Songs like Mein herz sehnt sich nach liebe (Das grosse gluck kommt uber nacht) by B. Vollgraf
Based on a tempo of (+/- 10%) and a similar genre
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Enrique Ugarte
Reine de Musette
98 bpm • A Maj • 02:41 • -8.31db
14% Popularity • 69% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
14% Popularity • 69% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Michiru Oshima
天使との戯れ
98 bpm • G Maj • 01:36 • -10.46db
13% Popularity • 63% Danceability • 12% Energy • 8% Liveness
61% Instrumentalness • 29% Positiveness
13% Popularity • 63% Danceability • 12% Energy • 8% Liveness
61% Instrumentalness • 29% Positiveness
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Indulis Suna
Waves Of The Amur
98 bpm • C min • 02:35 • -12.47db
9% Popularity • 41% Danceability • 33% Energy • 14% Liveness
47% Instrumentalness • 24% Positiveness
9% Popularity • 41% Danceability • 33% Energy • 14% Liveness
47% Instrumentalness • 24% Positiveness
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B. Vollgraf
Mein herz sehnt sich nach liebe (Das gro...
98 bpm • D min • 03:00 • -17.56db
0% Popularity • 33% Danceability • 4% Energy • 36% Liveness
7% Instrumentalness • 18% Positiveness
0% Popularity • 33% Danceability • 4% Energy • 36% Liveness
7% Instrumentalness • 18% Positiveness
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Antongiulio Frulio
Rond de Jambe
98 bpm • A Maj • 02:13 • -14.67db
8% Popularity • 21% Danceability • 16% Energy • 12% Liveness
80% Instrumentalness • 10% Positiveness
8% Popularity • 21% Danceability • 16% Energy • 12% Liveness
80% Instrumentalness • 10% Positiveness
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Juredure'
Viaggio
98 bpm • C min • 04:15 • -11.31db
12% Popularity • 35% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
12% Popularity • 35% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Ken Griffin
My Heart Cries for You
99 bpm • F Maj • 02:23 • -10.64db
16% Popularity • 42% Danceability • 5% Energy • 12% Liveness
94% Instrumentalness • 58% Positiveness
16% Popularity • 42% Danceability • 5% Energy • 12% Liveness
94% Instrumentalness • 58% Positiveness
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Gianluca Campi
Capriccio No. 5 in La minore, Op. 1
97 bpm • A min • 02:37 • -14db
32% Popularity • 47% Danceability • 38% Energy • 6% Liveness
91% Instrumentalness • 58% Positiveness
32% Popularity • 47% Danceability • 38% Energy • 6% Liveness
91% Instrumentalness • 58% Positiveness
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Johann Strauss
Frühlingsstimmenwalzer, Pt. 2
97 bpm • G# Maj • 02:13 • -16db
8% Popularity • 32% Danceability • 12% Energy • 7% Liveness
82% Instrumentalness • 28% Positiveness
8% Popularity • 32% Danceability • 12% Energy • 7% Liveness
82% Instrumentalness • 28% Positiveness
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Γιάννη Yang
Chanson a Boire from DonQuichotte a Dulc...
97 bpm • C Maj • 01:46 • -3.62db
12% Popularity • 42% Danceability • 60% Energy • 32% Liveness
0% Instrumentalness • 62% Positiveness
12% Popularity • 42% Danceability • 60% Energy • 32% Liveness
0% Instrumentalness • 62% Positiveness
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Ingo Höricht
Avignon - 2 Violins and Piano
99 bpm • E min • 01:55 • -12.04db
12% Popularity • 40% Danceability • 29% Energy • 10% Liveness
14% Instrumentalness • 68% Positiveness
12% Popularity • 40% Danceability • 29% Energy • 10% Liveness
14% Instrumentalness • 68% Positiveness
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Alessandro Simonetto
Yoska
97 bpm • G Maj • 03:42 • -13.06db
8% Popularity • 30% Danceability • 33% Energy • 31% Liveness
0% Instrumentalness • 43% Positiveness
8% Popularity • 30% Danceability • 33% Energy • 31% Liveness
0% Instrumentalness • 43% Positiveness
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Gigi Visan
Ametitoare
99 bpm • B Maj • 01:35 • -10.76db
9% Popularity • 74% Danceability • 47% Energy • 31% Liveness
64% Instrumentalness • 82% Positiveness
9% Popularity • 74% Danceability • 47% Energy • 31% Liveness
64% Instrumentalness • 82% Positiveness
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Astor Piazzolla
Las Cuatro Estaciones Porteñas: III. Pr...
