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Mending Wall
Songs like
Mending Wall
by
Robert Frost
Based on a tempo of (+/- 10%) and a similar genre
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Tim Graham
A Dream Within A Dream
138 bpm • D Maj • 00:55 • -22db
13% Popularity • 69% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
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Robert Frost
Mending Wall
138 bpm • A Maj • 02:20 • -22db
18% Popularity • 69% Danceability • 17% Energy • 30% Liveness
0% Instrumentalness • 39% Positiveness
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E.E. Cummings
Next to of Course God America
137 bpm • A# min • 00:59 • -16.88db
14% Popularity • 69% Danceability • 16% Energy • 39% Liveness
0% Instrumentalness • 28% Positiveness
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Michael Harris
Introduction to the Granberry Song
137 bpm • F# min • 01:38 • -22.2db
17% Popularity • 69% Danceability • 38% Energy • 87% Liveness
0% Instrumentalness • 14% Positiveness
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Roger William Wade
Beauty And The Beast.1 - Princess Storie...
139 bpm • C Maj • 03:06 • -28db
7% Popularity • 58% Danceability • 4% Energy • 59% Liveness
0% Instrumentalness • 55% Positiveness
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Jappo Pie
Wiki Wah
139 bpm • G Maj • 01:30 • -34.55db
8% Popularity • 67% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Shel Silverstein
Long-Haired Boy
137 bpm • F# min • 02:08 • -16.28db
13% Popularity • 69% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Robert Frost
The White-Tailed Deer
138 bpm • D Maj • 03:30 • -22.45db
6% Popularity • 69% Danceability • 15% Energy • 40% Liveness
0% Instrumentalness • 37% Positiveness
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Jack Kerouac
Medley: San Francisco Blues (Fragments)
137 bpm • A# min • 03:02 • -18db
13% Popularity • 69% Danceability • 15% Energy • 41% Liveness
0% Instrumentalness • 32% Positiveness
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Zion Pentecostal Moreton's Hr. NL
Psalm 55
140 bpm • A# min • 02:32 • -27.66db
18% Popularity • 62% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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koulouri comedy
tragano
136 bpm • A# Maj • 01:01 • -25.02db
28% Popularity • 69% Danceability • 14% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
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Nik_Poetry
Villain Era
140 bpm • A Maj • 01:20 • -22.46db
16% Popularity • 68% Danceability • 21% Energy • 26% Liveness
0% Instrumentalness • 75% Positiveness
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Seamus Heaney
Postscript
140 bpm • G# Maj • 01:06 • -23db
11% Popularity • 69% Danceability • 13% Energy • 33% Liveness
0% Instrumentalness • 40% Positiveness
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Robert Frost
West-Running Brook
139 bpm • A# min • 04:23 • -25.19db
1% Popularity • 69% Danceability • 9% Energy • 38% Liveness
0% Instrumentalness • 55% Positiveness
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Alex Jennings
Bright Star
141 bpm • F Maj • 01:03 • -28.01db
12% Popularity • 67% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Rich Youngin2x
Xxl
142 bpm • F# Maj • 01:14 • -15.29db
23% Popularity • 60% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Shel Silverstein
Nobody
142 bpm • C Maj • 01:03 • -30.72db
13% Popularity • 68% Danceability • 7% Energy • 30% Liveness
0% Instrumentalness • 46% Positiveness
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BJ n the Shroomies
Gg Brad
142 bpm • C# min • 01:04 • -16.35db
13% Popularity • 60% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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qed'bop
Acquainted with the Night
143 bpm • E min • 03:15 • -14.99db
1% Popularity • 67% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
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Robert Frost
After Apple Picking
136 bpm • A Maj • 01:57 • -23db
15% Popularity • 70% Danceability • 8% Energy • 23% Liveness
0% Instrumentalness • 21% Positiveness
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Edgar Allan Poe
The Best of Edgar Allan Poe - A Dream Wi...
133 bpm • C Maj • 01:05 • -25.95db
19% Popularity • 55% Danceability • 16% Energy • 42% Liveness
0% Instrumentalness • 66% Positiveness
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Michael Sheen
Letter From Gustave Flaubert To Louise C...
