Songs like Medley: Ich bitte, nicht lachen/ Komm mit nach Varasdin/ Liebber Himmelsvater sei nicht böse/ Czárdás/ Komm Zigány by Peter Kreuder
Based on a tempo of (+/- 10%) and a similar genre
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Tony Mottola y Su Orquesta
Sorrento
82 bpm • A min • 02:47 • -12.94db
27% Popularity • 32% Danceability • 19% Energy • 12% Liveness
69% Instrumentalness • 49% Positiveness
27% Popularity • 32% Danceability • 19% Energy • 12% Liveness
69% Instrumentalness • 49% Positiveness
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Don Costa
The Third Man - Remastered
82 bpm • C# Maj • 02:06 • -9db
38% Popularity • 45% Danceability • 36% Energy • 20% Liveness
85% Instrumentalness • 78% Positiveness
38% Popularity • 45% Danceability • 36% Energy • 20% Liveness
85% Instrumentalness • 78% Positiveness
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Hugo Winterhalter And His Orchestra
I Only Have Eyes for You - Instrumental
82 bpm • C Maj • 02:49 • -15db
28% Popularity • 23% Danceability • 19% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
28% Popularity • 23% Danceability • 19% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
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Les Elgart
Willie Boy
83 bpm • C# Maj • 01:37 • -11db
36% Popularity • 46% Danceability • 46% Energy • 6% Liveness
64% Instrumentalness • 78% Positiveness
36% Popularity • 46% Danceability • 46% Energy • 6% Liveness
64% Instrumentalness • 78% Positiveness
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Norman Candler
Plaisir d'amour - Remastered
83 bpm • G Maj • 03:30 • -7.87db
7% Popularity • 19% Danceability • 40% Energy • 10% Liveness
88% Instrumentalness • 65% Positiveness
7% Popularity • 19% Danceability • 40% Energy • 10% Liveness
88% Instrumentalness • 65% Positiveness
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Pepe Jaramillo
Siboney
81 bpm • C Maj • 02:44 • -14db
31% Popularity • 66% Danceability • 37% Energy • 10% Liveness
90% Instrumentalness • 93% Positiveness
31% Popularity • 66% Danceability • 37% Energy • 10% Liveness
90% Instrumentalness • 93% Positiveness
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Peter Kreuder
Blume von Hawaii / Bin nur ein Johnny / ...
83 bpm • C min • 02:30 • -13.03db
3% Popularity • 65% Danceability • 13% Energy • 8% Liveness
92% Instrumentalness • 53% Positiveness
3% Popularity • 65% Danceability • 13% Energy • 8% Liveness
92% Instrumentalness • 53% Positiveness
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Group-Forty Orchestra
Spring Fashion
83 bpm • G Maj • 02:41 • -13db
22% Popularity • 23% Danceability • 31% Energy • 10% Liveness
73% Instrumentalness • 46% Positiveness
22% Popularity • 23% Danceability • 31% Energy • 10% Liveness
73% Instrumentalness • 46% Positiveness
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David Rose Orchestra
Ain't Misbehavin'
83 bpm • F Maj • 02:55 • -10.67db
23% Popularity • 41% Danceability • 40% Energy • 20% Liveness
94% Instrumentalness • 21% Positiveness
23% Popularity • 41% Danceability • 40% Energy • 20% Liveness
94% Instrumentalness • 21% Positiveness
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Claudius Alzner
Kann den Liebe Sünde sein - Für eine N...
81 bpm • D# Maj • 02:48 • -13.07db
18% Popularity • 56% Danceability • 27% Energy • 16% Liveness
9% Instrumentalness • 67% Positiveness
18% Popularity • 56% Danceability • 27% Energy • 16% Liveness
9% Instrumentalness • 67% Positiveness
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The Melachrino Strings
La Vie En Rose
83 bpm • D Maj • 02:57 • -19db
37% Popularity • 16% Danceability • 21% Energy • 16% Liveness
29% Instrumentalness • 13% Positiveness
37% Popularity • 16% Danceability • 21% Energy • 16% Liveness
29% Instrumentalness • 13% Positiveness
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Edmundo Ros
Melodie D' Amour (Alternate Take)
81 bpm • D# Maj • 03:04 • -13db
22% Popularity • 68% Danceability • 39% Energy • 19% Liveness
69% Instrumentalness • 73% Positiveness
22% Popularity • 68% Danceability • 39% Energy • 19% Liveness
69% Instrumentalness • 73% Positiveness
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Hugo Winterhalter And His Orchestra
There Will Never Be Another You - Instru...