99 bpm • G min • 05:37 • -19.12db
29% Popularity • 41% Danceability • 16% Energy • 8% Liveness
88% Instrumentalness • 43% Positiveness
29% Popularity • 41% Danceability • 16% Energy • 8% Liveness
88% Instrumentalness • 43% Positiveness
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Helmut Zacharias
Bublitchki
99 bpm • A min • 02:13 • -12.17db
18% Popularity • 63% Danceability • 33% Energy • 34% Liveness
49% Instrumentalness • 86% Positiveness
18% Popularity • 63% Danceability • 33% Energy • 34% Liveness
49% Instrumentalness • 86% Positiveness
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Jens-Uwe Popp
Valses Carpates
97 bpm • D min • 03:04 • -13.35db
8% Popularity • 63% Danceability • 22% Energy • 13% Liveness
78% Instrumentalness • 58% Positiveness
8% Popularity • 63% Danceability • 22% Energy • 13% Liveness
78% Instrumentalness • 58% Positiveness
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Les Yeux Noirs
Dragoutsa mia
100 bpm • E min • 04:43 • -25.15db
7% Popularity • 35% Danceability • 15% Energy • 16% Liveness
92% Instrumentalness • 7% Positiveness
7% Popularity • 35% Danceability • 15% Energy • 16% Liveness
92% Instrumentalness • 7% Positiveness
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Jicki Tazz
Give Back Planet
96 bpm • F# Maj • 01:12 • -27db
10% Popularity • 48% Danceability • 5% Energy • 11% Liveness
34% Instrumentalness • 93% Positiveness
10% Popularity • 48% Danceability • 5% Energy • 11% Liveness
34% Instrumentalness • 93% Positiveness
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Khaled Hammad
Gaafar El Omda Theme 7, Vol. 1
100 bpm • D min • 01:55 • -15.67db
8% Popularity • 24% Danceability • 19% Energy • 7% Liveness
3% Instrumentalness • 8% Positiveness
8% Popularity • 24% Danceability • 19% Energy • 7% Liveness
3% Instrumentalness • 8% Positiveness
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ベンジャミン ベドゥサック
「ちょこっと京都に住んでみ�...
100 bpm • G Maj • 03:11 • -11.03db
12% Popularity • 63% Danceability • 21% Energy • 12% Liveness
15% Instrumentalness • 17% Positiveness
12% Popularity • 63% Danceability • 21% Energy • 12% Liveness
15% Instrumentalness • 17% Positiveness
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Sumes Music
Fable of the Stars
100 bpm • A min • 02:23 • -9.73db
10% Popularity • 70% Danceability • 40% Energy • 10% Liveness
55% Instrumentalness • 36% Positiveness
10% Popularity • 70% Danceability • 40% Energy • 10% Liveness
55% Instrumentalness • 36% Positiveness
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Michiru Oshima
どたばた日和
100 bpm • G Maj • 01:40 • -10.84db
11% Popularity • 72% Danceability • 27% Energy • 11% Liveness
95% Instrumentalness • 44% Positiveness
11% Popularity • 72% Danceability • 27% Energy • 11% Liveness
95% Instrumentalness • 44% Positiveness
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Christoph Graupner
The Eternal Second - Inspired by Partita...
