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Memorial
Songs like
Memorial
by
Michael Nyman
Based on a tempo of (+/- 10%) and a similar genre
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Max Richter
Three Worlds: Music from Woolf Works / M...
131 bpm • F# Maj • 05:17 • -16.33db
28% Popularity • 18% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Philip Glass Ensemble
Knee 2
131 bpm • A min • 06:08 • -25.37db
16% Popularity • 36% Danceability • 20% Energy • 28% Liveness
74% Instrumentalness • 86% Positiveness
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Goran Bregović
Dreams - "Arizona Dream" Original Motion...
131 bpm • F Maj • 03:32 • -18.84db
27% Popularity • 21% Danceability • 15% Energy • 10% Liveness
2% Instrumentalness • 6% Positiveness
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Michael Nyman
Memorial
131 bpm • C min • 12:01 • -9.43db
22% Popularity • 53% Danceability • 30% Energy • 10% Liveness
79% Instrumentalness • 21% Positiveness
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Henryk Górecki
3 Utwory w dawnym stylu (3 Pieces in Old...
130 bpm • A min • 04:27 • -22db
23% Popularity • 16% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 5% Positiveness
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Kristian Eidnes Andersen
Lascia Ch'io Pianga Prologue
130 bpm • E Maj • 05:18 • -9.35db
22% Popularity • 26% Danceability • 26% Energy • 21% Liveness
0% Instrumentalness • 8% Positiveness
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Hildur Guðnadóttir
Opaque
130 bpm • A min • 03:50 • -17db
26% Popularity • 30% Danceability • 17% Energy • 12% Liveness
94% Instrumentalness • 32% Positiveness
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Max Richter
The Days Go By
132 bpm • C min • 02:43 • -23db
32% Popularity • 94% Danceability • 6% Energy • 11% Liveness
95% Instrumentalness • 71% Positiveness
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Michael Nyman Band
An Eye for Optical Theory
132 bpm • A# Maj • 04:28 • -10db
14% Popularity • 42% Danceability • 48% Energy • 14% Liveness
51% Instrumentalness • 86% Positiveness
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Michael Nyman
Time Lapse
130 bpm • F min • 04:00 • -12.94db
31% Popularity • 81% Danceability • 11% Energy • 9% Liveness
91% Instrumentalness • 27% Positiveness
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Jeff Russo
Fargo Main Theme (Choir)
133 bpm • D min • 02:16 • -26.95db
22% Popularity • 24% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Angelo Badalamenti
The Comfort Of Strangers: The Other Side...
129 bpm • A min • 07:19 • -15.73db
10% Popularity • 19% Danceability • 20% Energy • 10% Liveness
80% Instrumentalness • 5% Positiveness
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Shigeru Umebayashi
George's Waltz
133 bpm • D min • 01:39 • -15.28db
42% Popularity • 23% Danceability • 19% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Jean-Philippe Viret
Les barricades mystérieuses
129 bpm • A# Maj • 05:31 • -22.42db
11% Popularity • 53% Danceability • 8% Energy • 10% Liveness
93% Instrumentalness • 39% Positiveness
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Jeremy Siepmann
Instruments Of The Orchestra: Saint-Saen...
133 bpm • A min • 02:20 • -33db
31% Popularity • 21% Danceability • 3% Energy • 11% Liveness
40% Instrumentalness • 6% Positiveness
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Michael Nyman
Lady In The Red Hat - 2004 Digital Remas...
129 bpm • F min • 04:16 • -14.34db
10% Popularity • 63% Danceability • 8% Energy • 11% Liveness
40% Instrumentalness • 18% Positiveness
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Max Richter
Maria, the Poet (1913)
133 bpm • G min • 04:49 • -21.86db
20% Popularity • 21% Danceability • 13% Energy • 14% Liveness
55% Instrumentalness • 14% Positiveness
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Orchestra Di Padova E Del Veneto & Peter Maag
Symphony No. 7 Op. 92: II. Allegretto (B...
128 bpm • E min • 08:43 • -24db
30% Popularity • 26% Danceability • 2% Energy • 7% Liveness
25% Instrumentalness • 5% Positiveness
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Abel Korzeniowski
Mescaline
129 bpm • A min • 03:10 • -24.41db
24% Popularity • 31% Danceability • 12% Energy • 12% Liveness
78% Instrumentalness • 11% Positiveness
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Shigeru Umebayashi
Yumeji's Theme by Shigeru Umebayashi - A...
