Songs like Medley: Cripple Creek / Quit Kickin' My Dog Around by Mason Proffit
Based on a tempo of (+/- 10%) and a similar genre
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Steve Forbert
You Cannot Win If You Do Not Play
122 bpm • A Maj • 04:32 • -11db
17% Popularity • 68% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
17% Popularity • 68% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
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Warren Zevon
A Certain Girl
122 bpm • B Maj • 03:08 • -12.99db
31% Popularity • 69% Danceability • 73% Energy • 29% Liveness
0% Instrumentalness • 97% Positiveness
31% Popularity • 69% Danceability • 73% Energy • 29% Liveness
0% Instrumentalness • 97% Positiveness
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Bobby Charles
Save Me Jesus
122 bpm • E Maj • 05:17 • -10.57db
26% Popularity • 62% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
26% Popularity • 62% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Buffalo Springfield
Bluebird
122 bpm • G Maj • 04:35 • -10.85db
42% Popularity • 48% Danceability • 53% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
42% Popularity • 48% Danceability • 53% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
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Bob Seger
Ship Of Fools
122 bpm • A# Maj • 03:23 • -8db
41% Popularity • 62% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
41% Popularity • 62% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Mason Proffit
Good Friend of Mary's
122 bpm • B Maj • 02:46 • -11.59db
5% Popularity • 50% Danceability • 41% Energy • 60% Liveness
1% Instrumentalness • 47% Positiveness
5% Popularity • 50% Danceability • 41% Energy • 60% Liveness
1% Instrumentalness • 47% Positiveness
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Dillard & Clark
Train Leaves Here This Mornin
122 bpm • B Maj • 03:48 • -13.62db
31% Popularity • 59% Danceability • 34% Energy • 22% Liveness
0% Instrumentalness • 53% Positiveness
31% Popularity • 59% Danceability • 34% Energy • 22% Liveness
0% Instrumentalness • 53% Positiveness
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Warren Zevon
I'll Sleep When I'm Dead
122 bpm • A Maj • 02:59 • -13.83db
28% Popularity • 66% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
28% Popularity • 66% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
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Michael Martin Murphey
Wild Bird
122 bpm • D min • 02:24 • -14.9db
21% Popularity • 44% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
21% Popularity • 44% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
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Joe Walsh
Fairbanks Alaska
122 bpm • G Maj • 03:27 • -8db
11% Popularity • 66% Danceability • 91% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
11% Popularity • 66% Danceability • 91% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Sammy Johns
America
122 bpm • E Maj • 03:09 • -11.58db
20% Popularity • 75% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
20% Popularity • 75% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Jackson Browne
Walking Slow - Remastered
122 bpm • A Maj • 03:55 • -7.09db
28% Popularity • 74% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 74% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Mason Proffit
Medley: Cripple Creek / Quit Kickin' My ...
122 bpm • C Maj • 03:33 • -7.23db
2% Popularity • 37% Danceability • 88% Energy • 66% Liveness
30% Instrumentalness • 80% Positiveness
2% Popularity • 37% Danceability • 88% Energy • 66% Liveness
30% Instrumentalness • 80% Positiveness
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B.W. Stevenson
My Maria
122 bpm • E Maj • 02:32 • -10.61db
46% Popularity • 74% Danceability • 62% Energy • 6% Liveness
1% Instrumentalness • 96% Positiveness
46% Popularity • 74% Danceability • 62% Energy • 6% Liveness
1% Instrumentalness • 96% Positiveness
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Richie Furay
Someone Who Cares
123 bpm • C Maj • 03:53 • -8.67db
28% Popularity • 50% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
28% Popularity • 50% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Johnny Winter
Ain't Nothing To Me
123 bpm • G Maj • 03:05 • -10.74db
29% Popularity • 65% Danceability • 45% Energy • 8% Liveness
1% Instrumentalness • 68% Positiveness
29% Popularity • 65% Danceability • 45% Energy • 8% Liveness
1% Instrumentalness • 68% Positiveness
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Quicksilver Messenger Service
Cowboy On The Run
121 bpm • G Maj • 03:15 • -10.73db
9% Popularity • 33% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
