Songs like Melodie Ludowe: XI. Gasior by Witold Lutosławski
Based on a tempo of (+/- 10%) and a similar genre
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Pierre Boulez
Répons: Section 1
82 bpm • G# min • 02:58 • -20.75db
14% Popularity • 29% Danceability • 29% Energy • 33% Liveness
79% Instrumentalness • 4% Positiveness
14% Popularity • 29% Danceability • 29% Energy • 33% Liveness
79% Instrumentalness • 4% Positiveness
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Erwin Schulhoff
5 Pieces: No. 1. Alla Valse Viennese
82 bpm • C Maj • 02:05 • -19db
11% Popularity • 57% Danceability • 21% Energy • 12% Liveness
15% Instrumentalness • 21% Positiveness
11% Popularity • 57% Danceability • 21% Energy • 12% Liveness
15% Instrumentalness • 21% Positiveness
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György Ligeti
Violin Concerto: III. Intermezzo
82 bpm • A# Maj • 02:31 • -24db
16% Popularity • 22% Danceability • 10% Energy • 43% Liveness
74% Instrumentalness • 12% Positiveness
16% Popularity • 22% Danceability • 10% Energy • 43% Liveness
74% Instrumentalness • 12% Positiveness
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Jean Sibelius
Lemminkäinen, Op. 22: II. The Swan of T...
82 bpm • E min • 09:48 • -37.69db
12% Popularity • 8% Danceability • 1% Energy • 8% Liveness
34% Instrumentalness • 3% Positiveness
12% Popularity • 8% Danceability • 1% Energy • 8% Liveness
34% Instrumentalness • 3% Positiveness
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Paul Hindemith
Hindemith: Flute Sonata: III. Sehr lebha...
82 bpm • A# min • 04:33 • -20db
8% Popularity • 32% Danceability • 12% Energy • 14% Liveness
84% Instrumentalness • 20% Positiveness
8% Popularity • 32% Danceability • 12% Energy • 14% Liveness
84% Instrumentalness • 20% Positiveness
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Carl Nielsen
Symphony No. 4, Op. 29 "The Inextinguish...
82 bpm • A Maj • 12:21 • -17.43db
12% Popularity • 13% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
12% Popularity • 13% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Igor Stravinsky
The Firebird Suite, K010, (1945 Version)...
82 bpm • A Maj • 04:51 • -37.53db
9% Popularity • 8% Danceability • 1% Energy • 12% Liveness
52% Instrumentalness • 3% Positiveness
9% Popularity • 8% Danceability • 1% Energy • 12% Liveness
52% Instrumentalness • 3% Positiveness
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Zoltán Kocsis
Le tombeau de Couperin (arr. Z. Kocsis):...
82 bpm • E min • 03:12 • -31.68db
16% Popularity • 13% Danceability • 2% Energy • 15% Liveness
92% Instrumentalness • 14% Positiveness
16% Popularity • 13% Danceability • 2% Energy • 15% Liveness
92% Instrumentalness • 14% Positiveness
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Béla Bartók
Music for Strings, Percussion and Celest...
82 bpm • A# min • 06:48 • -30db
15% Popularity • 15% Danceability • 3% Energy • 8% Liveness
23% Instrumentalness • 4% Positiveness
15% Popularity • 15% Danceability • 3% Energy • 8% Liveness
23% Instrumentalness • 4% Positiveness
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Jean Sibelius
The Tempest Suite No. 1, Op. 109, No. 2:...
82 bpm • A# Maj • 03:06 • -38.37db
15% Popularity • 8% Danceability • 0% Energy • 10% Liveness
7% Instrumentalness • 2% Positiveness
15% Popularity • 8% Danceability • 0% Energy • 10% Liveness
7% Instrumentalness • 2% Positiveness
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Alexander Glazunov
The Seasons, Op. 67, Pt. 2 "Le printemps...
82 bpm • C# min • 05:44 • -26.37db
14% Popularity • 15% Danceability • 4% Energy • 9% Liveness
79% Instrumentalness • 10% Positiveness
14% Popularity • 15% Danceability • 4% Energy • 9% Liveness
79% Instrumentalness • 10% Positiveness
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Vitezslava Kaprálová
Piano Concerto in D Minor, Op. 7: I. All...
82 bpm • A min • 10:10 • -18.87db
16% Popularity • 19% Danceability • 17% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
16% Popularity • 19% Danceability • 17% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Claude Debussy
Debussy: Nocturnes, CD 98, L. 91: No. 1,...
