Songs like Mess Her Up by Amy Shark
Based on a tempo of (+/- 10%) and a similar genre
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Gretta Ray
Bigger Than Me
160 bpm • G Maj • 03:41 • -6.58db
25% Popularity • 62% Danceability • 72% Energy • 30% Liveness
0% Instrumentalness • 69% Positiveness
25% Popularity • 62% Danceability • 72% Energy • 30% Liveness
0% Instrumentalness • 69% Positiveness
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Amy Shark
Mess Her Up - Single Edit
160 bpm • G Maj • 03:25 • -4.48db
39% Popularity • 60% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
39% Popularity • 60% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Tuka
Dickheads
160 bpm • C Maj • 03:36 • -4.57db
15% Popularity • 75% Danceability • 89% Energy • 34% Liveness
0% Instrumentalness • 61% Positiveness
15% Popularity • 75% Danceability • 89% Energy • 34% Liveness
0% Instrumentalness • 61% Positiveness
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The Herd
Bodies - triple j Like a Version
162 bpm • D min • 04:10 • -6db
25% Popularity • 55% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
25% Popularity • 55% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Odette
Do You See Me
162 bpm • F Maj • 04:05 • -6.3db
21% Popularity • 71% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
21% Popularity • 71% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Ruby Fields
P Plates
158 bpm • C# Maj • 03:27 • -5db
44% Popularity • 50% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
44% Popularity • 50% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
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Mitch James
Be Somebody
162 bpm • C# min • 03:04 • -5db
30% Popularity • 37% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
30% Popularity • 37% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Amy Shark
Mess Her Up
160 bpm • G Maj • 03:28 • -4.89db
46% Popularity • 59% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
46% Popularity • 59% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Dermot Kennedy
Outnumbered
157 bpm • C Maj • 04:05 • -5.79db
61% Popularity • 61% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
61% Popularity • 61% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Thirsty Merc
In the Summertime - Single Version
157 bpm • A Maj • 03:48 • -4db
51% Popularity • 49% Danceability • 88% Energy • 25% Liveness
0% Instrumentalness • 74% Positiveness
51% Popularity • 49% Danceability • 88% Energy • 25% Liveness
0% Instrumentalness • 74% Positiveness
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Morgan Evans
Diamonds
158 bpm • D Maj • 02:52 • -5db
44% Popularity • 63% Danceability • 82% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
44% Popularity • 63% Danceability • 82% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
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Jack River
Later Flight
164 bpm • A Maj • 03:19 • -4.81db
26% Popularity • 41% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
26% Popularity • 41% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
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Hilltop Hoods
Fire & Grace
164 bpm • F min • 03:49 • -7db
38% Popularity • 48% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
38% Popularity • 48% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Amy Shark
Drive You Mad
162 bpm • G Maj • 03:32 • -7db
34% Popularity • 50% Danceability • 71% Energy • 9% Liveness
6% Instrumentalness • 36% Positiveness
34% Popularity • 50% Danceability • 71% Energy • 9% Liveness
6% Instrumentalness • 36% Positiveness
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The Chainsmokers
The Reaper
164 bpm • G# min • 03:02 • -7.79db
51% Popularity • 63% Danceability • 56% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
51% Popularity • 63% Danceability • 56% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
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Thirsty Merc
In the Summertime
156 bpm • A Maj • 04:00 • -4.42db
44% Popularity • 50% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
44% Popularity • 50% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
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Evermore
Light Surrounding You
164 bpm • D# Maj • 03:50 • -7db
49% Popularity • 41% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
49% Popularity • 41% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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Killing Heidi
Weir
156 bpm • D Maj • 04:04 • -6.62db
50% Popularity • 33% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 67% Positiveness
50% Popularity • 33% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 67% Positiveness
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Cold Chisel
Khe Sanh - 2011 Remastered
164 bpm • G Maj • 04:14 • -4.21db
60% Popularity • 47% Danceability • 92% Energy • 24% Liveness
0% Instrumentalness • 66% Positiveness
60% Popularity • 47% Danceability • 92% Energy • 24% Liveness
0% Instrumentalness • 66% Positiveness
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Amy Shark
Only Wanna Be With You
164 bpm • A Maj • 03:10 • -4db
45% Popularity • 53% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
45% Popularity • 53% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Birds Of Tokyo
Good Lord
156 bpm • C Maj • 03:25 • -4.82db
44% Popularity • 53% Danceability • 70% Energy • 24% Liveness
0% Instrumentalness • 22% Positiveness
44% Popularity • 53% Danceability • 70% Energy • 24% Liveness
0% Instrumentalness • 22% Positiveness
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George
Breathe in Now
164 bpm • B min • 03:50 • -14.39db
30% Popularity • 41% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
30% Popularity • 41% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Paul Kelly
To Her Door
164 bpm • G Maj • 03:16 • -7db
58% Popularity • 51% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
58% Popularity • 51% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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CXLOE
Low Blow
165 bpm • C Maj • 03:19 • -4.25db
25% Popularity • 63% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
25% Popularity • 63% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Short Stack
Sway Sway Baby!