100 bpm • A min • 04:53 • -9.92db
7% Popularity • 65% Danceability • 48% Energy • 19% Liveness
74% Instrumentalness • 66% Positiveness
7% Popularity • 65% Danceability • 48% Energy • 19% Liveness
74% Instrumentalness • 66% Positiveness
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Constantin Calin
Muzica Pentru Infanti Dans
100 bpm • C Maj • 04:59 • -17.03db
11% Popularity • 58% Danceability • 62% Energy • 14% Liveness
89% Instrumentalness • 85% Positiveness
11% Popularity • 58% Danceability • 62% Energy • 14% Liveness
89% Instrumentalness • 85% Positiveness
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Señora Vaca
Señora Vaca - versión de acordeón
100 bpm • B Maj • 02:21 • -13.29db
12% Popularity • 45% Danceability • 16% Energy • 33% Liveness
1% Instrumentalness • 40% Positiveness
12% Popularity • 45% Danceability • 16% Energy • 33% Liveness
1% Instrumentalness • 40% Positiveness
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Luckless
Gare Field
100 bpm • G min • 01:01 • -26.87db
24% Popularity • 60% Danceability • 39% Energy • 55% Liveness
0% Instrumentalness • 78% Positiveness
24% Popularity • 60% Danceability • 39% Energy • 55% Liveness
0% Instrumentalness • 78% Positiveness
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David Klezmer Quintet
Sherele
100 bpm • G Maj • 03:11 • -6.95db
9% Popularity • 58% Danceability • 41% Energy • 6% Liveness
70% Instrumentalness • 64% Positiveness
9% Popularity • 58% Danceability • 41% Energy • 6% Liveness
70% Instrumentalness • 64% Positiveness
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John Zorn
Abdiel
100 bpm • G min • 03:24 • -8.22db
8% Popularity • 59% Danceability • 62% Energy • 47% Liveness
0% Instrumentalness • 85% Positiveness
8% Popularity • 59% Danceability • 62% Energy • 47% Liveness
0% Instrumentalness • 85% Positiveness
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Edward Jay
Verre de Vin
96 bpm • G min • 01:47 • -11.51db
12% Popularity • 74% Danceability • 33% Energy • 12% Liveness
3% Instrumentalness • 87% Positiveness
12% Popularity • 74% Danceability • 33% Energy • 12% Liveness
3% Instrumentalness • 87% Positiveness
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Akkordeonorchester Maisach
Melodia en la menor
96 bpm • F Maj • 05:44 • -15.43db
7% Popularity • 23% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
7% Popularity • 23% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Enrique Ugarte
Ambiance musettienne
96 bpm • F Maj • 03:16 • -13.07db
10% Popularity • 72% Danceability • 28% Energy • 6% Liveness
51% Instrumentalness • 93% Positiveness
10% Popularity • 72% Danceability • 28% Energy • 6% Liveness
51% Instrumentalness • 93% Positiveness
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P. Pizzigoni
Light and Shadow Valse-Musette
100 bpm • C Maj • 03:05 • -10.72db
8% Popularity • 40% Danceability • 31% Energy • 21% Liveness
33% Instrumentalness • 75% Positiveness
8% Popularity • 40% Danceability • 31% Energy • 21% Liveness
33% Instrumentalness • 75% Positiveness
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Philippe Sarde
Concerto pour 2 épées
100 bpm • D min • 01:13 • -10.83db
9% Popularity • 61% Danceability • 36% Energy • 17% Liveness
81% Instrumentalness • 89% Positiveness
9% Popularity • 61% Danceability • 36% Energy • 17% Liveness
81% Instrumentalness • 89% Positiveness
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Umitaro Abe
ヒメノボタン
96 bpm • A# Maj • 01:15 • -15.82db
11% Popularity • 41% Danceability • 5% Energy • 9% Liveness
1% Instrumentalness • 34% Positiveness
11% Popularity • 41% Danceability • 5% Energy • 9% Liveness
1% Instrumentalness • 34% Positiveness
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David Orlowsky Trio
Nifty's Freilach
96 bpm • G min • 01:47 • -13.4db
14% Popularity • 67% Danceability • 21% Energy • 11% Liveness
90% Instrumentalness • 64% Positiveness
14% Popularity • 67% Danceability • 21% Energy • 11% Liveness
90% Instrumentalness • 64% Positiveness
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Elán
Hora Fantasy
96 bpm • E min • 05:35 • -11.9db
10% Popularity • 52% Danceability • 50% Energy • 31% Liveness
91% Instrumentalness • 9% Positiveness