83 bpm • D# Maj • 03:08 • -12.23db
21% Popularity • 28% Danceability • 26% Energy • 11% Liveness
89% Instrumentalness • 18% Positiveness
21% Popularity • 28% Danceability • 26% Energy • 11% Liveness
89% Instrumentalness • 18% Positiveness
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Joaquin Borges
Rio De Luna
83 bpm • C Maj • 02:31 • -22db
44% Popularity • 22% Danceability • 10% Energy • 7% Liveness
86% Instrumentalness • 9% Positiveness
44% Popularity • 22% Danceability • 10% Energy • 7% Liveness
86% Instrumentalness • 9% Positiveness
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David Rose Orchestra
An American in Paris
83 bpm • C min • 02:45 • -12.59db
21% Popularity • 44% Danceability • 24% Energy • 9% Liveness
79% Instrumentalness • 39% Positiveness
21% Popularity • 44% Danceability • 24% Energy • 9% Liveness
79% Instrumentalness • 39% Positiveness
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Billy May & His Orchestra
Heart of Mine
80 bpm • A Maj • 02:19 • -5.95db
8% Popularity • 10% Danceability • 48% Energy • 31% Liveness
90% Instrumentalness • 10% Positiveness
8% Popularity • 10% Danceability • 48% Energy • 31% Liveness
90% Instrumentalness • 10% Positiveness
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Otto Cesana
Enchantment
81 bpm • F Maj • 03:09 • -10db
15% Popularity • 12% Danceability • 45% Energy • 12% Liveness
93% Instrumentalness • 5% Positiveness
15% Popularity • 12% Danceability • 45% Energy • 12% Liveness
93% Instrumentalness • 5% Positiveness
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Joséphine Baker
Final - Remasterizado
84 bpm • A# Maj • 00:50 • -5.36db
11% Popularity • 11% Danceability • 35% Energy • 47% Liveness
74% Instrumentalness • 50% Positiveness
11% Popularity • 11% Danceability • 35% Energy • 47% Liveness
74% Instrumentalness • 50% Positiveness
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Peter Kreuder
Schön ist jeder Tag, Marie-Luise
84 bpm • C Maj • 01:10 • -20db
4% Popularity • 58% Danceability • 7% Energy • 23% Liveness
4% Instrumentalness • 41% Positiveness
4% Popularity • 58% Danceability • 7% Energy • 23% Liveness
4% Instrumentalness • 41% Positiveness
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Hugo Winterhalter And His Orchestra
Fascination - Instrumental
80 bpm • F Maj • 02:44 • -18db
31% Popularity • 22% Danceability • 24% Energy • 20% Liveness
75% Instrumentalness • 21% Positiveness
31% Popularity • 22% Danceability • 24% Energy • 20% Liveness
75% Instrumentalness • 21% Positiveness
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David Rose Orchestra
I've Got You Under My Skin
83 bpm • F Maj • 03:26 • -13.32db
10% Popularity • 15% Danceability • 31% Energy • 5% Liveness
83% Instrumentalness • 13% Positiveness
10% Popularity • 15% Danceability • 31% Energy • 5% Liveness
83% Instrumentalness • 13% Positiveness
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Billy May & His Orchestra
Heart of Mine
80 bpm • A Maj • 02:22 • -15db
20% Popularity • 21% Danceability • 30% Energy • 16% Liveness
88% Instrumentalness • 20% Positiveness
20% Popularity • 21% Danceability • 30% Energy • 16% Liveness
88% Instrumentalness • 20% Positiveness
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balsimo rolon
mundo de nosotros juntos
80 bpm • F min • 01:49 • -24.41db
14% Popularity • 74% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 21% Positiveness
14% Popularity • 74% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 21% Positiveness
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Bart Howard
Fly Me to the Moon
84 bpm • A# Maj • 02:38 • -8db
22% Popularity • 25% Danceability • 44% Energy • 32% Liveness
80% Instrumentalness • 42% Positiveness
22% Popularity • 25% Danceability • 44% Energy • 32% Liveness
80% Instrumentalness • 42% Positiveness
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Lester Lanin
The Merry Widow Waltz - Bright Viennese ...