128 bpm • F min • 02:32 • -16.73db
36% Popularity • 48% Danceability • 11% Energy • 12% Liveness
5% Instrumentalness • 22% Positiveness
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Johann Sebastian Bach
Keyboard Concerto in F Minor, BWV 1056: ...
128 bpm • G# Maj • 02:43 • -33.62db
29% Popularity • 51% Danceability • 1% Energy • 40% Liveness
88% Instrumentalness • 28% Positiveness
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Henry Purcell
Cold Song’ (What Power Art Thou...)
134 bpm • E min • 04:26 • -18.75db
30% Popularity • 77% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Thomas Newman
Dead Already
128 bpm • G min • 03:18 • -11.15db
42% Popularity • 81% Danceability • 33% Energy • 14% Liveness
85% Instrumentalness • 24% Positiveness
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Michael Nyman
Prawn Watching - 2004 Digital Remaster
134 bpm • E Maj • 02:56 • -10.28db
8% Popularity • 58% Danceability • 33% Energy • 13% Liveness
89% Instrumentalness • 19% Positiveness
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Joseph Achron
Hebrew Melody, Op. 33 (Arr. For theremin...
128 bpm • A min • 05:28 • -24.99db
9% Popularity • 17% Danceability • 7% Energy • 8% Liveness
94% Instrumentalness • 6% Positiveness
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Meredith Monk
Ellis Island
134 bpm • A min • 03:02 • -32.62db
45% Popularity • 43% Danceability • 6% Energy • 9% Liveness
91% Instrumentalness • 52% Positiveness
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Shigeru Umebayashi
A Variation On Scotty Tails Madeline
127 bpm • C min • 01:52 • -12.75db
29% Popularity • 19% Danceability • 29% Energy • 33% Liveness
61% Instrumentalness • 3% Positiveness
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Léo Delibes
Delibes: Lakmé, Act 1: "Dôme épais le...
135 bpm • B Maj • 04:44 • -23.83db
25% Popularity • 27% Danceability • 6% Energy • 25% Liveness
65% Instrumentalness • 4% Positiveness
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Balanescu Quartet
Interlude
135 bpm • B Maj • 01:05 • -20db
38% Popularity • 53% Danceability • 21% Energy • 13% Liveness
89% Instrumentalness • 25% Positiveness
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Michael Nyman
Eddie
135 bpm • D Maj • 03:58 • -18db
13% Popularity • 17% Danceability • 22% Energy • 23% Liveness
66% Instrumentalness • 9% Positiveness
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Mike Oldfield
Requiem For A City
127 bpm • B min • 02:10 • -19.69db
15% Popularity • 20% Danceability • 12% Energy • 16% Liveness
1% Instrumentalness • 8% Positiveness
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Jocelyn Pook
How Sweet The Moonlight [The Merchant of...
135 bpm • D# Maj • 04:19 • -22.58db
24% Popularity • 19% Danceability • 6% Energy • 10% Liveness
1% Instrumentalness • 7% Positiveness
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Meredith Monk
Atlas - Part 3: Invisible Light: Earth S...
126 bpm • G# Maj • 07:34 • -23.99db
9% Popularity • 19% Danceability • 3% Energy • 10% Liveness
9% Instrumentalness • 3% Positiveness
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Claudio Monteverdi
Monteverdi: Madrigali, Libro VIII "Guerr...
136 bpm • A min • 03:13 • -19.77db
36% Popularity • 34% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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John Adams
Adams: Nixon in China: Act I, Scene 1 - ...
136 bpm • G# min • 02:49 • -35db
17% Popularity • 31% Danceability • 5% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
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Michael Nyman
Drowning By Number 2 - 2004 Digital Rema...
127 bpm • F# min • 06:12 • -19.34db
15% Popularity • 29% Danceability • 11% Energy • 10% Liveness
61% Instrumentalness • 6% Positiveness
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George Frideric Handel
Zadok the Priest
126 bpm • D Maj • 01:54 • -18.1db
36% Popularity • 44% Danceability • 3% Energy • 15% Liveness
89% Instrumentalness • 14% Positiveness
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Antonio Vivaldi
Vivaldi: Giustino, RV 717, Act 1: "Vedr�...
