Songs like Meet On The Ledge by Fairport Convention
Based on a tempo of (+/- 10%) and a similar genre
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Paul Kantner
Silver Spoon
70 bpm • D Maj • 05:42 • -9.67db
14% Popularity • 22% Danceability • 59% Energy • 11% Liveness
4% Instrumentalness • 42% Positiveness
14% Popularity • 22% Danceability • 59% Energy • 11% Liveness
4% Instrumentalness • 42% Positiveness
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Fairport Convention
Meet On The Ledge
70 bpm • D Maj • 02:50 • -11.9db
34% Popularity • 50% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
34% Popularity • 50% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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The Band
Whispering Pines
70 bpm • F Maj • 03:57 • -13db
35% Popularity • 40% Danceability • 32% Energy • 8% Liveness
26% Instrumentalness • 16% Positiveness
35% Popularity • 40% Danceability • 32% Energy • 8% Liveness
26% Instrumentalness • 16% Positiveness
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Warren Zevon
Accidentally Like a Martyr
71 bpm • F Maj • 03:42 • -9db
40% Popularity • 58% Danceability • 48% Energy • 7% Liveness
4% Instrumentalness • 37% Positiveness
40% Popularity • 58% Danceability • 48% Energy • 7% Liveness
4% Instrumentalness • 37% Positiveness
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Dillard & Clark
In The Plan
72 bpm • F# min • 03:00 • -15.16db
30% Popularity • 43% Danceability • 37% Energy • 43% Liveness
0% Instrumentalness • 68% Positiveness
30% Popularity • 43% Danceability • 37% Energy • 43% Liveness
0% Instrumentalness • 68% Positiveness
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Buffalo Springfield
Sad Memory
72 bpm • E Maj • 03:04 • -21.38db
28% Popularity • 38% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
28% Popularity • 38% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Tom Rush
Lost My Drivin' Wheel
73 bpm • C Maj • 05:20 • -15db
22% Popularity • 35% Danceability • 34% Energy • 58% Liveness
0% Instrumentalness • 27% Positiveness
22% Popularity • 35% Danceability • 34% Energy • 58% Liveness
0% Instrumentalness • 27% Positiveness
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Crazy Horse
Dance, Dance, Dance
76 bpm • A Maj • 02:11 • -10.14db
28% Popularity • 59% Danceability • 62% Energy • 3% Liveness
0% Instrumentalness • 90% Positiveness
28% Popularity • 59% Danceability • 62% Energy • 3% Liveness
0% Instrumentalness • 90% Positiveness
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Richard & Linda Thompson
When I Get To The Border
76 bpm • C Maj • 03:27 • -10.19db
31% Popularity • 52% Danceability • 63% Energy • 6% Liveness
1% Instrumentalness • 66% Positiveness
31% Popularity • 52% Danceability • 63% Energy • 6% Liveness
1% Instrumentalness • 66% Positiveness
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Warren Zevon
Mohammed's Radio
74 bpm • G Maj • 03:43 • -13.75db
39% Popularity • 64% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
39% Popularity • 64% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Heron
Car Crash
76 bpm • D Maj • 02:57 • -16.17db
10% Popularity • 39% Danceability • 29% Energy • 29% Liveness
1% Instrumentalness • 44% Positiveness
10% Popularity • 39% Danceability • 29% Energy • 29% Liveness
1% Instrumentalness • 44% Positiveness
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Gene Clark
Tears Of Rage
76 bpm • E Maj • 04:12 • -10db
23% Popularity • 59% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
23% Popularity • 59% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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John Cale
Half Past France
76 bpm • D Maj • 04:19 • -15.46db
27% Popularity • 33% Danceability • 32% Energy • 9% Liveness
76% Instrumentalness • 33% Positiveness
27% Popularity • 33% Danceability • 32% Energy • 9% Liveness
76% Instrumentalness • 33% Positiveness
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Trader Horne
Morning Way
77 bpm • F Maj • 04:35 • -15.1db
12% Popularity • 35% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
12% Popularity • 35% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Roxy Music
End Of The Line
78 bpm • F Maj • 05:14 • -9db
32% Popularity • 44% Danceability • 57% Energy • 17% Liveness
13% Instrumentalness • 28% Positiveness
32% Popularity • 44% Danceability • 57% Energy • 17% Liveness
13% Instrumentalness • 28% Positiveness
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Dillard & Clark
Polly
78 bpm • E min • 04:20 • -15.41db
32% Popularity • 51% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
32% Popularity • 51% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Mott The Hoople
All the Young Dudes - David Bowie & Ian ...