82 bpm • C Maj • 08:14 • -35.23db
0% Popularity • 11% Danceability • 2% Energy • 13% Liveness
94% Instrumentalness • 3% Positiveness
0% Popularity • 11% Danceability • 2% Energy • 13% Liveness
94% Instrumentalness • 3% Positiveness
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Ottorino Respighi
Pines of Rome, P. 141: I. The Pines of t...
83 bpm • F Maj • 02:43 • -17.12db
14% Popularity • 22% Danceability • 35% Energy • 52% Liveness
94% Instrumentalness • 58% Positiveness
14% Popularity • 22% Danceability • 35% Energy • 52% Liveness
94% Instrumentalness • 58% Positiveness
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Béla Bartók
Divertimento for Strings, BB 118 (Sz.113...
81 bpm • F# Maj • 09:36 • -28.4db
8% Popularity • 8% Danceability • 1% Energy • 8% Liveness
47% Instrumentalness • 3% Positiveness
8% Popularity • 8% Danceability • 1% Energy • 8% Liveness
47% Instrumentalness • 3% Positiveness
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Witold Lutosławski
Chantefleurs et Chantefables: III. La ve...
83 bpm • F min • 02:40 • -31.24db
0% Popularity • 17% Danceability • 1% Energy • 13% Liveness
0% Instrumentalness • 3% Positiveness
0% Popularity • 17% Danceability • 1% Energy • 13% Liveness
0% Instrumentalness • 3% Positiveness
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Ralph Vaughan Williams
Symphony No. 5: II. Scherzo. Presto mist...
81 bpm • C Maj • 05:02 • -27.89db
11% Popularity • 19% Danceability • 7% Energy • 9% Liveness
96% Instrumentalness • 32% Positiveness
11% Popularity • 19% Danceability • 7% Energy • 9% Liveness
96% Instrumentalness • 32% Positiveness
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György Ligeti
Concerto pour violon et orchestre: III. ...
81 bpm • C min • 02:16 • -19.62db
19% Popularity • 16% Danceability • 15% Energy • 74% Liveness
33% Instrumentalness • 11% Positiveness
19% Popularity • 16% Danceability • 15% Energy • 74% Liveness
33% Instrumentalness • 11% Positiveness
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Krzysztof Penderecki
Serenade: II. Larghetto
83 bpm • C min • 06:50 • -20.32db
8% Popularity • 8% Danceability • 9% Energy • 6% Liveness
90% Instrumentalness • 4% Positiveness
8% Popularity • 8% Danceability • 9% Energy • 6% Liveness
90% Instrumentalness • 4% Positiveness
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Édouard Lalo
Suite No.1 from "Namouna": No. 2, Séré...
83 bpm • D min • 02:34 • -24.5db
8% Popularity • 21% Danceability • 12% Energy • 6% Liveness
82% Instrumentalness • 33% Positiveness
8% Popularity • 21% Danceability • 12% Energy • 6% Liveness
82% Instrumentalness • 33% Positiveness
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Richard Strauss
Don Quixote, Op. 35, TrV 184: Finale: Do...
83 bpm • D Maj • 05:39 • -31.48db
10% Popularity • 17% Danceability • 2% Energy • 9% Liveness
36% Instrumentalness • 3% Positiveness
10% Popularity • 17% Danceability • 2% Energy • 9% Liveness
36% Instrumentalness • 3% Positiveness
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Witold Lutosławski
Concerto for Orchestra: II. Capriccio no...
81 bpm • C# Maj • 05:46 • -25.68db
9% Popularity • 18% Danceability • 6% Energy • 36% Liveness
56% Instrumentalness • 10% Positiveness
9% Popularity • 18% Danceability • 6% Energy • 36% Liveness
56% Instrumentalness • 10% Positiveness
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Ralph Vaughan Williams
Vaughan Williams: 5 Variants of "Dives a...
81 bpm • B min • 02:09 • -22.2db
11% Popularity • 22% Danceability • 10% Energy • 13% Liveness
91% Instrumentalness • 16% Positiveness
11% Popularity • 22% Danceability • 10% Energy • 13% Liveness
91% Instrumentalness • 16% Positiveness
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Olivier Messiaen
Quatuor pour la fin du Temps: V. Louange...
