Songs like MEETING NEIL by Ludwig Göransson
Based on a tempo of (+/- 10%) and a similar genre
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John Murphy
Mo Ergaste Forn (Full Version)
79 bpm • D min • 03:23 • -16.55db
32% Popularity • 23% Danceability • 25% Energy • 22% Liveness
76% Instrumentalness • 3% Positiveness
32% Popularity • 23% Danceability • 25% Energy • 22% Liveness
76% Instrumentalness • 3% Positiveness
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John Williams
The Force Is with You
79 bpm • G min • 03:59 • -15.6db
36% Popularity • 8% Danceability • 26% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
36% Popularity • 8% Danceability • 26% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Thomas Newman
Nemo Egg (Main Title)
79 bpm • F Maj • 01:16 • -27.25db
66% Popularity • 16% Danceability • 2% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
66% Popularity • 16% Danceability • 2% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
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Emile Mosseri
Outro
79 bpm • C# Maj • 02:53 • -17.16db
42% Popularity • 8% Danceability • 14% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
42% Popularity • 8% Danceability • 14% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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William Ross
Saying Goodbye
79 bpm • F Maj • 05:26 • -23.4db
30% Popularity • 16% Danceability • 5% Energy • 11% Liveness
61% Instrumentalness • 3% Positiveness
30% Popularity • 16% Danceability • 5% Energy • 11% Liveness
61% Instrumentalness • 3% Positiveness
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Steve Jablonsky
Arrival to Earth
79 bpm • C min • 05:26 • -16.4db
62% Popularity • 10% Danceability • 38% Energy • 11% Liveness
90% Instrumentalness • 7% Positiveness
62% Popularity • 10% Danceability • 38% Energy • 11% Liveness
90% Instrumentalness • 7% Positiveness
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Stephen Barton
Through Darkness
79 bpm • C Maj • 05:35 • -19.65db
25% Popularity • 7% Danceability • 4% Energy • 19% Liveness
86% Instrumentalness • 3% Positiveness
25% Popularity • 7% Danceability • 4% Energy • 19% Liveness
86% Instrumentalness • 3% Positiveness
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Joseph Trapanese
I Importune You
79 bpm • G# Maj • 01:12 • -11.78db
38% Popularity • 18% Danceability • 67% Energy • 9% Liveness
91% Instrumentalness • 10% Positiveness
38% Popularity • 18% Danceability • 67% Energy • 9% Liveness
91% Instrumentalness • 10% Positiveness
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Thomas Newman
Come Back to Us
79 bpm • G min • 05:39 • -30.22db
53% Popularity • 7% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
53% Popularity • 7% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Carlos Rafael Rivera
Kentucky State Championship 1963
79 bpm • A min • 01:12 • -21.53db
55% Popularity • 38% Danceability • 24% Energy • 6% Liveness
96% Instrumentalness • 27% Positiveness
55% Popularity • 38% Danceability • 24% Energy • 6% Liveness
96% Instrumentalness • 27% Positiveness
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2Hooks
Harry Potter: Dumbledore's Farewell
79 bpm • A min • 02:27 • -14.26db
22% Popularity • 14% Danceability • 18% Energy • 8% Liveness
77% Instrumentalness • 4% Positiveness
22% Popularity • 14% Danceability • 18% Energy • 8% Liveness
77% Instrumentalness • 4% Positiveness
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Ludwig Göransson
MEETING NEIL
79 bpm • C# min • 02:15 • -15.87db
43% Popularity • 15% Danceability • 15% Energy • 5% Liveness
93% Instrumentalness • 3% Positiveness
43% Popularity • 15% Danceability • 15% Energy • 5% Liveness
93% Instrumentalness • 3% Positiveness
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Atli Örvarsson
Irrevocable
79 bpm • C# Maj • 03:10 • -16.96db
22% Popularity • 13% Danceability • 19% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
22% Popularity • 13% Danceability • 19% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Thomas Wander
You Stay in England
78 bpm • G Maj • 01:08 • -23db
34% Popularity • 17% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
34% Popularity • 17% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Cliff Martinez
I Drive
78 bpm • C Maj • 02:03 • -26.23db
46% Popularity • 20% Danceability • 5% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
46% Popularity • 20% Danceability • 5% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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J Scott Rakozy
Slytherin Common Room
78 bpm • C Maj • 03:59 • -25.93db
42% Popularity • 9% Danceability • 6% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
42% Popularity • 9% Danceability • 6% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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David Buckley
Fortune Go with You
78 bpm • E Maj • 02:10 • -20db
23% Popularity • 15% Danceability • 9% Energy • 9% Liveness
97% Instrumentalness • 3% Positiveness
23% Popularity • 15% Danceability • 9% Energy • 9% Liveness
97% Instrumentalness • 3% Positiveness
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Ludwig Göransson
Hey Mando!
