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Mess
Songs like
Mess
by
The Wonsers
Based on a tempo of (+/- 10%) and a similar genre
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Tom Scully
Star Gazing
140 bpm • D Maj • 05:17 • -3.85db
11% Popularity • 53% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 44% Positiveness
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The Wonsers
Mess
140 bpm • C Maj • 02:24 • -8.81db
0% Popularity • 43% Danceability • 78% Energy • 25% Liveness
0% Instrumentalness • 91% Positiveness
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STILL LAKES
This Love
140 bpm • G Maj • 02:19 • -10.63db
9% Popularity • 42% Danceability • 78% Energy • 44% Liveness
82% Instrumentalness • 62% Positiveness
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Jason James J
What If You're Right (And They're Wrong)
140 bpm • C# Maj • 03:21 • -11.11db
11% Popularity • 60% Danceability • 66% Energy • 10% Liveness
56% Instrumentalness • 77% Positiveness
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The Galileo 7
Seen Somehow
140 bpm • A Maj • 02:26 • -4.48db
8% Popularity • 36% Danceability • 94% Energy • 26% Liveness
0% Instrumentalness • 73% Positiveness
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The Ceys
Revolution #2
140 bpm • A Maj • 05:08 • -6.99db
13% Popularity • 43% Danceability • 61% Energy • 81% Liveness
92% Instrumentalness • 42% Positiveness
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Lennox
You're to Blame
140 bpm • B min • 03:31 • -7.67db
10% Popularity • 54% Danceability • 70% Energy • 34% Liveness
26% Instrumentalness • 59% Positiveness
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The Wonsers
Long Way to Go
140 bpm • D Maj • 04:14 • -11.08db
0% Popularity • 66% Danceability • 44% Energy • 11% Liveness
41% Instrumentalness • 56% Positiveness
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Black skullz
You'll Never Take Me Alive
140 bpm • F Maj • 03:03 • -5.12db
14% Popularity • 41% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
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food bed gospel
laurelhurst
141 bpm • G Maj • 01:58 • -6.84db
10% Popularity • 40% Danceability • 69% Energy • 11% Liveness
45% Instrumentalness • 50% Positiveness
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The Desert States
Ideal Drugs
139 bpm • D Maj • 02:35 • -6.57db
27% Popularity • 50% Danceability • 87% Energy • 34% Liveness
84% Instrumentalness • 68% Positiveness
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Owen Adamcik
she's my girlfriend
141 bpm • C# min • 01:29 • -4.74db
16% Popularity • 51% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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WEEDS UTD.
Hooking Good (Reeling Fine)
139 bpm • D Maj • 03:36 • -6.04db
8% Popularity • 34% Danceability • 71% Energy • 33% Liveness
0% Instrumentalness • 43% Positiveness
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The Wonsers
Skyline Bridge
141 bpm • D Maj • 03:48 • -7.85db
0% Popularity • 37% Danceability • 81% Energy • 25% Liveness
11% Instrumentalness • 59% Positiveness
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Zebulon Beerbohm
Choking City
141 bpm • A Maj • 03:16 • -6.31db
22% Popularity • 32% Danceability • 93% Energy • 13% Liveness
1% Instrumentalness • 45% Positiveness
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Jacka & The Schott of Love
Press Play
141 bpm • E Maj • 03:48 • -9db
19% Popularity • 56% Danceability • 74% Energy • 11% Liveness
1% Instrumentalness • 72% Positiveness
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The Tubs
The Name Song
141 bpm • F Maj • 03:08 • -7.98db
7% Popularity • 44% Danceability • 86% Energy • 18% Liveness
14% Instrumentalness • 46% Positiveness
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Nathan Cook
Beyond Everything
141 bpm • A min • 05:03 • -6.13db
12% Popularity • 44% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 49% Positiveness
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The Codes
Surprise Me
139 bpm • G# Maj • 05:31 • -8db
18% Popularity • 47% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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AstroGun
Heaven's Gate - THE UNDERGROUND SESSIONS...
141 bpm • G Maj • 03:50 • -7.41db
10% Popularity • 46% Danceability • 93% Energy • 7% Liveness
80% Instrumentalness • 29% Positiveness
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Petter Baarli
What Went Wrong
142 bpm • D Maj • 03:36 • -6.31db
17% Popularity • 55% Danceability • 72% Energy • 29% Liveness
1% Instrumentalness • 50% Positiveness
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Justin Taylor
Lake Champlain
139 bpm • E Maj • 02:53 • -6.97db
12% Popularity • 19% Danceability • 52% Energy • 15% Liveness
16% Instrumentalness • 35% Positiveness
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Trademark Issues
Camión
138 bpm • E Maj • 03:13 • -4.14db
7% Popularity • 29% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Hallo Venray
Circles - Electric
142 bpm • D Maj • 01:39 • -4.47db
9% Popularity • 32% Danceability • 96% Energy • 31% Liveness
1% Instrumentalness • 45% Positiveness
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Carnival Road
Just Like The Rain
142 bpm • A Maj • 03:49 • -9.37db
10% Popularity • 56% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Levine
She Told Me as She Leant In
142 bpm • E Maj • 03:20 • -10db
13% Popularity • 27% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
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Death Threat Cassette
Piss Wet Through
142 bpm • C# Maj • 03:37 • -6.28db
8% Popularity • 40% Danceability • 85% Energy • 82% Liveness
42% Instrumentalness • 45% Positiveness
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Achey Peace
Wyvern
138 bpm • F Maj • 04:02 • -12.86db
9% Popularity • 48% Danceability • 26% Energy • 10% Liveness
17% Instrumentalness • 4% Positiveness
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AstroGun
Dreaming Skies - THE UNDERGROUND SESSION...