80 bpm • G Maj • 01:59 • -9.98db
23% Popularity • 34% Danceability • 36% Energy • 52% Liveness
76% Instrumentalness • 55% Positiveness
23% Popularity • 34% Danceability • 36% Energy • 52% Liveness
76% Instrumentalness • 55% Positiveness
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Danny Jonokuchi
Midnight Romance
80 bpm • C min • 03:17 • -13.91db
26% Popularity • 45% Danceability • 21% Energy • 33% Liveness
89% Instrumentalness • 28% Positiveness
26% Popularity • 45% Danceability • 21% Energy • 33% Liveness
89% Instrumentalness • 28% Positiveness
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Stef Meeder
Hello Dolly, Quicksilver, Dear Hearts An...
80 bpm • F Maj • 02:45 • -15.2db
15% Popularity • 60% Danceability • 37% Energy • 12% Liveness
79% Instrumentalness • 76% Positiveness
15% Popularity • 60% Danceability • 37% Energy • 12% Liveness
79% Instrumentalness • 76% Positiveness
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Hugo Strasser und die Heinrich Haas jr. Combo
STARDUST
80 bpm • C# Maj • 03:28 • -11.25db
12% Popularity • 53% Danceability • 22% Energy • 12% Liveness
76% Instrumentalness • 46% Positiveness
12% Popularity • 53% Danceability • 22% Energy • 12% Liveness
76% Instrumentalness • 46% Positiveness
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Tommy Dorsey Orchestra
Swanee River
80 bpm • A# Maj • 02:20 • -14db
45% Popularity • 45% Danceability • 32% Energy • 23% Liveness
71% Instrumentalness • 61% Positiveness
45% Popularity • 45% Danceability • 32% Energy • 23% Liveness
71% Instrumentalness • 61% Positiveness
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Monty Sunshine
Just A Closer Walk With Thee
80 bpm • A# Maj • 02:07 • -13.36db
26% Popularity • 47% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
26% Popularity • 47% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Tony Mottola y Su Orquesta
Non Dimenticar
80 bpm • F# min • 02:50 • -12.97db
23% Popularity • 47% Danceability • 24% Energy • 22% Liveness
78% Instrumentalness • 34% Positiveness
23% Popularity • 47% Danceability • 24% Energy • 22% Liveness
78% Instrumentalness • 34% Positiveness
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Peter Kreuder
Ich bin verliebt
84 bpm • G Maj • 00:59 • -18.06db
2% Popularity • 40% Danceability • 5% Energy • 16% Liveness
83% Instrumentalness • 32% Positiveness
2% Popularity • 40% Danceability • 5% Energy • 16% Liveness
83% Instrumentalness • 32% Positiveness
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Claudius Alzner
The man I love - Smoke gets in your eyes
80 bpm • F min • 03:27 • -16.52db
13% Popularity • 39% Danceability • 24% Energy • 8% Liveness
75% Instrumentalness • 32% Positiveness
13% Popularity • 39% Danceability • 24% Energy • 8% Liveness
75% Instrumentalness • 32% Positiveness
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Ludwig Schmidseder
Frauen im Metropol: Komm doch in meine A...