9% Popularity • 33% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Mudcrutch
House of Stone
121 bpm • E Maj • 03:00 • -12.04db
26% Popularity • 70% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
26% Popularity • 70% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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The Souther-Hillman-Furay Band
Safe at Home
123 bpm • D Maj • 02:54 • -7.84db
11% Popularity • 60% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 60% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
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B.W. Stevenson
Shambala
121 bpm • D Maj • 02:29 • -10.37db
30% Popularity • 72% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
30% Popularity • 72% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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The Doobie Brothers
Spirit
121 bpm • G Maj • 03:16 • -11.29db
33% Popularity • 67% Danceability • 56% Energy • 25% Liveness
0% Instrumentalness • 67% Positiveness
33% Popularity • 67% Danceability • 56% Energy • 25% Liveness
0% Instrumentalness • 67% Positiveness
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Michael Martin Murphey
Blue Sky Riding Song
123 bpm • D Maj • 03:33 • -13.85db
14% Popularity • 56% Danceability • 81% Energy • 15% Liveness
2% Instrumentalness • 69% Positiveness
14% Popularity • 56% Danceability • 81% Energy • 15% Liveness
2% Instrumentalness • 69% Positiveness
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Norton Buffalo
Another Day
121 bpm • A# Maj • 04:02 • -14.49db
8% Popularity • 59% Danceability • 30% Energy • 10% Liveness
7% Instrumentalness • 57% Positiveness
8% Popularity • 59% Danceability • 30% Energy • 10% Liveness
7% Instrumentalness • 57% Positiveness
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Faces
Sweet Lady Mary
123 bpm • C Maj • 05:45 • -10db
24% Popularity • 44% Danceability • 44% Energy • 11% Liveness
1% Instrumentalness • 63% Positiveness
24% Popularity • 44% Danceability • 44% Energy • 11% Liveness
1% Instrumentalness • 63% Positiveness
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JD Souther
Kite Woman
123 bpm • E Maj • 03:06 • -12.46db
29% Popularity • 54% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
29% Popularity • 54% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Steve Goodman
The I Don't Know Where I'm Going But I'm...
120 bpm • G min • 02:31 • -5.48db
15% Popularity • 66% Danceability • 69% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
15% Popularity • 66% Danceability • 69% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
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Mason Proffit
I Saw the Light
120 bpm • B Maj • 02:58 • -5.36db
3% Popularity • 62% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 98% Positiveness
3% Popularity • 62% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 98% Positiveness
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Little
Texas Rose Cafe
120 bpm • A Maj • 03:42 • -12.08db
23% Popularity • 46% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 64% Positiveness
23% Popularity • 46% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 64% Positiveness
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Stampeders
Tuscaloosa Women
120 bpm • C Maj • 02:51 • -6.31db
19% Popularity • 67% Danceability • 78% Energy • 33% Liveness
0% Instrumentalness • 92% Positiveness
19% Popularity • 67% Danceability • 78% Energy • 33% Liveness
0% Instrumentalness • 92% Positiveness
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Black Oak Arkansas
Gravel Roads - 2006 Remastered Version
120 bpm • C Maj • 03:11 • -12.58db
6% Popularity • 55% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
6% Popularity • 55% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
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Cowboy
The Wonder
120 bpm • D Maj • 04:01 • -16.58db
14% Popularity • 59% Danceability • 24% Energy • 15% Liveness
4% Instrumentalness • 45% Positiveness
14% Popularity • 59% Danceability • 24% Energy • 15% Liveness
4% Instrumentalness • 45% Positiveness
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Elvin Bishop
Travelin' Shoes
120 bpm • F Maj • 07:20 • -6.23db
33% Popularity • 57% Danceability • 90% Energy • 4% Liveness
19% Instrumentalness • 91% Positiveness
33% Popularity • 57% Danceability • 90% Energy • 4% Liveness
19% Instrumentalness • 91% Positiveness
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Jerry Riopelle
So Young
120 bpm • F Maj • 04:42 • -8.2db
8% Popularity • 63% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
8% Popularity • 63% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Manassas
Dim Lights, Thick Smoke (And Loud, Loud ...