81 bpm • E Maj • 08:48 • -23.19db
23% Popularity • 8% Danceability • 3% Energy • 8% Liveness
95% Instrumentalness • 2% Positiveness
23% Popularity • 8% Danceability • 3% Energy • 8% Liveness
95% Instrumentalness • 2% Positiveness
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Unsuk Chin
Violin Concerto No. 1: IV.
83 bpm • E min • 05:52 • -18.78db
23% Popularity • 22% Danceability • 26% Energy • 27% Liveness
59% Instrumentalness • 7% Positiveness
23% Popularity • 22% Danceability • 26% Energy • 27% Liveness
59% Instrumentalness • 7% Positiveness
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Antonín Dvořák
Armida, Op. 115, B. 206, Act II: Act II:...
83 bpm • D# Maj • 01:06 • -35.22db
30% Popularity • 12% Danceability • 1% Energy • 9% Liveness
76% Instrumentalness • 12% Positiveness
30% Popularity • 12% Danceability • 1% Energy • 9% Liveness
76% Instrumentalness • 12% Positiveness
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Alban Berg
Four Pieces For Clarinet And Piano, Op. ...
81 bpm • C min • 01:28 • -22.99db
14% Popularity • 30% Danceability • 2% Energy • 8% Liveness
26% Instrumentalness • 4% Positiveness
14% Popularity • 30% Danceability • 2% Energy • 8% Liveness
26% Instrumentalness • 4% Positiveness
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Witold Lutosławski
4 Silesian Melodies (Version for 4 Violi...
83 bpm • C Maj • 01:32 • -24.94db
1% Popularity • 17% Danceability • 3% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
1% Popularity • 17% Danceability • 3% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
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Leoš Janáček
Katya Kabanova, JW I/8, Act I Scene 1: I...
83 bpm • F# Maj • 01:18 • -24.86db
18% Popularity • 11% Danceability • 3% Energy • 34% Liveness
90% Instrumentalness • 4% Positiveness
18% Popularity • 11% Danceability • 3% Energy • 34% Liveness
90% Instrumentalness • 4% Positiveness
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Peter Kiesewetter
Reineke Fuchs (Arr. H. Ruhmann for Narra...
81 bpm • C# Maj • 01:00 • -13.29db
9% Popularity • 56% Danceability • 42% Energy • 11% Liveness
87% Instrumentalness • 59% Positiveness
9% Popularity • 56% Danceability • 42% Energy • 11% Liveness
87% Instrumentalness • 59% Positiveness
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Jean Sibelius
Symphony No. 2 in D Major, Op. 43: III. ...
83 bpm • F# Maj • 06:16 • -25.49db
15% Popularity • 11% Danceability • 4% Energy • 17% Liveness
90% Instrumentalness • 4% Positiveness
15% Popularity • 11% Danceability • 4% Energy • 17% Liveness
90% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Phaéton, Op. 39
84 bpm • D# Maj • 08:08 • -21.36db
10% Popularity • 28% Danceability • 8% Energy • 14% Liveness
84% Instrumentalness • 4% Positiveness
10% Popularity • 28% Danceability • 8% Energy • 14% Liveness
84% Instrumentalness • 4% Positiveness
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Alban Berg
4 Gesänge, Op. 2: II. Schlafend trägt ...
84 bpm • A# Maj • 01:04 • -22db
10% Popularity • 22% Danceability • 11% Energy • 10% Liveness
32% Instrumentalness • 3% Positiveness
10% Popularity • 22% Danceability • 11% Energy • 10% Liveness
32% Instrumentalness • 3% Positiveness
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Witold Lutosławski
Piano Concerto: IV. Crotchet = C. 84
83 bpm • A# min • 07:51 • -23.34db
0% Popularity • 26% Danceability • 13% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
0% Popularity • 26% Danceability • 13% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
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Edward Burlingame Hill
Flute Sonata, Op. 31: I. Allegro moderat...
80 bpm • D# Maj • 04:24 • -24.86db
9% Popularity • 31% Danceability • 5% Energy • 17% Liveness
92% Instrumentalness • 10% Positiveness
9% Popularity • 31% Danceability • 5% Energy • 17% Liveness
92% Instrumentalness • 10% Positiveness
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Karol Szymanowski
Mythes, Trois Poèmes, Op. 30: 1. La fon...
84 bpm • G# min • 05:39 • -28.16db
8% Popularity • 11% Danceability • 3% Energy • 5% Liveness
2% Instrumentalness • 3% Positiveness
8% Popularity • 11% Danceability • 3% Energy • 5% Liveness
2% Instrumentalness • 3% Positiveness
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Georges Bizet
L’arlésienne Suite No. 1, Op. 23bis, ...
