Songs like Medli-Over The Stone/Aberystwyth/Men Of Harlech by David Lloyd
Based on a tempo of (+/- 10%) and a similar genre
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Cecilia Livingston
Breath Alone: Paula Modersohn-Becker (Ve...
74 bpm • G min • 07:13 • -20.93db
14% Popularity • 17% Danceability • 8% Energy • 6% Liveness
4% Instrumentalness • 4% Positiveness
14% Popularity • 17% Danceability • 8% Energy • 6% Liveness
4% Instrumentalness • 4% Positiveness
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Nicola D'Agostino
Un bel dì vedremo (As heard in the seri...
74 bpm • A# min • 03:52 • -22.41db
17% Popularity • 22% Danceability • 12% Energy • 14% Liveness
50% Instrumentalness • 22% Positiveness
17% Popularity • 22% Danceability • 12% Energy • 14% Liveness
50% Instrumentalness • 22% Positiveness
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Charles Koechlin
Pelleas et Melisande, Op. 80 (arr. C. Ko...
74 bpm • G Maj • 04:17 • -26.56db
14% Popularity • 7% Danceability • 3% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
14% Popularity • 7% Danceability • 3% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
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Jean Sibelius
Sibelius: Karelia Suite, Op. 11: I. Inte...
74 bpm • G# Maj • 04:03 • -17.44db
8% Popularity • 14% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 16% Positiveness
8% Popularity • 14% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 16% Positiveness
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Peter Deunov
Winning
74 bpm • G Maj • 01:46 • -18.48db
10% Popularity • 23% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 22% Positiveness
10% Popularity • 23% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 22% Positiveness
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Elin Manahan Thomas
Sous le dome epais
74 bpm • B Maj • 04:21 • -12db
7% Popularity • 36% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
7% Popularity • 36% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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Robert Schumann
Schumann: Liederkreis, Op. 39: No. 1, In...
74 bpm • A min • 02:05 • -24.57db
9% Popularity • 27% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 27% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Louise Reichardt
Sei Canzoni di Metastasio: VI. Se non pi...
74 bpm • G Maj • 01:00 • -7.75db
8% Popularity • 57% Danceability • 44% Energy • 47% Liveness
0% Instrumentalness • 70% Positiveness
8% Popularity • 57% Danceability • 44% Energy • 47% Liveness
0% Instrumentalness • 70% Positiveness
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Wolfgang Amadeus Mozart
Idomeneo re di Creta, K. 366, Act III: A...
74 bpm • G# Maj • 02:19 • -17.17db
0% Popularity • 37% Danceability • 14% Energy • 59% Liveness
0% Instrumentalness • 30% Positiveness
0% Popularity • 37% Danceability • 14% Energy • 59% Liveness
0% Instrumentalness • 30% Positiveness
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David Lloyd
Medli-Over The Stone/Aberystwyth/Men Of ...
74 bpm • G min • 03:13 • -12.53db
0% Popularity • 23% Danceability • 24% Energy • 8% Liveness
16% Instrumentalness • 16% Positiveness
0% Popularity • 23% Danceability • 24% Energy • 8% Liveness
16% Instrumentalness • 16% Positiveness
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Franz Lehár
Das Land des Lächelns / Act 1: Freunder...
75 bpm • F Maj • 01:09 • -16.91db
10% Popularity • 52% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
10% Popularity • 52% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Samuel Coleridge-Taylor
Othello, Op. 79: III. Willow Song
73 bpm • G# Maj • 02:35 • -27.58db
11% Popularity • 15% Danceability • 3% Energy • 10% Liveness
61% Instrumentalness • 4% Positiveness
11% Popularity • 15% Danceability • 3% Energy • 10% Liveness
61% Instrumentalness • 4% Positiveness
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環球合唱團
安妮羅莉
75 bpm • D Maj • 02:54 • -21db
10% Popularity • 24% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
10% Popularity • 24% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
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Professor van Dusen
Teil 13 - Folge 34: Professor van Dusen ...
73 bpm • B min • 03:01 • -17.95db
15% Popularity • 72% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
15% Popularity • 72% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Wolfgang Amadeus Mozart
Requiem in D Minor, K. 626: Introit: Req...