124 bpm • D Maj • 02:16 • -15.76db
16% Popularity • 51% Danceability • 21% Energy • 23% Liveness
0% Instrumentalness • 48% Positiveness
16% Popularity • 51% Danceability • 21% Energy • 23% Liveness
0% Instrumentalness • 48% Positiveness
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Mason Proffit
Sweet Lady Love
124 bpm • A Maj • 03:53 • -9.5db
8% Popularity • 53% Danceability • 73% Energy • 11% Liveness
82% Instrumentalness • 92% Positiveness
8% Popularity • 53% Danceability • 73% Energy • 11% Liveness
82% Instrumentalness • 92% Positiveness
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Little
Trouble
125 bpm • G Maj • 02:17 • -8.11db
38% Popularity • 61% Danceability • 51% Energy • 37% Liveness
0% Instrumentalness • 48% Positiveness
38% Popularity • 61% Danceability • 51% Energy • 37% Liveness
0% Instrumentalness • 48% Positiveness
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Murray McLauchlan
Down By The Henry Moore
119 bpm • F# Maj • 04:36 • -12.87db
20% Popularity • 67% Danceability • 50% Energy • 12% Liveness
1% Instrumentalness • 94% Positiveness
20% Popularity • 67% Danceability • 50% Energy • 12% Liveness
1% Instrumentalness • 94% Positiveness
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Dan Fogelberg
Morning Sky
125 bpm • G Maj • 02:49 • -13db
32% Popularity • 65% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
32% Popularity • 65% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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Buffalo Springfield
On the Way Home
119 bpm • F Maj • 02:30 • -12db
50% Popularity • 66% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
50% Popularity • 66% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
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Amazing Rhythm Aces
Amazing Grace (Used to Be Her Favorite S...
125 bpm • G Maj • 03:17 • -11.6db
21% Popularity • 64% Danceability • 36% Energy • 38% Liveness
0% Instrumentalness • 58% Positiveness
21% Popularity • 64% Danceability • 36% Energy • 38% Liveness
0% Instrumentalness • 58% Positiveness
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Mason Proffit
Were You There?
120 bpm • E min • 04:32 • -9.2db
3% Popularity • 43% Danceability • 40% Energy • 13% Liveness
1% Instrumentalness • 27% Positiveness
3% Popularity • 43% Danceability • 40% Energy • 13% Liveness
1% Instrumentalness • 27% Positiveness
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Jonathan Edwards
Sunshine (Go Away Today)
125 bpm • A# Maj • 02:18 • -15.39db
52% Popularity • 70% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
52% Popularity • 70% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Warren Zevon
Johnny Strikes up the Band
119 bpm • A Maj • 02:51 • -7.46db
41% Popularity • 64% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
41% Popularity • 64% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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B.W. Stevenson
Texas Morning
125 bpm • E Maj • 03:24 • -13.84db
15% Popularity • 42% Danceability • 28% Energy • 35% Liveness
0% Instrumentalness • 32% Positiveness
15% Popularity • 42% Danceability • 28% Energy • 35% Liveness
0% Instrumentalness • 32% Positiveness
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Loggins & Messina
Just Before The News
126 bpm • D Maj • 01:09 • -10db
39% Popularity • 51% Danceability • 81% Energy • 21% Liveness
87% Instrumentalness • 97% Positiveness
39% Popularity • 51% Danceability • 81% Energy • 21% Liveness
87% Instrumentalness • 97% Positiveness
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Barefoot Jerry
I'm Proud to be a Redneck
125 bpm • A# Maj • 02:33 • -14.03db
12% Popularity • 78% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
12% Popularity • 78% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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Goose Creek Symphony
A Satisfied Mind
126 bpm • E Maj • 03:25 • -16.25db
10% Popularity • 44% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
10% Popularity • 44% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Elvin Bishop
Can't Go Back
126 bpm • C Maj • 03:30 • -7.36db
9% Popularity • 61% Danceability • 73% Energy • 11% Liveness
34% Instrumentalness • 73% Positiveness
9% Popularity • 61% Danceability • 73% Energy • 11% Liveness
34% Instrumentalness • 73% Positiveness
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Steve Goodman
You Never Even Call Me By My Name
118 bpm • C min • 04:19 • -5.87db
24% Popularity • 66% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 52% Positiveness
24% Popularity • 66% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 52% Positiveness
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Mason Proffit
Freedom
118 bpm • A Maj • 02:53 • -12.81db
3% Popularity • 59% Danceability • 55% Energy • 7% Liveness
1% Instrumentalness • 80% Positiveness
3% Popularity • 59% Danceability • 55% Energy • 7% Liveness
1% Instrumentalness • 80% Positiveness