155 bpm • C# Maj • 02:50 • -4.43db
31% Popularity • 59% Danceability • 94% Energy • 36% Liveness
0% Instrumentalness • 73% Positiveness
31% Popularity • 59% Danceability • 94% Energy • 36% Liveness
0% Instrumentalness • 73% Positiveness
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Amy Shark
The Wolves
156 bpm • F Maj • 02:52 • -6.3db
33% Popularity • 37% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
33% Popularity • 37% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
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Ricki-Lee
Not Too Late
165 bpm • A# Maj • 03:41 • -3db
29% Popularity • 44% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
29% Popularity • 44% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Eves Karydas
Further Than The Planes Fly
166 bpm • C Maj • 03:10 • -7db
40% Popularity • 48% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
40% Popularity • 48% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Ruby Fields
Dinosaurs
154 bpm • A# Maj • 03:52 • -9db
46% Popularity • 48% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
46% Popularity • 48% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Thelma Plum
Nick Cave
166 bpm • B Maj • 02:45 • -9db
33% Popularity • 55% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
33% Popularity • 55% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Grinspoon
Chemical Heart
154 bpm • C Maj • 04:39 • -7.41db
53% Popularity • 47% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
53% Popularity • 47% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Paul Kelly
Dumb Things
154 bpm • C Maj • 02:31 • -5.61db
57% Popularity • 37% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
57% Popularity • 37% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Thirsty Merc
I Wish Somebody Would Build a Bridge
167 bpm • G# Maj • 03:38 • -5db
31% Popularity • 63% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
31% Popularity • 63% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Amy Shark
I'll Be Yours
167 bpm • C min • 03:27 • -5.66db
26% Popularity • 30% Danceability • 65% Energy • 19% Liveness
1% Instrumentalness • 16% Positiveness
26% Popularity • 30% Danceability • 65% Energy • 19% Liveness
1% Instrumentalness • 16% Positiveness
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Kisschasy
Hey Jealousy - 2008 Digital Remaster
154 bpm • F# min • 03:43 • -4.65db
26% Popularity • 35% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
26% Popularity • 35% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Ali Barter
Girlie Bits
153 bpm • E Maj • 03:11 • -6.5db
29% Popularity • 47% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
29% Popularity • 47% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
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Powderfinger
Sunsets
167 bpm • D Maj • 03:49 • -3.59db
55% Popularity • 28% Danceability • 86% Energy • 9% Liveness
4% Instrumentalness • 70% Positiveness
55% Popularity • 28% Danceability • 86% Energy • 9% Liveness
4% Instrumentalness • 70% Positiveness
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The Angels
Am I Ever Gonna See Your Face Again
167 bpm • E Maj • 03:22 • -3.17db
57% Popularity • 30% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
57% Popularity • 30% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Thundamentals
Everybody But You
168 bpm • A min • 03:34 • -7.99db
41% Popularity • 58% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
41% Popularity • 58% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
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Amy Shark
Weekends
153 bpm • B Maj • 03:10 • -6db
41% Popularity • 28% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
41% Popularity • 28% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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G Flip
Good Enough
168 bpm • C Maj • 03:02 • -3.78db
51% Popularity • 34% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
51% Popularity • 34% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
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Birds Of Tokyo
Lanterns
168 bpm • C Maj • 04:22 • -8db
52% Popularity • 40% Danceability • 65% Energy • 14% Liveness
5% Instrumentalness • 31% Positiveness
52% Popularity • 40% Danceability • 65% Energy • 14% Liveness
5% Instrumentalness • 31% Positiveness
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Dear Seattle
The Special Two - triple j Like A Versio...