75 bpm • F# min • 05:41 • -12.92db
0% Popularity • 10% Danceability • 33% Energy • 13% Liveness
88% Instrumentalness • 6% Positiveness
0% Popularity • 10% Danceability • 33% Energy • 13% Liveness
88% Instrumentalness • 6% Positiveness
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David Lloyd
Sul Y Blodau
75 bpm • A# min • 04:30 • -16.58db
0% Popularity • 29% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
0% Popularity • 29% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Giacomo Puccini
La Boheme
73 bpm • G Maj • 03:33 • -11.97db
0% Popularity • 25% Danceability • 26% Energy • 20% Liveness
0% Instrumentalness • 7% Positiveness
0% Popularity • 25% Danceability • 26% Energy • 20% Liveness
0% Instrumentalness • 7% Positiveness
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John Dowland
Captaine Digorie Piper His Galiard
75 bpm • A# Maj • 02:06 • -19.64db
9% Popularity • 28% Danceability • 9% Energy • 10% Liveness
81% Instrumentalness • 30% Positiveness
9% Popularity • 28% Danceability • 9% Energy • 10% Liveness
81% Instrumentalness • 30% Positiveness
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Carl Orff
Carmina Burana: In trutina
75 bpm • D Maj • 02:16 • -23.03db
17% Popularity • 23% Danceability • 6% Energy • 12% Liveness
8% Instrumentalness • 4% Positiveness
17% Popularity • 23% Danceability • 6% Energy • 12% Liveness
8% Instrumentalness • 4% Positiveness
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John Rutter
弦楽のための組曲: 第1楽章: A-...
73 bpm • D Maj • 03:08 • -16.01db
8% Popularity • 30% Danceability • 24% Energy • 13% Liveness
87% Instrumentalness • 40% Positiveness
8% Popularity • 30% Danceability • 24% Energy • 13% Liveness
87% Instrumentalness • 40% Positiveness
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Evans, W. Trever
Cartref
75 bpm • A Maj • 04:03 • -18.35db
0% Popularity • 30% Danceability • 17% Energy • 11% Liveness
3% Instrumentalness • 14% Positiveness
0% Popularity • 30% Danceability • 17% Energy • 11% Liveness
3% Instrumentalness • 14% Positiveness
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David Lloyd
Speak For Me To My Lady
75 bpm • A# Maj • 04:21 • -12.7db
0% Popularity • 26% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
0% Popularity • 26% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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Gracie Fields
Oh My Beloved Father
75 bpm • G Maj • 02:25 • -18.77db
18% Popularity • 23% Danceability • 11% Energy • 9% Liveness
92% Instrumentalness • 11% Positiveness
18% Popularity • 23% Danceability • 11% Energy • 9% Liveness
92% Instrumentalness • 11% Positiveness
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Anna Bon
Flute Sonata in G major, Op. 1 No. 6: I....
73 bpm • F Maj • 08:40 • -10.57db
18% Popularity • 38% Danceability • 22% Energy • 6% Liveness
92% Instrumentalness • 94% Positiveness
18% Popularity • 38% Danceability • 22% Energy • 6% Liveness
92% Instrumentalness • 94% Positiveness
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Gilbert & Sullivan
IF YOU WANT TO KNOW (Remastered 2022)
76 bpm • G Maj • 02:30 • -8.28db
10% Popularity • 18% Danceability • 46% Energy • 62% Liveness
81% Instrumentalness • 24% Positiveness
10% Popularity • 18% Danceability • 46% Energy • 62% Liveness
81% Instrumentalness • 24% Positiveness
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Johannes Brahms
A German Requiem, Op. 45: I. Blessed are...