85 bpm • C# Maj • 02:33 • -11.29db
10% Popularity • 37% Danceability • 33% Energy • 7% Liveness
53% Instrumentalness • 63% Positiveness
10% Popularity • 37% Danceability • 33% Energy • 7% Liveness
53% Instrumentalness • 63% Positiveness
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Sam Fonteyn
Candlelight Serenade
79 bpm • F min • 01:57 • -9.78db
11% Popularity • 38% Danceability • 24% Energy • 14% Liveness
76% Instrumentalness • 24% Positiveness
11% Popularity • 38% Danceability • 24% Energy • 14% Liveness
76% Instrumentalness • 24% Positiveness
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David Rose Orchestra
Night & Day
79 bpm • A# Maj • 03:43 • -12.78db
17% Popularity • 23% Danceability • 32% Energy • 36% Liveness
77% Instrumentalness • 6% Positiveness
17% Popularity • 23% Danceability • 32% Energy • 36% Liveness
77% Instrumentalness • 6% Positiveness
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Hugo Strasser und die Heinrich Haas jr. Combo
I LEFT MY HEART IN SAN FRANCISCO
85 bpm • C# Maj • 03:16 • -10db
29% Popularity • 50% Danceability • 33% Energy • 10% Liveness
12% Instrumentalness • 20% Positiveness
29% Popularity • 50% Danceability • 33% Energy • 10% Liveness
12% Instrumentalness • 20% Positiveness
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Peter Kreuder
Sag beim Abschied leise "Servus"
85 bpm • A# Maj • 02:58 • -7db
0% Popularity • 22% Danceability • 37% Energy • 36% Liveness
3% Instrumentalness • 34% Positiveness
0% Popularity • 22% Danceability • 37% Energy • 36% Liveness
3% Instrumentalness • 34% Positiveness
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Hugo Winterhalter And His Orchestra
The More I See You - Instrumental
79 bpm • D# Maj • 03:07 • -12.84db
21% Popularity • 26% Danceability • 20% Energy • 10% Liveness
90% Instrumentalness • 16% Positiveness
21% Popularity • 26% Danceability • 20% Energy • 10% Liveness
90% Instrumentalness • 16% Positiveness
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The Melachrino Strings
Alone
85 bpm • C Maj • 02:44 • -18db
27% Popularity • 18% Danceability • 22% Energy • 9% Liveness
48% Instrumentalness • 5% Positiveness
27% Popularity • 18% Danceability • 22% Energy • 9% Liveness
48% Instrumentalness • 5% Positiveness
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Henry Salomon y su Orquesta
Al Correr del Tiempo
79 bpm • D min • 03:09 • -16db
39% Popularity • 24% Danceability • 19% Energy • 12% Liveness
85% Instrumentalness • 32% Positiveness
39% Popularity • 24% Danceability • 19% Energy • 12% Liveness
85% Instrumentalness • 32% Positiveness
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Living Strings
The Rose of Tralee
79 bpm • C Maj • 02:50 • -11.28db
27% Popularity • 10% Danceability • 30% Energy • 28% Liveness
0% Instrumentalness • 8% Positiveness
27% Popularity • 10% Danceability • 30% Energy • 28% Liveness
0% Instrumentalness • 8% Positiveness
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Members Of The Glenn Miller Orchestra
Song of the Volga Boatman
79 bpm • A# min • 02:40 • -18.13db
35% Popularity • 48% Danceability • 41% Energy • 8% Liveness
8% Instrumentalness • 60% Positiveness
35% Popularity • 48% Danceability • 41% Energy • 8% Liveness
8% Instrumentalness • 60% Positiveness
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Peter Kreuder
La Vie En Rose
86 bpm • D Maj • 00:58 • -22db
19% Popularity • 53% Danceability • 5% Energy • 9% Liveness
80% Instrumentalness • 35% Positiveness
19% Popularity • 53% Danceability • 5% Energy • 9% Liveness
80% Instrumentalness • 35% Positiveness
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Norman Candler
Theme from Love Story - Remastered
86 bpm • E min • 02:52 • -7db
24% Popularity • 31% Danceability • 62% Energy • 14% Liveness
90% Instrumentalness • 53% Positiveness
24% Popularity • 31% Danceability • 62% Energy • 14% Liveness
90% Instrumentalness • 53% Positiveness
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Don Costa
Lisboa Antigua - Remastered
86 bpm • C# Maj • 02:52 • -9db
34% Popularity • 46% Danceability • 50% Energy • 31% Liveness
39% Instrumentalness • 96% Positiveness
34% Popularity • 46% Danceability • 50% Energy • 31% Liveness
39% Instrumentalness • 96% Positiveness
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Piero Piccioni
Sospetto Swing
86 bpm • F Maj • 01:27 • -8.74db
14% Popularity • 34% Danceability • 50% Energy • 28% Liveness
94% Instrumentalness • 46% Positiveness
14% Popularity • 34% Danceability • 50% Energy • 28% Liveness
94% Instrumentalness • 46% Positiveness
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Gary Freeman
Just A Gigolo
78 bpm • F Maj • 02:18 • -10.59db
27% Popularity • 41% Danceability • 36% Energy • 6% Liveness
63% Instrumentalness • 26% Positiveness
27% Popularity • 41% Danceability • 36% Energy • 6% Liveness
63% Instrumentalness • 26% Positiveness
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Hugo Winterhalter And His Orchestra
At Last - Instrumental
78 bpm • C Maj • 02:58 • -14db
20% Popularity • 18% Danceability • 26% Energy • 45% Liveness
93% Instrumentalness • 26% Positiveness
20% Popularity • 18% Danceability • 26% Energy • 45% Liveness
93% Instrumentalness • 26% Positiveness
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Gaston Salvano
枯葉 (フランス映画『枯葉 ～�...
