Songs like Memoria non est in mente: II. Allegretto disputando by David Lewiston Sharpe
Based on a tempo of (+/- 10%) and a similar genre
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Hans Gál
Serenade for Clarinet, Violin and Cello,...
99 bpm • F# min • 02:52 • -24.17db
28% Popularity • 20% Danceability • 3% Energy • 14% Liveness
9% Instrumentalness • 14% Positiveness
28% Popularity • 20% Danceability • 3% Energy • 14% Liveness
9% Instrumentalness • 14% Positiveness
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John Ireland
Mother and Child: No. 3. Hope (arr. J. L...
99 bpm • E min • 01:31 • -29db
25% Popularity • 21% Danceability • 3% Energy • 8% Liveness
95% Instrumentalness • 12% Positiveness
25% Popularity • 21% Danceability • 3% Energy • 8% Liveness
95% Instrumentalness • 12% Positiveness
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David Lewiston Sharpe
Capriccio for String Duo: II. Cantilena ...
99 bpm • D# Maj • 04:07 • -23.16db
0% Popularity • 15% Danceability • 4% Energy • 12% Liveness
77% Instrumentalness • 8% Positiveness
0% Popularity • 15% Danceability • 4% Energy • 12% Liveness
77% Instrumentalness • 8% Positiveness
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Anna Clyne
DANCE: II. if you’ve torn the bandage ...
99 bpm • G Maj • 04:10 • -16.44db
14% Popularity • 28% Danceability • 24% Energy • 11% Liveness
91% Instrumentalness • 38% Positiveness
14% Popularity • 28% Danceability • 24% Energy • 11% Liveness
91% Instrumentalness • 38% Positiveness
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David Abramovitz
Chants Populaires: Chanson Espagnole
99 bpm • G Maj • 02:25 • -27db
28% Popularity • 30% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
28% Popularity • 30% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Anton Arensky
String Quartet No. 2 in A Minor, Op. 35:...
99 bpm • E min • 01:02 • -19.4db
14% Popularity • 56% Danceability • 23% Energy • 25% Liveness
94% Instrumentalness • 80% Positiveness
14% Popularity • 56% Danceability • 23% Energy • 25% Liveness
94% Instrumentalness • 80% Positiveness
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Yutaka Minobe
屋根裏の旋律
99 bpm • D min • 02:46 • -25db
29% Popularity • 19% Danceability • 4% Energy • 14% Liveness
70% Instrumentalness • 4% Positiveness
29% Popularity • 19% Danceability • 4% Energy • 14% Liveness
70% Instrumentalness • 4% Positiveness
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Paul McCartney
Junk
100 bpm • G min • 02:49 • -29.26db
17% Popularity • 16% Danceability • 4% Energy • 12% Liveness
31% Instrumentalness • 8% Positiveness
17% Popularity • 16% Danceability • 4% Energy • 12% Liveness
31% Instrumentalness • 8% Positiveness
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David Lewiston Sharpe
Memoria non est in mente: II. Allegretto...
99 bpm • F Maj • 03:00 • -19.82db
0% Popularity • 30% Danceability • 6% Energy • 11% Liveness
50% Instrumentalness • 42% Positiveness
0% Popularity • 30% Danceability • 6% Energy • 11% Liveness
50% Instrumentalness • 42% Positiveness
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Ivor Gurney
Sleep
99 bpm • A# min • 03:03 • -29db
11% Popularity • 22% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 22% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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John Lenehan
Chiquilin de Bachin (The Little Beggar B...