76 bpm • F Maj • 09:08 • -21.97db
7% Popularity • 12% Danceability • 11% Energy • 14% Liveness
72% Instrumentalness • 4% Positiveness
7% Popularity • 12% Danceability • 11% Energy • 14% Liveness
72% Instrumentalness • 4% Positiveness
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Rachel Portman
The Little Prince: Act I: "The Pilot"
76 bpm • E Maj • 02:33 • -19.59db
8% Popularity • 30% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
8% Popularity • 30% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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David Lloyd
Watch What Happens
75 bpm • A# Maj • 02:54 • -19.52db
0% Popularity • 24% Danceability • 23% Energy • 36% Liveness
53% Instrumentalness • 40% Positiveness
0% Popularity • 24% Danceability • 23% Energy • 36% Liveness
53% Instrumentalness • 40% Positiveness
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Charles Dibdin
Tom Bowling
76 bpm • D# Maj • 04:27 • -20.45db
7% Popularity • 40% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
7% Popularity • 40% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Henry Purcell
Dido and Aeneas, Z. 626: Act II Scene 1:...
76 bpm • F Maj • 01:16 • -18.41db
0% Popularity • 22% Danceability • 10% Energy • 34% Liveness
0% Instrumentalness • 27% Positiveness
0% Popularity • 22% Danceability • 10% Energy • 34% Liveness
0% Instrumentalness • 27% Positiveness
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Jane Edwards
Schlichte Weisen, Op. 76: No. 52, Mariä...
76 bpm • F Maj • 02:01 • -21.19db
10% Popularity • 35% Danceability • 6% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
10% Popularity • 35% Danceability • 6% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
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Peter Deunov
Thoughts
72 bpm • D Maj • 03:23 • -24.75db
9% Popularity • 13% Danceability • 10% Energy • 11% Liveness
87% Instrumentalness • 10% Positiveness
9% Popularity • 13% Danceability • 10% Energy • 11% Liveness
87% Instrumentalness • 10% Positiveness
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Γιάννη Yang
Mondnacht
72 bpm • C# Maj • 03:16 • -6.14db
17% Popularity • 30% Danceability • 42% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
17% Popularity • 30% Danceability • 42% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
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David Lloyd
Sylvia
72 bpm • G Maj • 03:02 • -13.22db
0% Popularity • 39% Danceability • 12% Energy • 34% Liveness
0% Instrumentalness • 9% Positiveness
0% Popularity • 39% Danceability • 12% Energy • 34% Liveness
0% Instrumentalness • 9% Positiveness
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Edward Elgar
The Wand of Youth, Suite No. 1, Op. 1a: ...
76 bpm • F Maj • 02:44 • -23.33db
10% Popularity • 24% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
10% Popularity • 24% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
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Jack Grimsley
Rebecca's Dream
72 bpm • E min • 03:19 • -21.09db
8% Popularity • 7% Danceability • 11% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
8% Popularity • 7% Danceability • 11% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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True LUFS Project
Ninety-Seven
76 bpm • A min • 02:37 • -18.49db
8% Popularity • 18% Danceability • 19% Energy • 13% Liveness
96% Instrumentalness • 19% Positiveness
8% Popularity • 18% Danceability • 19% Energy • 13% Liveness
96% Instrumentalness • 19% Positiveness
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Melitza Torres
Der Erlkönig
76 bpm • G min • 04:05 • -12.6db
10% Popularity • 21% Danceability • 33% Energy • 26% Liveness
8% Instrumentalness • 23% Positiveness
10% Popularity • 21% Danceability • 33% Energy • 26% Liveness
8% Instrumentalness • 23% Positiveness
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Gabriel Fauré
Fauré: Requiem, Op. 48: II. Offertoire
72 bpm • D Maj • 08:07 • -23.37db
11% Popularity • 9% Danceability • 7% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
11% Popularity • 9% Danceability • 7% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Requiem in D Minor, K. 626: Dies Irae
72 bpm • F# min • 01:57 • -9.55db
0% Popularity • 34% Danceability • 53% Energy • 30% Liveness
84% Instrumentalness • 44% Positiveness
0% Popularity • 34% Danceability • 53% Energy • 30% Liveness
84% Instrumentalness • 44% Positiveness
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Peter Deunov
The sun is rising
72 bpm • G Maj • 04:46 • -24.21db
8% Popularity • 17% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
8% Popularity • 17% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Jonas Kaufmann
What Is A Youth?
