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Melrose Meltdown
Songs like
Melrose Meltdown
by
Suki Waterhouse
Based on a tempo of (+/- 10%) and a similar genre
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Ezra Williams
My Own Person
90 bpm • G Maj • 04:24 • -6.98db
49% Popularity • 60% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Flower Face
Jupiter
90 bpm • A Maj • 04:31 • -12.29db
49% Popularity • 46% Danceability • 33% Energy • 11% Liveness
1% Instrumentalness • 9% Positiveness
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Suki Waterhouse
Melrose Meltdown
90 bpm • C Maj • 03:32 • -10.78db
54% Popularity • 41% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Matilda Mann
You Look Like You Can't Swim
90 bpm • C# Maj • 02:48 • -9.94db
36% Popularity • 34% Danceability • 39% Energy • 11% Liveness
9% Instrumentalness • 11% Positiveness
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The Last Dinner Party
Beautiful Boy
89 bpm • C min • 03:47 • -9.52db
60% Popularity • 24% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Babygirl
Over In No Time
91 bpm • D Maj • 03:49 • -9.1db
35% Popularity • 70% Danceability • 50% Energy • 52% Liveness
0% Instrumentalness • 69% Positiveness
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Philip Brooks
creek
90 bpm • G Maj • 02:33 • -15.94db
50% Popularity • 33% Danceability • 26% Energy • 12% Liveness
3% Instrumentalness • 34% Positiveness
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Lana Del Rey
Fishtail
89 bpm • D# Maj • 04:02 • -15.23db
64% Popularity • 53% Danceability • 24% Energy • 26% Liveness
0% Instrumentalness • 7% Positiveness
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Suki Waterhouse
Coolest Place in the World
90 bpm • G# Maj • 02:37 • -11db
50% Popularity • 39% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Taylor Swift
ivy
89 bpm • D Maj • 04:20 • -9.28db
70% Popularity • 52% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Wasia Project
ur so pretty
91 bpm • E Maj • 02:12 • -13db
70% Popularity • 32% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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The Japanese House
Sunshine Baby
88 bpm • C Maj • 03:39 • -8.3db
61% Popularity • 55% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
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Matilda Mann
The Day That I Met You
92 bpm • C# Maj • 02:45 • -9.87db
51% Popularity • 31% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Lana Del Rey
Violets for Roses
88 bpm • A# Maj • 04:15 • -10.47db
62% Popularity • 51% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Haley Blais
Baby Teeth
92 bpm • G# Maj • 03:34 • -12.54db
34% Popularity • 59% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Chappell Roan
Kaleidoscope
88 bpm • B Maj • 03:42 • -7.11db
61% Popularity • 42% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Tommy Lefroy
Dog Eat Dog
88 bpm • B Maj • 02:49 • -8.67db
46% Popularity • 60% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Suki Waterhouse
Brutally
92 bpm • G Maj • 03:28 • -12db
54% Popularity • 55% Danceability • 19% Energy • 12% Liveness
1% Instrumentalness • 22% Positiveness
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runo plum
jupiter
87 bpm • G Maj • 02:40 • -18.47db
37% Popularity • 30% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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quinnie
get what u get
87 bpm • G Maj • 01:06 • -6.74db
47% Popularity • 46% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Frankie Cosmos
Fruit Stand
87 bpm • C Maj • 01:58 • -8.83db
51% Popularity • 59% Danceability • 64% Energy • 11% Liveness
88% Instrumentalness • 40% Positiveness
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Lucy Dacus
Please Stay
93 bpm • B Maj • 04:19 • -14db
55% Popularity • 64% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
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Leith Ross
We'll Never Have Sex
87 bpm • D Maj • 01:40 • -16.37db
67% Popularity • 43% Danceability • 10% Energy • 12% Liveness
1% Instrumentalness • 28% Positiveness
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boygenius
Cool About It
93 bpm • D Maj • 03:00 • -13.66db
74% Popularity • 56% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Chappell Roan
My Kink Is Karma
87 bpm • D Maj • 03:42 • -5.62db
70% Popularity • 56% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Wallice
Japan