80 bpm • F Maj • 03:34 • -34db
6% Popularity • 10% Danceability • 0% Energy • 6% Liveness
96% Instrumentalness • 4% Positiveness
6% Popularity • 10% Danceability • 0% Energy • 6% Liveness
96% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Symphony No. 5: IV. Passacaglia. Moderat...
84 bpm • G Maj • 10:11 • -18.95db
10% Popularity • 16% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
10% Popularity • 16% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
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Jacques Ibert
Ibert: Jeux (Sonatine for Flute and Pian...
80 bpm • B Maj • 02:32 • -25db
9% Popularity • 20% Danceability • 7% Energy • 13% Liveness
94% Instrumentalness • 16% Positiveness
9% Popularity • 20% Danceability • 7% Energy • 13% Liveness
94% Instrumentalness • 16% Positiveness
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Witold Lutosławski
Chantefleurs et Chantefables: VIII. L'an...
84 bpm • B min • 02:23 • -27.66db
0% Popularity • 21% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
0% Popularity • 21% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
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Olivier Messiaen
Thème et variations: I. Thème. Modér�...
84 bpm • C min • 01:50 • -32.26db
10% Popularity • 12% Danceability • 2% Energy • 10% Liveness
71% Instrumentalness • 3% Positiveness
10% Popularity • 12% Danceability • 2% Energy • 10% Liveness
71% Instrumentalness • 3% Positiveness
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Igor Stravinsky
Symphony in 3 Movements: I. Allegro
84 bpm • G Maj • 09:56 • -23.44db
11% Popularity • 32% Danceability • 5% Energy • 12% Liveness
85% Instrumentalness • 6% Positiveness
11% Popularity • 32% Danceability • 5% Energy • 12% Liveness
85% Instrumentalness • 6% Positiveness
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Walter Kaufmann
Concerto for Piano and Orchestra No. 3: ...
84 bpm • F min • 09:44 • -24.3db
10% Popularity • 20% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
10% Popularity • 20% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Franz Schreker
Schubert / Orch. Mahler: String Quartet ...
80 bpm • A Maj • 06:33 • -27db
10% Popularity • 9% Danceability • 3% Energy • 13% Liveness
63% Instrumentalness • 4% Positiveness
10% Popularity • 9% Danceability • 3% Energy • 13% Liveness
63% Instrumentalness • 4% Positiveness
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Paul Hindemith
Symphonic Metamorphoses on Themes of Car...
84 bpm • F min • 04:09 • -26db
14% Popularity • 9% Danceability • 6% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
14% Popularity • 9% Danceability • 6% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
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Witold Lutosławski
Lacrimosa
80 bpm • A min • 03:48 • -24.99db
2% Popularity • 18% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
2% Popularity • 18% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
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Bernard B. Scherr
Victimae Paschali Laudes (USA)
80 bpm • A min • 07:18 • -28.37db
13% Popularity • 8% Danceability • 2% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
13% Popularity • 8% Danceability • 2% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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Igor Stravinsky
Pulcinella Suite: IV. Tarantella
80 bpm • G min • 01:55 • -18.03db
15% Popularity • 53% Danceability • 41% Energy • 33% Liveness
94% Instrumentalness • 96% Positiveness
15% Popularity • 53% Danceability • 41% Energy • 33% Liveness
94% Instrumentalness • 96% Positiveness
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Arnold Schoenberg
Verklärte Nacht, Op. 4: Molto rallentan...
84 bpm • F# min • 04:53 • -19.93db
8% Popularity • 21% Danceability • 10% Energy • 36% Liveness
83% Instrumentalness • 4% Positiveness
8% Popularity • 21% Danceability • 10% Energy • 36% Liveness
83% Instrumentalness • 4% Positiveness
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Ludwig van Beethoven
Symphony No. 9 in D Minor, Op. 125 "Chor...
80 bpm • D Maj • 02:57 • -28.08db
20% Popularity • 22% Danceability • 2% Energy • 9% Liveness
87% Instrumentalness • 7% Positiveness
20% Popularity • 22% Danceability • 2% Energy • 9% Liveness
87% Instrumentalness • 7% Positiveness
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Carl Nielsen
Symphony No. 4, Op. 29 "The Inextinguish...