126 bpm • A# min • 05:12 • -28.05db
35% Popularity • 46% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Alberto Iglesias
María Santísima de Araceli
136 bpm • A min • 02:12 • -25db
29% Popularity • 29% Danceability • 5% Energy • 11% Liveness
89% Instrumentalness • 19% Positiveness
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Armand Amar
Cum Dederit
136 bpm • A min • 05:03 • -17db
39% Popularity • 21% Danceability • 8% Energy • 11% Liveness
1% Instrumentalness • 6% Positiveness
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Geoffrey Burgon
Going to Brideshead
126 bpm • D Maj • 03:02 • -23.42db
25% Popularity • 22% Danceability • 9% Energy • 9% Liveness
93% Instrumentalness • 5% Positiveness
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Michael Nyman
Knowing the Ropes
126 bpm • D# Maj • 06:33 • -9.59db
13% Popularity • 50% Danceability • 64% Energy • 11% Liveness
93% Instrumentalness • 71% Positiveness
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Camille Saint-Saëns
Le Carnaval des Animaux, R. 125: VII. Aq...
126 bpm • A min • 02:41 • -35db
40% Popularity • 24% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Elaine Barry
Lakme: Flower Duet
126 bpm • B Maj • 06:09 • -26.7db
10% Popularity • 30% Danceability • 4% Energy • 6% Liveness
97% Instrumentalness • 4% Positiveness
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Alberto Iglesias
El grito
136 bpm • A min • 03:29 • -22.64db
23% Popularity • 22% Danceability • 7% Energy • 9% Liveness
87% Instrumentalness • 6% Positiveness
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The Tallis Scholars
Tallis: Spem in Alium - 1. Spem in Alium
138 bpm • D Maj • 05:04 • -20db
34% Popularity • 15% Danceability • 14% Energy • 24% Liveness
0% Instrumentalness • 3% Positiveness
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Sergei Rachmaninoff
The Rach. 3 (Part One)
124 bpm • C min • 04:19 • -14.38db
23% Popularity • 39% Danceability • 28% Energy • 10% Liveness
86% Instrumentalness • 13% Positiveness
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Michael Nyman
How Should I Live
137 bpm • A min • 03:48 • -22db
13% Popularity • 16% Danceability • 9% Energy • 11% Liveness
60% Instrumentalness • 6% Positiveness
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Filharmonie Brno
Requiem for my Friend: Lacrimosa Day of ...
124 bpm • D min • 01:36 • -19.04db
35% Popularity • 17% Danceability • 15% Energy • 13% Liveness
97% Instrumentalness • 21% Positiveness
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Heather McIntosh
Compliance Theme
138 bpm • G min • 02:35 • -13.93db
14% Popularity • 53% Danceability • 31% Energy • 12% Liveness
87% Instrumentalness • 7% Positiveness
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Marin Marais
Sonnerie de Ste. Geneviève du Mont-de-P...
124 bpm • G# min • 07:52 • -15.87db
35% Popularity • 31% Danceability • 23% Energy • 10% Liveness
65% Instrumentalness • 24% Positiveness
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Nicola Piovani
Palombella Rossa: La Memoria In Acqua
139 bpm • D# Maj • 00:56 • -27.87db
40% Popularity • 48% Danceability • 4% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Pino Donaggio
John's Theme (Love Scene)
138 bpm • G Maj • 04:17 • -18.61db
14% Popularity • 40% Danceability • 4% Energy • 14% Liveness
77% Instrumentalness • 8% Positiveness
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Michael Nyman
Vermeer's Wife - 2004 Digital Remaster
124 bpm • A min • 03:14 • -13.33db
10% Popularity • 69% Danceability • 34% Energy • 32% Liveness
93% Instrumentalness • 57% Positiveness
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Steve Reich
Duet for two Solo Violins and String Orc...
124 bpm • F Maj • 05:34 • -16db
29% Popularity • 29% Danceability • 27% Energy • 91% Liveness
0% Instrumentalness • 19% Positiveness
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David Lang
Death Speaks: No. 1, You Will Return
123 bpm • D min • 04:24 • -16.21db
18% Popularity • 51% Danceability • 6% Energy • 12% Liveness
4% Instrumentalness • 23% Positiveness
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Angelo Badalamenti
A Very Long Engagement (Une Long Dimanch...
139 bpm • A min • 04:31 • -17db
14% Popularity • 16% Danceability • 15% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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David Motion
The King's Tulips
123 bpm • C Maj • 03:02 • -14.83db
14% Popularity • 77% Danceability • 45% Energy • 29% Liveness
31% Instrumentalness • 70% Positiveness
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Nicola Piovani
La notte di San Lorenzo
123 bpm • A min • 08:39 • -18.95db
8% Popularity • 32% Danceability • 3% Energy • 9% Liveness
61% Instrumentalness • 4% Positiveness
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Michael Nyman
Drowning By Number 3 - 2004 Digital Rema...
