Songs like Memphis Egypt by Mekons
Based on a tempo of (+/- 10%) and a similar genre
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Camper Van Beethoven
Border Ska
132 bpm • E Maj • 02:56 • -12.54db
20% Popularity • 58% Danceability • 77% Energy • 29% Liveness
90% Instrumentalness • 98% Positiveness
20% Popularity • 58% Danceability • 77% Energy • 29% Liveness
90% Instrumentalness • 98% Positiveness
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The Teardrop Explodes
Sleeping Gas
132 bpm • G min • 03:46 • -7.28db
27% Popularity • 58% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
27% Popularity • 58% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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Freakons
The Mannington Mine Disaster
132 bpm • A Maj • 03:44 • -6.8db
1% Popularity • 35% Danceability • 40% Energy • 28% Liveness
0% Instrumentalness • 30% Positiveness
1% Popularity • 35% Danceability • 40% Energy • 28% Liveness
0% Instrumentalness • 30% Positiveness
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The Fall
Mr. Pharmacist
132 bpm • C# Maj • 02:21 • -7.8db
35% Popularity • 39% Danceability • 69% Energy • 35% Liveness
0% Instrumentalness • 81% Positiveness
35% Popularity • 39% Danceability • 69% Energy • 35% Liveness
0% Instrumentalness • 81% Positiveness
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Beat Happening
Bewitched
132 bpm • D Maj • 03:06 • -8.07db
22% Popularity • 43% Danceability • 94% Energy • 36% Liveness
0% Instrumentalness • 47% Positiveness
22% Popularity • 43% Danceability • 94% Energy • 36% Liveness
0% Instrumentalness • 47% Positiveness
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Frank Black
Headache
132 bpm • B Maj • 02:52 • -4.87db
37% Popularity • 59% Danceability • 95% Energy • 37% Liveness
6% Instrumentalness • 87% Positiveness
37% Popularity • 59% Danceability • 95% Energy • 37% Liveness
6% Instrumentalness • 87% Positiveness
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Mekons
Millionaire
132 bpm • A Maj • 04:35 • -5.49db
15% Popularity • 56% Danceability • 76% Energy • 39% Liveness
34% Instrumentalness • 77% Positiveness
15% Popularity • 56% Danceability • 76% Energy • 39% Liveness
34% Instrumentalness • 77% Positiveness
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The Bats
North by North
132 bpm • D min • 04:06 • -5.31db
18% Popularity • 40% Danceability • 92% Energy • 20% Liveness
29% Instrumentalness • 79% Positiveness
18% Popularity • 40% Danceability • 92% Energy • 20% Liveness
29% Instrumentalness • 79% Positiveness
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That Petrol Emotion
It's A Good Thing
132 bpm • B Maj • 02:33 • -8db
24% Popularity • 41% Danceability • 71% Energy • 32% Liveness
82% Instrumentalness • 55% Positiveness
24% Popularity • 41% Danceability • 71% Energy • 32% Liveness
82% Instrumentalness • 55% Positiveness
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The Only Ones
Breaking Down - 2008 re-mastered version
132 bpm • F Maj • 04:49 • -8.94db
17% Popularity • 43% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
17% Popularity • 43% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Mercury Rev
Car Wash Hair - Full Pull
132 bpm • E Maj • 06:44 • -12.73db
20% Popularity • 28% Danceability • 58% Energy • 41% Liveness
32% Instrumentalness • 25% Positiveness
20% Popularity • 28% Danceability • 58% Energy • 41% Liveness
32% Instrumentalness • 25% Positiveness
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Eleventh Dream Day
Makin' Like a Rug
132 bpm • E Maj • 03:43 • -9.85db
13% Popularity • 46% Danceability • 87% Energy • 17% Liveness
17% Instrumentalness • 58% Positiveness
13% Popularity • 46% Danceability • 87% Energy • 17% Liveness
17% Instrumentalness • 58% Positiveness
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Mekons
Memphis Egypt
132 bpm • E Maj • 03:35 • -6.95db
21% Popularity • 40% Danceability • 98% Energy • 22% Liveness
93% Instrumentalness • 34% Positiveness
21% Popularity • 40% Danceability • 98% Energy • 22% Liveness
93% Instrumentalness • 34% Positiveness
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Alex Chilton
I've Had It
132 bpm • C# min • 02:23 • -12.71db
27% Popularity • 43% Danceability • 56% Energy • 12% Liveness
79% Instrumentalness • 73% Positiveness
27% Popularity • 43% Danceability • 56% Energy • 12% Liveness
79% Instrumentalness • 73% Positiveness
