Songs like Meet My Shadow by Jake Scott
Based on a tempo of (+/- 10%) and a similar genre
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Zachary Knowles
slow summer
90 bpm • F Maj • 02:48 • -8.9db
46% Popularity • 66% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
46% Popularity • 66% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
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Clinton Kane
AVO TOAST
90 bpm • B Maj • 02:41 • -3.67db
48% Popularity • 63% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
48% Popularity • 63% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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AJ Mitchell
All My Friends
90 bpm • E Maj • 02:52 • -5.29db
50% Popularity • 62% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
50% Popularity • 62% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
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Josie Dunne
Stay The Way I Left You
90 bpm • G Maj • 02:12 • -6.95db
37% Popularity • 69% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
37% Popularity • 69% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
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Jake Scott
Meet My Shadow
90 bpm • B Maj • 02:21 • -8.95db
31% Popularity • 76% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
31% Popularity • 76% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Caleb Hearn
1/2 as good as her
90 bpm • E Maj • 03:20 • -9db
47% Popularity • 51% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
47% Popularity • 51% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Quinn XCII
Notice Me
90 bpm • D Maj • 03:25 • -9db
43% Popularity • 67% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
43% Popularity • 67% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Sam MacPherson
Play Dumb
89 bpm • C Maj • 02:53 • -8.22db
39% Popularity • 44% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
39% Popularity • 44% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Surfaces
Wave of You
91 bpm • C# Maj • 03:33 • -6.04db
63% Popularity • 70% Danceability • 66% Energy • 27% Liveness
0% Instrumentalness • 35% Positiveness
63% Popularity • 70% Danceability • 66% Energy • 27% Liveness
0% Instrumentalness • 35% Positiveness
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Patrick Droney
Stand and Deliver
89 bpm • D Maj • 03:43 • -7.62db
47% Popularity • 63% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
47% Popularity • 63% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
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Jake Scott
Yours
89 bpm • F# Maj • 03:58 • -12db
38% Popularity • 30% Danceability • 36% Energy • 35% Liveness
0% Instrumentalness • 37% Positiveness
38% Popularity • 30% Danceability • 36% Energy • 35% Liveness
0% Instrumentalness • 37% Positiveness
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Wingtip
Happiness
91 bpm • C# min • 02:51 • -8db
50% Popularity • 81% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
50% Popularity • 81% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
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New Rules
Pasta
89 bpm • C# Maj • 02:57 • -4db
50% Popularity • 63% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
50% Popularity • 63% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Ben Rector
It Would Be You
91 bpm • C# Maj • 03:39 • -8.74db
41% Popularity • 66% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
41% Popularity • 66% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Max Landry
Back to Sleep
88 bpm • C# Maj • 03:27 • -12db
30% Popularity • 56% Danceability • 35% Energy • 36% Liveness
0% Instrumentalness • 42% Positiveness
30% Popularity • 56% Danceability • 35% Energy • 36% Liveness
0% Instrumentalness • 42% Positiveness
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Benson Boone
Work of Art
92 bpm • F# Maj • 02:49 • -6.94db
64% Popularity • 54% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
64% Popularity • 54% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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MAX
Butterflies
88 bpm • B Maj • 03:11 • -4db
52% Popularity • 69% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
52% Popularity • 69% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Munn
Loved Us More
92 bpm • G Maj • 03:00 • -11db
58% Popularity • 58% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
58% Popularity • 58% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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CaRter
Jasper Avenue
88 bpm • A Maj • 04:34 • -10.66db
42% Popularity • 44% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
42% Popularity • 44% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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JORDY
NICE THINGS
92 bpm • C min • 02:27 • -10.52db
44% Popularity • 68% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
44% Popularity • 68% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
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The Band CAMINO
See Through
92 bpm • D Maj • 03:01 • -5.12db
57% Popularity • 58% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
57% Popularity • 58% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Josie Dunne
Same
92 bpm • A Maj • 02:41 • -9.16db
30% Popularity • 68% Danceability • 52% Energy • 8% Liveness
8% Instrumentalness • 56% Positiveness
30% Popularity • 68% Danceability • 52% Energy • 8% Liveness
8% Instrumentalness • 56% Positiveness
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MAX
BUTTERFLIES
88 bpm • B Maj • 03:11 • -5.79db
65% Popularity • 70% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
65% Popularity • 70% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Christian French
i think too much
92 bpm • G min • 03:22 • -7.86db
50% Popularity • 68% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
50% Popularity • 68% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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Chris James