169 bpm • C# Maj • 04:15 • -4.78db
37% Popularity • 25% Danceability • 90% Energy • 25% Liveness
0% Instrumentalness • 57% Positiveness
37% Popularity • 25% Danceability • 90% Energy • 25% Liveness
0% Instrumentalness • 57% Positiveness
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Gang of Youths
The Deepest Sighs, the Frankest Shadows
152 bpm • C Maj • 05:51 • -6db
47% Popularity • 36% Danceability • 81% Energy • 14% Liveness
1% Instrumentalness • 14% Positiveness
47% Popularity • 36% Danceability • 81% Energy • 14% Liveness
1% Instrumentalness • 14% Positiveness
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E^ST
FRESH OUT OF LOVE
151 bpm • A min • 02:50 • -8.92db
22% Popularity • 55% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
22% Popularity • 55% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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Amy Shark
I'm a Liar
153 bpm • F Maj • 03:24 • -5.25db
29% Popularity • 57% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
29% Popularity • 57% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Kate Miller-Heidke
Ride This Feeling
151 bpm • A Maj • 03:23 • -6.37db
32% Popularity • 52% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
32% Popularity • 52% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
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Grinspoon
Better Off Alone
170 bpm • G Maj • 03:53 • -5.48db
40% Popularity • 43% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
40% Popularity • 43% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Pete Murray
Saving Grace
151 bpm • F# Maj • 02:57 • -9.22db
34% Popularity • 38% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
34% Popularity • 38% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Powderfinger
Love Your Way
170 bpm • F# min • 04:31 • -4.77db
48% Popularity • 30% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
48% Popularity • 30% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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E^ST
WALKING HOME IN THE RAIN
170 bpm • G Maj • 02:43 • -7.93db
30% Popularity • 53% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
30% Popularity • 53% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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P!nk
Leave Me Alone (I'm Lonely)
150 bpm • G Maj • 03:18 • -3.69db
56% Popularity • 48% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
56% Popularity • 48% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Amy Shark
The Idiot
152 bpm • A Maj • 03:17 • -5.17db
33% Popularity • 57% Danceability • 68% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
33% Popularity • 57% Danceability • 68% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
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Luca Brasi
Clothes I Slept In
150 bpm • C# min • 03:38 • -4db
32% Popularity • 48% Danceability • 97% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
32% Popularity • 48% Danceability • 97% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
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GRAACE
Hard to Say
150 bpm • G# Maj • 03:14 • -6.52db
22% Popularity • 64% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
22% Popularity • 64% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Coda Conduct
The Monologue
150 bpm • F min • 03:34 • -6.79db
15% Popularity • 83% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
15% Popularity • 83% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Killing Heidi
Superman/Supergirl
171 bpm • D Maj • 03:35 • -5.4db
26% Popularity • 33% Danceability • 73% Energy • 68% Liveness
0% Instrumentalness • 66% Positiveness
26% Popularity • 33% Danceability • 73% Energy • 68% Liveness
0% Instrumentalness • 66% Positiveness
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Alex Lahey
Don’t Be So Hard On Yourself
149 bpm • C Maj • 04:18 • -5.34db
23% Popularity • 50% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
23% Popularity • 50% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Amy Shark
Golden Fleece
150 bpm • A# Maj • 04:12 • -14db
30% Popularity • 59% Danceability • 36% Energy • 17% Liveness
2% Instrumentalness • 12% Positiveness
30% Popularity • 59% Danceability • 36% Energy • 17% Liveness
2% Instrumentalness • 12% Positiveness
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Kisschasy
Do-Do's And Whoa-Oh's
149 bpm • D Maj • 03:31 • -4.26db
39% Popularity • 37% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
39% Popularity • 37% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Montaigne
The Dying Song
172 bpm • C Maj • 03:24 • -3.38db
28% Popularity • 50% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