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The Vaselines
I Hate the '80s
131 bpm • A Maj • 03:29 • -4.09db
21% Popularity • 49% Danceability • 90% Energy • 26% Liveness
1% Instrumentalness • 86% Positiveness
21% Popularity • 49% Danceability • 90% Energy • 26% Liveness
1% Instrumentalness • 86% Positiveness
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Nikki Sudden
Shame For The Angels - 2017 Remaster
131 bpm • A min • 03:15 • -5.08db
10% Popularity • 27% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
10% Popularity • 27% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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The dB's
Love Is for Lovers
133 bpm • C Maj • 03:16 • -10.64db
14% Popularity • 59% Danceability • 67% Energy • 29% Liveness
0% Instrumentalness • 71% Positiveness
14% Popularity • 59% Danceability • 67% Energy • 29% Liveness
0% Instrumentalness • 71% Positiveness
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The Dream Syndicate
Definitely Clean
133 bpm • E min • 03:30 • -7.12db
10% Popularity • 51% Danceability • 96% Energy • 24% Liveness
19% Instrumentalness • 50% Positiveness
10% Popularity • 51% Danceability • 96% Energy • 24% Liveness
19% Instrumentalness • 50% Positiveness
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The Go-Betweens
Head Full Of Steam - Remaster 2004
133 bpm • A min • 03:36 • -9db
16% Popularity • 57% Danceability • 89% Energy • 9% Liveness
8% Instrumentalness • 70% Positiveness
16% Popularity • 57% Danceability • 89% Energy • 9% Liveness
8% Instrumentalness • 70% Positiveness
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Freakons
Canaries
131 bpm • G Maj • 03:52 • -7.35db
2% Popularity • 46% Danceability • 36% Energy • 31% Liveness
0% Instrumentalness • 46% Positiveness
2% Popularity • 46% Danceability • 36% Energy • 31% Liveness
0% Instrumentalness • 46% Positiveness
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The Gun Club
The House on Highland Ave.
133 bpm • D Maj • 03:29 • -4.5db
28% Popularity • 49% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 83% Positiveness
28% Popularity • 49% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 83% Positiveness
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The Lemonheads
Different Drum
133 bpm • A Maj • 02:49 • -5.81db
31% Popularity • 30% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
31% Popularity • 30% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Mekons
Road to Florida
133 bpm • B min • 02:22 • -4.84db
5% Popularity • 42% Danceability • 99% Energy • 28% Liveness
14% Instrumentalness • 88% Positiveness
5% Popularity • 42% Danceability • 99% Energy • 28% Liveness
14% Instrumentalness • 88% Positiveness
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Young Marble Giants
Include Me Out
133 bpm • G Maj • 02:00 • -10db
32% Popularity • 76% Danceability • 62% Energy • 7% Liveness
83% Instrumentalness • 94% Positiveness
32% Popularity • 76% Danceability • 62% Energy • 7% Liveness
83% Instrumentalness • 94% Positiveness
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James Clarke Five
Sexbombe Ãœber Alles
133 bpm • D Maj • 03:58 • -5db
18% Popularity • 45% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 35% Positiveness
18% Popularity • 45% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 35% Positiveness
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The Soft Boys
Give It to the Soft Boys
131 bpm • B min • 02:00 • -6.82db
19% Popularity • 37% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
19% Popularity • 37% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Swell Maps
Read About Seymour
131 bpm • C# min • 01:29 • -15.88db
18% Popularity • 44% Danceability • 59% Energy • 8% Liveness
1% Instrumentalness • 76% Positiveness
18% Popularity • 44% Danceability • 59% Energy • 8% Liveness
1% Instrumentalness • 76% Positiveness
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Mission Of Burma
Trem Two
131 bpm • E min • 04:10 • -10db
27% Popularity • 51% Danceability • 69% Energy • 9% Liveness
67% Instrumentalness • 56% Positiveness
27% Popularity • 51% Danceability • 69% Energy • 9% Liveness
67% Instrumentalness • 56% Positiveness
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Mekons
Trouble Down South
131 bpm • G Maj • 04:15 • -8.03db
12% Popularity • 56% Danceability • 64% Energy • 65% Liveness
1% Instrumentalness • 29% Positiveness