77 bpm • B min • 03:57 • -15.16db
16% Popularity • 18% Danceability • 13% Energy • 9% Liveness
51% Instrumentalness • 8% Positiveness
16% Popularity • 18% Danceability • 13% Energy • 9% Liveness
51% Instrumentalness • 8% Positiveness
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Max Raffeng
Vecchio Boston
77 bpm • G Maj • 01:52 • -11.31db
10% Popularity • 29% Danceability • 34% Energy • 62% Liveness
2% Instrumentalness • 44% Positiveness
10% Popularity • 29% Danceability • 34% Energy • 62% Liveness
2% Instrumentalness • 44% Positiveness
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Stephen Foster
Foster: Beautiful Dreamer
77 bpm • D# Maj • 03:55 • -28.44db
8% Popularity • 40% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
8% Popularity • 40% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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David E Lloyd
1. Stoke
77 bpm • D Maj • 04:57 • -14.87db
0% Popularity • 19% Danceability • 17% Energy • 32% Liveness
70% Instrumentalness • 15% Positiveness
0% Popularity • 19% Danceability • 17% Energy • 32% Liveness
70% Instrumentalness • 15% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K.492, Act IV: Aria....
77 bpm • F Maj • 03:04 • -23.99db
20% Popularity • 24% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
20% Popularity • 24% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Alan Mallach
Layla Tov
77 bpm • C Maj • 02:56 • -14.26db
15% Popularity • 11% Danceability • 27% Energy • 23% Liveness
0% Instrumentalness • 14% Positiveness
15% Popularity • 11% Danceability • 27% Energy • 23% Liveness
0% Instrumentalness • 14% Positiveness
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Sergei Rachmaninoff
14 Romances, Op. 34: No. 14, Vocalise
77 bpm • C# min • 06:06 • -23.49db
10% Popularity • 23% Danceability • 10% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
10% Popularity • 23% Danceability • 10% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
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Ricardo García De Arellano
Duda
77 bpm • D# Maj • 05:53 • -18.95db
9% Popularity • 14% Danceability • 8% Energy • 12% Liveness
31% Instrumentalness • 14% Positiveness
9% Popularity • 14% Danceability • 8% Energy • 12% Liveness
31% Instrumentalness • 14% Positiveness
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Joseph Canteloube
Chants d'Auvergne, Vol. 1: No. 1. Pastou...
77 bpm • A min • 03:19 • -19.72db
9% Popularity • 23% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
9% Popularity • 23% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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David Lloyd
Is She Not Passing Fair?
71 bpm • G Maj • 02:49 • -13.99db
0% Popularity • 34% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
0% Popularity • 34% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Wolfgang Amadeus Mozart
Requiem in D Minor, K. 626: Kyrie eleiso...
71 bpm • C# min • 03:08 • -9.81db
0% Popularity • 30% Danceability • 50% Energy • 11% Liveness
83% Instrumentalness • 52% Positiveness
0% Popularity • 30% Danceability • 50% Energy • 11% Liveness
83% Instrumentalness • 52% Positiveness
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The Red Army Choir
Моя Родина
77 bpm • G Maj • 03:19 • -11.01db
9% Popularity • 14% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
9% Popularity • 14% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Sir Adrian Boult
Fourth Movement Moderato Maestoso
77 bpm • D Maj • 06:20 • -22db
10% Popularity • 7% Danceability • 9% Energy • 10% Liveness
64% Instrumentalness • 4% Positiveness
10% Popularity • 7% Danceability • 9% Energy • 10% Liveness
64% Instrumentalness • 4% Positiveness
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Max Bruch
Scottish Fantasy for Violin and Orchestr...
77 bpm • D# Maj • 08:02 • -14db
9% Popularity • 10% Danceability • 28% Energy • 11% Liveness
82% Instrumentalness • 6% Positiveness
9% Popularity • 10% Danceability • 28% Energy • 11% Liveness
82% Instrumentalness • 6% Positiveness
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環球合唱團
夢
71 bpm • E Maj • 03:38 • -38db
12% Popularity • 12% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 12% Positiveness
12% Popularity • 12% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 12% Positiveness
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Stephen Foster
Beautiful Dreamer
71 bpm • C Maj • 03:34 • -32db
11% Popularity • 25% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
11% Popularity • 25% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Wolfgang Amadeus Mozart
Requiem in D Minor, K. 626: Rex tremenda...
