% Danceability • 9% Energy • 9% Liveness
50% Instrumentalness • 3% Positiveness
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Stephan Zacharias
Albert Speers Abschied
118 bpm • F min • 02:04 • -24.3db
14% Popularity • 17% Danceability • 4% Energy • 11% Liveness
99% Instrumentalness • 3% Positiveness
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Clint Mansell
Portrait Of Armand Roulin
116 bpm • A# min • 02:58 • -16.71db
25% Popularity • 23% Danceability • 17% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Nicholas Britell
Conclusion - The Transplant
102 bpm • G# min • 07:07 • -16.84db
19% Popularity • 26% Danceability • 30% Energy • 9% Liveness
89% Instrumentalness • 7% Positiveness
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Jeff Beal
Not A Chauffeur
118 bpm • A# Maj • 01:32 • -16.04db
34% Popularity • 67% Danceability • 27% Energy • 10% Liveness
69% Instrumentalness • 60% Positiveness
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Klaus Badelt
Layla
118 bpm • D Maj • 02:32 • -28.54db
18% Popularity • 23% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
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Tom Tykwer
The International - End Title
119 bpm • C Maj • 09:12 • -17db
23% Popularity • 20% Danceability • 33% Energy • 21% Liveness
87% Instrumentalness • 3% Positiveness
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Anne Nikitin
The Regime
119 bpm • D Maj • 01:37 • -22db
32% Popularity • 36% Danceability • 12% Energy • 9% Liveness
42% Instrumentalness • 7% Positiveness
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Volker Bertelmann
Flares
102 bpm • C min • 01:35 • -16db
41% Popularity • 26% Danceability • 31% Energy • 7% Liveness
25% Instrumentalness • 3% Positiveness
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Harald Kloser
The End
102 bpm • F Maj • 03:18 • -15db
34% Popularity • 14% Danceability • 22% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Richard Wells
A Wonderful Thing
119 bpm • F# min • 02:22 • -13db
21% Popularity • 18% Danceability • 25% Energy • 15% Liveness
97% Instrumentalness • 4% Positiveness
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Michael Price
SHERlocked
101 bpm • A min • 03:44 • -21.5db
41% Popularity • 14% Danceability • 13% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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John Murphy
Sunshine (Adagio in D Minor)
119 bpm • G Maj • 04:44 • -9.46db
50% Popularity • 17% Danceability • 41% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
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Tan Dun
Love in Distance
120 bpm • A min • 04:54 • -23.47db
24% Popularity • 19% Danceability • 10% Energy • 13% Liveness
77% Instrumentalness • 11% Positiveness
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Mychael Danna
Pi and Richard Parker
101 bpm • A min • 02:14 • -27.87db
30% Popularity • 16% Danceability • 3% Energy • 34% Liveness
98% Instrumentalness • 6% Positiveness
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Burkhard Dallwitz
It's a Life
120 bpm • E Maj • 01:29 • -22db
35% Popularity • 42% Danceability • 16% Energy • 48% Liveness
96% Instrumentalness • 14% Positiveness
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Stephen Warbeck
Train Journey
120 bpm • E min • 02:34 • -25db
27% Popularity • 38% Danceability • 10% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
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Steven Price
Emma
120 bpm • D min • 02:35 • -15db
50% Popularity • 41% Danceability • 43% Energy • 7% Liveness
94% Instrumentalness • 8% Positiveness
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John Murphy
Adagio in D Minor (Orchestra Mix)
120 bpm • G Maj • 04:21 • -9db
30% Popularity • 19% Danceability • 62% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
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Volker Bertelmann
Reunion Epilogue
120 bpm • G min • 01:27 • -15.39db
11% Popularity • 38% Danceability • 31% Energy • 17% Liveness
81% Instrumentalness • 5% Positiveness
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Tom Tykwer
Meeting Schumer
120 bpm • C Maj • 01:12 • -22.08db
31% Popularity • 60% Danceability • 17% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
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Jeff Russo
The Night Of - Main Title Extended: Pian...