98 bpm • A min • 03:50 • -19.08db
28% Popularity • 17% Danceability • 10% Energy • 7% Liveness
93% Instrumentalness • 6% Positiveness
28% Popularity • 17% Danceability • 10% Energy • 7% Liveness
93% Instrumentalness • 6% Positiveness
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Nana Ou-Yang
For The First Time In Forever
98 bpm • F# Maj • 03:46 • -12.74db
14% Popularity • 21% Danceability • 33% Energy • 14% Liveness
88% Instrumentalness • 40% Positiveness
14% Popularity • 21% Danceability • 33% Energy • 14% Liveness
88% Instrumentalness • 40% Positiveness
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Clive Osgood
Magnificat: No. 6, Esurientes implevit
101 bpm • E Maj • 02:50 • -28.13db
21% Popularity • 20% Danceability • 5% Energy • 9% Liveness
3% Instrumentalness • 15% Positiveness
21% Popularity • 20% Danceability • 5% Energy • 9% Liveness
3% Instrumentalness • 15% Positiveness
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Stanley Silverman
Trio No. 1 'In Celebration': III. Cantel...
97 bpm • D Maj • 08:27 • -19db
16% Popularity • 23% Danceability • 14% Energy • 11% Liveness
23% Instrumentalness • 4% Positiveness
16% Popularity • 23% Danceability • 14% Energy • 11% Liveness
23% Instrumentalness • 4% Positiveness
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David Lewiston Sharpe
The Hand of Fate
98 bpm • F Maj • 03:01 • -16.22db
0% Popularity • 42% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
0% Popularity • 42% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
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Igor Stravinsky
Apollon Musagète, K. 048: VII. Variatio...
97 bpm • A min • 02:23 • -24.72db
8% Popularity • 19% Danceability • 2% Energy • 14% Liveness
74% Instrumentalness • 13% Positiveness
8% Popularity • 19% Danceability • 2% Energy • 14% Liveness
74% Instrumentalness • 13% Positiveness
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César Cui
25 Poems by Pushkin, Op. 57: No. 17, The...
96 bpm • C# Maj • 01:04 • -14db
12% Popularity • 35% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
12% Popularity • 35% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
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Barbara Hendricks
Ave Maria (Ellen's Gesang) D.839
102 bpm • A# Maj • 06:15 • -24.42db
26% Popularity • 22% Danceability • 5% Energy • 13% Liveness
6% Instrumentalness • 4% Positiveness
26% Popularity • 22% Danceability • 5% Energy • 13% Liveness
6% Instrumentalness • 4% Positiveness
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Winfred Jeremiah
Younger Than Spring
96 bpm • C# Maj • 01:41 • -19.83db
28% Popularity • 21% Danceability • 7% Energy • 13% Liveness
4% Instrumentalness • 21% Positiveness
28% Popularity • 21% Danceability • 7% Energy • 13% Liveness
4% Instrumentalness • 21% Positiveness
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Henry Purcell
Purcell / Arr. Pluhar: Dido and Aeneas, ...
102 bpm • F min • 05:03 • -23db
21% Popularity • 35% Danceability • 5% Energy • 11% Liveness
30% Instrumentalness • 11% Positiveness
21% Popularity • 35% Danceability • 5% Energy • 11% Liveness
30% Instrumentalness • 11% Positiveness
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David Lewiston Sharpe
Beautiful Are the Drinking Doves: II. In...
95 bpm • E min • 04:50 • -24.28db
0% Popularity • 24% Danceability • 6% Energy • 15% Liveness
1% Instrumentalness • 5% Positiveness
0% Popularity • 24% Danceability • 6% Energy • 15% Liveness
1% Instrumentalness • 5% Positiveness
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Jerome Kern
Smoke Gets in Your Eyes
95 bpm • E Maj • 04:25 • -21.71db
8% Popularity • 15% Danceability • 9% Energy • 11% Liveness
58% Instrumentalness • 9% Positiveness
8% Popularity • 15% Danceability • 9% Energy • 11% Liveness
58% Instrumentalness • 9% Positiveness
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Ludwig van Beethoven
String Trio in D Major, Op. 9 No. 2: II....