80 bpm • C min • 02:13 • -21.01db
41% Popularity • 28% Danceability • 8% Energy • 12% Liveness
41% Instrumentalness • 17% Positiveness
41% Popularity • 28% Danceability • 8% Energy • 12% Liveness
41% Instrumentalness • 17% Positiveness
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West Dylan Thordson
Casey Tells the Truth
80 bpm • C# Maj • 01:40 • -38db
39% Popularity • 27% Danceability • 0% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
39% Popularity • 27% Danceability • 0% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
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Steve Jablonsky
No Sacrifice, No Victory
80 bpm • G min • 02:57 • -15.78db
52% Popularity • 15% Danceability • 46% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
52% Popularity • 15% Danceability • 46% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
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John Williams
Duel of the Fates
80 bpm • D Maj • 04:14 • -15.76db
62% Popularity • 47% Danceability • 41% Energy • 28% Liveness
85% Instrumentalness • 28% Positiveness
62% Popularity • 47% Danceability • 41% Energy • 28% Liveness
85% Instrumentalness • 28% Positiveness
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Secession Studios
Demise of a Nation
80 bpm • C min • 02:26 • -14.04db
50% Popularity • 38% Danceability • 49% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
50% Popularity • 38% Danceability • 49% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Michael Giacchino
The Batman
80 bpm • A# min • 06:47 • -16.52db
57% Popularity • 21% Danceability • 15% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
57% Popularity • 21% Danceability • 15% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
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Ludwig Göransson
TRUCKS IN PLACE
80 bpm • C# Maj • 05:32 • -15.13db
44% Popularity • 31% Danceability • 46% Energy • 8% Liveness
73% Instrumentalness • 29% Positiveness
44% Popularity • 31% Danceability • 46% Energy • 8% Liveness
73% Instrumentalness • 29% Positiveness
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Hildur Guðnadóttir
Arthur Comes to Sophie
80 bpm • C Maj • 01:39 • -15.56db
34% Popularity • 20% Danceability • 33% Energy • 8% Liveness
81% Instrumentalness • 5% Positiveness
34% Popularity • 20% Danceability • 33% Energy • 8% Liveness
81% Instrumentalness • 5% Positiveness
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Steve Jablonsky
Prime
80 bpm • G# Maj • 02:14 • -17db
48% Popularity • 20% Danceability • 49% Energy • 9% Liveness
90% Instrumentalness • 14% Positiveness
48% Popularity • 20% Danceability • 49% Energy • 9% Liveness
90% Instrumentalness • 14% Positiveness
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Jeremy Zuckerman
Avatar: The Last Airbender - Premiere Ma...