77 bpm • F# min • 02:31 • -15.24db
0% Popularity • 19% Danceability • 23% Energy • 11% Liveness
94% Instrumentalness • 20% Positiveness
0% Popularity • 19% Danceability • 23% Energy • 11% Liveness
94% Instrumentalness • 20% Positiveness
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John Dowland
M Nicholas Griffith His Galiard
77 bpm • A min • 03:05 • -16.37db
9% Popularity • 26% Danceability • 13% Energy • 14% Liveness
88% Instrumentalness • 29% Positiveness
9% Popularity • 26% Danceability • 13% Energy • 14% Liveness
88% Instrumentalness • 29% Positiveness
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Sir Adrian Boult
Second Movement Lento Moderato
71 bpm • C Maj • 08:14 • -26.31db
9% Popularity • 7% Danceability • 8% Energy • 19% Liveness
96% Instrumentalness • 7% Positiveness
9% Popularity • 7% Danceability • 8% Energy • 19% Liveness
96% Instrumentalness • 7% Positiveness
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Hubert Parry
Jerusalem
71 bpm • F Maj • 03:02 • -16.29db
0% Popularity • 20% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
0% Popularity • 20% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Cheri Rose Katz
Brahm's Lullaby
71 bpm • C# Maj • 02:33 • -15db
15% Popularity • 30% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
15% Popularity • 30% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
► Preview
Peter Deunov
A nice day
78 bpm • C Maj • 02:56 • -18.53db
8% Popularity • 17% Danceability • 18% Energy • 12% Liveness
93% Instrumentalness • 23% Positiveness
8% Popularity • 17% Danceability • 18% Energy • 12% Liveness
93% Instrumentalness • 23% Positiveness
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蔡榮吉
世界名曲:G弦上之歌
78 bpm • D Maj • 04:55 • -15.11db
9% Popularity • 7% Danceability • 43% Energy • 22% Liveness
70% Instrumentalness • 13% Positiveness
9% Popularity • 7% Danceability • 43% Energy • 22% Liveness
70% Instrumentalness • 13% Positiveness
► Preview
Giacomo Puccini
La bohème, SC 67: Quando m'en vo' (Orch...
78 bpm • A Maj • 02:25 • -12.12db
3% Popularity • 18% Danceability • 23% Energy • 12% Liveness
89% Instrumentalness • 12% Positiveness
3% Popularity • 18% Danceability • 23% Energy • 12% Liveness
89% Instrumentalness • 12% Positiveness
► Preview
David Lloyd
Songs My Mother Taught Me
78 bpm • B min • 02:27 • -17.77db
0% Popularity • 31% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
0% Popularity • 31% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
John Dowland
Lachrimae Antiquae
78 bpm • A min • 03:53 • -20.33db
12% Popularity • 17% Danceability • 12% Energy • 10% Liveness
84% Instrumentalness • 5% Positiveness
12% Popularity • 17% Danceability • 12% Energy • 10% Liveness
84% Instrumentalness • 5% Positiveness
► Preview
Marc Ezenge
No One Higher
78 bpm • C# Maj • 02:13 • -21.45db
13% Popularity • 35% Danceability • 5% Energy • 20% Liveness
92% Instrumentalness • 20% Positiveness
13% Popularity • 35% Danceability • 5% Energy • 20% Liveness
92% Instrumentalness • 20% Positiveness
► Preview
Karl Jenkins
Paradise Lost?
78 bpm • D Maj • 05:27 • -15.97db
9% Popularity • 14% Danceability • 20% Energy • 9% Liveness
19% Instrumentalness • 4% Positiveness
9% Popularity • 14% Danceability • 20% Energy • 9% Liveness
19% Instrumentalness • 4% Positiveness
► Preview
Samuel Coleridge-Taylor
Samuel Coleridge-Taylor: Hiawatha’s We...