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Bob Weir
Mexicali Blues
118 bpm • D Maj • 03:28 • -7.87db
29% Popularity • 73% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
29% Popularity • 73% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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Ricky Nelson
California
126 bpm • G Maj • 03:02 • -12.59db
12% Popularity • 64% Danceability • 43% Energy • 16% Liveness
1% Instrumentalness • 85% Positiveness
12% Popularity • 64% Danceability • 43% Energy • 16% Liveness
1% Instrumentalness • 85% Positiveness
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Doug Sahm Tex Mex Trip
Groover's Paradise
126 bpm • A Maj • 03:24 • -13.94db
16% Popularity • 70% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
16% Popularity • 70% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
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Cowboy
Shoestrings
127 bpm • C Maj • 03:25 • -14.84db
26% Popularity • 74% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 73% Positiveness
26% Popularity • 74% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 73% Positiveness
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Seals and Crofts
Dust on My Saddle
127 bpm • A Maj • 03:16 • -9.18db
23% Popularity • 66% Danceability • 58% Energy • 27% Liveness
0% Instrumentalness • 94% Positiveness
23% Popularity • 66% Danceability • 58% Energy • 27% Liveness
0% Instrumentalness • 94% Positiveness
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Mason Proffit
He Loves Them
118 bpm • C Maj • 03:33 • -17.85db
3% Popularity • 49% Danceability • 16% Energy • 12% Liveness
14% Instrumentalness • 28% Positiveness
3% Popularity • 49% Danceability • 16% Energy • 12% Liveness
14% Instrumentalness • 28% Positiveness
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Wet Willie
Soul Sister
117 bpm • C Maj • 04:55 • -12.27db
13% Popularity • 72% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
13% Popularity • 72% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Atlanta Rhythm Section
Georgia Rhythm
117 bpm • C Maj • 04:52 • -13db
36% Popularity • 72% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
36% Popularity • 72% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
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The Souther-Hillman-Furay Band
Pretty Goodbyes
127 bpm • G Maj • 03:43 • -12.89db
10% Popularity • 48% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
10% Popularity • 48% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Cowboy
5'll Getcha Ten
127 bpm • A Maj • 04:56 • -15.88db
19% Popularity • 53% Danceability • 30% Energy • 11% Liveness
2% Instrumentalness • 25% Positiveness
19% Popularity • 53% Danceability • 30% Energy • 11% Liveness
2% Instrumentalness • 25% Positiveness
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Loudon Wainwright III
East Indian Princess
117 bpm • A Maj • 02:56 • -9.4db
29% Popularity • 73% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
29% Popularity • 73% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Mason Proffit
In the Country / Sparrow
126 bpm • G Maj • 07:53 • -14.3db
4% Popularity • 50% Danceability • 40% Energy • 33% Liveness
1% Instrumentalness • 32% Positiveness
4% Popularity • 50% Danceability • 40% Energy • 33% Liveness
1% Instrumentalness • 32% Positiveness
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Jackson Browne
Ready or Not
117 bpm • E Maj • 03:35 • -8.04db
31% Popularity • 63% Danceability • 66% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
31% Popularity • 63% Danceability • 66% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
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Brinsley Schwarz
Country Girl
127 bpm • B min • 03:09 • -9.22db
22% Popularity • 40% Danceability • 58% Energy • 8% Liveness
1% Instrumentalness • 91% Positiveness
22% Popularity • 40% Danceability • 58% Energy • 8% Liveness
1% Instrumentalness • 91% Positiveness
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Wet Willie
Grits Ain't Groceries
117 bpm • C Maj • 03:03 • -13.97db
30% Popularity • 78% Danceability • 45% Energy • 17% Liveness
2% Instrumentalness • 93% Positiveness
30% Popularity • 78% Danceability • 45% Energy • 17% Liveness
2% Instrumentalness • 93% Positiveness
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Hot Tuna
True Religion
127 bpm • G Maj • 04:43 • -14db
23% Popularity • 47% Danceability • 44% Energy • 14% Liveness
5% Instrumentalness • 72% Positiveness
23% Popularity • 47% Danceability • 44% Energy • 14% Liveness
5% Instrumentalness • 72% Positiveness
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Jerry Garcia
Deal
117 bpm • D Maj • 03:11 • -12.98db
39% Popularity • 52% Danceability • 56% Energy • 20% Liveness
0% Instrumentalness • 83% Positiveness
39% Popularity • 52% Danceability • 56% Energy • 20% Liveness
0% Instrumentalness • 83% Positiveness
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The Outlaws
South Carolina - Digitally Remastered, 1...