103 bpm • A# Maj • 05:31 • -19.12db
8% Popularity • 38% Danceability • 3% Energy • 11% Liveness
42% Instrumentalness • 23% Positiveness
8% Popularity • 38% Danceability • 3% Energy • 11% Liveness
42% Instrumentalness • 23% Positiveness
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Reynaldo Hahn
Etudes latines: Néère
104 bpm • F# min • 03:16 • -20.89db
21% Popularity • 35% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
21% Popularity • 35% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Valentin Silvestrov
Pastorales 2020: V. Moderato
104 bpm • F Maj • 01:51 • -27.43db
9% Popularity • 50% Danceability • 6% Energy • 6% Liveness
89% Instrumentalness • 25% Positiveness
9% Popularity • 50% Danceability • 6% Energy • 6% Liveness
89% Instrumentalness • 25% Positiveness
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Ottorino Respighi
Suite in G Major, P. 58 : III. Pastorale...
104 bpm • D min • 04:36 • -25db
14% Popularity • 16% Danceability • 9% Energy • 20% Liveness
51% Instrumentalness • 3% Positiveness
14% Popularity • 16% Danceability • 9% Energy • 20% Liveness
51% Instrumentalness • 3% Positiveness
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David Lewiston Sharpe
Memoria non est in mente: I. Poco lento,...
95 bpm • A# Maj • 01:52 • -22.58db
0% Popularity • 12% Danceability • 6% Energy • 14% Liveness
87% Instrumentalness • 9% Positiveness
0% Popularity • 12% Danceability • 6% Energy • 14% Liveness
87% Instrumentalness • 9% Positiveness
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Sergey Prokoviev
Romeo and Juliet, Op. 64: I. Introductio...
104 bpm • G Maj • 02:44 • -18.84db
11% Popularity • 19% Danceability • 15% Energy • 11% Liveness
69% Instrumentalness • 18% Positiveness
11% Popularity • 19% Danceability • 15% Energy • 11% Liveness
69% Instrumentalness • 18% Positiveness
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Camille Saint-Saëns
Vogue, vogue la galère
94 bpm • G# Maj • 01:51 • -23db
13% Popularity • 31% Danceability • 6% Energy • 9% Liveness
4% Instrumentalness • 24% Positiveness
13% Popularity • 31% Danceability • 6% Energy • 9% Liveness
4% Instrumentalness • 24% Positiveness
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Nancy Dalberg
String Quartet No. 1 in D Minor: III. Ad...
104 bpm • G min • 05:36 • -25.56db
30% Popularity • 16% Danceability • 3% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
30% Popularity • 16% Danceability • 3% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
12 Songs, Op. 21: 5. Siren
94 bpm • G# Maj • 02:31 • -17db
14% Popularity • 20% Danceability • 9% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
14% Popularity • 20% Danceability • 9% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
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Manuel de Falla
Suite populaire espagnole (Arr. for Cell...
105 bpm • F min • 02:33 • -36.58db
16% Popularity • 15% Danceability • 0% Energy • 8% Liveness
91% Instrumentalness • 6% Positiveness
16% Popularity • 15% Danceability • 0% Energy • 8% Liveness
91% Instrumentalness • 6% Positiveness
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David Lewiston Sharpe
The Field of Reeds
94 bpm • A# Maj • 06:59 • -21.28db
0% Popularity • 19% Danceability • 9% Energy • 7% Liveness
55% Instrumentalness • 11% Positiveness
0% Popularity • 19% Danceability • 9% Energy • 7% Liveness
55% Instrumentalness • 11% Positiveness
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Gerald Finzi
Love's Labour's Lost, Op. 28a: II. Longa...
94 bpm • D min • 01:40 • -30db
38% Popularity • 14% Danceability • 1% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
38% Popularity • 14% Danceability • 1% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
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Antonín Dvořák
Symphony No. 9 in E Minor, Op. 95, B. 17...