120 bpm • F# min • 02:10 • -19.43db
18% Popularity • 44% Danceability • 9% Energy • 9% Liveness
83% Instrumentalness • 8% Positiveness
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Rupert Gregson-Williams
Duck Shoot
120 bpm • D min • 04:07 • -18.79db
49% Popularity • 23% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Johnny Klimek
Schicksal
120 bpm • B min • 03:37 • -18.57db
9% Popularity • 60% Danceability • 19% Energy • 11% Liveness
87% Instrumentalness • 10% Positiveness
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System 01
Welcome to the Crib - System 01 Remix
120 bpm • A Maj • 06:45 • -14.07db
9% Popularity • 59% Danceability • 65% Energy • 10% Liveness
83% Instrumentalness • 8% Positiveness
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Guy Farley
Suzy
120 bpm • D min • 03:15 • -22.16db
12% Popularity • 25% Danceability • 14% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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Harry Escott
Brandon
120 bpm • G min • 08:27 • -24db
26% Popularity • 32% Danceability • 8% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
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David Hirschfelder
Need a Lift?
120 bpm • D min • 02:20 • -18.34db
14% Popularity • 65% Danceability • 20% Energy • 12% Liveness
93% Instrumentalness • 70% Positiveness
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Rupert Gregson-Williams
In This Together
120 bpm • G min • 05:59 • -20db
33% Popularity • 18% Danceability • 12% Energy • 5% Liveness
90% Instrumentalness • 3% Positiveness
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Johnny Klimek
Mr. Clay
120 bpm • C min • 04:28 • -13.9db
19% Popularity • 32% Danceability • 39% Energy • 11% Liveness
92% Instrumentalness • 22% Positiveness
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Roque Baños
Chase Walking Nantucket
120 bpm • D min • 02:05 • -16db
24% Popularity • 51% Danceability • 60% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Steve Jablonsky
The Island Awaits You
120 bpm • A min • 02:21 • -19.1db
35% Popularity • 18% Danceability • 27% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
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Harry Escott
Unravelling
120 bpm • C min • 09:35 • -20db
25% Popularity • 22% Danceability • 21% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
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Henry Jackman
The Crown Prince's Speech
120 bpm • G min • 03:07 • -18.03db
17% Popularity • 38% Danceability • 26% Energy • 10% Liveness
84% Instrumentalness • 12% Positiveness
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Rupert Gregson-Williams
Sagana
120 bpm • D min • 04:32 • -28.13db
33% Popularity • 17% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
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Johnny Klimek
Entering The Water
120 bpm • G# min • 01:04 • -18.58db
2% Popularity • 52% Danceability • 19% Energy • 11% Liveness
75% Instrumentalness • 16% Positiveness
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Jeff Russo
The Night Of - Main Title Screen Version...