80 bpm • F# Maj • 01:51 • -14.24db
47% Popularity • 10% Danceability • 46% Energy • 11% Liveness
93% Instrumentalness • 11% Positiveness
47% Popularity • 10% Danceability • 46% Energy • 11% Liveness
93% Instrumentalness • 11% Positiveness
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Nicholas Hooper
Dumbledore's Army
80 bpm • G Maj • 02:40 • -21db
53% Popularity • 34% Danceability • 12% Energy • 16% Liveness
79% Instrumentalness • 21% Positiveness
53% Popularity • 34% Danceability • 12% Energy • 16% Liveness
79% Instrumentalness • 21% Positiveness
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Michael Giacchino
Exit Through the Lobby
80 bpm • A min • 04:15 • -23.93db
38% Popularity • 14% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
38% Popularity • 14% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Ludwig Göransson
Fission
80 bpm • F# min • 04:38 • -21.83db
58% Popularity • 15% Danceability • 7% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
58% Popularity • 15% Danceability • 7% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
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West Dylan Thordson
David & Elijah
80 bpm • C Maj • 01:45 • -25.69db
47% Popularity • 61% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 49% Positiveness
47% Popularity • 61% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 49% Positiveness
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Steve Jablonsky
Autobots
80 bpm • G min • 02:33 • -14.76db
56% Popularity • 39% Danceability • 49% Energy • 11% Liveness
96% Instrumentalness • 18% Positiveness
56% Popularity • 39% Danceability • 49% Energy • 11% Liveness
96% Instrumentalness • 18% Positiveness
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John Williams
Across the Stars (Love Theme from "Star ...
81 bpm • C Maj • 05:33 • -18.28db
59% Popularity • 12% Danceability • 13% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
59% Popularity • 12% Danceability • 13% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
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Son Lux
Specks Of Time
81 bpm • B min • 02:49 • -17.04db
31% Popularity • 25% Danceability • 11% Energy • 7% Liveness
62% Instrumentalness • 5% Positiveness
31% Popularity • 25% Danceability • 11% Energy • 7% Liveness
62% Instrumentalness • 5% Positiveness
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Naoki Sato
Godzilla-1.0 Fear
81 bpm • C min • 03:48 • -22.69db
34% Popularity • 7% Danceability • 14% Energy • 7% Liveness
86% Instrumentalness • 8% Positiveness
34% Popularity • 7% Danceability • 14% Energy • 7% Liveness
86% Instrumentalness • 8% Positiveness
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Ludwig Göransson
Power Stays In The Shadows
80 bpm • C# min • 04:10 • -20.89db
50% Popularity • 33% Danceability • 8% Energy • 13% Liveness
90% Instrumentalness • 3% Positiveness
50% Popularity • 33% Danceability • 8% Energy • 13% Liveness
90% Instrumentalness • 3% Positiveness
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West Dylan Thordson
Checkmate
80 bpm • D Maj • 02:08 • -24db
38% Popularity • 42% Danceability • 24% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
38% Popularity • 42% Danceability • 24% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
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William Ross
I Will Do What I Must
77 bpm • C# Maj • 02:48 • -13db
36% Popularity • 10% Danceability • 60% Energy • 10% Liveness
98% Instrumentalness • 5% Positiveness
36% Popularity • 10% Danceability • 60% Energy • 10% Liveness
98% Instrumentalness • 5% Positiveness
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Michael Giacchino
Hope
81 bpm • D min • 01:37 • -9.67db
41% Popularity • 20% Danceability • 32% Energy • 24% Liveness
94% Instrumentalness • 7% Positiveness
41% Popularity • 20% Danceability • 32% Energy • 24% Liveness
94% Instrumentalness • 7% Positiveness
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Brian Tyler
I Stand Alone
77 bpm • F Maj • 04:41 • -13.23db
38% Popularity • 14% Danceability • 50% Energy • 10% Liveness
94% Instrumentalness • 13% Positiveness
38% Popularity • 14% Danceability • 50% Energy • 10% Liveness
94% Instrumentalness • 13% Positiveness
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John Murphy
Into the Light
81 bpm • D min • 04:29 • -12.55db