80 bpm • A min • 10:46 • -19.9db
10% Popularity • 10% Danceability • 14% Energy • 65% Liveness
88% Instrumentalness • 5% Positiveness
10% Popularity • 10% Danceability • 14% Energy • 65% Liveness
88% Instrumentalness • 5% Positiveness
► Preview
Witold Lutosławski
Partita for Violin and Orchestra: I. All...
80 bpm • A# min • 04:21 • -27.41db
0% Popularity • 23% Danceability • 5% Energy • 6% Liveness
3% Instrumentalness • 8% Positiveness
0% Popularity • 23% Danceability • 5% Energy • 6% Liveness
3% Instrumentalness • 8% Positiveness
► Preview
Heitor Villa-Lobos
Cello Concerto No. 2, W516: IV. Allegro ...
80 bpm • C min • 03:40 • -22.38db
12% Popularity • 31% Danceability • 14% Energy • 12% Liveness
91% Instrumentalness • 27% Positiveness
12% Popularity • 31% Danceability • 14% Energy • 12% Liveness
91% Instrumentalness • 27% Positiveness
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Béla Bartók
Music for Strings, Percussion and Celest...
85 bpm • A# min • 06:33 • -28.41db
18% Popularity • 8% Danceability • 1% Energy • 8% Liveness
55% Instrumentalness • 3% Positiveness
18% Popularity • 8% Danceability • 1% Energy • 8% Liveness
55% Instrumentalness • 3% Positiveness
► Preview
Francis Poulenc
Sinfonietta, FP 141: IV. Finale
80 bpm • G min • 06:20 • -19.1db
9% Popularity • 29% Danceability • 11% Energy • 41% Liveness
84% Instrumentalness • 10% Positiveness
9% Popularity • 29% Danceability • 11% Energy • 41% Liveness
84% Instrumentalness • 10% Positiveness
► Preview
Alban Berg
Berg: Piano Sonata in B Minor, Op. 1 (Ar...
80 bpm • B min • 12:25 • -23.79db
2% Popularity • 13% Danceability • 4% Energy • 10% Liveness
74% Instrumentalness • 3% Positiveness
2% Popularity • 13% Danceability • 4% Energy • 10% Liveness
74% Instrumentalness • 3% Positiveness
► Preview
Robert Schumann
Bilder aus Osten, Op. 66 (Arr. for Strin...
79 bpm • D Maj • 03:43 • -26.62db
12% Popularity • 16% Danceability • 6% Energy • 24% Liveness
81% Instrumentalness • 4% Positiveness
12% Popularity • 16% Danceability • 6% Energy • 24% Liveness
81% Instrumentalness • 4% Positiveness
► Preview
Witold Lutosławski
Concerto for Orchestra: IIIa. Passaccagl...
80 bpm • D Maj • 05:47 • -21.75db
0% Popularity • 24% Danceability • 14% Energy • 16% Liveness
90% Instrumentalness • 22% Positiveness
0% Popularity • 24% Danceability • 14% Energy • 16% Liveness
90% Instrumentalness • 22% Positiveness
► Preview
Thomas Hyde
Symphony, Op. 20: VII. Temps suspendu
79 bpm • G# min • 00:57 • -45.42db
12% Popularity • 17% Danceability • 0% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
12% Popularity • 17% Danceability • 0% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Darius Milhaud
Suite, Op. 157b: III. Jeu
85 bpm • D Maj • 01:38 • -14.96db
16% Popularity • 46% Danceability • 14% Energy • 10% Liveness
38% Instrumentalness • 64% Positiveness
16% Popularity • 46% Danceability • 14% Energy • 10% Liveness
38% Instrumentalness • 64% Positiveness
► Preview
Arthur Bliss
Clarinet Quintet: I. Moderato
79 bpm • F# min • 05:27 • -20.78db
7% Popularity • 12% Danceability • 10% Energy • 8% Liveness
80% Instrumentalness • 7% Positiveness
7% Popularity • 12% Danceability • 10% Energy • 8% Liveness
80% Instrumentalness • 7% Positiveness
► Preview
Béla Bartók
Concerto for Orchestra, Sz. 116: II. Giu...