12 Hours
88 bpm • D# Maj • 02:13 • -7db
58% Popularity • 83% Danceability • 41% Energy • 19% Liveness
0% Instrumentalness • 80% Positiveness
58% Popularity • 83% Danceability • 41% Energy • 19% Liveness
0% Instrumentalness • 80% Positiveness
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Jake Scott
For You, I Will
88 bpm • A Maj • 03:48 • -9.04db
28% Popularity • 64% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
28% Popularity • 64% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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sammy rash
smile more
88 bpm • A# Maj • 01:35 • -6.17db
60% Popularity • 82% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
60% Popularity • 82% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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vaultboy
feel anything
88 bpm • A# Maj • 02:11 • -9.41db
55% Popularity • 73% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
55% Popularity • 73% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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elijah woods
past life
88 bpm • A# Maj • 02:44 • -7.26db
60% Popularity • 73% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
60% Popularity • 73% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Ed Whicher
Stormy Weather
88 bpm • C# Maj • 03:17 • -10db
32% Popularity • 71% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 59% Positiveness
32% Popularity • 71% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 59% Positiveness
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Alex Warren
One More I Love You
93 bpm • G# Maj • 03:36 • -8.23db
59% Popularity • 63% Danceability • 38% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
59% Popularity • 63% Danceability • 38% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
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Jake Scott
She's Not You
92 bpm • C# Maj • 03:07 • -6.53db
37% Popularity • 60% Danceability • 73% Energy • 22% Liveness
0% Instrumentalness • 46% Positiveness
37% Popularity • 60% Danceability • 73% Energy • 22% Liveness
0% Instrumentalness • 46% Positiveness
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Jordy Searcy
All Night
93 bpm • E Maj • 03:22 • -11.06db
31% Popularity • 58% Danceability • 34% Energy • 43% Liveness
1% Instrumentalness • 36% Positiveness
31% Popularity • 58% Danceability • 34% Energy • 43% Liveness
1% Instrumentalness • 36% Positiveness
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vaultboy
i wish u knew
93 bpm • G# Maj • 03:13 • -9.35db
57% Popularity • 63% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
57% Popularity • 63% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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elijah woods
take care
93 bpm • C Maj • 02:08 • -7.99db
60% Popularity • 82% Danceability • 44% Energy • 4% Liveness
0% Instrumentalness • 78% Positiveness
60% Popularity • 82% Danceability • 44% Energy • 4% Liveness
0% Instrumentalness • 78% Positiveness
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Christian French
good things take time
93 bpm • C Maj • 02:36 • -7.86db
43% Popularity • 81% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
43% Popularity • 81% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Lauv
Canada
93 bpm • A Maj • 03:04 • -12.78db
54% Popularity • 63% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
54% Popularity • 63% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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Jake Scott
Forever 22
88 bpm • G# Maj • 03:10 • -9.14db
30% Popularity • 68% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 23% Positiveness
30% Popularity • 68% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 23% Positiveness
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Mark Ambor
Don't You Worry
93 bpm • G Maj • 02:42 • -7.08db
54% Popularity • 51% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
54% Popularity • 51% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Alex Warren
Remember Me Happy
86 bpm • D Maj • 02:21 • -8.27db
49% Popularity • 55% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
49% Popularity • 55% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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elijah woods
who you could be
87 bpm • E Maj • 02:17 • -10.68db
55% Popularity • 55% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
55% Popularity • 55% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Alexander Stewart
Best Damn Thing
94 bpm • C# Maj • 03:52 • -3db
49% Popularity • 55% Danceability • 82% Energy • 24% Liveness
0% Instrumentalness • 81% Positiveness
49% Popularity • 55% Danceability • 82% Energy • 24% Liveness
0% Instrumentalness • 81% Positiveness
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Neon Dreams
Times Square
94 bpm • D# Maj • 03:18 • -9.33db
36% Popularity • 48% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
36% Popularity • 48% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Anders Sohn
I Got You
94 bpm • B Maj • 02:45 • -8.72db
42% Popularity • 66% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
42% Popularity • 66% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Clara Mae
Not Sad Anymore
94 bpm • C# Maj • 03:15 • -7.6db
54% Popularity • 68% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
54% Popularity • 68% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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New Rules
Lucky Me
86 bpm • G# Maj • 02:38 • -5.19db
31% Popularity • 45% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
31% Popularity • 45% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Bazzi
Young & Alive
86 bpm • D# Maj • 02:40 • -5db
59% Popularity • 72% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
59% Popularity • 72% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Harry Hudson
Holdin’ On
86 bpm • C# Maj • 02:56 • -8.77db
48% Popularity • 51% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