12% Popularity • 56% Danceability • 64% Energy • 65% Liveness
1% Instrumentalness • 29% Positiveness
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The Chills
Kaleidoscope World
131 bpm • D Maj • 03:45 • -9.55db
24% Popularity • 48% Danceability • 63% Energy • 7% Liveness
42% Instrumentalness • 83% Positiveness
24% Popularity • 48% Danceability • 63% Energy • 7% Liveness
42% Instrumentalness • 83% Positiveness
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The Weather Prophets
Almost Prayed
130 bpm • D Maj • 02:40 • -9db
23% Popularity • 60% Danceability • 98% Energy • 30% Liveness
0% Instrumentalness • 94% Positiveness
23% Popularity • 60% Danceability • 98% Energy • 30% Liveness
0% Instrumentalness • 94% Positiveness
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Frank Black
(I Want to Live on an) Abstract Plain
130 bpm • E Maj • 02:17 • -5.65db
28% Popularity • 52% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
28% Popularity • 52% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
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The dB's
That Time Is Gone
130 bpm • A Maj • 03:32 • -4.46db
21% Popularity • 39% Danceability • 92% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
21% Popularity • 39% Danceability • 92% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
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Robyn Hitchcock & The Egyptians
Flesh Number One (Beatle Dennis)
130 bpm • A Maj • 02:39 • -14db
24% Popularity • 66% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
24% Popularity • 66% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Mekons
Hello Cruel World
133 bpm • D# Maj • 03:15 • -9db
7% Popularity • 50% Danceability • 59% Energy • 14% Liveness
2% Instrumentalness • 31% Positiveness
7% Popularity • 50% Danceability • 59% Energy • 14% Liveness
2% Instrumentalness • 31% Positiveness
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Tom Verlaine
Breakin' My Heart
134 bpm • D Maj • 06:06 • -11db
22% Popularity • 55% Danceability • 84% Energy • 10% Liveness
42% Instrumentalness • 91% Positiveness
22% Popularity • 55% Danceability • 84% Energy • 10% Liveness
42% Instrumentalness • 91% Positiveness
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The Chills
This Is the Way
130 bpm • D Maj • 02:32 • -11.38db
26% Popularity • 51% Danceability • 69% Energy • 8% Liveness
84% Instrumentalness • 19% Positiveness
26% Popularity • 51% Danceability • 69% Energy • 8% Liveness
84% Instrumentalness • 19% Positiveness
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Redd Kross
Lady In The Front Row
134 bpm • C Maj • 03:19 • -8db
20% Popularity • 27% Danceability • 93% Energy • 18% Liveness
82% Instrumentalness • 46% Positiveness
20% Popularity • 27% Danceability • 93% Energy • 18% Liveness
82% Instrumentalness • 46% Positiveness
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Swell Maps
Read About Seymour
130 bpm • D Maj • 01:28 • -8.94db
23% Popularity • 32% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
23% Popularity • 32% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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The Dream Syndicate
Let It Rain
130 bpm • A Maj • 03:57 • -9.77db
12% Popularity • 36% Danceability • 84% Energy • 43% Liveness
0% Instrumentalness • 65% Positiveness
12% Popularity • 36% Danceability • 84% Energy • 43% Liveness
0% Instrumentalness • 65% Positiveness
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Mekons
Hello Cruel World
134 bpm • D# Maj • 03:14 • -4db
11% Popularity • 36% Danceability • 72% Energy • 17% Liveness
12% Instrumentalness • 37% Positiveness
11% Popularity • 36% Danceability • 72% Energy • 17% Liveness
12% Instrumentalness • 37% Positiveness
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Sebadoh
The Freed Pig
134 bpm • F min • 03:07 • -7.28db
25% Popularity • 35% Danceability • 93% Energy • 12% Liveness
20% Instrumentalness • 33% Positiveness
25% Popularity • 35% Danceability • 93% Energy • 12% Liveness
20% Instrumentalness • 33% Positiveness
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The Soft Boys
He's a Reptile
134 bpm • C Maj • 04:28 • -7.83db
13% Popularity • 42% Danceability • 69% Energy • 38% Liveness
0% Instrumentalness • 82% Positiveness
13% Popularity • 42% Danceability • 69% Energy • 38% Liveness
0% Instrumentalness • 82% Positiveness
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The Vaselines
Jesus Wants Me For A Sunbeam
