Songs like Medley im Dezember by Daniel Arthur Edwards
Based on a tempo of (+/- 10%) and a similar genre
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Daniel Arthur Edwards
Der Safe - Einbrechermotiv
134 bpm • C Maj • 00:37 • -37.47db
0% Popularity • 46% Danceability • 0% Energy • 9% Liveness
81% Instrumentalness • 8% Positiveness
0% Popularity • 46% Danceability • 0% Energy • 9% Liveness
81% Instrumentalness • 8% Positiveness
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Evan Call
The Heart Quivers
134 bpm • D# min • 02:20 • -23db
22% Popularity • 16% Danceability • 2% Energy • 13% Liveness
48% Instrumentalness • 4% Positiveness
22% Popularity • 16% Danceability • 2% Energy • 13% Liveness
48% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Le Carnaval des Animaux: Aquarium
134 bpm • A min • 02:35 • -36db
28% Popularity • 19% Danceability • 1% Energy • 15% Liveness
1% Instrumentalness • 5% Positiveness
28% Popularity • 19% Danceability • 1% Energy • 15% Liveness
1% Instrumentalness • 5% Positiveness
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Camille Pépin
Les Eaux célestes: II. La Séparation
134 bpm • A# min • 02:03 • -20db
8% Popularity • 19% Danceability • 24% Energy • 25% Liveness
95% Instrumentalness • 4% Positiveness
8% Popularity • 19% Danceability • 24% Energy • 25% Liveness
95% Instrumentalness • 4% Positiveness
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Howard Shore
Caras Galadhon / "Lament for Gandalf"
135 bpm • F Maj • 09:20 • -26.19db
43% Popularity • 16% Danceability • 4% Energy • 12% Liveness
88% Instrumentalness • 3% Positiveness
43% Popularity • 16% Danceability • 4% Energy • 12% Liveness
88% Instrumentalness • 3% Positiveness
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Elmer Bernstein
Tree Treasure
133 bpm • C Maj • 04:23 • -27.99db
7% Popularity • 20% Danceability • 1% Energy • 6% Liveness
74% Instrumentalness • 4% Positiveness
7% Popularity • 20% Danceability • 1% Energy • 6% Liveness
74% Instrumentalness • 4% Positiveness
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Daniel Arthur Edwards
Medley im Dezember
134 bpm • A# Maj • 01:37 • -31.88db
0% Popularity • 65% Danceability • 3% Energy • 17% Liveness
94% Instrumentalness • 7% Positiveness
0% Popularity • 65% Danceability • 3% Energy • 17% Liveness
94% Instrumentalness • 7% Positiveness
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Igor Stravinsky
The Rite of Spring: Part One: Adoration ...
135 bpm • A# min • 04:04 • -20db
29% Popularity • 20% Danceability • 3% Energy • 11% Liveness
87% Instrumentalness • 6% Positiveness
29% Popularity • 20% Danceability • 3% Energy • 11% Liveness
87% Instrumentalness • 6% Positiveness
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Taipei New Dynasty Philharmonic & Chorus
Transcendental Symphony Part IV. Finale ...
133 bpm • G# Maj • 08:56 • -20.78db
7% Popularity • 20% Danceability • 22% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
7% Popularity • 20% Danceability • 22% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Criticalx47
Bygones
133 bpm • A# min • 01:18 • -24.04db
15% Popularity • 59% Danceability • 24% Energy • 39% Liveness
81% Instrumentalness • 59% Positiveness
15% Popularity • 59% Danceability • 24% Energy • 39% Liveness
81% Instrumentalness • 59% Positiveness
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Milo Paulus
Proving the Existence of Folkloric Creat...