87 bpm • C# Maj • 03:36 • -9.99db
39% Popularity • 45% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Delaney Bailey
Forgetting Delaney
94 bpm • G min • 02:32 • -12db
40% Popularity • 49% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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The Japanese House
Sad to Breathe
94 bpm • C# Maj • 03:34 • -8db
53% Popularity • 63% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Leith Ross
Everything Ends
86 bpm • G Maj • 01:28 • -21.25db
39% Popularity • 40% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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boygenius
Me & My Dog
94 bpm • C Maj • 03:26 • -9.05db
62% Popularity • 49% Danceability • 51% Energy • 12% Liveness
1% Instrumentalness • 20% Positiveness
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Chappell Roan
Love Me Anyway
94 bpm • G# Maj • 03:53 • -7db
56% Popularity • 61% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
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Lucy Dacus
Night Shift
86 bpm • A Maj • 06:31 • -7.89db
69% Popularity • 48% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Suki Waterhouse
Put Me Through It
94 bpm • D Maj • 03:03 • -12db
42% Popularity • 51% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Rob Grant
Lost at Sea
86 bpm • D# min • 03:07 • -13.74db
56% Popularity • 14% Danceability • 19% Energy • 12% Liveness
58% Instrumentalness • 14% Positiveness
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quinnie
itch
86 bpm • G Maj • 03:45 • -6.29db
39% Popularity • 55% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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boygenius
Leonard Cohen
95 bpm • D Maj • 01:42 • -12.14db
60% Popularity • 56% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Jordana
Sparks
85 bpm • C Maj • 03:38 • -7.29db
36% Popularity • 63% Danceability • 42% Energy • 43% Liveness
20% Instrumentalness • 22% Positiveness
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Taylor Swift
seven
95 bpm • E Maj • 03:28 • -10.77db
73% Popularity • 60% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Caroline Culver
Summer 2019
95 bpm • A min • 02:20 • -9db
40% Popularity • 56% Danceability • 47% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
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Matt Maltese
Irony Would Have It
95 bpm • F Maj • 03:28 • -9.62db
52% Popularity • 69% Danceability • 52% Energy • 13% Liveness
46% Instrumentalness • 59% Positiveness
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Eliza McLamb
Pulp
95 bpm • C min • 04:39 • -8.16db
30% Popularity • 63% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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boygenius
Letter To An Old Poet
85 bpm • C Maj • 03:07 • -13.99db
62% Popularity • 35% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
► Preview
Katie Gregson-MacLeod
complex (demo)
95 bpm • C Maj • 04:16 • -9.92db
55% Popularity • 38% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Sarah Kinsley
Lovegod - The Diamond Sessions
85 bpm • C# Maj • 03:23 • -8.97db
36% Popularity • 37% Danceability • 34% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
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Suki Waterhouse
Moves
85 bpm • C Maj • 03:13 • -8.27db
70% Popularity • 57% Danceability • 44% Energy • 35% Liveness
0% Instrumentalness • 36% Positiveness
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Sophie May
Lover Boy
85 bpm • E Maj • 01:59 • -11db
56% Popularity • 46% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Frankie Cosmos
Sappho
95 bpm • G Maj • 01:52 • -6.78db
56% Popularity • 64% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Japanese Breakfast
Nobody Sees Me Like You Do
85 bpm • E Maj • 03:31 • -12.96db
41% Popularity • 60% Danceability • 12% Energy • 23% Liveness
0% Instrumentalness • 24% Positiveness
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Alice Shone
Blame The Moon
85 bpm • C Maj • 02:43 • -14.04db
37% Popularity • 48% Danceability • 31% Energy • 29% Liveness
0% Instrumentalness • 33% Positiveness
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Leith Ross
5am
85 bpm • G# Maj • 03:38 • -17.52db
39% Popularity • 19% Danceability • 16% Energy • 10% Liveness
64% Instrumentalness • 6% Positiveness
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Genevieve Stokes
Book of Memories
96 bpm • C Maj • 02:58 • -13.22db
30% Popularity • 29% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