85 bpm • G Maj • 06:26 • -30.29db
20% Popularity • 38% Danceability • 7% Energy • 10% Liveness
86% Instrumentalness • 10% Positiveness
20% Popularity • 38% Danceability • 7% Energy • 10% Liveness
86% Instrumentalness • 10% Positiveness
► Preview
Charles Griffes
3 Tone-Pictures, Op. 5 (version for orch...
79 bpm • D# Maj • 02:52 • -36db
12% Popularity • 7% Danceability • 1% Energy • 9% Liveness
30% Instrumentalness • 3% Positiveness
12% Popularity • 7% Danceability • 1% Energy • 9% Liveness
30% Instrumentalness • 3% Positiveness
► Preview
Witold Lutosławski
3 Fragmente: II. Ulysse en Itaque
80 bpm • G min • 01:33 • -27db
20% Popularity • 19% Danceability • 5% Energy • 8% Liveness
93% Instrumentalness • 6% Positiveness
20% Popularity • 19% Danceability • 5% Energy • 8% Liveness
93% Instrumentalness • 6% Positiveness
► Preview
Alfred Schnittke
Schnittke: String Quartet No. 3: I. Anda...
85 bpm • G Maj • 05:56 • -21.27db
9% Popularity • 16% Danceability • 6% Energy • 10% Liveness
57% Instrumentalness • 3% Positiveness
9% Popularity • 16% Danceability • 6% Energy • 10% Liveness
57% Instrumentalness • 3% Positiveness
► Preview
Leoš Janáček
Katya Kabanova, JW I/8, Act II Scene 2: ...
79 bpm • G# Maj • 01:20 • -30.96db
12% Popularity • 11% Danceability • 0% Energy • 19% Liveness
50% Instrumentalness • 5% Positiveness
12% Popularity • 11% Danceability • 0% Energy • 19% Liveness
50% Instrumentalness • 5% Positiveness
► Preview
Igor Stravinsky
Orpheus: Scene I: Lento sostenuto
85 bpm • C Maj • 02:20 • -43.64db
11% Popularity • 15% Danceability • 0% Energy • 9% Liveness
69% Instrumentalness • 9% Positiveness
11% Popularity • 15% Danceability • 0% Energy • 9% Liveness
69% Instrumentalness • 9% Positiveness
► Preview
Selena Ivanova
Synthesis
79 bpm • C min • 02:04 • -39.42db
13% Popularity • 14% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 16% Positiveness
13% Popularity • 14% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 16% Positiveness
► Preview
Alberto Ginastera
Violin Concerto, Op. 30: Ia. Cadenza
79 bpm • D Maj • 05:23 • -23.72db
14% Popularity • 18% Danceability • 9% Energy • 69% Liveness
47% Instrumentalness • 4% Positiveness
14% Popularity • 18% Danceability • 9% Energy • 69% Liveness
47% Instrumentalness • 4% Positiveness
► Preview
Witold Lutosławski
Chain 2: III. Ad libitum
85 bpm • G Maj • 05:45 • -31.27db
0% Popularity • 20% Danceability • 5% Energy • 7% Liveness
6% Instrumentalness • 3% Positiveness
0% Popularity • 20% Danceability • 5% Energy • 7% Liveness
6% Instrumentalness • 3% Positiveness
► Preview
Christian Lindberg
Loneliness
85 bpm • G Maj • 02:33 • -23.23db
15% Popularity • 23% Danceability • 7% Energy • 9% Liveness
36% Instrumentalness • 4% Positiveness
15% Popularity • 23% Danceability • 7% Energy • 9% Liveness
36% Instrumentalness • 4% Positiveness
► Preview
RTÉ National Symphony Orchestra
Dr. Merryheart: VI. Variation 5: Merryhe...
85 bpm • F min • 00:59 • -39.52db
20% Popularity • 19% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 34% Positiveness
20% Popularity • 19% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 34% Positiveness
► Preview
Henri Dutilleux
Dutilleux: The Shadows of Time: V. Domin...
85 bpm • C# Maj • 04:46 • -29.08db
2% Popularity • 15% Danceability • 6% Energy • 8% Liveness
77% Instrumentalness • 4% Positiveness
2% Popularity • 15% Danceability • 6% Energy • 8% Liveness
77% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Élégie in C Minor, Op. 24 (Arr. for Vi...
86 bpm • G# Maj • 06:24 • -26.81db
8% Popularity • 9% Danceability • 2% Energy • 9% Liveness
76% Instrumentalness • 4% Positiveness
8% Popularity • 9% Danceability • 2% Energy • 9% Liveness
76% Instrumentalness • 4% Positiveness
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Sergei Prokofiev
Piano Concerto No. 2 in G Minor, Op. 16:...