120 bpm • B min • 01:24 • -16db
26% Popularity • 63% Danceability • 18% Energy • 16% Liveness
97% Instrumentalness • 55% Positiveness
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Víctor Reyes
Night Manager Desk
120 bpm • A min • 03:03 • -27.34db
9% Popularity • 18% Danceability • 3% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Amelia Warner
The Book
120 bpm • A min • 03:24 • -15db
20% Popularity • 18% Danceability • 26% Energy • 5% Liveness
87% Instrumentalness • 4% Positiveness
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Steven Price
Norman
120 bpm • A# Maj • 02:50 • -16.45db
52% Popularity • 29% Danceability • 47% Energy • 14% Liveness
88% Instrumentalness • 8% Positiveness
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Rupert Gregson-Williams
Streets of New York
120 bpm • D Maj • 04:15 • -19.26db
18% Popularity • 64% Danceability • 14% Energy • 9% Liveness
81% Instrumentalness • 4% Positiveness
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Marc Streitenfeld
Pact Sworn in Blood
100 bpm • E min • 02:52 • -19db
51% Popularity • 14% Danceability • 12% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
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Clint Mansell
The Yellow House
100 bpm • D min • 04:45 • -16db
28% Popularity • 29% Danceability • 25% Energy • 18% Liveness
96% Instrumentalness • 4% Positiveness
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Nico Muhly
Cycling Holiday
121 bpm • G min • 01:40 • -17db
19% Popularity • 32% Danceability • 14% Energy • 12% Liveness
93% Instrumentalness • 6% Positiveness
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Michael Giacchino
London Calling
121 bpm • F min • 02:10 • -26.23db
37% Popularity • 29% Danceability • 4% Energy • 6% Liveness
93% Instrumentalness • 6% Positiveness
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Steven Price
Shenzou
121 bpm • C# min • 06:11 • -12.01db
38% Popularity • 30% Danceability • 50% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
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Johnny Klimek
Two and the Same
100 bpm • C# Maj • 05:32 • -18.25db
16% Popularity • 43% Danceability • 31% Energy • 7% Liveness
78% Instrumentalness • 3% Positiveness
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Ian Hultquist
The Costume Institute
100 bpm • G# Maj • 02:06 • -22.31db
22% Popularity • 63% Danceability • 14% Energy • 51% Liveness
91% Instrumentalness • 28% Positiveness
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Reinhold Heil
Jane Saves Bullock
121 bpm • C min • 01:26 • -24.55db
11% Popularity • 23% Danceability • 11% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
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Guy Farley
Awakening
121 bpm • G Maj • 01:10 • -34db
53% Popularity • 48% Danceability • 1% Energy • 13% Liveness
95% Instrumentalness • 18% Positiveness
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Michael Giacchino
Exodus Wounds
100 bpm • G min • 04:22 • -19db
33% Popularity • 21% Danceability • 4% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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John Debney
Eliza's Theme
100 bpm • C min • 01:31 • -21.11db
29% Popularity • 15% Danceability • 11% Energy • 13% Liveness
92% Instrumentalness • 9% Positiveness
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Johnny Klimek
Simulatte Brawl
100 bpm • C# Maj • 03:02 • -14.71db
17% Popularity • 44% Danceability • 76% Energy • 17% Liveness
76% Instrumentalness • 6% Positiveness
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Clint Mansell
Critical Mass
121 bpm • B Maj • 02:18 • -17.25db
7% Popularity • 52% Danceability • 20% Energy • 10% Liveness
96% Instrumentalness • 17% Positiveness
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West Dylan Thordson
Kevin Wendell Crumb
100 bpm • F min • 02:41 • -28db
41% Popularity • 13% Danceability • 6% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
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Reinhold Heil
Exist in Your Repertoire / Your Deepest ...
99 bpm • G Maj • 01:36 • -27.06db
6% Popularity • 21% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 5% Positiveness
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Steven Price
Tiangong
122 bpm • D min • 06:28 • -16.96db
25% Popularity • 17% Danceability • 27% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
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David Arnold
The Woman
122 bpm • A min • 02:31 • -22.24db
32% Popularity • 38% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 11% Positiveness
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Thomas Fehlmann
Flowing - Thomas Fehlmann Remix
100 bpm • F# Maj • 08:23 • -14.29db
10% Popularity • 67% Danceability • 50% Energy • 68% Liveness
84% Instrumentalness • 19% Positiveness
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Nicholas Britell
Andante Con Moto - Strings in E-flat Min...
99 bpm • B Maj • 02:14 • -16db
43% Popularity • 35% Danceability • 24% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
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Bear McCreary
Da Vinci's Demons Main Title Theme
122 bpm • C min • 01:08 • -12db
32% Popularity • 37% Danceability • 52% Energy • 11% Liveness
74% Instrumentalness • 4% Positiveness
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John Powell
Thinking Of Marie
99 bpm • C# min • 03:51 • -29.51db
24% Popularity • 13% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Junkie XL
Many Mothers
99 bpm • A min • 05:15 • -15db
27% Popularity • 13% Danceability • 12% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Meaningless Existence