78 bpm • E min • 04:22 • -9.24db
40% Popularity • 45% Danceability • 56% Energy • 20% Liveness
0% Instrumentalness • 41% Positiveness
40% Popularity • 45% Danceability • 56% Energy • 20% Liveness
0% Instrumentalness • 41% Positiveness
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Gene Clark
Silver Raven
78 bpm • E min • 04:53 • -17.46db
30% Popularity • 37% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 34% Positiveness
30% Popularity • 37% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 34% Positiveness
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Stephen Stills
So Begins the Task
78 bpm • C Maj • 04:01 • -9.77db
32% Popularity • 52% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
32% Popularity • 52% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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David Ackles
Love's Enough
78 bpm • D# Maj • 03:19 • -21.41db
24% Popularity • 45% Danceability • 10% Energy • 22% Liveness
0% Instrumentalness • 27% Positiveness
24% Popularity • 45% Danceability • 10% Energy • 22% Liveness
0% Instrumentalness • 27% Positiveness
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The Albion Band
Ragged Heroes - 2003 Remaster
79 bpm • C Maj • 03:20 • -6.7db
12% Popularity • 46% Danceability • 89% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
12% Popularity • 46% Danceability • 89% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
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Alan Hull
One More Bottle of Wine
79 bpm • C Maj • 04:11 • -9.95db
13% Popularity • 50% Danceability • 45% Energy • 24% Liveness
0% Instrumentalness • 49% Positiveness
13% Popularity • 50% Danceability • 45% Energy • 24% Liveness
0% Instrumentalness • 49% Positiveness
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Tim Buckley
Song to the Siren
62 bpm • A# Maj • 03:28 • -21.05db
27% Popularity • 26% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
27% Popularity • 26% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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The Flying Burrito Brothers
Dark End Of The Street
79 bpm • G Maj • 03:50 • -11.54db
37% Popularity • 42% Danceability • 50% Energy • 15% Liveness
2% Instrumentalness • 59% Positiveness
37% Popularity • 42% Danceability • 50% Energy • 15% Liveness
2% Instrumentalness • 59% Positiveness
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Richard & Linda Thompson
Walking on a Wire
62 bpm • G Maj • 05:28 • -15.8db
24% Popularity • 58% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
24% Popularity • 58% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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The Pretty Things
Loneliest Person
80 bpm • E min • 01:29 • -19db
27% Popularity • 60% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
27% Popularity • 60% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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The Humblebums
Patrick
80 bpm • A Maj • 02:23 • -10.39db
13% Popularity • 46% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
13% Popularity • 46% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Alan Hull
United States Of Mind - 2005 Digital Rem...