94 bpm • C# Maj • 05:31 • -28db
24% Popularity • 11% Danceability • 2% Energy • 6% Liveness
68% Instrumentalness • 3% Positiveness
24% Popularity • 11% Danceability • 2% Energy • 6% Liveness
68% Instrumentalness • 3% Positiveness
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Ferdinand Thieriot
Suite for Three Cellos: II. Molto lento
105 bpm • D min • 02:48 • -26.31db
11% Popularity • 15% Danceability • 6% Energy • 15% Liveness
90% Instrumentalness • 8% Positiveness
11% Popularity • 15% Danceability • 6% Energy • 15% Liveness
90% Instrumentalness • 8% Positiveness
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Brad Mehldau
The Folly of Desire: Sailing to Byzantiu...
105 bpm • D Maj • 02:22 • -26.41db
7% Popularity • 34% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
7% Popularity • 34% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Carrie Baynes
Summer
93 bpm • D min • 02:24 • -20.25db
16% Popularity • 16% Danceability • 14% Energy • 38% Liveness
43% Instrumentalness • 15% Positiveness
16% Popularity • 16% Danceability • 14% Energy • 38% Liveness
43% Instrumentalness • 15% Positiveness
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Erik Satie
Je te veux
93 bpm • C Maj • 02:11 • -24.01db
17% Popularity • 27% Danceability • 4% Energy • 12% Liveness
91% Instrumentalness • 12% Positiveness
17% Popularity • 27% Danceability • 4% Energy • 12% Liveness
91% Instrumentalness • 12% Positiveness
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Gerald Finzi
Love's Labour's Lost, Op. 28a: III. Duma...
105 bpm • G min • 01:17 • -25db
48% Popularity • 23% Danceability • 9% Energy • 14% Liveness
94% Instrumentalness • 34% Positiveness
48% Popularity • 23% Danceability • 9% Energy • 14% Liveness
94% Instrumentalness • 34% Positiveness
► Preview
David Lewiston Sharpe
The Wound of Azra
93 bpm • C min • 04:08 • -17.83db
0% Popularity • 29% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
0% Popularity • 29% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Ernest John Moeran
Prelude for Cello & Piano
93 bpm • E Maj • 04:49 • -26.43db
17% Popularity • 13% Danceability • 1% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
17% Popularity • 13% Danceability • 1% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
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Stanley Myers
Cavatina
93 bpm • E Maj • 03:46 • -24.8db
10% Popularity • 16% Danceability • 7% Energy • 11% Liveness
71% Instrumentalness • 7% Positiveness
10% Popularity • 16% Danceability • 7% Energy • 11% Liveness
71% Instrumentalness • 7% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: No. 7, Träumerei ...
93 bpm • F Maj • 02:30 • -23.05db
29% Popularity • 20% Danceability • 8% Energy • 12% Liveness
78% Instrumentalness • 6% Positiveness
29% Popularity • 20% Danceability • 8% Energy • 12% Liveness
78% Instrumentalness • 6% Positiveness
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Lori Laitman
Journey (Version for Saxophone & Piano)
92 bpm • D min • 04:33 • -23.17db
7% Popularity • 25% Danceability • 2% Energy • 8% Liveness
52% Instrumentalness • 6% Positiveness
7% Popularity • 25% Danceability • 2% Energy • 8% Liveness
52% Instrumentalness • 6% Positiveness
► Preview
Brad Mehldau
The Folly of Desire: Sonnet 75
106 bpm • F# min • 02:49 • -20db
11% Popularity • 45% Danceability • 9% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
11% Popularity • 45% Danceability • 9% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
London Philharmonic Orchestra
Vocalise, Op. 34
92 bpm • E min • 05:50 • -16.45db
25% Popularity • 12% Danceability • 23% Energy • 26% Liveness
86% Instrumentalness • 4% Positiveness
25% Popularity • 12% Danceability • 23% Energy • 26% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
James Whitbourn
Annelies (chamber version): VIII. Kyrie ...
106 bpm • A min • 04:01 • -18.29db
10% Popularity • 22% Danceability • 19% Energy • 9% Liveness
67% Instrumentalness • 7% Positiveness
10% Popularity • 22% Danceability • 19% Energy • 9% Liveness
67% Instrumentalness • 7% Positiveness
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César Franck
Prélude, fugue et variation pour piano ...