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Harriette
Sunday
96 bpm • C Maj • 01:32 • -11.72db
30% Popularity • 60% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Wet Leg
Loving You
96 bpm • D Maj • 03:39 • -6.32db
50% Popularity • 65% Danceability • 57% Energy • 17% Liveness
3% Instrumentalness • 42% Positiveness
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The Japanese House
One for sorrow, two for Joni Jones
84 bpm • C Maj • 04:30 • -13.84db
43% Popularity • 42% Danceability • 4% Energy • 22% Liveness
0% Instrumentalness • 45% Positiveness
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Delaney Bailey
we were girls together
97 bpm • G Maj • 02:17 • -15.2db
49% Popularity • 60% Danceability • 13% Energy • 11% Liveness
5% Instrumentalness • 32% Positiveness
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Leith Ross
To Learn
85 bpm • G# Maj • 02:17 • -17.02db
42% Popularity • 40% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Local Natives
NYE [Suki Waterhouse]
84 bpm • B Maj • 02:55 • -6.73db
51% Popularity • 44% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
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Phoebe Bridgers
Punisher
84 bpm • C# Maj • 03:09 • -12.8db
63% Popularity • 32% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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The Backseat Lovers
Slowing Down
84 bpm • E min • 05:20 • -9.87db
51% Popularity • 41% Danceability • 47% Energy • 11% Liveness
86% Instrumentalness • 9% Positiveness
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Clairo
North
97 bpm • D Maj • 03:33 • -6.26db
58% Popularity • 35% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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quinnie
touch tank - acoustic
97 bpm • E Maj • 03:21 • -8db
37% Popularity • 52% Danceability • 38% Energy • 29% Liveness
0% Instrumentalness • 53% Positiveness
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The MarÃas
Heavy
97 bpm • C Maj • 04:13 • -8.4db
59% Popularity • 76% Danceability • 41% Energy • 6% Liveness
74% Instrumentalness • 73% Positiveness
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Flower Face
Back to You
83 bpm • D Maj • 03:22 • -15.12db
47% Popularity • 39% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Alexandra Savior
The Archer
83 bpm • C Maj • 02:25 • -7.24db
47% Popularity • 51% Danceability • 37% Energy • 29% Liveness
0% Instrumentalness • 23% Positiveness
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Lucy Dacus
Thumbs
98 bpm • G min • 04:25 • -16db
45% Popularity • 47% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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runo plum
very overdue goodbye
83 bpm • A# Maj • 03:36 • -9.89db
38% Popularity • 50% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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boygenius
Voyager
83 bpm • B Maj • 02:48 • -18.11db
59% Popularity • 45% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Leith Ross
(You) On My Arm
98 bpm • D# Maj • 04:04 • -6.97db
55% Popularity • 59% Danceability • 62% Energy • 33% Liveness
0% Instrumentalness • 39% Positiveness
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quinnie
better
98 bpm • C Maj • 04:54 • -11.07db
31% Popularity • 56% Danceability • 40% Energy • 17% Liveness
3% Instrumentalness • 28% Positiveness
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Boyish
Legs
98 bpm • C# Maj • 02:53 • -6.29db
45% Popularity • 46% Danceability • 73% Energy • 9% Liveness
4% Instrumentalness • 72% Positiveness
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Chappell Roan
Coffee
83 bpm • D Maj • 03:25 • -10.22db
62% Popularity • 46% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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runo plum
red lights
82 bpm • F# Maj • 03:02 • -10.58db
41% Popularity • 65% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Claud
Soft Spot
82 bpm • A# Maj • 03:08 • -8db
51% Popularity • 56% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
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Maya Hawke
Sweet Tooth
82 bpm • A# Maj • 03:41 • -10db
42% Popularity • 66% Danceability • 58% Energy • 10% Liveness
1% Instrumentalness • 84% Positiveness
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Indigo De Souza
The Sun Is Bad
99 bpm • G# Maj • 02:38 • -8.46db
44% Popularity • 38% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Florist