79 bpm • D Maj • 03:07 • -17.76db
21% Popularity • 54% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
21% Popularity • 54% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Steve Tilston
I Really Wanted You
80 bpm • E Maj • 03:55 • -18.7db
12% Popularity • 41% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
12% Popularity • 41% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Simon & Garfunkel
Somewhere They Can't Find Me
81 bpm • B min • 02:35 • -11.56db
38% Popularity • 41% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
38% Popularity • 41% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Norma Waterson
Black Muddy Water
80 bpm • C Maj • 04:21 • -11.76db
17% Popularity • 67% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
17% Popularity • 67% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Pearls Before Swine
The Jeweler
81 bpm • G Maj • 02:48 • -14db
18% Popularity • 41% Danceability • 30% Energy • 10% Liveness
10% Instrumentalness • 22% Positiveness
18% Popularity • 41% Danceability • 30% Energy • 10% Liveness
10% Instrumentalness • 22% Positiveness
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Iain Matthews
These Days
81 bpm • E Maj • 04:23 • -12.86db
19% Popularity • 45% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
19% Popularity • 45% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Fairport Convention
Reynardine
81 bpm • G Maj • 04:33 • -17.7db
24% Popularity • 19% Danceability • 7% Energy • 12% Liveness
1% Instrumentalness • 15% Positiveness
24% Popularity • 19% Danceability • 7% Energy • 12% Liveness
1% Instrumentalness • 15% Positiveness
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Buffalo Springfield
A Child's Claim to Fame
81 bpm • G Maj • 02:13 • -13db
46% Popularity • 62% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
46% Popularity • 62% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
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Simon & Garfunkel
Richard Cory
81 bpm • B Maj • 02:55 • -10.93db
39% Popularity • 56% Danceability • 59% Energy • 27% Liveness
0% Instrumentalness • 82% Positiveness
39% Popularity • 56% Danceability • 59% Energy • 27% Liveness
0% Instrumentalness • 82% Positiveness
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Family
My Friend The Sun - 2023 Remaster
81 bpm • A min • 04:21 • -16.97db
34% Popularity • 64% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
34% Popularity • 64% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Gene Clark
White Light
81 bpm • E Maj • 03:37 • -8.95db
22% Popularity • 43% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
22% Popularity • 43% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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The Humblebums
Please Sing a Song for Us
60 bpm • A Maj • 02:44 • -8.5db
11% Popularity • 58% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
11% Popularity • 58% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Traffic
John Barleycorn (Must Die) - Remastered ...
82 bpm • D Maj • 06:22 • -11db
37% Popularity • 43% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
37% Popularity • 43% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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The Incredible String Band
The Mad Hatter's Song - 2010 Remaster
82 bpm • C Maj • 05:36 • -11.33db
17% Popularity • 31% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
17% Popularity • 31% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Strawbs
The Hangman And The Papist
83 bpm • G min • 04:11 • -8.04db
14% Popularity • 47% Danceability • 62% Energy • 43% Liveness
0% Instrumentalness • 24% Positiveness
14% Popularity • 47% Danceability • 62% Energy • 43% Liveness
0% Instrumentalness • 24% Positiveness
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Anne Briggs
Sandman's Song - Remastered
83 bpm • C# min • 05:03 • -16.76db
16% Popularity • 54% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
16% Popularity • 54% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Gene Clark
Lady of the North
83 bpm • D Maj • 06:04 • -15.12db
23% Popularity • 34% Danceability • 27% Energy • 9% Liveness
44% Instrumentalness • 19% Positiveness
23% Popularity • 34% Danceability • 27% Energy • 9% Liveness
44% Instrumentalness • 19% Positiveness
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Tim Buckley
Song of the Magician
83 bpm • G Maj • 03:04 • -15.93db
19% Popularity • 44% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
19% Popularity • 44% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
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Love
Signed D.C. - Stereo Version
83 bpm • E min • 02:45 • -15.15db
22% Popularity • 63% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
22% Popularity • 63% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Davy Graham
Anji
83 bpm • A min • 01:27 • -5.74db
19% Popularity • 60% Danceability • 54% Energy • 9% Liveness
88% Instrumentalness • 81% Positiveness
19% Popularity • 60% Danceability • 54% Energy • 9% Liveness
88% Instrumentalness • 81% Positiveness
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Iain Matthews
Knowing the Game
84 bpm • G# Maj • 02:36 • -11.92db
15% Popularity • 45% Danceability • 48% Energy • 10% Liveness
15% Instrumentalness • 60% Positiveness
15% Popularity • 45% Danceability • 48% Energy • 10% Liveness
15% Instrumentalness • 60% Positiveness
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Roxy Music
A Really Good Time
84 bpm • D# Maj • 03:45 • -7.44db
30% Popularity • 56% Danceability • 54% Energy • 13% Liveness
2% Instrumentalness • 26% Positiveness
30% Popularity • 56% Danceability • 54% Energy • 13% Liveness
2% Instrumentalness • 26% Positiveness
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The Beau Brummels
Turn Around
85 bpm • G Maj • 03:03 • -13.42db