92 bpm • F# min • 02:45 • -33db
18% Popularity • 11% Danceability • 0% Energy • 11% Liveness
84% Instrumentalness • 16% Positiveness
18% Popularity • 11% Danceability • 0% Energy • 11% Liveness
84% Instrumentalness • 16% Positiveness
► Preview
Reinhold Glière
10 Duos, Op. 53: No. 3. Con moto
92 bpm • A Maj • 03:38 • -17db
9% Popularity • 20% Danceability • 14% Energy • 10% Liveness
81% Instrumentalness • 16% Positiveness
9% Popularity • 20% Danceability • 14% Energy • 10% Liveness
81% Instrumentalness • 16% Positiveness
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David Lewiston Sharpe
Childless Eyes
107 bpm • F Maj • 05:35 • -16.8db
0% Popularity • 39% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
0% Popularity • 39% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
► Preview
The Tolkien Ensemble
The Ent And The Entwife
92 bpm • C Maj • 07:45 • -16.97db
6% Popularity • 32% Danceability • 10% Energy • 8% Liveness
1% Instrumentalness • 12% Positiveness
6% Popularity • 32% Danceability • 10% Energy • 8% Liveness
1% Instrumentalness • 12% Positiveness
► Preview
Julián De La Chica
Dispersed And Transcendental Chants, Op....
92 bpm • G Maj • 03:47 • -26.55db
14% Popularity • 41% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
14% Popularity • 41% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
► Preview
Henri Duparc
Chanson triste
107 bpm • C Maj • 02:52 • -18.29db
15% Popularity • 28% Danceability • 14% Energy • 10% Liveness
1% Instrumentalness • 10% Positiveness
15% Popularity • 28% Danceability • 14% Energy • 10% Liveness
1% Instrumentalness • 10% Positiveness
► Preview
Fanny Mendelssohn
Mendelssohn: 5 Lieder, Op. 10: No. 2 Vor...
91 bpm • C# Maj • 02:24 • -24.25db
16% Popularity • 31% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 8% Positiveness
16% Popularity • 31% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 8% Positiveness
► Preview
Clara Schumann
Schumann: 12 Gedichte aus Liebesfrühlin...
91 bpm • C# Maj • 02:08 • -30.66db
28% Popularity • 17% Danceability • 0% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
28% Popularity • 17% Danceability • 0% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Edvard Grieg
Grieg: 2 Elegiac Melodies, Op. 34: No. 2...
91 bpm • G Maj • 03:33 • -21.38db
2% Popularity • 19% Danceability • 9% Energy • 16% Liveness
91% Instrumentalness • 4% Positiveness
2% Popularity • 19% Danceability • 9% Energy • 16% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Ennio Morricone
Romanza
91 bpm • G Maj • 03:06 • -22.59db
17% Popularity • 20% Danceability • 5% Energy • 8% Liveness
66% Instrumentalness • 4% Positiveness
17% Popularity • 20% Danceability • 5% Energy • 8% Liveness
66% Instrumentalness • 4% Positiveness
► Preview
Heitor Villa-Lobos
Floresta do Amazonas: Melodia Sentimenta...
91 bpm • A min • 03:30 • -23.33db
8% Popularity • 18% Danceability • 10% Energy • 28% Liveness
10% Instrumentalness • 11% Positiveness
8% Popularity • 18% Danceability • 10% Energy • 28% Liveness
10% Instrumentalness • 11% Positiveness
► Preview
Francis Poulenc
Sonate pour hautbois et piano: Déplorat...