130 bpm • G Maj • 03:30 • -7.26db
44% Popularity • 37% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
44% Popularity • 37% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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The Only Ones
Out There In The Night
134 bpm • G Maj • 03:01 • -12db
20% Popularity • 50% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
20% Popularity • 50% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Orange Juice
Moscow
134 bpm • G Maj • 02:01 • -11.6db
23% Popularity • 38% Danceability • 74% Energy • 33% Liveness
46% Instrumentalness • 50% Positiveness
23% Popularity • 38% Danceability • 74% Energy • 33% Liveness
46% Instrumentalness • 50% Positiveness
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Mekons
Slightly South of the Border
134 bpm • C Maj • 03:48 • -8.75db
3% Popularity • 55% Danceability • 61% Energy • 31% Liveness
0% Instrumentalness • 87% Positiveness
3% Popularity • 55% Danceability • 61% Energy • 31% Liveness
0% Instrumentalness • 87% Positiveness
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The Feelies
She Said She Said
129 bpm • D Maj • 02:52 • -7.27db
2% Popularity • 35% Danceability • 81% Energy • 37% Liveness
0% Instrumentalness • 60% Positiveness
2% Popularity • 35% Danceability • 81% Energy • 37% Liveness
0% Instrumentalness • 60% Positiveness
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Tobin Sprout
It's Like Soul Man
129 bpm • D Maj • 02:34 • -7.56db
21% Popularity • 34% Danceability • 92% Energy • 15% Liveness
68% Instrumentalness • 65% Positiveness
21% Popularity • 34% Danceability • 92% Energy • 15% Liveness
68% Instrumentalness • 65% Positiveness
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Game Theory
We Love You Carol And Alison
135 bpm • D Maj • 03:26 • -7.73db
10% Popularity • 51% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
10% Popularity • 51% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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The Gun Club
Ghost on the Highway
135 bpm • E Maj • 02:46 • -6.83db
28% Popularity • 44% Danceability • 92% Energy • 3% Liveness
0% Instrumentalness • 65% Positiveness
28% Popularity • 44% Danceability • 92% Energy • 3% Liveness
0% Instrumentalness • 65% Positiveness
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Hüsker Dü
Terms Of Psychic Warfare
129 bpm • C Maj • 02:19 • -10.25db
27% Popularity • 39% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
27% Popularity • 39% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Mekons
Country
134 bpm • A Maj • 02:54 • -8.36db
11% Popularity • 56% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
11% Popularity • 56% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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The Bats
Courage
135 bpm • F Maj • 04:02 • -13.43db
15% Popularity • 48% Danceability • 68% Energy • 17% Liveness
88% Instrumentalness • 71% Positiveness
15% Popularity • 48% Danceability • 68% Energy • 17% Liveness
88% Instrumentalness • 71% Positiveness
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The Feelies
Slow Down
135 bpm • B Maj • 03:14 • -11.91db
7% Popularity • 51% Danceability • 41% Energy • 9% Liveness
90% Instrumentalness • 8% Positiveness
7% Popularity • 51% Danceability • 41% Energy • 9% Liveness
90% Instrumentalness • 8% Positiveness
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Richard Hell
(I Belong to The) Blank Generation
129 bpm • B min • 02:54 • -4.63db
23% Popularity • 62% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
23% Popularity • 62% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
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Robyn Hitchcock & The Egyptians
So You Think You're In Love
129 bpm • E Maj • 02:34 • -8.67db
29% Popularity • 59% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
29% Popularity • 59% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Gang Of Four
Paralysed
129 bpm • A min • 03:23 • -10.04db
31% Popularity • 67% Danceability • 64% Energy • 7% Liveness
74% Instrumentalness • 70% Positiveness
31% Popularity • 67% Danceability • 64% Energy • 7% Liveness
74% Instrumentalness • 70% Positiveness
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Mekons
Last Dance
134 bpm • C Maj • 03:10 • -3.89db
4% Popularity • 35% Danceability • 89% Energy • 38% Liveness
64% Instrumentalness • 74% Positiveness