86 bpm • E min • 04:31 • -14.12db
0% Popularity • 47% Danceability • 28% Energy • 37% Liveness
0% Instrumentalness • 35% Positiveness
0% Popularity • 47% Danceability • 28% Energy • 37% Liveness
0% Instrumentalness • 35% Positiveness
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Edmundo Ros & His Orchestra
Cherry Pink And Apple Blossom White
78 bpm • D# Maj • 02:10 • -10.66db
18% Popularity • 64% Danceability • 53% Energy • 18% Liveness
88% Instrumentalness • 95% Positiveness
18% Popularity • 64% Danceability • 53% Energy • 18% Liveness
88% Instrumentalness • 95% Positiveness
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John Fox
A Certain Smile
87 bpm • F Maj • 02:51 • -13.97db
20% Popularity • 18% Danceability • 27% Energy • 10% Liveness
74% Instrumentalness • 15% Positiveness
20% Popularity • 18% Danceability • 27% Energy • 10% Liveness
74% Instrumentalness • 15% Positiveness
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Peter Kreuder
Im Leben geht alles vorüber
78 bpm • G# Maj • 02:26 • -15.89db
2% Popularity • 61% Danceability • 22% Energy • 31% Liveness
55% Instrumentalness • 51% Positiveness
2% Popularity • 61% Danceability • 22% Energy • 31% Liveness
55% Instrumentalness • 51% Positiveness
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David Rose
Love Is a Many Splendoured Thing
87 bpm • A# min • 03:05 • -12.73db
28% Popularity • 34% Danceability • 44% Energy • 15% Liveness
94% Instrumentalness • 15% Positiveness
28% Popularity • 34% Danceability • 44% Energy • 15% Liveness
94% Instrumentalness • 15% Positiveness
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Paul Francis Webster
Love Is A Many Splendored Thing
87 bpm • D# Maj • 01:57 • -11.46db
22% Popularity • 26% Danceability • 29% Energy • 22% Liveness
2% Instrumentalness • 24% Positiveness
22% Popularity • 26% Danceability • 29% Energy • 22% Liveness
2% Instrumentalness • 24% Positiveness
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Ted Heath
Sentimental Journey
78 bpm • G Maj • 02:45 • -11db
19% Popularity • 42% Danceability • 24% Energy • 7% Liveness
96% Instrumentalness • 16% Positiveness
19% Popularity • 42% Danceability • 24% Energy • 7% Liveness
96% Instrumentalness • 16% Positiveness
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Lelio Luttazzi
Fox delle Gigolettes
78 bpm • F# Maj • 02:52 • -9.49db
22% Popularity • 68% Danceability • 31% Energy • 10% Liveness
84% Instrumentalness • 66% Positiveness
22% Popularity • 68% Danceability • 31% Energy • 10% Liveness
84% Instrumentalness • 66% Positiveness
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Claudius Alzner
Dinah - Lieblin, mein Herz lässt dich g...
87 bpm • D Maj • 03:30 • -13.45db
10% Popularity • 58% Danceability • 24% Energy • 27% Liveness
7% Instrumentalness • 74% Positiveness
10% Popularity • 58% Danceability • 24% Energy • 27% Liveness
7% Instrumentalness • 74% Positiveness
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Hugo Winterhalter And His Orchestra
A Taste of Honey
78 bpm • A min • 03:11 • -10db
26% Popularity • 18% Danceability • 48% Energy • 24% Liveness
5% Instrumentalness • 52% Positiveness
26% Popularity • 18% Danceability • 48% Energy • 24% Liveness
5% Instrumentalness • 52% Positiveness
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Ken Turner & His Orchestra
Diane
87 bpm • D# Maj • 03:10 • -15db
7% Popularity • 39% Danceability • 28% Energy • 41% Liveness
89% Instrumentalness • 30% Positiveness
7% Popularity • 39% Danceability • 28% Energy • 41% Liveness
89% Instrumentalness • 30% Positiveness
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Les Elgart & His Orchestra
Cherokee
77 bpm • D min • 01:59 • -17.04db
22% Popularity • 56% Danceability • 37% Energy • 10% Liveness
89% Instrumentalness • 77% Positiveness
22% Popularity • 56% Danceability • 37% Energy • 10% Liveness
89% Instrumentalness • 77% Positiveness
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Friedrich Schröder
Eine Insel aus Träumen geboren
88 bpm • D# Maj • 03:10 • -18.29db
0% Popularity • 51% Danceability • 13% Energy • 11% Liveness
62% Instrumentalness • 65% Positiveness
0% Popularity • 51% Danceability • 13% Energy • 11% Liveness
62% Instrumentalness • 65% Positiveness
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Living Strings
Come to Capri
87 bpm • D min • 05:47 • -16db
30% Popularity • 16% Danceability • 23% Energy • 87% Liveness
91% Instrumentalness • 28% Positiveness
30% Popularity • 16% Danceability • 23% Energy • 87% Liveness
91% Instrumentalness • 28% Positiveness
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Peter Kreuder
Wenn die Sonne hinter den Dächern versi...