108 bpm • A# min • 04:19 • -29db
11% Popularity • 22% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
11% Popularity • 22% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Percy Grainger
My Robin Is To The Greenwood Gone
91 bpm • A min • 04:04 • -29.99db
10% Popularity • 14% Danceability • 3% Energy • 10% Liveness
85% Instrumentalness • 5% Positiveness
10% Popularity • 14% Danceability • 3% Energy • 10% Liveness
85% Instrumentalness • 5% Positiveness
► Preview
Traditional
Nobody Knows the Trouble I've Seen
91 bpm • C# Maj • 03:12 • -24.94db
17% Popularity • 10% Danceability • 7% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
17% Popularity • 10% Danceability • 7% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Johann Sebastian Bach
Erbarm dich mein, o Herre Gott, BWV 721 ...
108 bpm • B min • 03:34 • -36.07db
23% Popularity • 23% Danceability • 1% Energy • 12% Liveness
50% Instrumentalness • 4% Positiveness
23% Popularity • 23% Danceability • 1% Energy • 12% Liveness
50% Instrumentalness • 4% Positiveness
► Preview
Toshifumi Hinata
Reflections (Arr. for Cello & Piano by J...
91 bpm • A min • 02:48 • -25db
29% Popularity • 17% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
29% Popularity • 17% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
► Preview
Heitor Villa-Lobos
Bachianas brasileiras No. 1: I. Introduc...
91 bpm • G min • 07:12 • -27.67db
25% Popularity • 27% Danceability • 14% Energy • 12% Liveness
87% Instrumentalness • 10% Positiveness
25% Popularity • 27% Danceability • 14% Energy • 12% Liveness
87% Instrumentalness • 10% Positiveness
► Preview
Winfred Jeremiah
Paris In April
91 bpm • A# Maj • 03:16 • -17.82db
28% Popularity • 20% Danceability • 13% Energy • 39% Liveness
43% Instrumentalness • 8% Positiveness
28% Popularity • 20% Danceability • 13% Energy • 39% Liveness
43% Instrumentalness • 8% Positiveness
► Preview
Gabriel Fauré
La chanson d’Eve, Op. 95: No. 10, O mo...
91 bpm • C# Maj • 02:38 • -23.85db
20% Popularity • 28% Danceability • 4% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
20% Popularity • 28% Danceability • 4% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Ralph Vaughan Williams
6 Studies in English Folksong (Version f...
90 bpm • D# Maj • 01:23 • -29db
51% Popularity • 35% Danceability • 2% Energy • 11% Liveness
81% Instrumentalness • 13% Positiveness
51% Popularity • 35% Danceability • 2% Energy • 11% Liveness
81% Instrumentalness • 13% Positiveness
► Preview
Chilly Gonzales
Wintermezzo
90 bpm • F min • 03:03 • -22db
28% Popularity • 36% Danceability • 5% Energy • 11% Liveness
35% Instrumentalness • 4% Positiveness
28% Popularity • 36% Danceability • 5% Energy • 11% Liveness
35% Instrumentalness • 4% Positiveness
► Preview
Andreas Scholl
Fac Me Cruce
90 bpm • B min • 03:21 • -19db
26% Popularity • 51% Danceability • 1% Energy • 6% Liveness
19% Instrumentalness • 8% Positiveness
26% Popularity • 51% Danceability • 1% Energy • 6% Liveness
19% Instrumentalness • 8% Positiveness
► Preview
Heitor Villa-Lobos
Bachianas brasileiras No. 1: III. Fugue:...
91 bpm • C min • 04:34 • -26.15db
21% Popularity • 42% Danceability • 8% Energy • 15% Liveness
82% Instrumentalness • 36% Positiveness
21% Popularity • 42% Danceability • 8% Energy • 15% Liveness
82% Instrumentalness • 36% Positiveness
► Preview
Winfred Jeremiah
The Autumn Leaves
90 bpm • D min • 02:33 • -20.11db
28% Popularity • 18% Danceability • 13% Energy • 13% Liveness
72% Instrumentalness • 18% Positiveness
28% Popularity • 18% Danceability • 13% Energy • 13% Liveness
72% Instrumentalness • 18% Positiveness
► Preview
Jacques Offenbach
Les larmes de Jacqueline, Op. 76, No. 2
90 bpm • C Maj • 07:11 • -19.82db
26% Popularity • 20% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
26% Popularity • 20% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Edward Elgar
Variations on an Original Theme, Op. 36 ...