4% Popularity • 35% Danceability • 89% Energy • 38% Liveness
64% Instrumentalness • 74% Positiveness
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The Three O'Clock
In My Own Time
135 bpm • D Maj • 02:08 • -8.32db
31% Popularity • 66% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
31% Popularity • 66% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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The Soft Boys
Tonight
129 bpm • C Maj • 03:44 • -7.83db
19% Popularity • 68% Danceability • 70% Energy • 26% Liveness
20% Instrumentalness • 60% Positiveness
19% Popularity • 68% Danceability • 70% Energy • 26% Liveness
20% Instrumentalness • 60% Positiveness
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Flamin' Groovies
Don't Put Me On
128 bpm • F Maj • 04:12 • -11db
18% Popularity • 63% Danceability • 59% Energy • 37% Liveness
12% Instrumentalness • 58% Positiveness
18% Popularity • 63% Danceability • 59% Energy • 37% Liveness
12% Instrumentalness • 58% Positiveness
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Robyn Hitchcock & The Egyptians
Airscape
129 bpm • E Maj • 05:10 • -6.38db
15% Popularity • 47% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
15% Popularity • 47% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
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Magazine
The Light Pours Out Of Me
136 bpm • A Maj • 04:36 • -10.21db
31% Popularity • 58% Danceability • 66% Energy • 18% Liveness
11% Instrumentalness • 87% Positiveness
31% Popularity • 58% Danceability • 66% Energy • 18% Liveness
11% Instrumentalness • 87% Positiveness
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Mekons
Heaven and Back
135 bpm • A Maj • 03:16 • -7.2db
5% Popularity • 46% Danceability • 74% Energy • 23% Liveness
0% Instrumentalness • 63% Positiveness
5% Popularity • 46% Danceability • 74% Energy • 23% Liveness
0% Instrumentalness • 63% Positiveness
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The Dream Syndicate
Out of the Grey
136 bpm • D Maj • 04:50 • -12db
11% Popularity • 41% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
11% Popularity • 41% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
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The Soft Boys
Kingdom of Love
136 bpm • A Maj • 04:11 • -6.42db
24% Popularity • 57% Danceability • 78% Energy • 14% Liveness
1% Instrumentalness • 49% Positiveness
24% Popularity • 57% Danceability • 78% Energy • 14% Liveness
1% Instrumentalness • 49% Positiveness
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The Fall
Mountain Energei
128 bpm • D Maj • 03:22 • -6.31db
34% Popularity • 78% Danceability • 67% Energy • 13% Liveness
2% Instrumentalness • 65% Positiveness
34% Popularity • 78% Danceability • 67% Energy • 13% Liveness
2% Instrumentalness • 65% Positiveness
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Tom Verlaine
Always
136 bpm • A Maj • 03:58 • -7.07db
15% Popularity • 59% Danceability • 83% Energy • 14% Liveness
30% Instrumentalness • 63% Positiveness
15% Popularity • 59% Danceability • 83% Energy • 14% Liveness
30% Instrumentalness • 63% Positiveness
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Silver Jews
Sometimes A Pony Gets Depressed
136 bpm • C Maj • 02:36 • -4.69db
34% Popularity • 48% Danceability • 93% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
34% Popularity • 48% Danceability • 93% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
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Mekons
Last Dance
134 bpm • C Maj • 03:13 • -6db
18% Popularity • 40% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 77% Positiveness
18% Popularity • 40% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 77% Positiveness
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The Chills
Satin Doll
128 bpm • A Maj • 04:27 • -11.72db
24% Popularity • 43% Danceability • 71% Energy • 11% Liveness
57% Instrumentalness • 57% Positiveness
24% Popularity • 43% Danceability • 71% Energy • 11% Liveness
57% Instrumentalness • 57% Positiveness
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Guided By Voices
Everywhere with Helicopter
136 bpm • C Maj • 02:38 • -4.93db
26% Popularity • 41% Danceability • 91% Energy • 35% Liveness
0% Instrumentalness • 84% Positiveness
26% Popularity • 41% Danceability • 91% Energy • 35% Liveness
0% Instrumentalness • 84% Positiveness
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Camper Van Beethoven
Oh No!