88 bpm • F Maj • 01:31 • -21.31db
3% Popularity • 48% Danceability • 6% Energy • 12% Liveness
78% Instrumentalness • 31% Positiveness
3% Popularity • 48% Danceability • 6% Energy • 12% Liveness
78% Instrumentalness • 31% Positiveness
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101 String Royal Orchestra
The Last Time I Saw Paris
88 bpm • A Maj • 01:42 • -11db
22% Popularity • 45% Danceability • 27% Energy • 15% Liveness
34% Instrumentalness • 7% Positiveness
22% Popularity • 45% Danceability • 27% Energy • 15% Liveness
34% Instrumentalness • 7% Positiveness
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Ernst Mosch
Verlassen bin i
88 bpm • G# Maj • 02:43 • -16.17db
9% Popularity • 14% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
9% Popularity • 14% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Piero Piccioni
Soraya - Horns suite Theme
88 bpm • F# Maj • 02:30 • -13.61db
10% Popularity • 27% Danceability • 28% Energy • 17% Liveness
59% Instrumentalness • 20% Positiveness
10% Popularity • 27% Danceability • 28% Energy • 17% Liveness
59% Instrumentalness • 20% Positiveness
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Orchestra
I Can´t Stop Loving You
88 bpm • F Maj • 02:39 • -9.93db
13% Popularity • 25% Danceability • 31% Energy • 13% Liveness
90% Instrumentalness • 19% Positiveness
13% Popularity • 25% Danceability • 31% Energy • 13% Liveness
90% Instrumentalness • 19% Positiveness
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Lester Lanin
Desafinado-Bright Bossa Nova
88 bpm • C Maj • 01:56 • -16.69db
26% Popularity • 70% Danceability • 33% Energy • 3% Liveness
85% Instrumentalness • 90% Positiveness
26% Popularity • 70% Danceability • 33% Energy • 3% Liveness
85% Instrumentalness • 90% Positiveness
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Peter Kreuder
Moonlight Serenade
77 bpm • F Maj • 02:12 • -22.29db
5% Popularity • 42% Danceability • 7% Energy • 9% Liveness
20% Instrumentalness • 13% Positiveness
5% Popularity • 42% Danceability • 7% Energy • 9% Liveness
20% Instrumentalness • 13% Positiveness
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Hugo Winterhalter And His Orchestra
Shadow Waltz - Instrumental
76 bpm • G Maj • 03:21 • -13.37db
13% Popularity • 12% Danceability • 19% Energy • 11% Liveness
90% Instrumentalness • 11% Positiveness
13% Popularity • 12% Danceability • 19% Energy • 11% Liveness
90% Instrumentalness • 11% Positiveness
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Giacomo Puccini
Oh Mio Bambino Caro
88 bpm • G# Maj • 02:41 • -10db
29% Popularity • 19% Danceability • 31% Energy • 12% Liveness
87% Instrumentalness • 18% Positiveness
29% Popularity • 19% Danceability • 31% Energy • 12% Liveness
87% Instrumentalness • 18% Positiveness
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Roberto Delgado
Amapola
88 bpm • C Maj • 02:21 • -6.52db
24% Popularity • 58% Danceability • 76% Energy • 4% Liveness
0% Instrumentalness • 94% Positiveness
24% Popularity • 58% Danceability • 76% Energy • 4% Liveness
0% Instrumentalness • 94% Positiveness
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Pete Fountain
No Eres Nadie Hasta Que Alguien Te Ama
76 bpm • C min • 02:51 • -15.69db
23% Popularity • 36% Danceability • 18% Energy • 15% Liveness
87% Instrumentalness • 48% Positiveness
23% Popularity • 36% Danceability • 18% Energy • 15% Liveness
87% Instrumentalness • 48% Positiveness
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The Melachrino Strings
Smile
89 bpm • C Maj • 04:15 • -18.96db