10% Popularity • 52% Danceability • 50% Energy • 31% Liveness
91% Instrumentalness • 9% Positiveness
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Vladimir Sidorov
Yablochko
95 bpm • A min • 02:52 • -10.53db
7% Popularity • 52% Danceability • 33% Energy • 5% Liveness
71% Instrumentalness • 76% Positiveness
7% Popularity • 52% Danceability • 33% Energy • 5% Liveness
71% Instrumentalness • 76% Positiveness
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John Niland
Trevor Rodgers Theme
95 bpm • G min • 04:44 • -8.12db
22% Popularity • 89% Danceability • 66% Energy • 7% Liveness
1% Instrumentalness • 96% Positiveness
22% Popularity • 89% Danceability • 66% Energy • 7% Liveness
1% Instrumentalness • 96% Positiveness
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Constantin Calin
Dor De Acasa
95 bpm • G Maj • 02:26 • -6.26db
12% Popularity • 45% Danceability • 34% Energy • 18% Liveness
76% Instrumentalness • 85% Positiveness
12% Popularity • 45% Danceability • 34% Energy • 18% Liveness
76% Instrumentalness • 85% Positiveness
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Sándor Jàróka Jr.,
Torontoi Emlek
101 bpm • D min • 03:30 • -11.63db
9% Popularity • 38% Danceability • 34% Energy • 19% Liveness
89% Instrumentalness • 26% Positiveness
9% Popularity • 38% Danceability • 34% Energy • 19% Liveness
89% Instrumentalness • 26% Positiveness
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Emily Loesser
Havana
101 bpm • F Maj • 09:36 • -16.68db
11% Popularity • 44% Danceability • 44% Energy • 13% Liveness
46% Instrumentalness • 42% Positiveness
11% Popularity • 44% Danceability • 44% Energy • 13% Liveness
46% Instrumentalness • 42% Positiveness
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Jean Febrer
Pobre Gente De Paris
101 bpm • F Maj • 02:47 • -16db
11% Popularity • 87% Danceability • 33% Energy • 7% Liveness
75% Instrumentalness • 98% Positiveness
11% Popularity • 87% Danceability • 33% Energy • 7% Liveness
75% Instrumentalness • 98% Positiveness
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Elvisiono Robert
Sfidare
101 bpm • G Maj • 00:49 • -7.94db
11% Popularity • 60% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
11% Popularity • 60% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
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Allan Oliveira Saxofonista
Conserva a Paz, Ó Minha Alma
101 bpm • F Maj • 05:27 • -17.7db
9% Popularity • 68% Danceability • 36% Energy • 7% Liveness
84% Instrumentalness • 93% Positiveness
9% Popularity • 68% Danceability • 36% Energy • 7% Liveness
84% Instrumentalness • 93% Positiveness
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Alessandro Simonetto
Sovika Hora
95 bpm • B min • 03:57 • -13.49db
11% Popularity • 29% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
11% Popularity • 29% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Walzer Orchestra
Geschichten Aus Dem Wienerwald
95 bpm • A# Maj • 02:47 • -16.54db
7% Popularity • 47% Danceability • 24% Energy • 35% Liveness
10% Instrumentalness • 77% Positiveness
7% Popularity • 47% Danceability • 24% Energy • 35% Liveness
10% Instrumentalness • 77% Positiveness
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Yoska Nemeth
Danse Tzigane
95 bpm • B min • 02:19 • -10.38db
13% Popularity • 34% Danceability • 37% Energy • 15% Liveness
58% Instrumentalness • 18% Positiveness
13% Popularity • 34% Danceability • 37% Energy • 15% Liveness
58% Instrumentalness • 18% Positiveness
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Jorge Espinoza Y Su Violin
Tenias Que Ser Tu
101 bpm • A Maj • 02:54 • -11.43db
8% Popularity • 62% Danceability • 33% Energy • 34% Liveness
30% Instrumentalness • 38% Positiveness
8% Popularity • 62% Danceability • 33% Energy • 34% Liveness
30% Instrumentalness • 38% Positiveness
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Jean-Luc Barreau
Aegina Island
102 bpm • A Maj • 03:59 • -26.56db
10% Popularity • 45% Danceability • 4% Energy • 12% Liveness
45% Instrumentalness • 20% Positiveness
10% Popularity • 45% Danceability • 4% Energy • 12% Liveness
45% Instrumentalness • 20% Positiveness
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Béla Bartók
Bartók / Arr. Székely: 6 Romanian Folk...