136 bpm • B Maj • 01:54 • -11.31db
24% Popularity • 42% Danceability • 80% Energy • 36% Liveness
86% Instrumentalness • 67% Positiveness
24% Popularity • 42% Danceability • 80% Energy • 36% Liveness
86% Instrumentalness • 67% Positiveness
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The Nips
Gabrielle
128 bpm • E Maj • 03:35 • -9db
24% Popularity • 48% Danceability • 68% Energy • 28% Liveness
0% Instrumentalness • 91% Positiveness
24% Popularity • 48% Danceability • 68% Energy • 28% Liveness
0% Instrumentalness • 91% Positiveness
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The Soft Boys
I Wanna Destroy You
127 bpm • G Maj • 02:53 • -4.45db
35% Popularity • 26% Danceability • 96% Energy • 31% Liveness
5% Instrumentalness • 24% Positiveness
35% Popularity • 26% Danceability • 96% Energy • 31% Liveness
5% Instrumentalness • 24% Positiveness
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Mekons
Empire Of The Senseless
129 bpm • C Maj • 04:35 • -8.63db
9% Popularity • 43% Danceability • 59% Energy • 18% Liveness
1% Instrumentalness • 50% Positiveness
9% Popularity • 43% Danceability • 59% Energy • 18% Liveness
1% Instrumentalness • 50% Positiveness
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Wire
Outdoor Miner
127 bpm • B min • 02:54 • -7.82db
38% Popularity • 56% Danceability • 76% Energy • 43% Liveness
1% Instrumentalness • 71% Positiveness
38% Popularity • 56% Danceability • 76% Energy • 43% Liveness
1% Instrumentalness • 71% Positiveness
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Tom Verlaine
There's a Reason
137 bpm • B min • 03:39 • -8.6db
16% Popularity • 40% Danceability • 84% Energy • 11% Liveness
76% Instrumentalness • 29% Positiveness
16% Popularity • 40% Danceability • 84% Energy • 11% Liveness
76% Instrumentalness • 29% Positiveness
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The Feelies
Slipping (Into Something)
137 bpm • G Maj • 05:58 • -10db
12% Popularity • 40% Danceability • 70% Energy • 7% Liveness
93% Instrumentalness • 22% Positiveness
12% Popularity • 40% Danceability • 70% Energy • 7% Liveness
93% Instrumentalness • 22% Positiveness
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Hüsker Dü
Love is All Around
137 bpm • C Maj • 01:47 • -11.55db
23% Popularity • 41% Danceability • 81% Energy • 23% Liveness
0% Instrumentalness • 42% Positiveness
23% Popularity • 41% Danceability • 81% Energy • 23% Liveness
0% Instrumentalness • 42% Positiveness
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Miracle Legion
Just Say Hello
127 bpm • G Maj • 05:01 • -7.74db
17% Popularity • 67% Danceability • 74% Energy • 9% Liveness
2% Instrumentalness • 87% Positiveness
17% Popularity • 67% Danceability • 74% Energy • 9% Liveness
2% Instrumentalness • 87% Positiveness
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Mekons
Revenge
136 bpm • D Maj • 03:08 • -5.64db
5% Popularity • 70% Danceability • 87% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
5% Popularity • 70% Danceability • 87% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
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Green On Red
Fading Away
137 bpm • G Maj • 04:34 • -5.67db
9% Popularity • 42% Danceability • 85% Energy • 10% Liveness
13% Instrumentalness • 86% Positiveness
9% Popularity • 42% Danceability • 85% Energy • 10% Liveness
13% Instrumentalness • 86% Positiveness
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Camper Van Beethoven
Abundance
127 bpm • C Maj • 01:53 • -13.17db
19% Popularity • 46% Danceability • 73% Energy • 29% Liveness
82% Instrumentalness • 55% Positiveness
19% Popularity • 46% Danceability • 73% Energy • 29% Liveness
82% Instrumentalness • 55% Positiveness
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Alex Chilton
Boogie Shoes
127 bpm • E Maj • 02:32 • -10.16db
22% Popularity • 62% Danceability • 65% Energy • 10% Liveness
8% Instrumentalness • 94% Positiveness
22% Popularity • 62% Danceability • 65% Energy • 10% Liveness
8% Instrumentalness • 94% Positiveness
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The dB's
Big Brown Eyes
127 bpm • D Maj • 01:58 • -6db
18% Popularity • 61% Danceability • 87% Energy • 19% Liveness
0% Instrumentalness • 80% Positiveness
18% Popularity • 61% Danceability • 87% Energy • 19% Liveness
0% Instrumentalness • 80% Positiveness
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Buzzcocks
Something's Gone Wrong Again - 2001 Rema...