135 bpm • A min • 03:17 • -21.72db
10% Popularity • 38% Danceability • 13% Energy • 9% Liveness
45% Instrumentalness • 10% Positiveness
10% Popularity • 38% Danceability • 13% Energy • 9% Liveness
45% Instrumentalness • 10% Positiveness
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John Williams
Harrer's Journey - Instrumental
135 bpm • F Maj • 04:02 • -22.15db
11% Popularity • 16% Danceability • 11% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 11% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
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Daniel Arthur Edwards
Der Dritte
134 bpm • C# Maj • 01:28 • -31.35db
0% Popularity • 43% Danceability • 10% Energy • 36% Liveness
84% Instrumentalness • 9% Positiveness
0% Popularity • 43% Danceability • 10% Energy • 36% Liveness
84% Instrumentalness • 9% Positiveness
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Gabriel Andrés Gallegos
Túria (Agua salvaje)
132 bpm • G# Maj • 01:57 • -14db
9% Popularity • 37% Danceability • 31% Energy • 8% Liveness
81% Instrumentalness • 15% Positiveness
9% Popularity • 37% Danceability • 31% Energy • 8% Liveness
81% Instrumentalness • 15% Positiveness
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Danny Elfman
The Lair - Pt. I
133 bpm • F min • 00:57 • -18.2db
18% Popularity • 25% Danceability • 22% Energy • 55% Liveness
90% Instrumentalness • 15% Positiveness
18% Popularity • 25% Danceability • 22% Energy • 55% Liveness
90% Instrumentalness • 15% Positiveness
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Benjamin Britten
Sinfonia da Requiem, Op. 20: III. Requie...
136 bpm • G Maj • 06:06 • -28.19db
38% Popularity • 15% Danceability • 4% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
38% Popularity • 15% Danceability • 4% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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Xilin Wang
云南音诗之二2 - Remix
136 bpm • E min • 04:10 • -23.34db
10% Popularity • 32% Danceability • 39% Energy • 22% Liveness
91% Instrumentalness • 42% Positiveness
10% Popularity • 32% Danceability • 39% Energy • 22% Liveness
91% Instrumentalness • 42% Positiveness
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Sergei Prokofiev
Prokofiev: Piano Concerto No. 3 in C Maj...
137 bpm • C Maj • 09:40 • -23db
24% Popularity • 32% Danceability • 16% Energy • 8% Liveness
90% Instrumentalness • 14% Positiveness
24% Popularity • 32% Danceability • 16% Energy • 8% Liveness
90% Instrumentalness • 14% Positiveness
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Daniel Arthur Edwards
Einleitung
134 bpm • C Maj • 02:37 • -28.36db
0% Popularity • 22% Danceability • 7% Energy • 24% Liveness
36% Instrumentalness • 4% Positiveness
0% Popularity • 22% Danceability • 7% Energy • 24% Liveness
36% Instrumentalness • 4% Positiveness
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Dario Marianelli
A City Symphony
136 bpm • D Maj • 03:41 • -16.8db
11% Popularity • 20% Danceability • 15% Energy • 29% Liveness
94% Instrumentalness • 6% Positiveness
11% Popularity • 20% Danceability • 15% Energy • 29% Liveness
94% Instrumentalness • 6% Positiveness
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Henry Jackman
Shame We Had to Grow Up
137 bpm • G min • 01:56 • -17.77db
17% Popularity • 15% Danceability • 2% Energy • 9% Liveness
22% Instrumentalness • 3% Positiveness
17% Popularity • 15% Danceability • 2% Energy • 9% Liveness
22% Instrumentalness • 3% Positiveness
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Brad Mehldau
Variation 2
137 bpm • D# Maj • 01:59 • -14.26db
11% Popularity • 26% Danceability • 24% Energy • 13% Liveness
3% Instrumentalness • 12% Positiveness
11% Popularity • 26% Danceability • 24% Energy • 13% Liveness
3% Instrumentalness • 12% Positiveness
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Igor Stravinsky
Stravinsky: The Firebird, Tableau 1: Arr...
137 bpm • A# Maj • 01:10 • -25.84db
2% Popularity • 15% Danceability • 3% Energy • 70% Liveness
90% Instrumentalness • 9% Positiveness
2% Popularity • 15% Danceability • 3% Energy • 70% Liveness
90% Instrumentalness • 9% Positiveness
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Stephen Paulus
To Be Certain of the Dawn: Part II: Reme...