102 bpm • A min • 01:04 • -23db
8% Popularity • 58% Danceability • 4% Energy • 8% Liveness
93% Instrumentalness • 58% Positiveness
8% Popularity • 58% Danceability • 4% Energy • 8% Liveness
93% Instrumentalness • 58% Positiveness
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Sishu Enache
Tabere
102 bpm • G# Maj • 01:21 • -9.38db
11% Popularity • 78% Danceability • 71% Energy • 24% Liveness
89% Instrumentalness • 95% Positiveness
11% Popularity • 78% Danceability • 71% Energy • 24% Liveness
89% Instrumentalness • 95% Positiveness
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Jacques Cassard
Berliner Polka
94 bpm • B Maj • 01:06 • -7.78db
12% Popularity • 70% Danceability • 44% Energy • 5% Liveness
98% Instrumentalness • 86% Positiveness
12% Popularity • 70% Danceability • 44% Energy • 5% Liveness
98% Instrumentalness • 86% Positiveness
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Tamara Volskaya
"The Willow" (Iva)
102 bpm • E min • 04:11 • -24.27db
13% Popularity • 36% Danceability • 16% Energy • 15% Liveness
87% Instrumentalness • 10% Positiveness
13% Popularity • 36% Danceability • 16% Energy • 15% Liveness
87% Instrumentalness • 10% Positiveness
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熊健
手風琴與小摩托
102 bpm • A min • 01:10 • -17.06db
9% Popularity • 59% Danceability • 22% Energy • 8% Liveness
19% Instrumentalness • 28% Positiveness
9% Popularity • 59% Danceability • 22% Energy • 8% Liveness
19% Instrumentalness • 28% Positiveness
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Andreiu Miggo
Bombardamentele
94 bpm • F# Maj • 01:40 • -8.27db
9% Popularity • 55% Danceability • 70% Energy • 36% Liveness
96% Instrumentalness • 92% Positiveness
9% Popularity • 55% Danceability • 70% Energy • 36% Liveness
96% Instrumentalness • 92% Positiveness
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Sai Osama
Mellow Moments
103 bpm • D Maj • 01:23 • -22.86db
13% Popularity • 59% Danceability • 16% Energy • 17% Liveness
97% Instrumentalness • 82% Positiveness
13% Popularity • 59% Danceability • 16% Energy • 17% Liveness
97% Instrumentalness • 82% Positiveness
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Daniel Colin
Slalom à la croix Fry
102 bpm • C Maj • 01:58 • -11.09db
14% Popularity • 65% Danceability • 47% Energy • 8% Liveness
69% Instrumentalness • 97% Positiveness
14% Popularity • 65% Danceability • 47% Energy • 8% Liveness
69% Instrumentalness • 97% Positiveness
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Janoska Ensemble
Bartók: Romanian Folk Dances in Janoska...
103 bpm • A min • 02:07 • -13.9db
13% Popularity • 48% Danceability • 35% Energy • 9% Liveness
54% Instrumentalness • 56% Positiveness
13% Popularity • 48% Danceability • 35% Energy • 9% Liveness
54% Instrumentalness • 56% Positiveness
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The klezmer festival band
A Journey to Moldavia
93 bpm • C min • 06:49 • -9.52db
8% Popularity • 50% Danceability • 43% Energy • 10% Liveness
28% Instrumentalness • 65% Positiveness
8% Popularity • 50% Danceability • 43% Energy • 10% Liveness
28% Instrumentalness • 65% Positiveness
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Mymi & son orchestre
Attendu
103 bpm • E min • 01:34 • -16.96db
8% Popularity • 71% Danceability • 18% Energy • 13% Liveness
82% Instrumentalness • 87% Positiveness
8% Popularity • 71% Danceability • 18% Energy • 13% Liveness
82% Instrumentalness • 87% Positiveness
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Ferenc Santa, Jr.
Akacos ut
93 bpm • C min • 02:53 • -12.87db
11% Popularity • 24% Danceability • 40% Energy • 51% Liveness
61% Instrumentalness • 24% Positiveness
11% Popularity • 24% Danceability • 40% Energy • 51% Liveness
61% Instrumentalness • 24% Positiveness
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Antonio Vivaldi
The New Four Seasons - Summer: II. Mosqu...
93 bpm • G min • 02:20 • -18.29db
11% Popularity • 18% Danceability • 24% Energy • 77% Liveness
0% Instrumentalness • 6% Positiveness
11% Popularity • 18% Danceability • 24% Energy • 77% Liveness
0% Instrumentalness • 6% Positiveness
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Noel Gallagher
ホワットエヴァー - ライヴ・�...