137 bpm • B Maj • 04:33 • -8db
24% Popularity • 68% Danceability • 91% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
24% Popularity • 68% Danceability • 91% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
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The Soft Boys
Leppo and the Jooves
137 bpm • F# min • 05:27 • -5.45db
12% Popularity • 43% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
12% Popularity • 43% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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The Fall
L.A.
127 bpm • A Maj • 04:09 • -14db
34% Popularity • 54% Danceability • 66% Energy • 8% Liveness
84% Instrumentalness • 81% Positiveness
34% Popularity • 54% Danceability • 66% Energy • 8% Liveness
84% Instrumentalness • 81% Positiveness
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fIREHOSE
In My Mind
127 bpm • C Maj • 02:19 • -10.33db
22% Popularity • 39% Danceability • 73% Energy • 33% Liveness
0% Instrumentalness • 92% Positiveness
22% Popularity • 39% Danceability • 73% Energy • 33% Liveness
0% Instrumentalness • 92% Positiveness
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Alex Chilton
Boogie Shoes
127 bpm • E Maj • 02:30 • -13.67db
29% Popularity • 60% Danceability • 48% Energy • 16% Liveness
64% Instrumentalness • 92% Positiveness
29% Popularity • 60% Danceability • 48% Energy • 16% Liveness
64% Instrumentalness • 92% Positiveness
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Magazine
Definitive Gaze
137 bpm • D Maj • 04:28 • -9.97db
27% Popularity • 44% Danceability • 77% Energy • 9% Liveness
2% Instrumentalness • 74% Positiveness
27% Popularity • 44% Danceability • 77% Energy • 9% Liveness
2% Instrumentalness • 74% Positiveness
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The Long Ryders
Looking For Lewis And Clark
138 bpm • D Maj • 03:11 • -5.01db
24% Popularity • 49% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
24% Popularity • 49% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
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The Dream Syndicate
Halloween
126 bpm • G Maj • 06:10 • -7.96db
13% Popularity • 46% Danceability • 87% Energy • 11% Liveness
71% Instrumentalness • 67% Positiveness
13% Popularity • 46% Danceability • 87% Energy • 11% Liveness
71% Instrumentalness • 67% Positiveness
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Beat Happening
Red Head Walking
126 bpm • B min • 02:07 • -10.33db
27% Popularity • 70% Danceability • 66% Energy • 8% Liveness
1% Instrumentalness • 93% Positiveness
27% Popularity • 70% Danceability • 66% Energy • 8% Liveness
1% Instrumentalness • 93% Positiveness
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Eleventh Dream Day
Testify
126 bpm • A Maj • 04:03 • -6.04db
8% Popularity • 36% Danceability • 88% Energy • 36% Liveness
93% Instrumentalness • 50% Positiveness
8% Popularity • 36% Danceability • 88% Energy • 36% Liveness
93% Instrumentalness • 50% Positiveness
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The Monochrome Set
Alphaville - Bonus Track
126 bpm • F Maj • 02:53 • -12.11db
14% Popularity • 50% Danceability • 51% Energy • 31% Liveness
0% Instrumentalness • 79% Positiveness
14% Popularity • 50% Danceability • 51% Energy • 31% Liveness
0% Instrumentalness • 79% Positiveness