137 bpm • E min • 04:22 • -39.52db
10% Popularity • 15% Danceability • 0% Energy • 12% Liveness
72% Instrumentalness • 3% Positiveness
10% Popularity • 15% Danceability • 0% Energy • 12% Liveness
72% Instrumentalness • 3% Positiveness
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Daniel Arthur Edwards
Sofa
132 bpm • D Maj • 01:13 • -37.19db
0% Popularity • 16% Danceability • 0% Energy • 11% Liveness
85% Instrumentalness • 5% Positiveness
0% Popularity • 16% Danceability • 0% Energy • 11% Liveness
85% Instrumentalness • 5% Positiveness
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Bill Conti
Daniel Sees The Bird
131 bpm • G Maj • 02:39 • -16.3db
19% Popularity • 38% Danceability • 39% Energy • 15% Liveness
91% Instrumentalness • 32% Positiveness
19% Popularity • 38% Danceability • 39% Energy • 15% Liveness
91% Instrumentalness • 32% Positiveness
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Paul Hindemith
Kammermusik No. 1, Op.24 No.1: I. Sehr s...
137 bpm • B Maj • 01:06 • -19db
35% Popularity • 53% Danceability • 45% Energy • 34% Liveness
88% Instrumentalness • 83% Positiveness
35% Popularity • 53% Danceability • 45% Energy • 34% Liveness
88% Instrumentalness • 83% Positiveness
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Ernest Bloch
From Jewish Life, B. 54: III. No. 3 Jewi...
137 bpm • F Maj • 02:16 • -20.64db
9% Popularity • 30% Danceability • 1% Energy • 8% Liveness
49% Instrumentalness • 11% Positiveness
9% Popularity • 30% Danceability • 1% Energy • 8% Liveness
49% Instrumentalness • 11% Positiveness
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Peter Breiner
The Merry Go Round
137 bpm • G min • 01:13 • -26.63db
12% Popularity • 24% Danceability • 1% Energy • 10% Liveness
85% Instrumentalness • 19% Positiveness
12% Popularity • 24% Danceability • 1% Energy • 10% Liveness
85% Instrumentalness • 19% Positiveness
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James Horner
The Epidemic's Toll
138 bpm • G min • 03:29 • -28.34db
9% Popularity • 15% Danceability • 1% Energy • 10% Liveness
63% Instrumentalness • 4% Positiveness
9% Popularity • 15% Danceability • 1% Energy • 10% Liveness
63% Instrumentalness • 4% Positiveness
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Julian Kershaw
The Queen Symphony: IV: Scherzo - Adagio...
138 bpm • C min • 09:54 • -20.18db
12% Popularity • 29% Danceability • 18% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
12% Popularity • 29% Danceability • 18% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
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Carl Nielsen
Aladdin Suite, Op. 34, FS 89: V. The Mar...
130 bpm • G Maj • 03:56 • -19.05db
10% Popularity • 18% Danceability • 16% Energy • 7% Liveness
88% Instrumentalness • 7% Positiveness
10% Popularity • 18% Danceability • 16% Energy • 7% Liveness
88% Instrumentalness • 7% Positiveness
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George Fenton
A Final Request
138 bpm • G Maj • 03:25 • -24.96db
8% Popularity • 15% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
8% Popularity • 15% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Ottorino Respighi
Trittico botticelliano, P. 151: I. La pr...
130 bpm • A Maj • 06:05 • -21.8db
9% Popularity • 38% Danceability • 6% Energy • 13% Liveness
94% Instrumentalness • 15% Positiveness
9% Popularity • 38% Danceability • 6% Energy • 13% Liveness
94% Instrumentalness • 15% Positiveness
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Dmitri Shostakovich
Piano Concerto No. 1 For Piano, Trumpet ...