22% Popularity • 44% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 86% Positiveness
22% Popularity • 44% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 86% Positiveness
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Tim Buckley
Morning Glory
84 bpm • G# Maj • 02:51 • -13db
31% Popularity • 36% Danceability • 28% Energy • 5% Liveness
0% Instrumentalness • 38% Positiveness
31% Popularity • 36% Danceability • 28% Energy • 5% Liveness
0% Instrumentalness • 38% Positiveness
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Simon & Garfunkel
At the Zoo
85 bpm • E min • 02:22 • -12db
49% Popularity • 53% Danceability • 55% Energy • 28% Liveness
0% Instrumentalness • 65% Positiveness
49% Popularity • 53% Danceability • 55% Energy • 28% Liveness
0% Instrumentalness • 65% Positiveness
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Jethro Tull
The Witch's Promise - 2013 Remaster
84 bpm • D Maj • 03:50 • -10.4db
11% Popularity • 40% Danceability • 47% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
11% Popularity • 40% Danceability • 47% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
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Michael Chapman
Stranger In The Room - 2011 Remaster
85 bpm • F min • 05:36 • -10.52db
17% Popularity • 41% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
17% Popularity • 41% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Steeleye Span
A Calling-On Song
87 bpm • F Maj • 01:13 • -10.85db
19% Popularity • 59% Danceability • 10% Energy • 31% Liveness
0% Instrumentalness • 47% Positiveness
19% Popularity • 59% Danceability • 10% Energy • 31% Liveness
0% Instrumentalness • 47% Positiveness
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Richard & Linda Thompson
Withered And Died
86 bpm • C Maj • 03:26 • -14.13db
29% Popularity • 46% Danceability • 21% Energy • 10% Liveness
1% Instrumentalness • 20% Positiveness
29% Popularity • 46% Danceability • 21% Energy • 10% Liveness
1% Instrumentalness • 20% Positiveness
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![No Mule's Fool - (Mono Single Version) [2022 Remaster] cover art](https://i.scdn.co/image/ab67616d00001e02e5f9eb1efc97ff3cce58060d)
Family
No Mule's Fool - (Mono Single Version) [...
87 bpm • D Maj • 03:14 • -11db
17% Popularity • 42% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
17% Popularity • 42% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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Fleetwood Mac
Man of the World
88 bpm • D Maj • 03:00 • -12.7db
48% Popularity • 57% Danceability • 19% Energy • 11% Liveness
9% Instrumentalness • 18% Positiveness
48% Popularity • 57% Danceability • 19% Energy • 11% Liveness
9% Instrumentalness • 18% Positiveness
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Eric Andersen
Violets Of Dawn
88 bpm • D Maj • 03:50 • -17.8db
25% Popularity • 40% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
25% Popularity • 40% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Paul Kantner
Sunfighter
88 bpm • G Maj • 03:53 • -9.76db
15% Popularity • 52% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
15% Popularity • 52% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Steeleye Span
Spotted Cow - 2009 Remaster
87 bpm • D Maj • 03:08 • -8.14db
24% Popularity • 65% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
24% Popularity • 65% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Traffic
(Roamin' Thro' The Gloamin' With) 40.000...
88 bpm • B min • 03:14 • -12.14db
38% Popularity • 47% Danceability • 43% Energy • 25% Liveness
0% Instrumentalness • 64% Positiveness
38% Popularity • 47% Danceability • 43% Energy • 25% Liveness
0% Instrumentalness • 64% Positiveness
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Rory Gallagher
Wheels Within Wheels
88 bpm • D Maj • 03:31 • -15db
30% Popularity • 55% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
30% Popularity • 55% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Loudon Wainwright III
School Days
88 bpm • F Maj • 03:05 • -16.9db
27% Popularity • 53% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
27% Popularity • 53% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Magna Carta
Wish It Was
89 bpm • F min • 03:36 • -15.34db
19% Popularity • 51% Danceability • 38% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
19% Popularity • 51% Danceability • 38% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
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Paul Kantner
Sketches of China - 2020 Remaster
88 bpm • C Maj • 05:15 • -15.45db
25% Popularity • 38% Danceability • 42% Energy • 64% Liveness
0% Instrumentalness • 44% Positiveness
25% Popularity • 38% Danceability • 42% Energy • 64% Liveness
0% Instrumentalness • 44% Positiveness
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The Incredible String Band
October Song - 2010 Remaster
89 bpm • F# Maj • 04:08 • -14db
19% Popularity • 47% Danceability • 24% Energy • 26% Liveness
0% Instrumentalness • 23% Positiveness
19% Popularity • 47% Danceability • 24% Energy • 26% Liveness
0% Instrumentalness • 23% Positiveness
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T. Rex
By The Light Of The Magical Moon
89 bpm • D# Maj • 02:51 • -13.3db
26% Popularity • 55% Danceability • 45% Energy • 20% Liveness
0% Instrumentalness • 57% Positiveness
26% Popularity • 55% Danceability • 45% Energy • 20% Liveness
0% Instrumentalness • 57% Positiveness
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Fairport Convention
If (Stomp)
89 bpm • D Maj • 02:45 • -13.24db
23% Popularity • 59% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
23% Popularity • 59% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
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Procol Harum
She Wandered Through the Garden Fence - ...