28% Popularity • 7% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
28% Popularity • 7% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
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Ludwig Göransson
Groves
80 bpm • F# Maj • 03:03 • -21.12db
57% Popularity • 44% Danceability • 20% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
57% Popularity • 44% Danceability • 20% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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West Dylan Thordson
Origin Story
80 bpm • G min • 09:48 • -15db
23% Popularity • 34% Danceability • 54% Energy • 7% Liveness
82% Instrumentalness • 21% Positiveness
23% Popularity • 34% Danceability • 54% Energy • 7% Liveness
82% Instrumentalness • 21% Positiveness
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John Williams
Obi-Wan
77 bpm • A# min • 04:06 • -16.49db
47% Popularity • 12% Danceability • 12% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
47% Popularity • 12% Danceability • 12% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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Clint Mansell
Out Of Blue
81 bpm • D min • 02:02 • -19db
41% Popularity • 15% Danceability • 14% Energy • 12% Liveness
83% Instrumentalness • 17% Positiveness
41% Popularity • 15% Danceability • 14% Energy • 12% Liveness
83% Instrumentalness • 17% Positiveness
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Naoki Sato
Godzilla-1.0 Resolution
77 bpm • C min • 05:08 • -16.01db
41% Popularity • 41% Danceability • 35% Energy • 39% Liveness
87% Instrumentalness • 17% Positiveness
41% Popularity • 41% Danceability • 35% Energy • 39% Liveness
87% Instrumentalness • 17% Positiveness
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Kevin Kiner
Anakin and Padmé
81 bpm • G min • 01:48 • -14.36db
47% Popularity • 16% Danceability • 24% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
47% Popularity • 16% Danceability • 24% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
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Ludwig Göransson
The Asset
78 bpm • B Maj • 01:35 • -22.26db
34% Popularity • 17% Danceability • 3% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
34% Popularity • 17% Danceability • 3% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
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Thomas Newman
The Night Window
77 bpm • A# Maj • 03:41 • -20.65db
45% Popularity • 18% Danceability • 10% Energy • 10% Liveness
2% Instrumentalness • 3% Positiveness
45% Popularity • 18% Danceability • 10% Energy • 10% Liveness
2% Instrumentalness • 3% Positiveness
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Rob Simonsen
Safe Return
77 bpm • D# min • 03:52 • -11db
40% Popularity • 9% Danceability • 28% Energy • 16% Liveness
82% Instrumentalness • 4% Positiveness
40% Popularity • 9% Danceability • 28% Energy • 16% Liveness
82% Instrumentalness • 4% Positiveness
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Volker Bertelmann
Tjaden
81 bpm • D# Maj • 01:29 • -17db
43% Popularity • 19% Danceability • 21% Energy • 8% Liveness
97% Instrumentalness • 8% Positiveness
43% Popularity • 19% Danceability • 21% Energy • 8% Liveness
97% Instrumentalness • 8% Positiveness
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Emile Mosseri
Minari Suite
82 bpm • C# Maj • 03:48 • -18.56db
40% Popularity • 16% Danceability • 14% Energy • 9% Liveness
90% Instrumentalness • 7% Positiveness
40% Popularity • 16% Danceability • 14% Energy • 9% Liveness
90% Instrumentalness • 7% Positiveness
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John Powell
I Remember Everything
76 bpm • F Maj • 02:04 • -18.94db
38% Popularity • 15% Danceability • 29% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
38% Popularity • 15% Danceability • 29% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Ludwig Göransson
American Prometheus
80 bpm • C# min • 02:37 • -21.31db
63% Popularity • 11% Danceability • 14% Energy • 7% Liveness
44% Instrumentalness • 6% Positiveness
63% Popularity • 11% Danceability • 14% Energy • 7% Liveness
44% Instrumentalness • 6% Positiveness
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James Horner
The destruction of Hometree
77 bpm • B min • 06:47 • -19db
38% Popularity • 7% Danceability • 28% Energy • 18% Liveness
88% Instrumentalness • 6% Positiveness
38% Popularity • 7% Danceability • 28% Energy • 18% Liveness