133 bpm • D# Maj • 03:42 • -30.59db
14% Popularity • 42% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Shel Silverstein
If the World Was Crazy
133 bpm • C# min • 01:14 • -18.67db
14% Popularity • 70% Danceability • 30% Energy • 22% Liveness
0% Instrumentalness • 46% Positiveness
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Tim Graham
Walt Whitman - Oh Captain My Captain
144 bpm • C# Maj • 01:24 • -20.67db
13% Popularity • 68% Danceability • 20% Energy • 23% Liveness
0% Instrumentalness • 57% Positiveness
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George Orwell
Chapter 4 - Animal Farm
132 bpm • B Maj • 03:07 • -18.74db
10% Popularity • 71% Danceability • 18% Energy • 52% Liveness
0% Instrumentalness • 46% Positiveness
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Robert Frost
Another Question
141 bpm • G Maj • 03:02 • -6.63db
0% Popularity • 51% Danceability • 84% Energy • 29% Liveness
63% Instrumentalness • 92% Positiveness
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Langston Hughes
The Weary Blues
133 bpm • C Maj • 01:42 • -19.53db
7% Popularity • 70% Danceability • 7% Energy • 21% Liveness
0% Instrumentalness • 18% Positiveness
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Robert Burns
To A Mouse
132 bpm • A min • 02:07 • -23.83db
11% Popularity • 70% Danceability • 19% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
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Sir John Gielgud
Sonnet 12
144 bpm • B min • 00:56 • -16db
11% Popularity • 67% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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Chris Barrie
Collision Course
131 bpm • F# min • 06:46 • -16.39db
12% Popularity • 71% Danceability • 33% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
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William Shakespeare
When forty winters shall besiege thy bro...
145 bpm • A# Maj • 00:56 • -24.25db
9% Popularity • 68% Danceability • 12% Energy • 34% Liveness
0% Instrumentalness • 22% Positiveness
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Robert Frost
Something's Wrong
132 bpm • E min • 04:22 • -6.72db
0% Popularity • 43% Danceability • 57% Energy • 12% Liveness
2% Instrumentalness • 65% Positiveness
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Eve Karpf
The Lamb - William Blake
145 bpm • F min • 00:58 • -23.96db
14% Popularity • 67% Danceability • 12% Energy • 11% Liveness
29% Instrumentalness • 31% Positiveness
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Emily Dickinson
I Measure Every Grief - Emily Dickinson
145 bpm • B min • 01:21 • -24db
14% Popularity • 67% Danceability • 7% Energy • 23% Liveness
0% Instrumentalness • 31% Positiveness
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Stephen Murray
I Wandered Lonely As a Cloud
131 bpm • A# min • 01:04 • -22.22db
17% Popularity • 71% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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EST Gurbo
Shoota
131 bpm • B Maj • 01:14 • -13.23db
24% Popularity • 57% Danceability • 55% Energy • 50% Liveness
0% Instrumentalness • 55% Positiveness
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T. S. Eliot
The Hollow Men
146 bpm • G# Maj • 04:24 • -30.59db
9% Popularity • 63% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Robert Frost
It's Too Late
131 bpm • A# Maj • 03:53 • -8.53db
0% Popularity • 70% Danceability • 49% Energy • 6% Liveness
91% Instrumentalness • 78% Positiveness
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Abtu
Perfection/Said But Not Heard
131 bpm • B Maj • 01:03 • -22.72db
22% Popularity • 70% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Sauve2x
Paper getter
130 bpm • F# min • 01:14 • -11.23db
16% Popularity • 61% Danceability • 69% Energy • 43% Liveness
0% Instrumentalness • 43% Positiveness
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Sylvia Plath
Leaving Early
130 bpm • F min • 02:26 • -24.36db
10% Popularity • 71% Danceability • 3% Energy • 35% Liveness
0% Instrumentalness • 31% Positiveness
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YLN Jay
Real Member
147 bpm • B Maj • 01:18 • -13.77db
23% Popularity • 49% Danceability • 37% Energy • 56% Liveness
0% Instrumentalness • 70% Positiveness
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Big Baller B
they don't wanna see us
130 bpm • G# Maj • 01:29 • -18.19db
18% Popularity • 55% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Robert Frost
After Apple-Picking
130 bpm • A# min • 02:00 • -22.04db
1% Popularity • 71% Danceability • 8% Energy • 27% Liveness
0% Instrumentalness • 49% Positiveness
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Abtu
The Author
130 bpm • B Maj • 01:02 • -23.34db
28% Popularity • 70% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Zion Pentecostal Moreton's Hr. NL
Psalm 11
147 bpm • C# min • 01:07 • -19.38db
17% Popularity • 67% Danceability • 28% Energy • 25% Liveness
0% Instrumentalness • 35% Positiveness
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Royal Shakespeare Company
Of Comfort No Man Speak... (Richard II)
129 bpm • C# Maj • 02:48 • -19.31db
9% Popularity • 70% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 16% Positiveness