130 bpm • G# Maj • 01:16 • -21db
11% Popularity • 22% Danceability • 21% Energy • 24% Liveness
94% Instrumentalness • 10% Positiveness
11% Popularity • 22% Danceability • 21% Energy • 24% Liveness
94% Instrumentalness • 10% Positiveness
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Arvo Pärt
Mozart-Adagio
130 bpm • F min • 06:27 • -29.36db
10% Popularity • 27% Danceability • 1% Energy • 8% Liveness
5% Instrumentalness • 8% Positiveness
10% Popularity • 27% Danceability • 1% Energy • 8% Liveness
5% Instrumentalness • 8% Positiveness
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Yoshihisa Hirano
Realized Capacity
130 bpm • D Maj • 02:03 • -6.68db
13% Popularity • 44% Danceability • 66% Energy • 28% Liveness
6% Instrumentalness • 28% Positiveness
13% Popularity • 44% Danceability • 66% Energy • 28% Liveness
6% Instrumentalness • 28% Positiveness
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Christian Lindberg
Frustration
138 bpm • G min • 01:48 • -28.75db
16% Popularity • 15% Danceability • 8% Energy • 34% Liveness
95% Instrumentalness • 3% Positiveness
16% Popularity • 15% Danceability • 8% Energy • 34% Liveness
95% Instrumentalness • 3% Positiveness
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Joby Talbot
Fool's Paradise: IV
130 bpm • G Maj • 05:18 • -24.6db
9% Popularity • 27% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
9% Popularity • 27% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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James McVinnie
Reeds & Flûtes Harmoniques
130 bpm • E min • 02:52 • -25.35db
8% Popularity • 31% Danceability • 0% Energy • 12% Liveness
76% Instrumentalness • 4% Positiveness
8% Popularity • 31% Danceability • 0% Energy • 12% Liveness
76% Instrumentalness • 4% Positiveness
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Panu Aaltio
Jealous Christmas
138 bpm • A min • 04:39 • -29.51db
7% Popularity • 15% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
7% Popularity • 15% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
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Arvo Pärt
Sequentia
139 bpm • E min • 03:58 • -42.73db
25% Popularity • 14% Danceability • 0% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
25% Popularity • 14% Danceability • 0% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
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Manuel de Falla
El Amor brujo: Quadre Segon: Escena
139 bpm • D Maj • 02:28 • -31.17db
10% Popularity • 20% Danceability • 0% Energy • 52% Liveness
16% Instrumentalness • 3% Positiveness
10% Popularity • 20% Danceability • 0% Energy • 52% Liveness
16% Instrumentalness • 3% Positiveness
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James Horner
Discovering Spiderwick's Secret Workshop
129 bpm • C Maj • 03:24 • -32.45db
8% Popularity • 16% Danceability • 3% Energy • 12% Liveness
47% Instrumentalness • 4% Positiveness
8% Popularity • 16% Danceability • 3% Energy • 12% Liveness
47% Instrumentalness • 4% Positiveness
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Erwin Schulhoff
5 Pieces for String Quartet: No. 2, Alla...
129 bpm • C Maj • 03:02 • -25.02db
17% Popularity • 45% Danceability • 9% Energy • 8% Liveness
41% Instrumentalness • 10% Positiveness
17% Popularity • 45% Danceability • 9% Energy • 8% Liveness
41% Instrumentalness • 10% Positiveness
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Camille Saint-Saëns
Le carnaval des animaux, R. 125: 5. L'É...
139 bpm • A# Maj • 01:11 • -25.06db
20% Popularity • 47% Danceability • 8% Energy • 15% Liveness
83% Instrumentalness • 41% Positiveness
20% Popularity • 47% Danceability • 8% Energy • 15% Liveness
83% Instrumentalness • 41% Positiveness
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Heitor Villa-Lobos
Bachianas brasileiras No. 2, "O trenzinh...
139 bpm • G# Maj • 07:11 • -25db
20% Popularity • 14% Danceability • 7% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
20% Popularity • 14% Danceability • 7% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Howard Shore
The King of the Golden Hall
139 bpm • E min • 03:49 • -21.75db
50% Popularity • 14% Danceability • 7% Energy • 10% Liveness
72% Instrumentalness • 3% Positiveness
50% Popularity • 14% Danceability • 7% Energy • 10% Liveness
72% Instrumentalness • 3% Positiveness
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Hans Zimmer
The Paschal Spiral
140 bpm • A Maj • 02:49 • -19.12db
28% Popularity • 14% Danceability • 4% Energy • 11% Liveness
64% Instrumentalness • 9% Positiveness
28% Popularity • 14% Danceability • 4% Energy • 11% Liveness
64% Instrumentalness • 9% Positiveness
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Dario Marianelli
White Skin Like the Moon
140 bpm • C# min • 02:43 • -30.84db
29% Popularity • 14% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
29% Popularity • 14% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Nathan Hanover Synthonic Orchestra
The Melted Man
140 bpm • C Maj • 04:00 • -28.15db
10% Popularity • 24% Danceability • 15% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
10% Popularity • 24% Danceability • 15% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Maurice Ravel
Daphnis et Chloe: Part I: Daphnis s'appr...