79 bpm • D min • 02:28 • -20.36db
9% Popularity • 49% Danceability • 27% Energy • 13% Liveness
95% Instrumentalness • 50% Positiveness
9% Popularity • 49% Danceability • 27% Energy • 13% Liveness
95% Instrumentalness • 50% Positiveness
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Thomas Adès
Alchymia: II. The Woods So Wild
78 bpm • C Maj • 03:10 • -28.77db
11% Popularity • 28% Danceability • 6% Energy • 10% Liveness
1% Instrumentalness • 49% Positiveness
11% Popularity • 28% Danceability • 6% Energy • 10% Liveness
1% Instrumentalness • 49% Positiveness
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Igor Stravinsky
The Firebird Suite, K010, (1945 Version)...
78 bpm • B Maj • 04:42 • -38.56db
34% Popularity • 14% Danceability • 0% Energy • 10% Liveness
34% Instrumentalness • 4% Positiveness
34% Popularity • 14% Danceability • 0% Energy • 10% Liveness
34% Instrumentalness • 4% Positiveness
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Maurice Ravel
Antar (After N. Rimsky-Korsakov): No. 13...
86 bpm • C# Maj • 07:27 • -22.1db
8% Popularity • 18% Danceability • 11% Energy • 8% Liveness
16% Instrumentalness • 3% Positiveness
8% Popularity • 18% Danceability • 11% Energy • 8% Liveness
16% Instrumentalness • 3% Positiveness
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Witold Lutosławski
Witold Lutosławski: Koncert na orkiestr...
78 bpm • A# min • 05:48 • -21.38db
1% Popularity • 18% Danceability • 12% Energy • 34% Liveness
58% Instrumentalness • 12% Positiveness
1% Popularity • 18% Danceability • 12% Energy • 34% Liveness
58% Instrumentalness • 12% Positiveness
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Kaija Saariaho
Sept papillons: Papillons I
86 bpm • D Maj • 01:24 • -30.36db
13% Popularity • 26% Danceability • 13% Energy • 18% Liveness
82% Instrumentalness • 4% Positiveness
13% Popularity • 26% Danceability • 13% Energy • 18% Liveness
82% Instrumentalness • 4% Positiveness
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Henri Dutilleux
Dutilleux: The Shadows of Time: IV. Vagu...
78 bpm • A Maj • 02:57 • -21.45db
3% Popularity • 20% Danceability • 21% Energy • 15% Liveness
92% Instrumentalness • 5% Positiveness
3% Popularity • 20% Danceability • 21% Energy • 15% Liveness
92% Instrumentalness • 5% Positiveness
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Frank Bridge
The Sea: No. 3 Moonlight
78 bpm • E min • 06:11 • -28.69db
10% Popularity • 7% Danceability • 2% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
10% Popularity • 7% Danceability • 2% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Pierre Boulez
Boulez : Notations : 1 - Modéré - Fant...
78 bpm • C# Maj • 02:34 • -32db
8% Popularity • 20% Danceability • 5% Energy • 13% Liveness
87% Instrumentalness • 4% Positiveness
8% Popularity • 20% Danceability • 5% Energy • 13% Liveness
87% Instrumentalness • 4% Positiveness
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Andre Caplet
Children's Corner (arr. A. Caplet for or...
78 bpm • D Maj • 02:59 • -34db
23% Popularity • 22% Danceability • 2% Energy • 13% Liveness
57% Instrumentalness • 4% Positiveness
23% Popularity • 22% Danceability • 2% Energy • 13% Liveness
57% Instrumentalness • 4% Positiveness
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Sergei Prokofiev
Five Melodies, Op. 35b: IV. Allegretto l...
78 bpm • D Maj • 01:30 • -19.63db
12% Popularity • 44% Danceability • 24% Energy • 9% Liveness
55% Instrumentalness • 11% Positiveness
12% Popularity • 44% Danceability • 24% Energy • 9% Liveness
55% Instrumentalness • 11% Positiveness
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Anton Webern
Symphony, Op. 21: I. Ruhig, schreitend
78 bpm • G Maj • 07:34 • -36db
15% Popularity • 18% Danceability • 0% Energy • 17% Liveness
0% Instrumentalness • 3% Positiveness
15% Popularity • 18% Danceability • 0% Energy • 17% Liveness
0% Instrumentalness • 3% Positiveness
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Charles Koechlin
Les Heures persanes (Persian Hours), Op....