88% Instrumentalness • 6% Positiveness
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Mychael Danna
A Little Bit of Faith
82 bpm • C Maj • 01:09 • -24db
41% Popularity • 13% Danceability • 6% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
41% Popularity • 13% Danceability • 6% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Volker Bertelmann
All Quiet On The Western Front
82 bpm • G min • 02:39 • -22.93db
37% Popularity • 8% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
37% Popularity • 8% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Joseph Shirley
You Are One of Us
76 bpm • D# Maj • 03:55 • -24db
31% Popularity • 38% Danceability • 10% Energy • 38% Liveness
89% Instrumentalness • 4% Positiveness
31% Popularity • 38% Danceability • 10% Energy • 38% Liveness
89% Instrumentalness • 4% Positiveness
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Michael Giacchino
All's Well That Ends Farewell
82 bpm • A# min • 02:41 • -18.49db
39% Popularity • 15% Danceability • 16% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
39% Popularity • 15% Danceability • 16% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Ludwig Göransson
The Marshal's Tale
77 bpm • D min • 06:05 • -15.11db
29% Popularity • 24% Danceability • 26% Energy • 10% Liveness
89% Instrumentalness • 10% Positiveness
29% Popularity • 24% Danceability • 26% Energy • 10% Liveness
89% Instrumentalness • 10% Positiveness
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Jeremy Zuckerman
Into a Nighttime Sky
82 bpm • D Maj • 02:06 • -23.38db
51% Popularity • 54% Danceability • 17% Energy • 7% Liveness
82% Instrumentalness • 13% Positiveness
51% Popularity • 54% Danceability • 17% Energy • 7% Liveness
82% Instrumentalness • 13% Positiveness
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Solstice Beats
Teaser Music
82 bpm • A# Maj • 01:41 • -17db
46% Popularity • 9% Danceability • 27% Energy • 39% Liveness
97% Instrumentalness • 23% Positiveness
46% Popularity • 9% Danceability • 27% Energy • 39% Liveness
97% Instrumentalness • 23% Positiveness
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Takeshi Furukawa
Katara
82 bpm • C Maj • 02:30 • -19.35db
35% Popularity • 9% Danceability • 14% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
35% Popularity • 9% Danceability • 14% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
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Ariel Yznardo
Dune Part Two (Unofficial Trailer Music)
82 bpm • G Maj • 02:49 • -11.81db
21% Popularity • 15% Danceability • 45% Energy • 18% Liveness
94% Instrumentalness • 7% Positiveness
21% Popularity • 15% Danceability • 45% Energy • 18% Liveness
94% Instrumentalness • 7% Positiveness
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Michael Giacchino
The Bat's True Calling
82 bpm • F min • 03:05 • -20.39db
35% Popularity • 8% Danceability • 15% Energy • 14% Liveness
87% Instrumentalness • 3% Positiveness
35% Popularity • 8% Danceability • 15% Energy • 14% Liveness
87% Instrumentalness • 3% Positiveness
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Jeff Beal
Next In Line
82 bpm • D min • 01:46 • -18db
44% Popularity • 26% Danceability • 27% Energy • 12% Liveness
98% Instrumentalness • 6% Positiveness
44% Popularity • 26% Danceability • 27% Energy • 12% Liveness
98% Instrumentalness • 6% Positiveness
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Ludwig Göransson
You Are a Mandalorian
81 bpm • G Maj • 03:55 • -16db
37% Popularity • 22% Danceability • 16% Energy • 27% Liveness
75% Instrumentalness • 7% Positiveness
37% Popularity • 22% Danceability • 16% Energy • 27% Liveness
75% Instrumentalness • 7% Positiveness
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Kevin Kiner
It's Over Now
76 bpm • G Maj • 01:54 • -8db
39% Popularity • 18% Danceability • 40% Energy • 13% Liveness
87% Instrumentalness • 5% Positiveness
39% Popularity • 18% Danceability • 40% Energy • 13% Liveness
87% Instrumentalness • 5% Positiveness
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Jeremy Soule
The Streets of Whiterun
75 bpm • C# min • 04:04 • -17.68db
62% Popularity • 7% Danceability • 19% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
62% Popularity • 7% Danceability • 19% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Naoki Sato
Godzilla-1.0 Elegy
75 bpm • F# Maj • 02:34 • -15.69db