29% Popularity • 16% Danceability • 19% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
29% Popularity • 16% Danceability • 19% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
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Peter Kreuder
Alles versteh'n heisst alles verzeih'n
88 bpm • F min • 03:15 • -12.43db
1% Popularity • 43% Danceability • 21% Energy • 28% Liveness
0% Instrumentalness • 16% Positiveness
1% Popularity • 43% Danceability • 21% Energy • 28% Liveness
0% Instrumentalness • 16% Positiveness
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Hugo Winterhalter And His Orchestra
September in the Rain - Instrumental
76 bpm • F min • 03:39 • -11db
20% Popularity • 21% Danceability • 37% Energy • 11% Liveness
96% Instrumentalness • 26% Positiveness
20% Popularity • 21% Danceability • 37% Energy • 11% Liveness
96% Instrumentalness • 26% Positiveness
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Billy May & His Orchestra
Naked Isle
76 bpm • B min • 03:12 • -14.59db
14% Popularity • 24% Danceability • 32% Energy • 9% Liveness
32% Instrumentalness • 6% Positiveness
14% Popularity • 24% Danceability • 32% Energy • 9% Liveness
32% Instrumentalness • 6% Positiveness
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Kai Warner
The Last Waltz
89 bpm • D Maj • 02:35 • -12.98db
34% Popularity • 45% Danceability • 34% Energy • 20% Liveness
1% Instrumentalness • 37% Positiveness
34% Popularity • 45% Danceability • 34% Energy • 20% Liveness
1% Instrumentalness • 37% Positiveness
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Peter Igelhoff
Das Lied vom unverstandenen Mann
76 bpm • C Maj • 03:29 • -21.41db
0% Popularity • 66% Danceability • 18% Energy • 39% Liveness
0% Instrumentalness • 76% Positiveness
0% Popularity • 66% Danceability • 18% Energy • 39% Liveness
0% Instrumentalness • 76% Positiveness
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Ronald Valentino
A Través de los Años
90 bpm • D# Maj • 02:53 • -10db
51% Popularity • 37% Danceability • 35% Energy • 8% Liveness
72% Instrumentalness • 43% Positiveness
51% Popularity • 37% Danceability • 35% Energy • 8% Liveness
72% Instrumentalness • 43% Positiveness
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Peter Kreuder
Wie hab' ich nur leben können
88 bpm • F Maj • 01:10 • -18.97db
2% Popularity • 62% Danceability • 6% Energy • 10% Liveness
42% Instrumentalness • 19% Positiveness
2% Popularity • 62% Danceability • 6% Energy • 10% Liveness
42% Instrumentalness • 19% Positiveness
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Joe Reisman
Joey's Song
89 bpm • A min • 02:13 • -17.38db
21% Popularity • 76% Danceability • 41% Energy • 11% Liveness
85% Instrumentalness • 97% Positiveness
21% Popularity • 76% Danceability • 41% Energy • 11% Liveness
85% Instrumentalness • 97% Positiveness
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Billy May & His Orchestra
Lovewise
89 bpm • A Maj • 02:34 • -14.31db
31% Popularity • 24% Danceability • 36% Energy • 28% Liveness
90% Instrumentalness • 32% Positiveness
31% Popularity • 24% Danceability • 36% Energy • 28% Liveness
90% Instrumentalness • 32% Positiveness
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Eddie Calvert
Stranger in Paradise - 2005 Remaster
90 bpm • G# Maj • 02:39 • -11.4db
21% Popularity • 18% Danceability • 22% Energy • 25% Liveness
95% Instrumentalness • 29% Positiveness
21% Popularity • 18% Danceability • 22% Energy • 25% Liveness
95% Instrumentalness • 29% Positiveness
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Claudius Alzner
What a wonderful world - Les feulles mor...