86 bpm • A# min • 02:50 • -35.51db
4% Popularity • 10% Danceability • 1% Energy • 11% Liveness
20% Instrumentalness • 3% Positiveness
4% Popularity • 10% Danceability • 1% Energy • 11% Liveness
20% Instrumentalness • 3% Positiveness
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Arnold Schoenberg
Schoenberg: Verklärte Nacht, Op. 4: III...
86 bpm • A# min • 03:05 • -24.24db
24% Popularity • 18% Danceability • 5% Energy • 12% Liveness
53% Instrumentalness • 4% Positiveness
24% Popularity • 18% Danceability • 5% Energy • 12% Liveness
53% Instrumentalness • 4% Positiveness
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Alexander Scriabin
24 Preludes, Op. 11: Prelude in A-Flat M...
78 bpm • G# Maj • 01:13 • -39.83db
15% Popularity • 16% Danceability • 0% Energy • 7% Liveness
1% Instrumentalness • 6% Positiveness
15% Popularity • 16% Danceability • 0% Energy • 7% Liveness
1% Instrumentalness • 6% Positiveness
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Jacques Ibert
Ibert: 3 Pièces brèves: III. Assez len...
78 bpm • B Maj • 02:48 • -21db
8% Popularity • 21% Danceability • 9% Energy • 9% Liveness
83% Instrumentalness • 13% Positiveness
8% Popularity • 21% Danceability • 9% Energy • 9% Liveness
83% Instrumentalness • 13% Positiveness
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Sergei Prokofiev
I. Allegro moderato - 2004 Remastered Ve...
78 bpm • D min • 09:02 • -19.57db
7% Popularity • 23% Danceability • 18% Energy • 9% Liveness
56% Instrumentalness • 18% Positiveness
7% Popularity • 23% Danceability • 18% Energy • 9% Liveness
56% Instrumentalness • 18% Positiveness
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Edward Elgar
Variations on an Original Theme, Op. 36,...
87 bpm • G# Maj • 02:30 • -35.71db
11% Popularity • 11% Danceability • 0% Energy • 9% Liveness
41% Instrumentalness • 7% Positiveness
11% Popularity • 11% Danceability • 0% Energy • 9% Liveness
41% Instrumentalness • 7% Positiveness
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Alban Berg
String Quartet, Op. 3: I. Langsam
87 bpm • G Maj • 10:14 • -18.3db
8% Popularity • 20% Danceability • 10% Energy • 26% Liveness
57% Instrumentalness • 4% Positiveness
8% Popularity • 20% Danceability • 10% Energy • 26% Liveness
57% Instrumentalness • 4% Positiveness
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Sofia Gubaidulina
String Quartet No. 2
77 bpm • D Maj • 08:11 • -23db
10% Popularity • 14% Danceability • 4% Energy • 12% Liveness
44% Instrumentalness • 3% Positiveness
10% Popularity • 14% Danceability • 4% Energy • 12% Liveness
44% Instrumentalness • 3% Positiveness
► Preview
Karol Szymanowski
Violin Concerto No. 2 in D Minor, Op. 61...
77 bpm • E min • 06:17 • -22db
1% Popularity • 18% Danceability • 13% Energy • 14% Liveness
23% Instrumentalness • 5% Positiveness
1% Popularity • 18% Danceability • 13% Energy • 14% Liveness
23% Instrumentalness • 5% Positiveness
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Walter Piston
The Incredible Flutist Suite: IX. Spanis...
77 bpm • B Maj • 01:17 • -19.93db
20% Popularity • 34% Danceability • 47% Energy • 18% Liveness
90% Instrumentalness • 12% Positiveness
20% Popularity • 34% Danceability • 47% Energy • 18% Liveness
90% Instrumentalness • 12% Positiveness
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Sergei Prokofiev
Romeo and Juliet, Op. 64: Dance Of The K...
87 bpm • A min • 02:13 • -14.24db
22% Popularity • 35% Danceability • 16% Energy • 8% Liveness
95% Instrumentalness • 25% Positiveness
22% Popularity • 35% Danceability • 16% Energy • 8% Liveness
95% Instrumentalness • 25% Positiveness
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Alexander Scriabin
4 Pieces, Op. 51 (arr. Rogal-Levitsky): ...
77 bpm • D# Maj • 03:56 • -37db
15% Popularity • 7% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
15% Popularity • 7% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