103 bpm • G Maj • 04:03 • -13.8db
13% Popularity • 42% Danceability • 38% Energy • 92% Liveness
24% Instrumentalness • 44% Positiveness
13% Popularity • 42% Danceability • 38% Energy • 92% Liveness
24% Instrumentalness • 44% Positiveness
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The Red Army Choir
Russian Troika
93 bpm • D min • 02:52 • -12.16db
12% Popularity • 54% Danceability • 46% Energy • 25% Liveness
34% Instrumentalness • 73% Positiveness
12% Popularity • 54% Danceability • 46% Energy • 25% Liveness
34% Instrumentalness • 73% Positiveness
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Naoko Terai
ジャズ・ワルツ - 2018年リマス...
92 bpm • C min • 05:20 • -12.16db
8% Popularity • 34% Danceability • 28% Energy • 9% Liveness
60% Instrumentalness • 38% Positiveness
8% Popularity • 34% Danceability • 28% Energy • 9% Liveness
60% Instrumentalness • 38% Positiveness
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RODAT
Mece a tu Bebe
104 bpm • D# Maj • 03:08 • -7.89db
8% Popularity • 63% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
8% Popularity • 63% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Maxjoseph
Tabula Rasa
104 bpm • G# Maj • 04:12 • -9.66db
8% Popularity • 83% Danceability • 54% Energy • 8% Liveness
94% Instrumentalness • 77% Positiveness
8% Popularity • 83% Danceability • 54% Energy • 8% Liveness
94% Instrumentalness • 77% Positiveness
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Aron Westi
Need Sun
104 bpm • C min • 01:23 • -7.79db
11% Popularity • 72% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
11% Popularity • 72% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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Cathrin Pfeifer
Bleibleicht
104 bpm • C min • 02:38 • -9.6db
9% Popularity • 36% Danceability • 29% Energy • 12% Liveness
7% Instrumentalness • 63% Positiveness
9% Popularity • 36% Danceability • 29% Energy • 12% Liveness
7% Instrumentalness • 63% Positiveness
► Preview
Florian Dohrmann
Yuri
92 bpm • G min • 04:58 • -13.69db
7% Popularity • 40% Danceability • 22% Energy • 7% Liveness
63% Instrumentalness • 39% Positiveness
7% Popularity • 40% Danceability • 22% Energy • 7% Liveness
63% Instrumentalness • 39% Positiveness
► Preview
Lee Naari
Beyond the Shutters
92 bpm • F Maj • 03:51 • -12.62db
8% Popularity • 63% Danceability • 24% Energy • 11% Liveness
20% Instrumentalness • 29% Positiveness
8% Popularity • 63% Danceability • 24% Energy • 11% Liveness
20% Instrumentalness • 29% Positiveness
► Preview
İzmir Barok
Kanun Taksim - Nikriz Peşrev
105 bpm • G# Maj • 05:27 • -14.13db
10% Popularity • 42% Danceability • 33% Energy • 7% Liveness
85% Instrumentalness • 14% Positiveness
10% Popularity • 42% Danceability • 33% Energy • 7% Liveness
85% Instrumentalness • 14% Positiveness
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Nicola Milan
Ti Aspettavo
105 bpm • D Maj • 01:57 • -8.05db
20% Popularity • 24% Danceability • 30% Energy • 15% Liveness
8% Instrumentalness • 13% Positiveness
20% Popularity • 24% Danceability • 30% Energy • 15% Liveness
8% Instrumentalness • 13% Positiveness
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Music From Auschwitz Ensemble of University of Michigan
Chinesische Straßenserenade (Chinese St...
105 bpm • A Maj • 04:43 • -22.36db
17% Popularity • 44% Danceability • 8% Energy • 8% Liveness
29% Instrumentalness • 37% Positiveness
17% Popularity • 44% Danceability • 8% Energy • 8% Liveness
29% Instrumentalness • 37% Positiveness
► Preview
Nikolai Rimsky-Korsakov
Rimsky-Korsakov: Scheherazade, Op. 35: I...