89 bpm • C Maj • 03:26 • -7.22db
32% Popularity • 56% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
32% Popularity • 56% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Steve Harley & Cockney Rebel
Nothing Is Sacred
89 bpm • E Maj • 05:42 • -15.4db
19% Popularity • 62% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 84% Positiveness
19% Popularity • 62% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 84% Positiveness
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David Crosby
Music Is Love - 2021 Remaster
89 bpm • C# Maj • 03:23 • -16.48db
23% Popularity • 47% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
23% Popularity • 47% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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The Incredible String Band
Job's Tears - 2010 Remaster
89 bpm • E Maj • 06:44 • -13.86db
16% Popularity • 35% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
16% Popularity • 35% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Thin Lizzy
Saga Of The Ageing Orphan
90 bpm • C# Maj • 03:40 • -21.28db
20% Popularity • 68% Danceability • 19% Energy • 11% Liveness
55% Instrumentalness • 38% Positiveness
20% Popularity • 68% Danceability • 19% Energy • 11% Liveness
55% Instrumentalness • 38% Positiveness
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Jethro Tull
Reasons for Waiting
90 bpm • A Maj • 04:07 • -13.22db
40% Popularity • 34% Danceability • 34% Energy • 8% Liveness
1% Instrumentalness • 22% Positiveness
40% Popularity • 34% Danceability • 34% Energy • 8% Liveness
1% Instrumentalness • 22% Positiveness
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Davy Graham
She Moved Through The Fair
90 bpm • G# Maj • 03:14 • -20.49db
23% Popularity • 44% Danceability • 20% Energy • 66% Liveness
89% Instrumentalness • 52% Positiveness
23% Popularity • 44% Danceability • 20% Energy • 66% Liveness
89% Instrumentalness • 52% Positiveness
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Matthews' Southern Comfort
And When She Smiles (She Makes the Sun S...
90 bpm • G Maj • 02:13 • -16.85db
21% Popularity • 58% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 87% Positiveness
21% Popularity • 58% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 87% Positiveness
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Simon & Garfunkel
The Big Bright Green Pleasure Machine
90 bpm • D Maj • 02:43 • -10db
35% Popularity • 60% Danceability • 75% Energy • 33% Liveness
0% Instrumentalness • 65% Positiveness
35% Popularity • 60% Danceability • 75% Energy • 33% Liveness
0% Instrumentalness • 65% Positiveness
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Fairport Convention
Bonny Bunch Of Roses
91 bpm • D Maj • 10:46 • -15.37db
9% Popularity • 55% Danceability • 19% Energy • 11% Liveness
12% Instrumentalness • 8% Positiveness
9% Popularity • 55% Danceability • 19% Energy • 11% Liveness
12% Instrumentalness • 8% Positiveness
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Buffalo Springfield
Broken Arrow
91 bpm • C Maj • 06:14 • -14.64db
33% Popularity • 34% Danceability • 46% Energy • 39% Liveness
0% Instrumentalness • 37% Positiveness
33% Popularity • 34% Danceability • 46% Energy • 39% Liveness
0% Instrumentalness • 37% Positiveness
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Judee Sill
Crayon Angels
91 bpm • A Maj • 02:45 • -16.47db
43% Popularity • 40% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
43% Popularity • 40% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Lindisfarne
Meet Me On The Corner
93 bpm • A Maj • 02:40 • -14.44db
41% Popularity • 58% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
41% Popularity • 58% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Paul Kantner
Have You Seen the Stars Tonite
93 bpm • F Maj • 03:42 • -18db
29% Popularity • 49% Danceability • 24% Energy • 22% Liveness
54% Instrumentalness • 27% Positiveness
29% Popularity • 49% Danceability • 24% Energy • 22% Liveness
54% Instrumentalness • 27% Positiveness