128 bpm • A Maj • 03:02 • -8.18db
17% Popularity • 37% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
17% Popularity • 37% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
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Barefoot Jerry
Watchin' TV (With the Radio On)
117 bpm • A min • 03:35 • -11.64db
13% Popularity • 82% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
13% Popularity • 82% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Dickey Betts
Bougainvillea
128 bpm • E Maj • 07:12 • -12.26db
38% Popularity • 38% Danceability • 64% Energy • 16% Liveness
18% Instrumentalness • 57% Positiveness
38% Popularity • 38% Danceability • 64% Energy • 16% Liveness
18% Instrumentalness • 57% Positiveness
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Nils Lofgren
Mud In Your Eye
117 bpm • E min • 02:42 • -11.25db
7% Popularity • 88% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
7% Popularity • 88% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Hot Tuna
Hot Jelly Roll Blues
117 bpm • A# Maj • 04:20 • -8db
17% Popularity • 50% Danceability • 72% Energy • 17% Liveness
1% Instrumentalness • 89% Positiveness
17% Popularity • 50% Danceability • 72% Energy • 17% Liveness
1% Instrumentalness • 89% Positiveness
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The Doobie Brothers
Rainy Day Crossroad Blues
128 bpm • D Maj • 03:46 • -16.81db
27% Popularity • 50% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
27% Popularity • 50% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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The Outlaws
South Carolina - Digitally Remastered 20...
128 bpm • A Maj • 03:03 • -9db
14% Popularity • 37% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
14% Popularity • 37% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Boz Scaggs
Now You're Gone
128 bpm • A Maj • 03:49 • -10.41db
18% Popularity • 55% Danceability • 42% Energy • 76% Liveness
0% Instrumentalness • 73% Positiveness
18% Popularity • 55% Danceability • 42% Energy • 76% Liveness
0% Instrumentalness • 73% Positiveness
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Cowboy
All My Friends
117 bpm • G Maj • 04:52 • -17.48db
15% Popularity • 53% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
15% Popularity • 53% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Eagles
Twenty-One - 2013 Remaster
117 bpm • A Maj • 02:09 • -9.11db
41% Popularity • 60% Danceability • 77% Energy • 57% Liveness
0% Instrumentalness • 96% Positiveness
41% Popularity • 60% Danceability • 77% Energy • 57% Liveness
0% Instrumentalness • 96% Positiveness
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Danny O'Keefe
Covered Wagon
128 bpm • D Maj • 02:44 • -8.34db
10% Popularity • 67% Danceability • 80% Energy • 16% Liveness
3% Instrumentalness • 87% Positiveness
10% Popularity • 67% Danceability • 80% Energy • 16% Liveness
3% Instrumentalness • 87% Positiveness
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Mason Proffit
Five Generations
128 bpm • G Maj • 04:44 • -9.42db
2% Popularity • 50% Danceability • 49% Energy • 15% Liveness
10% Instrumentalness • 23% Positiveness
2% Popularity • 50% Danceability • 49% Energy • 15% Liveness
10% Instrumentalness • 23% Positiveness
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Dickey Betts
Nothing You Can Do
116 bpm • C Maj • 05:03 • -9.81db
30% Popularity • 46% Danceability • 77% Energy • 16% Liveness
6% Instrumentalness • 75% Positiveness
30% Popularity • 46% Danceability • 77% Energy • 16% Liveness
6% Instrumentalness • 75% Positiveness
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Amazing Rhythm Aces
Third Rate Romance - Remastered
116 bpm • A Maj • 03:21 • -10.17db
44% Popularity • 82% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
44% Popularity • 82% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
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Loggins & Messina
Same Old Wine
128 bpm • F Maj • 08:15 • -8db
28% Popularity • 55% Danceability • 53% Energy • 11% Liveness
9% Instrumentalness • 35% Positiveness
28% Popularity • 55% Danceability • 53% Energy • 11% Liveness
9% Instrumentalness • 35% Positiveness
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Tony Joe White
Ten More Miles to Louisiana