90 bpm • A# Maj • 04:00 • -19.85db
33% Popularity • 16% Danceability • 9% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
33% Popularity • 16% Danceability • 9% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Charles Gounod
Ave Maria
90 bpm • D# Maj • 02:47 • -24.1db
20% Popularity • 28% Danceability • 3% Energy • 8% Liveness
49% Instrumentalness • 10% Positiveness
20% Popularity • 28% Danceability • 3% Energy • 8% Liveness
49% Instrumentalness • 10% Positiveness
► Preview
Richard Wagner
Tristan und Isolde, WWV 90: V, Liebestra...
90 bpm • C Maj • 01:05 • -16.73db
19% Popularity • 25% Danceability • 14% Energy • 85% Liveness
31% Instrumentalness • 5% Positiveness
19% Popularity • 25% Danceability • 14% Energy • 85% Liveness
31% Instrumentalness • 5% Positiveness
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Isaac Albéniz
Isaac Albeniz: Malaguena
109 bpm • G Maj • 03:33 • -19db
7% Popularity • 39% Danceability • 15% Energy • 18% Liveness
40% Instrumentalness • 9% Positiveness
7% Popularity • 39% Danceability • 15% Energy • 18% Liveness
40% Instrumentalness • 9% Positiveness
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Samuel Barber
String Quartet, Op. 11: II. Molto adagio
90 bpm • A# min • 06:52 • -26.61db
27% Popularity • 10% Danceability • 4% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
27% Popularity • 10% Danceability • 4% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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David Lewiston Sharpe
On the Seashore Sat a Raven
109 bpm • G Maj • 02:32 • -18.73db
0% Popularity • 38% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
0% Popularity • 38% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Diego Adinolfi
A Paz Eu Vos Deixo
90 bpm • C Maj • 03:07 • -22.6db
8% Popularity • 17% Danceability • 15% Energy • 13% Liveness
46% Instrumentalness • 7% Positiveness
8% Popularity • 17% Danceability • 15% Energy • 13% Liveness
46% Instrumentalness • 7% Positiveness
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Frédéric Chopin
Chopin: Prelude No. 4 in E Minor, Op. 28...
90 bpm • E min • 02:24 • -26.29db
24% Popularity • 11% Danceability • 3% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
24% Popularity • 11% Danceability • 3% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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João Marcondes
Movimento II - Jobim-açu
110 bpm • C Maj • 02:43 • -21.67db
8% Popularity • 48% Danceability • 2% Energy • 12% Liveness
39% Instrumentalness • 34% Positiveness
8% Popularity • 48% Danceability • 2% Energy • 12% Liveness
39% Instrumentalness • 34% Positiveness
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Anonymous
3 Songs, Op. 7: No. 1. Apres un reve (ar...
89 bpm • F min • 03:16 • -21db
14% Popularity • 21% Danceability • 12% Energy • 10% Liveness
65% Instrumentalness • 4% Positiveness
14% Popularity • 21% Danceability • 12% Energy • 10% Liveness
65% Instrumentalness • 4% Positiveness
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Dan Jones
Solemn Love
89 bpm • B min • 01:36 • -24.5db
28% Popularity • 16% Danceability • 7% Energy • 26% Liveness
64% Instrumentalness • 5% Positiveness
28% Popularity • 16% Danceability • 7% Energy • 26% Liveness
64% Instrumentalness • 5% Positiveness
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David Lewiston Sharpe
Cypress Shadow
89 bpm • B min • 03:52 • -21.39db
0% Popularity • 34% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
0% Popularity • 34% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Toru Takemitsu
In the Month of March
89 bpm • D min • 02:40 • -25.13db
7% Popularity • 37% Danceability • 5% Energy • 7% Liveness
2% Instrumentalness • 9% Positiveness
7% Popularity • 37% Danceability • 5% Energy • 7% Liveness
2% Instrumentalness • 9% Positiveness
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Victoria Yagling
Suite for Cello and String Orchestra. II...