128 bpm • F Maj • 06:05 • -21.33db
15% Popularity • 25% Danceability • 6% Energy • 27% Liveness
73% Instrumentalness • 4% Positiveness
15% Popularity • 25% Danceability • 6% Energy • 27% Liveness
73% Instrumentalness • 4% Positiveness
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Karsten Masch
Opus No. 5 Karsten Masch - Tubae Spei - ...
140 bpm • C# min • 03:12 • -16.48db
30% Popularity • 37% Danceability • 24% Energy • 12% Liveness
85% Instrumentalness • 14% Positiveness
30% Popularity • 37% Danceability • 24% Energy • 12% Liveness
85% Instrumentalness • 14% Positiveness
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Daniel Arthur Edwards
Internal Conflict - I
140 bpm • A# min • 00:51 • -21db
0% Popularity • 61% Danceability • 27% Energy • 19% Liveness
73% Instrumentalness • 21% Positiveness
0% Popularity • 61% Danceability • 27% Energy • 19% Liveness
73% Instrumentalness • 21% Positiveness
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Kevin Penkin
Quartet for Broken Arms
140 bpm • F min • 01:45 • -16.29db
27% Popularity • 30% Danceability • 17% Energy • 7% Liveness
93% Instrumentalness • 52% Positiveness
27% Popularity • 30% Danceability • 17% Energy • 7% Liveness
93% Instrumentalness • 52% Positiveness
► Preview
Howard Shore
The Mouth of Sauron
140 bpm • C Maj • 08:15 • -19.63db
34% Popularity • 15% Danceability • 15% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
34% Popularity • 15% Danceability • 15% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Adolphus Hailstork
3 Spirituals for Orchestra: No. 2. Kum B...
140 bpm • D min • 02:50 • -37.57db
62% Popularity • 14% Danceability • 0% Energy • 8% Liveness
60% Instrumentalness • 4% Positiveness
62% Popularity • 14% Danceability • 0% Energy • 8% Liveness
60% Instrumentalness • 4% Positiveness
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Krzysztof Penderecki
St. Luke Passion: Part II: Alla breve
128 bpm • C# Maj • 01:05 • -31.99db
11% Popularity • 19% Danceability • 1% Energy • 11% Liveness
75% Instrumentalness • 6% Positiveness
11% Popularity • 19% Danceability • 1% Energy • 11% Liveness
75% Instrumentalness • 6% Positiveness
► Preview
Thomas Adès
Adès: Dante, Pt. I "Inferno": V. Paolo ...
128 bpm • C# Maj • 02:57 • -20.44db
15% Popularity • 34% Danceability • 13% Energy • 40% Liveness
79% Instrumentalness • 10% Positiveness
15% Popularity • 34% Danceability • 13% Energy • 40% Liveness
79% Instrumentalness • 10% Positiveness
► Preview
Daniel Arthur Edwards
Internal Conflict - III
140 bpm • G min • 01:05 • -22.75db
0% Popularity • 70% Danceability • 24% Energy • 5% Liveness
94% Instrumentalness • 8% Positiveness
0% Popularity • 70% Danceability • 24% Energy • 5% Liveness
94% Instrumentalness • 8% Positiveness
► Preview
Oscar Navarro
El Olimpo de los Dioses: VI. Hephaestus
141 bpm • G min • 02:45 • -11.33db
11% Popularity • 52% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
11% Popularity • 52% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
► Preview
Brad Mehldau
Variation 3
141 bpm • F min • 01:25 • -9.1db
10% Popularity • 39% Danceability • 42% Energy • 12% Liveness
70% Instrumentalness • 26% Positiveness
10% Popularity • 39% Danceability • 42% Energy • 12% Liveness
70% Instrumentalness • 26% Positiveness
► Preview
Iva Davies
The Phasmid
141 bpm • D# min • 02:34 • -19.12db
21% Popularity • 17% Danceability • 16% Energy • 18% Liveness
93% Instrumentalness • 2% Positiveness
21% Popularity • 17% Danceability • 16% Energy • 18% Liveness
93% Instrumentalness • 2% Positiveness
► Preview
Morton Feldman
Rothko Chapel 2
141 bpm • B min • 04:35 • -39db
22% Popularity • 14% Danceability • 0% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
22% Popularity • 14% Danceability • 0% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
► Preview
Ralph Vaughan Williams
Phantasy Quintet: IV. Burlesca: Allegro ...