M
99 bpm • C Maj • 02:46 • -17.81db
45% Popularity • 42% Danceability • 5% Energy • 34% Liveness
4% Instrumentalness • 14% Positiveness
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Tommy Lefroy
Mortals
100 bpm • G# Maj • 03:08 • -11.9db
35% Popularity • 36% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Flower Face
Paper Doll
100 bpm • C min • 04:19 • -12.39db
38% Popularity • 31% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Harriette
at least i'm pretty
100 bpm • C# Maj • 01:46 • -10db
58% Popularity • 86% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Maya Hawke
To Love a Boy
100 bpm • D# min • 02:17 • -13.56db
51% Popularity • 68% Danceability • 20% Energy • 9% Liveness
2% Instrumentalness • 34% Positiveness
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Ha Vay
ohmygod
100 bpm • F Maj • 02:44 • -7.83db
33% Popularity • 63% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
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Dora Jar
Quiver
100 bpm • E min • 03:23 • -10db
29% Popularity • 73% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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Haley Blais
The Cabin
81 bpm • G Maj • 03:57 • -12.45db
36% Popularity • 66% Danceability • 34% Energy • 37% Liveness
0% Instrumentalness • 43% Positiveness
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Sydney Rose
You’d Be Stars
100 bpm • C Maj • 03:42 • -8.01db
46% Popularity • 60% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Lucy Dacus
Cartwheel
100 bpm • C Maj • 03:24 • -12.81db
46% Popularity • 61% Danceability • 29% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
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The Beaches
My Body ft Your Lips
100 bpm • G Maj • 02:53 • -4.52db
52% Popularity • 40% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Alexandra Savior
Soft Currents
81 bpm • F Maj • 03:11 • -11.8db
44% Popularity • 42% Danceability • 13% Energy • 11% Liveness
36% Instrumentalness • 11% Positiveness
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Phoebe Bridgers
Garden Song
100 bpm • C Maj • 03:39 • -16.65db
66% Popularity • 43% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 17% Positiveness
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boygenius
Bite The Hand
100 bpm • A# Maj • 03:12 • -8.12db
62% Popularity • 54% Danceability • 51% Energy • 11% Liveness
3% Instrumentalness • 19% Positiveness
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Delaney Bailey
(i would have followed you)
81 bpm • D min • 01:54 • -19.84db
40% Popularity • 33% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Jesse Jo Stark
tornado
81 bpm • G Maj • 03:22 • -6.9db
24% Popularity • 34% Danceability • 56% Energy • 37% Liveness
0% Instrumentalness • 20% Positiveness
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Maya Hawke
Hold the Sun
80 bpm • B Maj • 02:59 • -19.48db
43% Popularity • 56% Danceability • 11% Energy • 12% Liveness
2% Instrumentalness • 25% Positiveness
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Sjowgren
Snow White
80 bpm • F# min • 01:02 • -12.88db
52% Popularity • 53% Danceability • 27% Energy • 9% Liveness
90% Instrumentalness • 45% Positiveness
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Leith Ross
I'd Have to Think About It
101 bpm • F Maj • 02:30 • -14db
56% Popularity • 51% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Sophie May
Streetlight
101 bpm • C# Maj • 01:06 • -9.32db
35% Popularity • 57% Danceability • 34% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
► Preview
Cults
Monolithic
80 bpm • C min • 03:39 • -8.57db
56% Popularity • 44% Danceability • 54% Energy • 12% Liveness
23% Instrumentalness • 41% Positiveness
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Lana Del Rey
Sweet Carolina
80 bpm • C# Maj • 03:21 • -11.8db
60% Popularity • 45% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Maya Hawke
Missing Out
80 bpm • C# Maj • 03:37 • -9.19db
59% Popularity • 68% Danceability • 58% Energy • 9% Liveness
9% Instrumentalness • 89% Positiveness
► Preview
quinnie
gold star
80 bpm • A# min • 03:10 • -14db
40% Popularity • 62% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Skullcrusher
You are my House
102 bpm • C Maj • 03:08 • -11db
33% Popularity • 32% Danceability • 49% Energy • 28% Liveness
0% Instrumentalness • 27% Positiveness
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Melrose Meltdown