89 bpm • F Maj • 04:29 • -20.76db
18% Popularity • 15% Danceability • 12% Energy • 14% Liveness
92% Instrumentalness • 6% Positiveness
18% Popularity • 15% Danceability • 12% Energy • 14% Liveness
92% Instrumentalness • 6% Positiveness
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Edward Elgar
Chanson de Matin, Op. 15 No. 2 (Arr. Cul...
89 bpm • G Maj • 03:05 • -22.24db
30% Popularity • 24% Danceability • 11% Energy • 60% Liveness
92% Instrumentalness • 11% Positiveness
30% Popularity • 24% Danceability • 11% Energy • 60% Liveness
92% Instrumentalness • 11% Positiveness
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Gabriel Fauré
Trois mélodies, Op. 7: No. 1, Après un...
89 bpm • F min • 03:25 • -30db
8% Popularity • 14% Danceability • 2% Energy • 6% Liveness
82% Instrumentalness • 3% Positiveness
8% Popularity • 14% Danceability • 2% Energy • 6% Liveness
82% Instrumentalness • 3% Positiveness
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Fernando Dante Marchetti
Fascination
110 bpm • C Maj • 04:50 • -25.03db
21% Popularity • 28% Danceability • 4% Energy • 9% Liveness
81% Instrumentalness • 16% Positiveness
21% Popularity • 28% Danceability • 4% Energy • 9% Liveness
81% Instrumentalness • 16% Positiveness
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Giacomo Puccini
E l'uccellino
110 bpm • A Maj • 01:14 • -22.64db
25% Popularity • 28% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 46% Positiveness
25% Popularity • 28% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 46% Positiveness
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David Lewiston Sharpe
Where Am I, and Who?
89 bpm • E Maj • 03:38 • -18.19db
0% Popularity • 38% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
0% Popularity • 38% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Manuel de Falla
Asturiana - I
89 bpm • F min • 02:51 • -36.31db
19% Popularity • 11% Danceability • 0% Energy • 6% Liveness
68% Instrumentalness • 6% Positiveness
19% Popularity • 11% Danceability • 0% Energy • 6% Liveness
68% Instrumentalness • 6% Positiveness
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Florence Beatrice Price
Elfentanz
89 bpm • D Maj • 04:21 • -19.27db
20% Popularity • 37% Danceability • 16% Energy • 13% Liveness
7% Instrumentalness • 23% Positiveness
20% Popularity • 37% Danceability • 16% Energy • 13% Liveness
7% Instrumentalness • 23% Positiveness
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Howard Blake
Archangel's Lullaby
89 bpm • D min • 01:39 • -35.15db
45% Popularity • 10% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
45% Popularity • 10% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
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Pablo Casals
El cant dels ocells (Song of the Birds) ...
89 bpm • A min • 03:49 • -33db
56% Popularity • 16% Danceability • 3% Energy • 11% Liveness
23% Instrumentalness • 3% Positiveness
56% Popularity • 16% Danceability • 3% Energy • 11% Liveness
23% Instrumentalness • 3% Positiveness
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Edward Elgar
Cello Concerto in E Minor, Op. 85: I. Ad...
88 bpm • E min • 03:44 • -20db
21% Popularity • 18% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
21% Popularity • 18% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Alma Mahler
5 Lieder: No. 5. Ich wandle unter Blumen
111 bpm • G Maj • 01:08 • -29db
15% Popularity • 26% Danceability • 0% Energy • 6% Liveness
0% Instrumentalness • 3% Positiveness
15% Popularity • 26% Danceability • 0% Energy • 6% Liveness
0% Instrumentalness • 3% Positiveness