127 bpm • G min • 04:04 • -20db
7% Popularity • 37% Danceability • 6% Energy • 12% Liveness
30% Instrumentalness • 25% Positiveness
7% Popularity • 37% Danceability • 6% Energy • 12% Liveness
30% Instrumentalness • 25% Positiveness
► Preview
Daniel Arthur Edwards
Internal Conflict - IV
140 bpm • D# min • 01:38 • -24.43db
0% Popularity • 40% Danceability • 21% Energy • 10% Liveness
92% Instrumentalness • 10% Positiveness
0% Popularity • 40% Danceability • 21% Energy • 10% Liveness
92% Instrumentalness • 10% Positiveness
► Preview
Grant Kirkhope
The Age of Arcana
127 bpm • E min • 01:53 • -15.72db
12% Popularity • 22% Danceability • 7% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
12% Popularity • 22% Danceability • 7% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Johann Sebastian Bach
Musical Offering, BWV 1079: Canon 5. a 2...
142 bpm • F# min • 02:52 • -20.42db
9% Popularity • 30% Danceability • 8% Energy • 6% Liveness
82% Instrumentalness • 31% Positiveness
9% Popularity • 30% Danceability • 8% Energy • 6% Liveness
82% Instrumentalness • 31% Positiveness
► Preview
James Newton Howard
Recruiting Officer
127 bpm • C min • 02:11 • -35.76db
15% Popularity • 24% Danceability • 2% Energy • 13% Liveness
98% Instrumentalness • 3% Positiveness
15% Popularity • 24% Danceability • 2% Energy • 13% Liveness
98% Instrumentalness • 3% Positiveness
► Preview
Samuel Sim
Cliff Tops
127 bpm • F Maj • 01:43 • -17.14db
24% Popularity • 27% Danceability • 16% Energy • 12% Liveness
93% Instrumentalness • 10% Positiveness
24% Popularity • 27% Danceability • 16% Energy • 12% Liveness
93% Instrumentalness • 10% Positiveness
► Preview
Philip Glass
String Quartet No. 4 (Buczak): I.
142 bpm • C Maj • 08:00 • -27db
13% Popularity • 20% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 13% Positiveness
13% Popularity • 20% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 13% Positiveness
► Preview
Daniel Arthur Edwards
Internal Conflict - II
140 bpm • B min • 00:54 • -24.02db
0% Popularity • 60% Danceability • 2% Energy • 8% Liveness
76% Instrumentalness • 7% Positiveness
0% Popularity • 60% Danceability • 2% Energy • 8% Liveness
76% Instrumentalness • 7% Positiveness
► Preview
Béla Bartók
String Quartet No. 4 in C Major, Op. 17,...
142 bpm • C Maj • 05:51 • -18db
18% Popularity • 47% Danceability • 20% Energy • 10% Liveness
69% Instrumentalness • 13% Positiveness
18% Popularity • 47% Danceability • 20% Energy • 10% Liveness
69% Instrumentalness • 13% Positiveness
► Preview
Russell Brower
Dark Titan
143 bpm • D min • 04:25 • -15.21db
23% Popularity • 15% Danceability • 29% Energy • 10% Liveness
94% Instrumentalness • 9% Positiveness
23% Popularity • 15% Danceability • 29% Energy • 10% Liveness
94% Instrumentalness • 9% Positiveness
► Preview
Camille Saint-Saëns
Le Carnaval des Animaux, R. 125: VII. Aq...