140 bpm • D# Maj • 03:30 • -16db
16% Popularity • 16% Danceability • 17% Energy • 12% Liveness
87% Instrumentalness • 5% Positiveness
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Gunild Keetman
Orff-Schulwerk: Spielstücke für Xyloph...
140 bpm • G min • 01:07 • -24.62db
26% Popularity • 61% Danceability • 4% Energy • 5% Liveness
86% Instrumentalness • 94% Positiveness
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Andrew Hewitt
The Double Theme - Version 1
140 bpm • F# Maj • 03:45 • -13.94db
16% Popularity • 48% Danceability • 28% Energy • 12% Liveness
82% Instrumentalness • 5% Positiveness
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Wim Mertens
Their Duet
140 bpm • C Maj • 03:40 • -7.27db
22% Popularity • 67% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Balanescu Quartet
Lullaby Dream
122 bpm • G min • 07:48 • -16.74db
12% Popularity • 20% Danceability • 17% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
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Ennio Morricone
Metti, una sera a cena (2nd theme)
122 bpm • D Maj • 03:41 • -25.05db
19% Popularity • 32% Danceability • 8% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Christophe Rousset
Polifemo: Alto giove (Air d'Acio) - Inst...
141 bpm • D# min • 04:28 • -25db
34% Popularity • 14% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Michael Nyman
Bird List - Live from Paranfino de la Un...
141 bpm • A Maj • 04:26 • -9.61db
9% Popularity • 41% Danceability • 63% Energy • 83% Liveness
94% Instrumentalness • 9% Positiveness
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Jordi Savall
Folia: Rodrigo Martinez, 1490 - Improvis...
141 bpm • F Maj • 05:36 • -19.24db
32% Popularity • 43% Danceability • 49% Energy • 20% Liveness
49% Instrumentalness • 68% Positiveness
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Dr Nele Karajlic
Bubamara (Vivaldi Version)
141 bpm • G min • 02:38 • -12db
27% Popularity • 44% Danceability • 15% Energy • 13% Liveness
50% Instrumentalness • 49% Positiveness
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Alfred Schnittke
Die Geschichte Eines Unbekannten Schausp...
141 bpm • G min • 03:14 • -16db
15% Popularity • 32% Danceability • 25% Energy • 10% Liveness
87% Instrumentalness • 56% Positiveness
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György Ligeti
Atmosphères (1961)
141 bpm • G Maj • 09:05 • -26.97db
6% Popularity • 14% Danceability • 8% Energy • 12% Liveness
35% Instrumentalness • 3% Positiveness
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Camille Saint-Saëns
Carnival of the Animals: No. 7: Aquarium
142 bpm • A min • 02:12 • -26.24db
22% Popularity • 27% Danceability • 9% Energy • 12% Liveness
90% Instrumentalness • 8% Positiveness
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Michael Nyman
Fish Beach
142 bpm • D# Maj • 02:51 • -19.29db
31% Popularity • 18% Danceability • 11% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Maki Namekawa
Suite from "The Hours" - Movement II
142 bpm • F Maj • 07:43 • -33.31db
9% Popularity • 15% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Bryce Dessner
Aheym
142 bpm • C min • 09:59 • -10db
19% Popularity • 43% Danceability • 37% Energy • 14% Liveness
91% Instrumentalness • 63% Positiveness
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Igor Stravinsky
The Rite of Spring: Part One: Adoration ...
120 bpm • A# Maj • 02:59 • -19.71db
36% Popularity • 49% Danceability • 28% Energy • 64% Liveness
90% Instrumentalness • 52% Positiveness
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Víg Mihály
Valuska
142 bpm • D# min • 04:13 • -14.45db
30% Popularity • 19% Danceability • 11% Energy • 10% Liveness
32% Instrumentalness • 4% Positiveness
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Karl Jenkins
Requiem: II. Dies Irae
120 bpm • C# Maj • 04:41 • -13.47db
26% Popularity • 53% Danceability • 43% Energy • 10% Liveness
95% Instrumentalness • 5% Positiveness
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Harry Escott
Unravelling
120 bpm • C min • 09:35 • -20db
25% Popularity • 22% Danceability • 21% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
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Vladimir Martynov
I. Movement
120 bpm • A Maj • 03:19 • -11.9db
21% Popularity • 22% Danceability • 23% Energy • 5% Liveness
72% Instrumentalness • 4% Positiveness
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Jérôme Lemonnier
Le Miroir des choses
120 bpm • F Maj • 05:20 • -13.46db
19% Popularity • 23% Danceability • 22% Energy • 12% Liveness
92% Instrumentalness • 6% Positiveness
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Armand Amar
Life I
120 bpm • A min • 03:10 • -18db
33% Popularity • 54% Danceability • 25% Energy • 8% Liveness
93% Instrumentalness • 14% Positiveness
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Abel Korzeniowski
Clock Tick
120 bpm • G min • 02:07 • -12.61db
20% Popularity • 77% Danceability • 39% Energy • 15% Liveness
89% Instrumentalness • 90% Positiveness
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Michael Nyman Band
Jack the Ripper Stalks His Victims: MGV ...