128 bpm • F# min • 02:24 • -6.97db
30% Popularity • 69% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
30% Popularity • 69% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Cowboy
Please Be With Me
116 bpm • D Maj • 03:42 • -18db
38% Popularity • 55% Danceability • 23% Energy • 14% Liveness
1% Instrumentalness • 33% Positiveness
38% Popularity • 55% Danceability • 23% Energy • 14% Liveness
1% Instrumentalness • 33% Positiveness
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Mason Proffit
Old Joe Clark
116 bpm • A Maj • 04:02 • -10.56db
5% Popularity • 39% Danceability • 91% Energy • 8% Liveness
1% Instrumentalness • 79% Positiveness
5% Popularity • 39% Danceability • 91% Energy • 8% Liveness
1% Instrumentalness • 79% Positiveness
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Little
Walkin All Night
116 bpm • C Maj • 03:36 • -12.73db
31% Popularity • 61% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
31% Popularity • 61% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Joe Walsh
Happy Ways
129 bpm • A Maj • 02:41 • -15.86db
39% Popularity • 74% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
39% Popularity • 74% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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The Outlaws
It Follows From Your Heart
129 bpm • C Maj • 05:22 • -7.63db
23% Popularity • 45% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
23% Popularity • 45% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Heartsfield
As I Look Into the Fire
115 bpm • B Maj • 05:16 • -13.14db
9% Popularity • 68% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
9% Popularity • 68% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
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Danny O'Keefe
Steel Guitar
129 bpm • F# Maj • 04:05 • -7.55db
10% Popularity • 61% Danceability • 67% Energy • 37% Liveness
0% Instrumentalness • 80% Positiveness
10% Popularity • 61% Danceability • 67% Energy • 37% Liveness
0% Instrumentalness • 80% Positiveness
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Mason Proffit
Hobo
129 bpm • G Maj • 04:32 • -8.61db
2% Popularity • 54% Danceability • 74% Energy • 74% Liveness
0% Instrumentalness • 82% Positiveness
2% Popularity • 54% Danceability • 74% Energy • 74% Liveness
0% Instrumentalness • 82% Positiveness
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American Flyer
Spirit of a Woman
129 bpm • A# Maj • 02:32 • -11.87db
22% Popularity • 63% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
22% Popularity • 63% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
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The Souther-Hillman-Furay Band
Believe Me
115 bpm • D Maj • 05:03 • -10db
10% Popularity • 40% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
10% Popularity • 40% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Delaney & Bonnie
Only You Know And I Know
115 bpm • F min • 03:26 • -10.37db
28% Popularity • 61% Danceability • 57% Energy • 66% Liveness
0% Instrumentalness • 57% Positiveness
28% Popularity • 61% Danceability • 57% Energy • 66% Liveness
0% Instrumentalness • 57% Positiveness
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Jesse Winchester
Nothing But A Breeze
115 bpm • G Maj • 04:34 • -11.45db
25% Popularity • 77% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
25% Popularity • 77% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
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John Fogerty
Flyin' Away
115 bpm • A Maj • 04:20 • -7.41db
11% Popularity • 52% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 51% Positiveness
11% Popularity • 52% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 51% Positiveness
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The Guess Who
Running Bear - Remastered
115 bpm • A Maj • 02:19 • -10.68db
12% Popularity • 52% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
12% Popularity • 52% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Gregg Allman
All My Friends
130 bpm • G Maj • 04:33 • -9db
25% Popularity • 52% Danceability • 38% Energy • 10% Liveness
6% Instrumentalness • 34% Positiveness
25% Popularity • 52% Danceability • 38% Energy • 10% Liveness
6% Instrumentalness • 34% Positiveness