75 bpm • F Maj • 03:13 • -12db
15% Popularity • 38% Danceability • 28% Energy • 11% Liveness
86% Instrumentalness • 14% Positiveness
15% Popularity • 38% Danceability • 28% Energy • 11% Liveness
86% Instrumentalness • 14% Positiveness
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Future Forecast
都会的な爆発
90 bpm • C min • 01:43 • -19.6db
9% Popularity • 88% Danceability • 32% Energy • 8% Liveness
80% Instrumentalness • 96% Positiveness
9% Popularity • 88% Danceability • 32% Energy • 8% Liveness
80% Instrumentalness • 96% Positiveness
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Peter Kreuder
Frag' nicht, warum ich gehe
88 bpm • C Maj • 01:06 • -19.07db
6% Popularity • 52% Danceability • 11% Energy • 10% Liveness
32% Instrumentalness • 24% Positiveness
6% Popularity • 52% Danceability • 11% Energy • 10% Liveness
32% Instrumentalness • 24% Positiveness
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Jean Paques
C'est magnifique
90 bpm • G Maj • 01:37 • -13.49db
40% Popularity • 68% Danceability • 31% Energy • 8% Liveness
80% Instrumentalness • 79% Positiveness
40% Popularity • 68% Danceability • 31% Energy • 8% Liveness
80% Instrumentalness • 79% Positiveness
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Das Orchester Claudius Alzner
Sentimental Journey - I left my heart in...
90 bpm • F Maj • 03:20 • -17.41db
11% Popularity • 70% Danceability • 15% Energy • 9% Liveness
82% Instrumentalness • 52% Positiveness
11% Popularity • 70% Danceability • 15% Energy • 9% Liveness
82% Instrumentalness • 52% Positiveness
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Lelio Luttazzi
La serenata
74 bpm • D# Maj • 02:23 • -9.45db
21% Popularity • 57% Danceability • 32% Energy • 15% Liveness
14% Instrumentalness • 56% Positiveness
21% Popularity • 57% Danceability • 32% Energy • 15% Liveness
14% Instrumentalness • 56% Positiveness
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Mitch Miller
Song for a Summer Night
74 bpm • F Maj • 03:10 • -6.62db
24% Popularity • 40% Danceability • 31% Energy • 13% Liveness
88% Instrumentalness • 38% Positiveness
24% Popularity • 40% Danceability • 31% Energy • 13% Liveness
88% Instrumentalness • 38% Positiveness
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Frankie Carle
I Don't Want To Walk Without You
91 bpm • A# Maj • 02:23 • -21.31db
24% Popularity • 55% Danceability • 16% Energy • 15% Liveness
91% Instrumentalness • 48% Positiveness
24% Popularity • 55% Danceability • 16% Energy • 15% Liveness
91% Instrumentalness • 48% Positiveness
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Peter Kreuder
Drei Münzen im Brunnen
76 bpm • D# Maj • 03:34 • -16.96db
1% Popularity • 65% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 19% Positiveness
1% Popularity • 65% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 19% Positiveness
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The 1,000 Strings
Twilight of Romance
74 bpm • D min • 02:25 • -18.48db
14% Popularity • 31% Danceability • 15% Energy • 7% Liveness
2% Instrumentalness • 45% Positiveness
14% Popularity • 31% Danceability • 15% Energy • 7% Liveness
2% Instrumentalness • 45% Positiveness
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Kai Warner
Summerwind
91 bpm • F Maj • 02:11 • -15.41db
31% Popularity • 55% Danceability • 19% Energy • 11% Liveness
81% Instrumentalness • 38% Positiveness
31% Popularity • 55% Danceability • 19% Energy • 11% Liveness
81% Instrumentalness • 38% Positiveness
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Hugo Strasser und die Heinrich Haas jr. Combo
WHO SORRY NOW
91 bpm • C Maj • 02:40 • -9.74db
13% Popularity • 68% Danceability • 40% Energy • 8% Liveness
6% Instrumentalness • 77% Positiveness
13% Popularity • 68% Danceability • 40% Energy • 8% Liveness
6% Instrumentalness • 77% Positiveness
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The Melachrino Strings
Misty
74 bpm • E Maj • 03:42 • -18.8db
27% Popularity • 8% Danceability • 15% Energy • 13% Liveness
63% Instrumentalness • 4% Positiveness
27% Popularity • 8% Danceability • 15% Energy • 13% Liveness
63% Instrumentalness • 4% Positiveness