92 bpm • G Maj • 10:22 • -18.59db
14% Popularity • 18% Danceability • 12% Energy • 30% Liveness
86% Instrumentalness • 4% Positiveness
14% Popularity • 18% Danceability • 12% Energy • 30% Liveness
86% Instrumentalness • 4% Positiveness
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Samovar Russian Folk Music Ensemble
Kai Yo Bergi (Where are the Mountains)
105 bpm • E min • 02:53 • -9.51db
12% Popularity • 48% Danceability • 50% Energy • 13% Liveness
65% Instrumentalness • 65% Positiveness
12% Popularity • 48% Danceability • 50% Energy • 13% Liveness
65% Instrumentalness • 65% Positiveness
► Preview
Calin Yonca
Black and White
91 bpm • G Maj • 01:25 • -12.56db
10% Popularity • 71% Danceability • 28% Energy • 15% Liveness
37% Instrumentalness • 92% Positiveness
10% Popularity • 71% Danceability • 28% Energy • 15% Liveness
37% Instrumentalness • 92% Positiveness
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Allan Oliveira Saxofonista
Deus Mandou Sua Luz
91 bpm • C min • 06:26 • -15.57db
7% Popularity • 63% Danceability • 43% Energy • 7% Liveness
88% Instrumentalness • 93% Positiveness
7% Popularity • 63% Danceability • 43% Energy • 7% Liveness
88% Instrumentalness • 93% Positiveness
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Serge Baudo
Tableau 4
91 bpm • E min • 01:08 • -12db
12% Popularity • 38% Danceability • 38% Energy • 49% Liveness
81% Instrumentalness • 42% Positiveness
12% Popularity • 38% Danceability • 38% Energy • 49% Liveness
81% Instrumentalness • 42% Positiveness
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TocatasBrasil
De Deus Meu Pai
91 bpm • F Maj • 04:27 • -14.41db
7% Popularity • 44% Danceability • 40% Energy • 12% Liveness
1% Instrumentalness • 44% Positiveness
7% Popularity • 44% Danceability • 40% Energy • 12% Liveness
1% Instrumentalness • 44% Positiveness
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Karen Khachaturian
Cipollino, Act I Scene 2: Entry of the T...
105 bpm • E min • 03:08 • -11.45db
7% Popularity • 54% Danceability • 56% Energy • 29% Liveness
92% Instrumentalness • 80% Positiveness
7% Popularity • 54% Danceability • 56% Energy • 29% Liveness
92% Instrumentalness • 80% Positiveness
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Alessandro Simonetto
Danza rumena
106 bpm • E min • 02:09 • -14.53db
9% Popularity • 32% Danceability • 47% Energy • 2% Liveness
0% Instrumentalness • 80% Positiveness
9% Popularity • 32% Danceability • 47% Energy • 2% Liveness
0% Instrumentalness • 80% Positiveness
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Antonín Dvořák
Mesicku na nebi hlubokem
106 bpm • F# Maj • 06:25 • -27.23db
8% Popularity • 17% Danceability • 5% Energy • 70% Liveness
86% Instrumentalness • 6% Positiveness
8% Popularity • 17% Danceability • 5% Energy • 70% Liveness
86% Instrumentalness • 6% Positiveness
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Ahmad Jawir
Addiction
91 bpm • E Maj • 01:16 • -12db
10% Popularity • 55% Danceability • 40% Energy • 14% Liveness
48% Instrumentalness • 71% Positiveness
10% Popularity • 55% Danceability • 40% Energy • 14% Liveness
48% Instrumentalness • 71% Positiveness
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Shanir Blumenkranz, Johnny Gandelsman, Mathias Kunzli, Michael Nicolas, Gyan Riley
Flor De Mayo
106 bpm • G min • 02:56 • -13.85db
8% Popularity • 37% Danceability • 28% Energy • 13% Liveness
61% Instrumentalness • 50% Positiveness
8% Popularity • 37% Danceability • 28% Energy • 13% Liveness
61% Instrumentalness • 50% Positiveness
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Violines De Villafontana
Pobre Mariposa (Instrumental)
106 bpm • F Maj • 03:35 • -9db
10% Popularity • 21% Danceability • 41% Energy • 13% Liveness
48% Instrumentalness • 15% Positiveness
10% Popularity • 21% Danceability • 41% Energy • 13% Liveness