28% Popularity • 50% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Thelma Plum
Better in Blak
148 bpm • C# Maj • 03:12 • -5.24db
51% Popularity • 67% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
51% Popularity • 67% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Thundamentals
I Miss You
148 bpm • B Maj • 03:25 • -7db
43% Popularity • 73% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
43% Popularity • 73% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
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Eves Karydas
There For You
148 bpm • C# min • 04:12 • -7.86db
21% Popularity • 35% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
21% Popularity • 35% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Amy Shark
Mess Her Up - Acoustic
150 bpm • G Maj • 03:30 • -8.4db
37% Popularity • 56% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
37% Popularity • 56% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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E^ST
Blowjob
174 bpm • C Maj • 03:32 • -5.89db
17% Popularity • 46% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
17% Popularity • 46% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Tyne-James Organ
Hold Me Back
174 bpm • C Maj • 04:06 • -4.83db
21% Popularity • 65% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
21% Popularity • 65% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Montaigne
Love Might Be Found (Volcano)
174 bpm • D Maj • 03:43 • -4.02db
22% Popularity • 46% Danceability • 77% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
22% Popularity • 46% Danceability • 77% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
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Powderfinger
(Baby I've Got You) On My Mind
147 bpm • D# Maj • 03:20 • -3.36db
55% Popularity • 37% Danceability • 97% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
55% Popularity • 37% Danceability • 97% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Thelma Plum
Not Angry Anymore
175 bpm • B Maj • 03:23 • -6db
41% Popularity • 65% Danceability • 68% Energy • 30% Liveness
0% Instrumentalness • 94% Positiveness
41% Popularity • 65% Danceability • 68% Energy • 30% Liveness
0% Instrumentalness • 94% Positiveness
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Amy Shark
All the Lies About Me
174 bpm • D Maj • 02:57 • -8.99db
34% Popularity • 40% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
34% Popularity • 40% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Ruby Fields
Ritalin
175 bpm • F Maj • 03:08 • -4db
35% Popularity • 35% Danceability • 93% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
35% Popularity • 35% Danceability • 93% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
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Josh Pyke
Middle Of The Hill
146 bpm • G Maj • 02:27 • -7.05db
42% Popularity • 77% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
42% Popularity • 77% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Thundamentals
21 Grams
146 bpm • D# Maj • 04:01 • -3.19db
46% Popularity • 61% Danceability • 84% Energy • 23% Liveness
0% Instrumentalness • 44% Positiveness
46% Popularity • 61% Danceability • 84% Energy • 23% Liveness
0% Instrumentalness • 44% Positiveness
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Jack River
So High
146 bpm • G# Maj • 03:24 • -5.89db
16% Popularity • 46% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
16% Popularity • 46% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Harper Finn
Dance Away These Days
176 bpm • A# min • 03:22 • -5db
35% Popularity • 47% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
35% Popularity • 47% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Amy Shark
Miss You
176 bpm • C min • 02:56 • -6.53db
35% Popularity • 63% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
35% Popularity • 63% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Peking Duk
Move
176 bpm • A Maj • 03:27 • -6db
37% Popularity • 29% Danceability • 82% Energy • 9% Liveness
1% Instrumentalness • 41% Positiveness
37% Popularity • 29% Danceability • 82% Energy • 9% Liveness
1% Instrumentalness • 41% Positiveness
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Short Stack
We Dance To A Different Disco, Honey
145 bpm • G# Maj • 03:21 • -3.58db
31% Popularity • 57% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 69% Positiveness
31% Popularity • 57% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 69% Positiveness
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Pete Murray
Free
145 bpm • C Maj • 03:35 • -6db
43% Popularity • 52% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