78 bpm • F Maj • 02:52 • -26.73db
7% Popularity • 13% Danceability • 6% Energy • 9% Liveness
66% Instrumentalness • 8% Positiveness
7% Popularity • 13% Danceability • 6% Energy • 9% Liveness
66% Instrumentalness • 8% Positiveness
► Preview
John Hughes
Guide Me O Thou Great Redeemer
78 bpm • C Maj • 03:11 • -14.83db
1% Popularity • 20% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
1% Popularity • 20% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
David Lloyd
The Temple Bells (Indian Love Lyrics)
78 bpm • F min • 02:18 • -14.31db
0% Popularity • 40% Danceability • 22% Energy • 19% Liveness
3% Instrumentalness • 24% Positiveness
0% Popularity • 40% Danceability • 22% Energy • 19% Liveness
3% Instrumentalness • 24% Positiveness
► Preview
Charlotte Hoather
La Boheme, Act II: “Quando me’n vo�...
78 bpm • E Maj • 02:22 • -13db
9% Popularity • 26% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
9% Popularity • 26% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
► Preview
Wolfgang Amadeus Mozart
Idomeneo re di Creta, K. 366, Act II: Ac...
70 bpm • F Maj • 02:36 • -12.81db
0% Popularity • 41% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
0% Popularity • 41% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
► Preview
Henry Purcell
Dido and Aeneas, Z. 626: Act I: See, you...
78 bpm • G Maj • 01:17 • -18.11db
0% Popularity • 38% Danceability • 11% Energy • 17% Liveness
0% Instrumentalness • 16% Positiveness
0% Popularity • 38% Danceability • 11% Energy • 17% Liveness
0% Instrumentalness • 16% Positiveness
► Preview
Walter Garnet Picart Chambers
アンティグア・バーブーダ 麗...
78 bpm • A# Maj • 01:15 • -13.59db
14% Popularity • 30% Danceability • 38% Energy • 11% Liveness
71% Instrumentalness • 15% Positiveness
14% Popularity • 30% Danceability • 38% Energy • 11% Liveness
71% Instrumentalness • 15% Positiveness
► Preview
環球合唱團
握別
70 bpm • E Maj • 03:44 • -21.56db
11% Popularity • 25% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
11% Popularity • 25% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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David Lloyd
Yr Hen Gerddor
70 bpm • B min • 03:58 • -12.32db
0% Popularity • 33% Danceability • 17% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
0% Popularity • 33% Danceability • 17% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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George Lloyd
Symphony No. 3 in F Major: II. Lento
70 bpm • C Maj • 07:19 • -21.6db
9% Popularity • 6% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
9% Popularity • 6% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
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Wolfgang Amadeus Mozart
Requiem in D Minor, K. 626: Lacrimosa di...
78 bpm • C# min • 03:13 • -15.19db
0% Popularity • 16% Danceability • 19% Energy • 13% Liveness
95% Instrumentalness • 4% Positiveness
0% Popularity • 16% Danceability • 19% Energy • 13% Liveness
95% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Messa di Gloria: Agnus Dei
70 bpm • C Maj • 02:32 • -24.91db
14% Popularity • 10% Danceability • 13% Energy • 11% Liveness
4% Instrumentalness • 20% Positiveness
14% Popularity • 10% Danceability • 13% Energy • 11% Liveness
4% Instrumentalness • 20% Positiveness
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Richard Tauber
Tauber: My Heart and I
70 bpm • C# Maj • 03:15 • -16db
10% Popularity • 22% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 32% Positiveness
10% Popularity • 22% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 32% Positiveness
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Henry Purcell
Dido and Aeneas, Z. 626: Act III Scene 2...
79 bpm • G min • 04:41 • -20.5db
0% Popularity • 36% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
0% Popularity • 36% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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David Lloyd
David Of The White Rock
78 bpm • G min • 03:24 • -16.28db
0% Popularity • 18% Danceability • 18% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
0% Popularity • 18% Danceability • 18% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
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MartÍn Palmeri
Misatango, Misa a Buenos Aires: XV. Dona...
70 bpm • C Maj • 07:00 • -16db
9% Popularity • 12% Danceability • 64% Energy • 14% Liveness
47% Instrumentalness • 9% Positiveness
9% Popularity • 12% Danceability • 64% Energy • 14% Liveness
47% Instrumentalness • 9% Positiveness
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Wolfgang Amadeus Mozart
Così fan tutte, K.588, Act II: Duetto. ...
70 bpm • A Maj • 06:26 • -20.06db
12% Popularity • 22% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
12% Popularity • 22% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Giacomo Puccini
La Bohème, SC 67, Act I: O soave fanciu...