126 bpm • A min • 02:41 • -35db
40% Popularity • 24% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
40% Popularity • 24% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Alexander Litvinovsky
Le grand cahier: IX. Accusations
125 bpm • D min • 03:05 • -17db
23% Popularity • 24% Danceability • 11% Energy • 25% Liveness
92% Instrumentalness • 6% Positiveness
23% Popularity • 24% Danceability • 11% Energy • 25% Liveness
92% Instrumentalness • 6% Positiveness
► Preview
Philip Glass
String Quartet No. 3 (Mishima): Mishima ...
143 bpm • D# Maj • 03:05 • -34db
21% Popularity • 14% Danceability • 2% Energy • 11% Liveness
98% Instrumentalness • 11% Positiveness
21% Popularity • 14% Danceability • 2% Energy • 11% Liveness
98% Instrumentalness • 11% Positiveness
► Preview
Per Egland
Un Diablo Dormido: II Paladomp
143 bpm • A Maj • 04:56 • -18.47db
1% Popularity • 18% Danceability • 14% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
1% Popularity • 18% Danceability • 14% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
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Colin Matthews
Pluto, the Renewer
144 bpm • C min • 06:55 • -25.42db
2% Popularity • 13% Danceability • 2% Energy • 11% Liveness
12% Instrumentalness • 4% Positiveness
2% Popularity • 13% Danceability • 2% Energy • 11% Liveness
12% Instrumentalness • 4% Positiveness
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Grażyna Bacewicz
Concerto for String Orchestra: I. Allegr...
125 bpm • C Maj • 04:49 • -18db
12% Popularity • 40% Danceability • 22% Energy • 6% Liveness
92% Instrumentalness • 21% Positiveness
12% Popularity • 40% Danceability • 22% Energy • 6% Liveness
92% Instrumentalness • 21% Positiveness
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Luca Schettino
String Quartet N 17: IV. Ballade
145 bpm • G Maj • 03:25 • -23.58db
7% Popularity • 32% Danceability • 5% Energy • 34% Liveness
20% Instrumentalness • 69% Positiveness
7% Popularity • 32% Danceability • 5% Energy • 34% Liveness
20% Instrumentalness • 69% Positiveness
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Alexandre Desplat
Walter's mission
124 bpm • C# Maj • 03:55 • -26.95db
13% Popularity • 42% Danceability • 13% Energy • 10% Liveness
84% Instrumentalness • 6% Positiveness
13% Popularity • 42% Danceability • 13% Energy • 10% Liveness
84% Instrumentalness • 6% Positiveness
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Philip Glass
String Quartet No. 2, "Company": III. �...
144 bpm • E min • 01:38 • -19.15db
24% Popularity • 22% Danceability • 4% Energy • 27% Liveness
76% Instrumentalness • 38% Positiveness
24% Popularity • 22% Danceability • 4% Energy • 27% Liveness
76% Instrumentalness • 38% Positiveness
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Dmitri Shostakovich
Chamber Symphony No. 5 in A-Flat Major, ...
145 bpm • D min • 04:55 • -12.12db
1% Popularity • 46% Danceability • 39% Energy • 30% Liveness
95% Instrumentalness • 31% Positiveness
1% Popularity • 46% Danceability • 39% Energy • 30% Liveness
95% Instrumentalness • 31% Positiveness
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Frédéric Descargues
Quintet D 956: Adagio (Intimitats)
146 bpm • B Maj • 02:38 • -21.09db
11% Popularity • 16% Danceability • 5% Energy • 24% Liveness
53% Instrumentalness • 7% Positiveness
11% Popularity • 16% Danceability • 5% Energy • 24% Liveness
53% Instrumentalness • 7% Positiveness
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Dimitri Tiomkin
Dial M for Murder Suite (Arr. J, Mauceri...
123 bpm • C# Maj • 07:48 • -19.97db
8% Popularity • 28% Danceability • 17% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
8% Popularity • 28% Danceability • 17% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
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Maurice Ravel
Ravel: Miroirs, M. 43: IV. Alborada del ...