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Richard Mitchley
Khalil Gibran - Song of the Flower
129 bpm • F min • 01:02 • -23db
14% Popularity • 71% Danceability • 13% Energy • 35% Liveness
0% Instrumentalness • 68% Positiveness
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Megatron2x
Hunnid Round Goon
128 bpm • G Maj • 01:14 • -10.52db
23% Popularity • 59% Danceability • 61% Energy • 62% Liveness
0% Instrumentalness • 57% Positiveness
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Robert Frost
Directive
129 bpm • B Maj • 03:43 • -13.43db
2% Popularity • 71% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Christopher Hassall
Daffodils
129 bpm • G# Maj • 01:14 • -31.34db
15% Popularity • 73% Danceability • 5% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
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Abtu
New Love Spell
130 bpm • D min • 01:30 • -20.14db
8% Popularity • 70% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Children's Bedtime Stories
Obbli-Obbli
128 bpm • C Maj • 05:04 • -21.66db
13% Popularity • 66% Danceability • 21% Energy • 25% Liveness
0% Instrumentalness • 50% Positiveness
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Midd13
Epilogue
128 bpm • G# Maj • 01:16 • -27db
14% Popularity • 71% Danceability • 14% Energy • 36% Liveness
0% Instrumentalness • 42% Positiveness
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Toby Lurie
Do
128 bpm • D Maj • 01:19 • -16.89db
15% Popularity • 72% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Robert Frost
This Girl Means Everything
148 bpm • D Maj • 03:43 • -8.4db
0% Popularity • 55% Danceability • 77% Energy • 22% Liveness
70% Instrumentalness • 55% Positiveness
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Kurt Vonnegut
Slaughterhouse 5, Pt. 8 and 9
128 bpm • A# min • 11:41 • -19.53db
10% Popularity • 72% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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The Bible in Living Sound
The Fall of Jericho
128 bpm • D# Maj • 06:26 • -10.93db
9% Popularity • 68% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Christopher Plummer
Scene V, Part II
127 bpm • F Maj • 01:05 • -25.13db
10% Popularity • 65% Danceability • 16% Energy • 27% Liveness
0% Instrumentalness • 33% Positiveness
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Percy Bysshe Shelley
Ozymandias
127 bpm • G Maj • 01:23 • -23.05db
14% Popularity • 66% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Abtu
Storysong/True Love
127 bpm • B Maj • 01:10 • -23.13db
20% Popularity • 78% Danceability • 15% Energy • 28% Liveness
0% Instrumentalness • 44% Positiveness
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Robert Frost
The Road Not Taken
149 bpm • C Maj • 01:03 • -14.61db
16% Popularity • 67% Danceability • 18% Energy • 31% Liveness
0% Instrumentalness • 58% Positiveness
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Seamus Heaney
At The Wellhead
126 bpm • C# Maj • 01:58 • -19.33db
8% Popularity • 71% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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New Testament
The Deposition from the Cross
126 bpm • F Maj • 00:59 • -35.38db
9% Popularity • 56% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Dr. Maya Angelou
Still I Rise
126 bpm • D Maj • 00:57 • -19.62db
19% Popularity • 56% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
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Chris Barrie
Giant Cockroaches
126 bpm • A# min • 06:45 • -17.69db
10% Popularity • 70% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
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Alan Seeger
I Have A Rendezvous With Death
125 bpm • E min • 00:41 • -14.92db
11% Popularity • 73% Danceability • 31% Energy • 22% Liveness
0% Instrumentalness • 78% Positiveness
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Ghizela Rowe
At The Piano By Thomas Hardy
125 bpm • G# Maj • 00:41 • -26db
14% Popularity • 69% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Sylvia Plath
Tulips
124 bpm • C Maj • 04:30 • -19.67db
9% Popularity • 71% Danceability • 24% Energy • 61% Liveness
0% Instrumentalness • 20% Positiveness
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John F. Kennedy
First Inaugural Speech (Kennedy)
125 bpm • F# Maj • 07:09 • -21.1db
11% Popularity • 71% Danceability • 18% Energy • 87% Liveness
0% Instrumentalness • 48% Positiveness
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Alfred Hitchcock
The Magician
123 bpm • B Maj • 03:33 • -32.65db
9% Popularity • 65% Danceability • 9% Energy • 52% Liveness
0% Instrumentalness • 32% Positiveness
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Derek & Clive
Having a Wank
123 bpm • C# Maj • 11:34 • -37.71db
17% Popularity • 62% Danceability • 3% Energy • 25% Liveness
0% Instrumentalness • 36% Positiveness
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Sean William
20,000 Gluckseys Under The Sea (Part of ...
123 bpm • B min • 03:07 • -15.76db
17% Popularity • 72% Danceability • 26% Energy • 34% Liveness
0% Instrumentalness • 62% Positiveness
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Jack Kerouac
Lucien Midnight: The Sounds Of The Unive...