69 bpm • E Maj • 01:48 • -19.26db
6% Popularity • 15% Danceability • 6% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
6% Popularity • 15% Danceability • 6% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
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Dick Walter
Mini Sleeping Beauty Waltz
69 bpm • A# Maj • 01:04 • -15.09db
12% Popularity • 24% Danceability • 26% Energy • 45% Liveness
98% Instrumentalness • 36% Positiveness
12% Popularity • 24% Danceability • 26% Energy • 45% Liveness
98% Instrumentalness • 36% Positiveness
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Franz Lehár
The Merry Widow (Die lustige Witwe) / Ac...
69 bpm • G Maj • 02:17 • -30db
17% Popularity • 18% Danceability • 4% Energy • 21% Liveness
89% Instrumentalness • 9% Positiveness
17% Popularity • 18% Danceability • 4% Energy • 21% Liveness
89% Instrumentalness • 9% Positiveness
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David Lloyd
Medli-Cwm Rhondda/All Through The Night/...
79 bpm • F# Maj • 03:35 • -14.03db
0% Popularity • 28% Danceability • 19% Energy • 10% Liveness
10% Instrumentalness • 12% Positiveness
0% Popularity • 28% Danceability • 19% Energy • 10% Liveness
10% Instrumentalness • 12% Positiveness
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Karl Jenkins
Truth
79 bpm • C Maj • 04:15 • -14.51db
9% Popularity • 14% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
9% Popularity • 14% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Wolfgang Amadeus Mozart
Requiem in D Minor, K. 626: Sanctus
69 bpm • C# Maj • 01:51 • -9.24db
0% Popularity • 14% Danceability • 45% Energy • 47% Liveness
67% Instrumentalness • 19% Positiveness
0% Popularity • 14% Danceability • 45% Energy • 47% Liveness
67% Instrumentalness • 19% Positiveness
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Peter Deunov
How pleased we are
79 bpm • G Maj • 01:22 • -14.58db
13% Popularity • 14% Danceability • 23% Energy • 13% Liveness
82% Instrumentalness • 61% Positiveness
13% Popularity • 14% Danceability • 23% Energy • 13% Liveness
82% Instrumentalness • 61% Positiveness
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Francesco Cilea
Adriana Lecouvreur Act II, Scene 2: L'an...
79 bpm • B min • 01:53 • -19.93db
8% Popularity • 24% Danceability • 6% Energy • 10% Liveness
31% Instrumentalness • 4% Positiveness
8% Popularity • 24% Danceability • 6% Energy • 10% Liveness
31% Instrumentalness • 4% Positiveness
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John Dowland
Lachrimae Tristes
79 bpm • A min • 05:16 • -20.25db
10% Popularity • 14% Danceability • 13% Energy • 9% Liveness
83% Instrumentalness • 5% Positiveness
10% Popularity • 14% Danceability • 13% Energy • 9% Liveness
83% Instrumentalness • 5% Positiveness
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Pavel Chesnokov
Hear My Prayer (Da ispravitsya molitva m...
79 bpm • B min • 07:19 • -22.21db
14% Popularity • 12% Danceability • 13% Energy • 13% Liveness
12% Instrumentalness • 4% Positiveness
14% Popularity • 12% Danceability • 13% Energy • 13% Liveness
12% Instrumentalness • 4% Positiveness
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Richard Strauss
Elektra, Op. 58, IRS 22, Act I: "Helft! ...
79 bpm • E Maj • 02:59 • -12.46db
0% Popularity • 20% Danceability • 55% Energy • 44% Liveness
37% Instrumentalness • 18% Positiveness
0% Popularity • 20% Danceability • 55% Energy • 44% Liveness
37% Instrumentalness • 18% Positiveness
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Erik Satie
Gymnopédie No. 2 (Orch. Corp)
69 bpm • F Maj • 02:45 • -35.28db
10% Popularity • 8% Danceability • 2% Energy • 14% Liveness
92% Instrumentalness • 4% Positiveness
10% Popularity • 8% Danceability • 2% Energy • 14% Liveness
92% Instrumentalness • 4% Positiveness