48% Popularity • 51% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Patrick Droney
On Your Way Home
94 bpm • G Maj • 02:45 • -9.52db
49% Popularity • 45% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
49% Popularity • 45% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Suriel Hess
Little Bit More
86 bpm • G Maj • 03:00 • -11.61db
69% Popularity • 56% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
69% Popularity • 56% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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elijah woods
first night
95 bpm • G# Maj • 02:59 • -7.06db
53% Popularity • 71% Danceability • 58% Energy • 28% Liveness
0% Instrumentalness • 73% Positiveness
53% Popularity • 71% Danceability • 58% Energy • 28% Liveness
0% Instrumentalness • 73% Positiveness
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Blake Rose
Lost
95 bpm • E Maj • 03:54 • -6.54db
59% Popularity • 60% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
59% Popularity • 60% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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ROSIE
Never the 1
85 bpm • C# Maj • 02:51 • -12.13db
48% Popularity • 67% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
48% Popularity • 67% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Zach Seabaugh
Somebody Who Loves Somebody
95 bpm • C# Maj • 02:16 • -7.82db
33% Popularity • 62% Danceability • 70% Energy • 33% Liveness
0% Instrumentalness • 93% Positiveness
33% Popularity • 62% Danceability • 70% Energy • 33% Liveness
0% Instrumentalness • 93% Positiveness
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Havelin
Faith
95 bpm • G Maj • 02:43 • -7.26db
36% Popularity • 82% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
36% Popularity • 82% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Wingtip
Use Your Words
95 bpm • A# Maj • 02:44 • -5.7db
37% Popularity • 72% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
37% Popularity • 72% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Tyler Shaw
Clairvoyant
95 bpm • C# min • 03:36 • -7.59db
27% Popularity • 59% Danceability • 90% Energy • 24% Liveness
0% Instrumentalness • 41% Positiveness
27% Popularity • 59% Danceability • 90% Energy • 24% Liveness
0% Instrumentalness • 41% Positiveness
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Munn
i pick loneliness
95 bpm • G Maj • 02:37 • -7.17db
47% Popularity • 60% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
47% Popularity • 60% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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CAL
Roll the Credits
85 bpm • A Maj • 02:19 • -6.75db
39% Popularity • 79% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
39% Popularity • 79% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
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sammy rash
let's be friends
85 bpm • G# Maj • 02:06 • -8.69db
58% Popularity • 84% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
58% Popularity • 84% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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James Smith
Got the Love
85 bpm • B Maj • 03:03 • -10db
54% Popularity • 62% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
54% Popularity • 62% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Zach Seabaugh
Slingshot
85 bpm • C# Maj • 02:30 • -10.23db
59% Popularity • 61% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
59% Popularity • 61% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Greyson Chance
Good As Gold
85 bpm • D Maj • 03:25 • -5db
34% Popularity • 52% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
34% Popularity • 52% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Emma Oliver
Know You Better
85 bpm • D# Maj • 02:23 • -9.26db
33% Popularity • 58% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
33% Popularity • 58% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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Jake Scott
All Too Well
96 bpm • G Maj • 05:15 • -8.95db
40% Popularity • 67% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
40% Popularity • 67% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Jamie Grey
Single Part of You
84 bpm • C# Maj • 02:32 • -12db
45% Popularity • 47% Danceability • 29% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
45% Popularity • 47% Danceability • 29% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
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Alex Sampson
Stay Here
96 bpm • D Maj • 02:54 • -5db
34% Popularity • 72% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
34% Popularity • 72% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Zach Seabaugh
Girl in a Coffee Shop
96 bpm • E Maj • 02:15 • -12.41db
53% Popularity • 67% Danceability • 42% Energy • 74% Liveness
0% Instrumentalness • 28% Positiveness
53% Popularity • 67% Danceability • 42% Energy • 74% Liveness
0% Instrumentalness • 28% Positiveness
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The Band CAMINO
Roses
96 bpm • C# Maj • 03:01 • -5.07db
52% Popularity • 70% Danceability • 77% Energy • 3% Liveness
0% Instrumentalness • 79% Positiveness
52% Popularity • 70% Danceability • 77% Energy • 3% Liveness
0% Instrumentalness • 79% Positiveness
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Wrabel
nothing but the love
96 bpm • A# Maj • 03:04 • -7.49db
52% Popularity • 73% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
52% Popularity • 73% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Jake Scott
I Don't Want to Be Friends
96 bpm • A# Maj • 03:02 • -8.61db
33% Popularity • 69% Danceability • 54% Energy • 52% Liveness
0% Instrumentalness • 46% Positiveness
33% Popularity • 69% Danceability • 54% Energy • 52% Liveness
0% Instrumentalness • 46% Positiveness
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Sam MacPherson
Forget I Exist
96 bpm • G Maj • 02:52 • -9db
54% Popularity • 66% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