123 bpm • D Maj • 07:40 • -23.95db
20% Popularity • 28% Danceability • 4% Energy • 4% Liveness
46% Instrumentalness • 15% Positiveness
20% Popularity • 28% Danceability • 4% Energy • 4% Liveness
46% Instrumentalness • 15% Positiveness
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Claude Debussy
6 Épigraphes antiques, L. 131: VI. Pour...
123 bpm • G# Maj • 02:13 • -26.72db
8% Popularity • 20% Danceability • 6% Energy • 21% Liveness
88% Instrumentalness • 4% Positiveness
8% Popularity • 20% Danceability • 6% Energy • 21% Liveness
88% Instrumentalness • 4% Positiveness
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Crouch End Festival Chorus
Super Metroid: a Symphonic Poem
123 bpm • D# Maj • 05:49 • -17db
23% Popularity • 30% Danceability • 15% Energy • 10% Liveness
65% Instrumentalness • 4% Positiveness
23% Popularity • 30% Danceability • 15% Energy • 10% Liveness
65% Instrumentalness • 4% Positiveness
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James Horner
The Lovemaking
123 bpm • A Maj • 04:24 • -18.04db
8% Popularity • 20% Danceability • 20% Energy • 13% Liveness
3% Instrumentalness • 4% Positiveness
8% Popularity • 20% Danceability • 20% Energy • 13% Liveness
3% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Ein Sommernachtstraum (A Midsummer's Nig...
147 bpm • C Maj • 01:23 • -30.71db
13% Popularity • 39% Danceability • 2% Energy • 7% Liveness
20% Instrumentalness • 8% Positiveness
13% Popularity • 39% Danceability • 2% Energy • 7% Liveness
20% Instrumentalness • 8% Positiveness
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Takashi Yoshimatsu
Dream Colored Mobile II, Op. 58a
121 bpm • A# Maj • 06:54 • -30.38db
18% Popularity • 18% Danceability • 4% Energy • 13% Liveness
81% Instrumentalness • 4% Positiveness
18% Popularity • 18% Danceability • 4% Energy • 13% Liveness
81% Instrumentalness • 4% Positiveness
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The City of Prague Philharmonic Orchestra
Harmonica Man
148 bpm • A min • 03:52 • -16.15db
22% Popularity • 13% Danceability • 12% Energy • 26% Liveness
80% Instrumentalness • 4% Positiveness
22% Popularity • 13% Danceability • 12% Energy • 26% Liveness
80% Instrumentalness • 4% Positiveness
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Benjamin Britten
Simple Symphony, Op. 4: II. Playful Pizz...
121 bpm • C Maj • 03:06 • -24.23db
34% Popularity • 52% Danceability • 21% Energy • 11% Liveness
89% Instrumentalness • 16% Positiveness
34% Popularity • 52% Danceability • 21% Energy • 11% Liveness
89% Instrumentalness • 16% Positiveness
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Ilan Eshkeri
Kira's Wedding Quartet
121 bpm • E min • 04:32 • -27.19db
16% Popularity • 30% Danceability • 2% Energy • 9% Liveness
53% Instrumentalness • 19% Positiveness
16% Popularity • 30% Danceability • 2% Energy • 9% Liveness
53% Instrumentalness • 19% Positiveness
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James Horner
Samuel's Death
121 bpm • D min • 08:24 • -20.97db
26% Popularity • 18% Danceability • 20% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
26% Popularity • 18% Danceability • 20% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
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Mychael Danna
Pet Collector
121 bpm • C Maj • 02:24 • -26.65db
15% Popularity • 38% Danceability • 5% Energy • 29% Liveness
80% Instrumentalness • 15% Positiveness
15% Popularity • 38% Danceability • 5% Energy • 29% Liveness
80% Instrumentalness • 15% Positiveness
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Igor Stravinsky
Petrushka: Danse Russe
121 bpm • A min • 02:40 • -18.26db
38% Popularity • 52% Danceability • 29% Energy • 37% Liveness
89% Instrumentalness • 46% Positiveness
38% Popularity • 52% Danceability • 29% Energy • 37% Liveness
89% Instrumentalness • 46% Positiveness