120 bpm • E min • 04:59 • -13.48db
20% Popularity • 58% Danceability • 41% Energy • 14% Liveness
84% Instrumentalness • 34% Positiveness
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Angelo Badalamenti
The Straight Story: Rose's Theme
119 bpm • F Maj • 05:18 • -21.61db
26% Popularity • 20% Danceability • 7% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Ennio Morricone
The Good, The Bad And The Ugly - Live
119 bpm • A min • 02:40 • -9.73db
34% Popularity • 28% Danceability • 36% Energy • 11% Liveness
94% Instrumentalness • 33% Positiveness
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Balanescu Quartet
Robots
119 bpm • G Maj • 08:42 • -14.71db
16% Popularity • 77% Danceability • 28% Energy • 23% Liveness
69% Instrumentalness • 64% Positiveness
► Preview
Jonny Greenwood
Able-Bodied Seamen
119 bpm • A# min • 03:54 • -13.62db
19% Popularity • 56% Danceability • 27% Energy • 11% Liveness
71% Instrumentalness • 24% Positiveness
► Preview
Abel Korzeniowski
Sunset
119 bpm • C Maj • 02:59 • -12.67db
20% Popularity • 28% Danceability • 24% Energy • 10% Liveness
78% Instrumentalness • 32% Positiveness
► Preview
Michael Nyman Band
Prospero's Magic
144 bpm • A# min • 05:10 • -14.09db
21% Popularity • 42% Danceability • 20% Energy • 21% Liveness
67% Instrumentalness • 24% Positiveness
► Preview
David Motion
Pavanne
118 bpm • C Maj • 02:38 • -16.58db
18% Popularity • 66% Danceability • 43% Energy • 11% Liveness
32% Instrumentalness • 48% Positiveness
► Preview
Steve Martland
Dance Works (Pt. 2)
117 bpm • E min • 04:58 • -15.89db
8% Popularity • 58% Danceability • 29% Energy • 6% Liveness
87% Instrumentalness • 72% Positiveness
► Preview
Cat's Eyes
Hautbois
146 bpm • G min • 02:10 • -11.24db
7% Popularity • 20% Danceability • 23% Energy • 9% Liveness
94% Instrumentalness • 6% Positiveness
► Preview
Max Richter
November
117 bpm • C Maj • 06:22 • -12.1db
42% Popularity • 36% Danceability • 45% Energy • 23% Liveness
22% Instrumentalness • 7% Positiveness
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John Adams
Adams: Two Fanfares for Orchestra: II. S...
146 bpm • A# Maj • 04:18 • -13db
7% Popularity • 37% Danceability • 54% Energy • 22% Liveness
91% Instrumentalness • 7% Positiveness
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Gustavo Santaolalla
Deportation/Iguazu
148 bpm • C Maj • 04:49 • -18.19db
35% Popularity • 23% Danceability • 28% Energy • 10% Liveness
92% Instrumentalness • 15% Positiveness
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Michael Nyman
Chasing Sheep Is Best Left To Shepherds ...
116 bpm • A min • 05:25 • -8.53db
18% Popularity • 41% Danceability • 61% Energy • 86% Liveness
71% Instrumentalness • 52% Positiveness
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David Lang
Cheating, Lying, Stealing
116 bpm • C Maj • 10:31 • -13.37db
2% Popularity • 72% Danceability • 38% Energy • 8% Liveness
86% Instrumentalness • 47% Positiveness
► Preview
Clint Mansell
Tree of Life
116 bpm • D min • 03:44 • -12.24db
30% Popularity • 23% Danceability • 44% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
► Preview
Max Richter
Infra 4
116 bpm • D min • 02:45 • -14db
31% Popularity • 22% Danceability • 19% Energy • 11% Liveness
69% Instrumentalness • 4% Positiveness
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Memorial