48% Instrumentalness • 15% Positiveness
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David Bernbach
Grossmütterchen
91 bpm • F Maj • 05:20 • -19.09db
9% Popularity • 32% Danceability • 4% Energy • 13% Liveness
5% Instrumentalness • 27% Positiveness
9% Popularity • 32% Danceability • 4% Energy • 13% Liveness
5% Instrumentalness • 27% Positiveness
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Alessandro Simonetto
Giada - Long Version
91 bpm • E min • 10:14 • -11.07db
19% Popularity • 14% Danceability • 36% Energy • 75% Liveness
0% Instrumentalness • 4% Positiveness
19% Popularity • 14% Danceability • 36% Energy • 75% Liveness
0% Instrumentalness • 4% Positiveness
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Sándor Járóka And His Gypsy Band
A-Dúr Koncert Friss
90 bpm • E Maj • 00:54 • -11.37db
15% Popularity • 52% Danceability • 52% Energy • 29% Liveness
87% Instrumentalness • 96% Positiveness
15% Popularity • 52% Danceability • 52% Energy • 29% Liveness
87% Instrumentalness • 96% Positiveness
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FİBULA
Yelkovan
90 bpm • D min • 02:21 • -8.1db
15% Popularity • 29% Danceability • 46% Energy • 18% Liveness
48% Instrumentalness • 29% Positiveness
15% Popularity • 29% Danceability • 46% Energy • 18% Liveness
48% Instrumentalness • 29% Positiveness
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Lionel Bart
From Russia With Love
90 bpm • D min • 04:34 • -14.04db
8% Popularity • 44% Danceability • 30% Energy • 26% Liveness
89% Instrumentalness • 45% Positiveness
8% Popularity • 44% Danceability • 30% Energy • 26% Liveness
89% Instrumentalness • 45% Positiveness
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Sishu Enache
Casparoe
90 bpm • D# Maj • 01:01 • -14.62db
11% Popularity • 41% Danceability • 54% Energy • 25% Liveness
84% Instrumentalness • 82% Positiveness
11% Popularity • 41% Danceability • 54% Energy • 25% Liveness
84% Instrumentalness • 82% Positiveness
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Michiru Oshima
甘い夢を見て
90 bpm • G Maj • 01:36 • -13.84db
11% Popularity • 45% Danceability • 9% Energy • 18% Liveness
42% Instrumentalness • 41% Positiveness
11% Popularity • 45% Danceability • 9% Energy • 18% Liveness
42% Instrumentalness • 41% Positiveness
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Carmelo Trimarchi
Pizzicotta
90 bpm • D min • 02:41 • -9.14db
22% Popularity • 63% Danceability • 88% Energy • 3% Liveness
55% Instrumentalness • 94% Positiveness
22% Popularity • 63% Danceability • 88% Energy • 3% Liveness
55% Instrumentalness • 94% Positiveness
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Rubben Stargo
In The Club
107 bpm • G Maj • 01:15 • -7.85db
10% Popularity • 48% Danceability • 66% Energy • 20% Liveness
88% Instrumentalness • 96% Positiveness
10% Popularity • 48% Danceability • 66% Energy • 20% Liveness
88% Instrumentalness • 96% Positiveness
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Anonymous
Hora din caval
107 bpm • C# min • 01:32 • -21db
16% Popularity • 54% Danceability • 28% Energy • 21% Liveness
98% Instrumentalness • 39% Positiveness
16% Popularity • 54% Danceability • 28% Energy • 21% Liveness
98% Instrumentalness • 39% Positiveness
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Curacao Sound Energy
Jolly Come Back
90 bpm • G min • 01:45 • -16.47db
10% Popularity • 38% Danceability • 19% Energy • 9% Liveness
16% Instrumentalness • 67% Positiveness
10% Popularity • 38% Danceability • 19% Energy • 9% Liveness
16% Instrumentalness • 67% Positiveness
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Lúcnica
Funny Hat Dance
90 bpm • G min • 01:44 • -17.15db
8% Popularity • 51% Danceability • 34% Energy • 12% Liveness
75% Instrumentalness • 92% Positiveness
8% Popularity • 51% Danceability • 34% Energy • 12% Liveness
75% Instrumentalness • 92% Positiveness