122 bpm • C# min • 04:22 • -15.88db
13% Popularity • 72% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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H.G. Wells
Chapter 1 - War of the Worlds
123 bpm • F min • 03:04 • -19.76db
9% Popularity • 66% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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John F. Kennedy
Cuban Missile Crisis
124 bpm • C Maj • 01:01 • -11.23db
14% Popularity • 74% Danceability • 34% Energy • 42% Liveness
0% Instrumentalness • 59% Positiveness
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MR Kingpin
Diary Entry #1
121 bpm • D# Maj • 00:57 • -26.72db
17% Popularity • 69% Danceability • 16% Energy • 39% Liveness
0% Instrumentalness • 45% Positiveness
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Fool's Gold
Longstone (Intro) - Live
120 bpm • F Maj • 05:36 • -15.39db
11% Popularity • 72% Danceability • 51% Energy • 36% Liveness
0% Instrumentalness • 40% Positiveness
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Winston Churchill
Britain Must Arm, America Must Arm
121 bpm • B min • 04:15 • -19db
11% Popularity • 72% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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Noam Chomsky
Propaganda
120 bpm • A# min • 01:09 • -23.01db
13% Popularity • 75% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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Italian Languagepod
Learn Italian While Sleeping with Peacef...
119 bpm • D min • 00:53 • -17.09db
12% Popularity • 72% Danceability • 37% Energy • 80% Liveness
0% Instrumentalness • 62% Positiveness
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Old Testament
The Infant Moses
119 bpm • A min • 01:27 • -29.92db
8% Popularity • 51% Danceability • 3% Energy • 21% Liveness
0% Instrumentalness • 39% Positiveness
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Kurt Vonnegut
Slaughterhouse 5, Pt. 4
120 bpm • A# Maj • 06:13 • -22db
12% Popularity • 72% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Zion Pentecostal Moreton's Hr. NL
Psalm 14
119 bpm • A# min • 01:10 • -18.1db
17% Popularity • 72% Danceability • 15% Energy • 33% Liveness
0% Instrumentalness • 55% Positiveness
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Sir John Gielgud
Sonnet XVIII
119 bpm • C# Maj • 00:52 • -23db
11% Popularity • 72% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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JV productions
M
161 bpm • F Maj • 01:02 • -24.11db
23% Popularity • 62% Danceability • 0% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
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Br0ken Jay
63 SHOTS (OBLOCK DISS)
161 bpm • F# min • 01:54 • -8.36db
13% Popularity • 57% Danceability • 78% Energy • 30% Liveness
0% Instrumentalness • 63% Positiveness
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Robert Frost
Choose Something Like A Star
119 bpm • C min • 01:13 • -27.43db
0% Popularity • 71% Danceability • 8% Energy • 25% Liveness
0% Instrumentalness • 37% Positiveness
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Megatron2x
Activists
161 bpm • E min • 01:16 • -10.85db
23% Popularity • 51% Danceability • 55% Energy • 50% Liveness
0% Instrumentalness • 57% Positiveness
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E.E. Cummings
I Carry Your Heart With Me (I Carry It I...
118 bpm • F Maj • 01:39 • -30.18db
16% Popularity • 61% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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YBN Sleazy
Honda
118 bpm • E Maj • 01:14 • -11.53db
12% Popularity • 51% Danceability • 75% Energy • 59% Liveness
0% Instrumentalness • 60% Positiveness
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Vincent Price
Ozymandias
163 bpm • F Maj • 01:23 • -20db
12% Popularity • 62% Danceability • 19% Energy • 17% Liveness
0% Instrumentalness • 27% Positiveness
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Nicole Pancakes
Quicksand - Acapella
164 bpm • A Maj • 03:12 • -24.86db
12% Popularity • 64% Danceability • 21% Energy • 48% Liveness
0% Instrumentalness • 30% Positiveness
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Robert Frost
Neither out Far nor in Deep
117 bpm • G min • 00:47 • -20.94db
9% Popularity • 80% Danceability • 18% Energy • 39% Liveness
0% Instrumentalness • 22% Positiveness
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Shel Silverstein
Hector the Collector
164 bpm • B min • 01:06 • -22.39db
12% Popularity • 63% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Lawrence Ferlinghetti
The World Is a Beautiful Place
165 bpm • F min • 02:09 • -24.55db
9% Popularity • 63% Danceability • 2% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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JV productions
R
165 bpm • C# min • 01:02 • -25.85db
23% Popularity • 62% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Randall Thompson
Frostiana: Stopping by Woods on a Snowy ...
167 bpm • F min • 06:32 • -32.91db
1% Popularity • 20% Danceability • 1% Energy • 9% Liveness
2% Instrumentalness • 6% Positiveness
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Dylan Thomas
The Owl (Edward Thomas)
167 bpm • G# Maj • 01:16 • -26.86db
8% Popularity • 62% Danceability • 6% Energy • 66% Liveness
0% Instrumentalness • 26% Positiveness
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Robert Frost
The Mountain
117 bpm • B Maj • 06:03 • -14.7db
1% Popularity • 72% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Mending Wall