43% Popularity • 52% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Thirsty Merc
Tommy and Krista
145 bpm • B Maj • 03:52 • -4.95db
47% Popularity • 63% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
47% Popularity • 63% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Reece Mastin
Shut Up & Kiss Me
145 bpm • G# Maj • 03:24 • -2.15db
41% Popularity • 55% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
41% Popularity • 55% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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nomad
Oh My My
144 bpm • F# Maj • 03:00 • -5.5db
35% Popularity • 66% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
35% Popularity • 66% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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The Getaway Plan
Where the City Meets the Sea
144 bpm • F# min • 03:35 • -4.68db
44% Popularity • 47% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
44% Popularity • 47% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Odette
Collide
178 bpm • D# min • 03:43 • -7.27db
32% Popularity • 60% Danceability • 70% Energy • 11% Liveness
2% Instrumentalness • 5% Positiveness
32% Popularity • 60% Danceability • 70% Energy • 11% Liveness
2% Instrumentalness • 5% Positiveness
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Amy Shark
Lonely Still
144 bpm • E Maj • 02:48 • -6.39db
36% Popularity • 63% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
36% Popularity • 63% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Killing Heidi
Calm Down
144 bpm • D Maj • 03:42 • -2.13db
25% Popularity • 46% Danceability • 97% Energy • 29% Liveness
0% Instrumentalness • 42% Positiveness
25% Popularity • 46% Danceability • 97% Energy • 29% Liveness
0% Instrumentalness • 42% Positiveness
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Kisschasy
Opinions Won't Keep You Warm At Night
144 bpm • G min • 03:06 • -3.35db
44% Popularity • 43% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
44% Popularity • 43% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
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Montaigne
I'm a Fantastic Wreck
144 bpm • B Maj • 03:14 • -5.67db
25% Popularity • 62% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
25% Popularity • 62% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Bluejuice
Broken Leg
143 bpm • D Maj • 03:12 • -3.9db
48% Popularity • 54% Danceability • 83% Energy • 38% Liveness
0% Instrumentalness • 61% Positiveness
48% Popularity • 54% Danceability • 83% Energy • 38% Liveness
0% Instrumentalness • 61% Positiveness
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Thelma Plum
The Brown Snake
143 bpm • C# Maj • 03:15 • -8db
35% Popularity • 70% Danceability • 69% Energy • 10% Liveness
1% Instrumentalness • 29% Positiveness
35% Popularity • 70% Danceability • 69% Energy • 10% Liveness
1% Instrumentalness • 29% Positiveness
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Amy Shark
All Loved Up
178 bpm • A Maj • 03:30 • -6.33db
44% Popularity • 56% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
44% Popularity • 56% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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Ruby Fields
Climate
143 bpm • D Maj • 03:09 • -4.88db
33% Popularity • 62% Danceability • 57% Energy • 10% Liveness
1% Instrumentalness • 47% Positiveness
33% Popularity • 62% Danceability • 57% Energy • 10% Liveness
1% Instrumentalness • 47% Positiveness
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Eves Karydas
Get Me So High
142 bpm • C# min • 02:55 • -5.25db
24% Popularity • 74% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
24% Popularity • 74% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
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GRAACE
Have Fun At Your Party
180 bpm • A# Maj • 03:40 • -9.7db
22% Popularity • 56% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
22% Popularity • 56% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Tyne-James Organ
Graceful
142 bpm • F Maj • 03:46 • -7db
28% Popularity • 56% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
28% Popularity • 56% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Thelma Plum
Backseat of My Mind
143 bpm • D Maj • 04:24 • -7.09db
41% Popularity • 56% Danceability • 85% Energy • 20% Liveness
15% Instrumentalness • 62% Positiveness
41% Popularity • 56% Danceability • 85% Energy • 20% Liveness
15% Instrumentalness • 62% Positiveness
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Amy Shark
The Slow Song
142 bpm • E Maj • 02:52 • -5.7db
29% Popularity • 54% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
29% Popularity • 54% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