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Simon & Garfunkel
A Simple Desultory Philippic
91 bpm • D Maj • 02:13 • -9db
36% Popularity • 58% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
36% Popularity • 58% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Duncan Browne
Journey - 2002 Remaster
93 bpm • G Maj • 03:22 • -10.61db
20% Popularity • 51% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
20% Popularity • 51% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Fairport Convention
Matty Groves
91 bpm • D Maj • 08:09 • -13.64db
12% Popularity • 41% Danceability • 53% Energy • 9% Liveness
11% Instrumentalness • 74% Positiveness
12% Popularity • 41% Danceability • 53% Energy • 9% Liveness
11% Instrumentalness • 74% Positiveness
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Pearls Before Swine
Rocket Man
94 bpm • C Maj • 03:06 • -17.02db
16% Popularity • 43% Danceability • 18% Energy • 11% Liveness
60% Instrumentalness • 11% Positiveness
16% Popularity • 43% Danceability • 18% Energy • 11% Liveness
60% Instrumentalness • 11% Positiveness
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Jackson C. Frank
Don't Look Back
93 bpm • G# Maj • 02:57 • -9.08db
30% Popularity • 29% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
30% Popularity • 29% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Rory Gallagher
Just The Smile
94 bpm • D Maj • 03:40 • -19db
42% Popularity • 70% Danceability • 28% Energy • 8% Liveness
47% Instrumentalness • 32% Positiveness
42% Popularity • 70% Danceability • 28% Energy • 8% Liveness
47% Instrumentalness • 32% Positiveness
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Simon & Garfunkel
The Dangling Conversation
92 bpm • A# Maj • 02:38 • -13.12db
48% Popularity • 44% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
48% Popularity • 44% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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The Incredible String Band
Witches Hat - 2010 Remaster
94 bpm • A min • 02:30 • -12.95db
23% Popularity • 34% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
23% Popularity • 34% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Fairport Convention
White Dress
94 bpm • C Maj • 03:43 • -15.32db
7% Popularity • 51% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
7% Popularity • 51% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Renaissance
Northern Lights
95 bpm • E Maj • 04:07 • -10.87db
36% Popularity • 50% Danceability • 40% Energy • 60% Liveness
0% Instrumentalness • 53% Positiveness
36% Popularity • 50% Danceability • 40% Energy • 60% Liveness
0% Instrumentalness • 53% Positiveness
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Pete Townshend
Annie
95 bpm • D Maj • 02:56 • -20.75db
34% Popularity • 43% Danceability • 11% Energy • 10% Liveness
1% Instrumentalness • 44% Positiveness
34% Popularity • 43% Danceability • 11% Energy • 10% Liveness
1% Instrumentalness • 44% Positiveness
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The Kinks
Young and Innocent Days (2019 Remaster)
95 bpm • C Maj • 03:21 • -13.88db
22% Popularity • 42% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
22% Popularity • 42% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Love
You Set the Scene - 2015 Remaster
96 bpm • G Maj • 06:49 • -17.17db
32% Popularity • 43% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
32% Popularity • 43% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
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The Incredible String Band
Chinese White - 2010 Remaster
95 bpm • C Maj • 03:37 • -11.52db
18% Popularity • 38% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
18% Popularity • 38% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Richard & Linda Thompson
Has He Got A Friend For Me
96 bpm • A# Maj • 03:34 • -14.46db
22% Popularity • 50% Danceability • 17% Energy • 11% Liveness
38% Instrumentalness • 21% Positiveness
22% Popularity • 50% Danceability • 17% Energy • 11% Liveness
38% Instrumentalness • 21% Positiveness