54% Popularity • 66% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Virginia To Vegas
what are we
96 bpm • F# Maj • 03:20 • -6db
44% Popularity • 66% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
44% Popularity • 66% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Suriel Hess
late nights and lonely
96 bpm • D Maj • 02:32 • -7db
55% Popularity • 44% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
55% Popularity • 44% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Zach Seabaugh
Co-Pilot
84 bpm • E min • 02:23 • -8.24db
33% Popularity • 82% Danceability • 42% Energy • 40% Liveness
0% Instrumentalness • 55% Positiveness
33% Popularity • 82% Danceability • 42% Energy • 40% Liveness
0% Instrumentalness • 55% Positiveness
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BLÜ EYES
stuck in my head
84 bpm • C# Maj • 02:32 • -10db
46% Popularity • 52% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
46% Popularity • 52% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Jake Scott
Twice
96 bpm • A Maj • 02:22 • -7db
41% Popularity • 76% Danceability • 62% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
41% Popularity • 76% Danceability • 62% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
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Chris James
With or Without You
84 bpm • E Maj • 02:31 • -8.49db
57% Popularity • 77% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
57% Popularity • 77% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Wrabel
london
84 bpm • A Maj • 04:26 • -7.67db
47% Popularity • 57% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
47% Popularity • 57% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Group Project
Priest
84 bpm • B Maj • 03:19 • -7.34db
38% Popularity • 44% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
38% Popularity • 44% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Rosie Darling
Heavy
97 bpm • A# Maj • 02:46 • -8db
52% Popularity • 72% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
52% Popularity • 72% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Jonah Kagen
broken
84 bpm • C# Maj • 03:15 • -12db
61% Popularity • 50% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
61% Popularity • 50% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Jake Scott
Like This
96 bpm • G Maj • 03:13 • -16.33db
55% Popularity • 70% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
55% Popularity • 70% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Adam Turley
Feeling Myself
97 bpm • G# Maj • 02:40 • -5.38db
23% Popularity • 80% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
23% Popularity • 80% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Tyler Shaw
To the Man Who Let Her Go
97 bpm • F# Maj • 03:21 • -7db
45% Popularity • 74% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
45% Popularity • 74% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Neptune
three sixty five
97 bpm • C# Maj • 02:36 • -19.12db
40% Popularity • 76% Danceability • 23% Energy • 8% Liveness
2% Instrumentalness • 32% Positiveness
40% Popularity • 76% Danceability • 23% Energy • 8% Liveness
2% Instrumentalness • 32% Positiveness
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Ethan Dufault
Signs
97 bpm • B Maj • 03:24 • -6.33db
42% Popularity • 77% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 78% Positiveness
42% Popularity • 77% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 78% Positiveness
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nobody likes you pat
songs about you
83 bpm • G Maj • 03:09 • -5.05db
44% Popularity • 56% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
44% Popularity • 56% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Jake Scott
Learning to Love You
97 bpm • A Maj • 04:20 • -13.03db
28% Popularity • 63% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
28% Popularity • 63% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Michal Leah
Think I'm Gonna Love You
83 bpm • C Maj • 02:44 • -12.27db
60% Popularity • 61% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
60% Popularity • 61% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Rachel Grae
How to Be Alone
83 bpm • D Maj • 02:31 • -7.17db
58% Popularity • 75% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
58% Popularity • 75% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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The National Parks
Chance
98 bpm • E Maj • 02:59 • -9.54db
44% Popularity • 63% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
44% Popularity • 63% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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AJ Mitchell
Like Strangers Do
98 bpm • D# min • 02:40 • -8.52db
62% Popularity • 63% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
62% Popularity • 63% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Clinton Kane
COLD
82 bpm • G Maj • 02:49 • -7.08db
43% Popularity • 67% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
43% Popularity • 67% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Jake Scott
Married Young
84 bpm • F Maj • 03:05 • -6.18db
32% Popularity • 39% Danceability • 45% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
32% Popularity • 39% Danceability • 45% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
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Jonah Kagen
broken (Acoustic)
82 bpm • C# Maj • 02:57 • -10db
45% Popularity • 56% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
45% Popularity • 56% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Jordy Searcy
Why Can't We Be Friends?
82 bpm • C Maj • 03:27 • -6.97db
36% Popularity • 79% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
36% Popularity • 79% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Dahl
Can I Kiss You?
99 bpm • D# Maj • 03:27 • -6db
49% Popularity • 69% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
49% Popularity • 69% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