35% Popularity • 16% Danceability • 19% Energy • 19% Liveness
82% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 19% Energy • 19% Liveness
82% Instrumentalness • 4% Positiveness
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Michael Giacchino
Can't Fight City Halloween
82 bpm • F# Maj • 04:04 • -21.37db
49% Popularity • 32% Danceability • 14% Energy • 11% Liveness
95% Instrumentalness • 12% Positiveness
49% Popularity • 32% Danceability • 14% Energy • 11% Liveness
95% Instrumentalness • 12% Positiveness
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Jeremy Zuckerman
Aang (The Avatar State)
83 bpm • D# min • 02:27 • -15.14db
47% Popularity • 16% Danceability • 43% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
47% Popularity • 16% Danceability • 43% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Ludwig Göransson
BETRAYAL
82 bpm • D# Maj • 03:55 • -17.39db
41% Popularity • 16% Danceability • 12% Energy • 9% Liveness
87% Instrumentalness • 2% Positiveness
41% Popularity • 16% Danceability • 12% Energy • 9% Liveness
87% Instrumentalness • 2% Positiveness
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Joseph Shirley
The Apostate
83 bpm • F min • 01:58 • -13db
29% Popularity • 30% Danceability • 50% Energy • 10% Liveness
80% Instrumentalness • 9% Positiveness
29% Popularity • 30% Danceability • 50% Energy • 10% Liveness
80% Instrumentalness • 9% Positiveness
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Kevin Kiner
The Sacrifice
75 bpm • A# Maj • 04:10 • -12.28db
34% Popularity • 12% Danceability • 22% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
34% Popularity • 12% Danceability • 22% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
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West Dylan Thordson
Opening
75 bpm • B min • 01:33 • -30.72db
29% Popularity • 10% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 22% Positiveness
29% Popularity • 10% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 22% Positiveness
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Rupert Gregson-Williams
Praying
83 bpm • A min • 05:49 • -13.18db
43% Popularity • 8% Danceability • 37% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
43% Popularity • 8% Danceability • 37% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
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Michael Giacchino
Riddles, Riddles Everywhere
83 bpm • A# min • 01:54 • -17.08db
36% Popularity • 46% Danceability • 28% Energy • 11% Liveness
89% Instrumentalness • 15% Positiveness
36% Popularity • 46% Danceability • 28% Energy • 11% Liveness
89% Instrumentalness • 15% Positiveness
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Ludwig Göransson
Meeting Kitty
76 bpm • C min • 05:47 • -20.2db
58% Popularity • 10% Danceability • 12% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
58% Popularity • 10% Danceability • 12% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
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Joseph Shirley
Double Signet
83 bpm • F min • 01:44 • -23db
24% Popularity • 16% Danceability • 16% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
24% Popularity • 16% Danceability • 16% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
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Marco Beltrami
Leaving the Farm
83 bpm • E Maj • 01:34 • -21.34db
34% Popularity • 9% Danceability • 12% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
34% Popularity • 9% Danceability • 12% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
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Thomas Newman
Blake and Schofield
75 bpm • F min • 04:20 • -40.31db
32% Popularity • 16% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
32% Popularity • 16% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Volker Bertelmann
Remains
84 bpm • F min • 02:58 • -19.54db
48% Popularity • 8% Danceability • 14% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
48% Popularity • 8% Danceability • 14% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Alan Silvestri
A Promise
75 bpm • E min • 03:34 • -13.83db
40% Popularity • 10% Danceability • 27% Energy • 21% Liveness
90% Instrumentalness • 4% Positiveness
40% Popularity • 10% Danceability • 27% Energy • 21% Liveness
90% Instrumentalness • 4% Positiveness
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Ludwig Göransson
A Thousand Tears
82 bpm • A Maj • 04:06 • -17db
27% Popularity • 31% Danceability • 30% Energy • 30% Liveness
79% Instrumentalness • 4% Positiveness
27% Popularity • 31% Danceability • 30% Energy • 30% Liveness
79% Instrumentalness • 4% Positiveness
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Atli Örvarsson
I Want To Go Out
74 bpm • G# Maj • 01:32 • -17.15db
30% Popularity • 22% Danceability • 13% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
30% Popularity • 22% Danceability • 13% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Jóhann Jóhannsson
The Candlelight Vigil
75 bpm • A# Maj • 05:10 • -23db
36% Popularity • 9% Danceability • 6% Energy • 9% Liveness
68% Instrumentalness • 3% Positiveness
36% Popularity • 9% Danceability • 6% Energy • 9% Liveness
68% Instrumentalness • 3% Positiveness
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Ilan Eshkeri
Jin Sakai
84 bpm • G min • 02:51 • -14.26db
45% Popularity • 43% Danceability • 44% Energy • 11% Liveness
86% Instrumentalness • 14% Positiveness
45% Popularity • 43% Danceability • 44% Energy • 11% Liveness
86% Instrumentalness • 14% Positiveness
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Anne Nikitin
Calibre
74 bpm • A# Maj • 02:05 • -17db
42% Popularity • 11% Danceability • 21% Energy • 9% Liveness
76% Instrumentalness • 3% Positiveness
42% Popularity • 11% Danceability • 21% Energy • 9% Liveness
76% Instrumentalness • 3% Positiveness
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Nicholas Hooper
When Ginny Kissed Harry
84 bpm • E min • 02:38 • -28.26db
57% Popularity • 48% Danceability • 6% Energy • 4% Liveness
96% Instrumentalness • 8% Positiveness
57% Popularity • 48% Danceability • 6% Energy • 4% Liveness
96% Instrumentalness • 8% Positiveness
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Ludwig Göransson
The Baby
83 bpm • C Maj • 03:20 • -18.83db
33% Popularity • 22% Danceability • 6% Energy • 4% Liveness
56% Instrumentalness • 7% Positiveness
33% Popularity • 22% Danceability • 6% Energy • 4% Liveness
56% Instrumentalness • 7% Positiveness
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Emile Mosseri
Jacob and the Stone
84 bpm • C# Maj • 01:38 • -18db
75% Popularity • 19% Danceability • 17% Energy • 12% Liveness
94% Instrumentalness • 10% Positiveness
75% Popularity • 19% Danceability • 17% Energy • 12% Liveness
94% Instrumentalness • 10% Positiveness
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Jeremy Soule
Harvest Dawn
84 bpm • D min • 02:51 • -21.62db
56% Popularity • 13% Danceability • 6% Energy • 9% Liveness
86% Instrumentalness • 6% Positiveness
56% Popularity • 13% Danceability • 6% Energy • 9% Liveness
86% Instrumentalness • 6% Positiveness
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Howard Shore
The Uruk-hai
84 bpm • D min • 02:58 • -14.5db
50% Popularity • 12% Danceability • 42% Energy • 12% Liveness
92% Instrumentalness • 21% Positiveness
50% Popularity • 12% Danceability • 42% Energy • 12% Liveness
92% Instrumentalness • 21% Positiveness
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Krutikov Music
Loki Glorious Purpose Theme - Epic Emoti...
84 bpm • D min • 02:36 • -14.31db
36% Popularity • 31% Danceability • 32% Energy • 10% Liveness
80% Instrumentalness • 7% Positiveness
36% Popularity • 31% Danceability • 32% Energy • 10% Liveness
80% Instrumentalness • 7% Positiveness
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chuck e. myers 'sea'
Overture to the Unwritten
74 bpm • C Maj • 05:00 • -12.91db
42% Popularity • 22% Danceability • 34% Energy • 7% Liveness
75% Instrumentalness • 4% Positiveness
42% Popularity • 22% Danceability • 34% Energy • 7% Liveness
75% Instrumentalness • 4% Positiveness
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Ludwig Göransson
To the Jawas
83 bpm • F min • 01:35 • -15db
35% Popularity • 55% Danceability • 24% Energy • 30% Liveness
90% Instrumentalness • 11% Positiveness
35% Popularity • 55% Danceability • 24% Energy • 30% Liveness
90% Instrumentalness • 11% Positiveness
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David Schweitzer
Führer
84 bpm • C# Maj • 02:10 • -15.3db
38% Popularity • 35% Danceability • 38% Energy • 9% Liveness
88% Instrumentalness • 7% Positiveness
38% Popularity • 35% Danceability • 38% Energy • 9% Liveness
88% Instrumentalness • 7% Positiveness