142 bpm • A min • 03:24 • -5.65db
8% Popularity • 49% Danceability • 92% Energy • 35% Liveness
15% Instrumentalness • 47% Positiveness
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Eden James
Opposite Ends - Radio Edit
142 bpm • D Maj • 03:03 • -6.14db
8% Popularity • 45% Danceability • 87% Energy • 42% Liveness
0% Instrumentalness • 43% Positiveness
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Los DelTonos
Evolución
138 bpm • C Maj • 04:33 • -8db
14% Popularity • 59% Danceability • 63% Energy • 9% Liveness
1% Instrumentalness • 61% Positiveness
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Strange Magic
A Walking Talking Coke Commercial
138 bpm • G Maj • 00:59 • -13.35db
9% Popularity • 39% Danceability • 97% Energy • 32% Liveness
3% Instrumentalness • 30% Positiveness
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Versus
Dumb Fun
138 bpm • C Maj • 03:22 • -4.55db
7% Popularity • 57% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Kiefer Strong & The Mad Reefer
Astral Plane
142 bpm • F Maj • 02:55 • -8.74db
13% Popularity • 53% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 44% Positiveness
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LEZNIK
So Connected
142 bpm • G Maj • 03:33 • -9.76db
8% Popularity • 48% Danceability • 73% Energy • 47% Liveness
7% Instrumentalness • 61% Positiveness
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The Desert States
Pelican
138 bpm • A min • 01:54 • -11.14db
28% Popularity • 59% Danceability • 74% Energy • 7% Liveness
26% Instrumentalness • 92% Positiveness
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Anthony Stango
You Talk Too Much
138 bpm • G Maj • 02:50 • -5.15db
8% Popularity • 55% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Sam Pinnock
Late Night
138 bpm • G# Maj • 02:22 • -12.83db
20% Popularity • 55% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Jeremy Larkin
Give Me Tuli
138 bpm • B Maj • 02:11 • -10.28db
21% Popularity • 28% Danceability • 58% Energy • 41% Liveness
67% Instrumentalness • 60% Positiveness
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Situate Industry
Match Medicine
138 bpm • G Maj • 04:23 • -5.67db
17% Popularity • 43% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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The Sunday League
Luck
142 bpm • D# Maj • 04:05 • -4.73db
8% Popularity • 43% Danceability • 82% Energy • 16% Liveness
12% Instrumentalness • 45% Positiveness
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The Galileo 7
The Man Who Was Thursday
138 bpm • G Maj • 03:46 • -6db
10% Popularity • 20% Danceability • 86% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
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Plants
Deny
137 bpm • F# Maj • 04:02 • -19.52db
12% Popularity • 46% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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The Wonsers
Nobody
137 bpm • G Maj • 03:40 • -10.09db
0% Popularity • 37% Danceability • 59% Energy • 18% Liveness
1% Instrumentalness • 56% Positiveness
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Allen Smith
Long
137 bpm • G# Maj • 02:49 • -9.78db
26% Popularity • 45% Danceability • 84% Energy • 11% Liveness
3% Instrumentalness • 61% Positiveness
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Verne Coverdale
Can't Describe How I Feel
143 bpm • D Maj • 05:08 • -12.63db
28% Popularity • 40% Danceability • 45% Energy • 34% Liveness
0% Instrumentalness • 55% Positiveness
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Patient Wolf
Better Than Good Enough
143 bpm • G min • 03:30 • -9.29db
20% Popularity • 47% Danceability • 83% Energy • 10% Liveness
15% Instrumentalness • 31% Positiveness
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The Pengwins
Life After High School
137 bpm • E Maj • 03:51 • -7.5db
13% Popularity • 34% Danceability • 56% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
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Wendell Larkin
Residue
137 bpm • F# Maj • 03:48 • -6.72db
21% Popularity • 58% Danceability • 76% Energy • 51% Liveness
0% Instrumentalness • 57% Positiveness
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The Yubious
I Will Be There
137 bpm • C# Maj • 03:28 • -8.25db
7% Popularity • 46% Danceability • 61% Energy • 17% Liveness
16% Instrumentalness • 29% Positiveness
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The Wonsers
Slip
137 bpm • D Maj • 02:55 • -7.04db
0% Popularity • 47% Danceability • 85% Energy • 26% Liveness
0% Instrumentalness • 67% Positiveness
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Zebulon Beerbohm
Laughter Track
143 bpm • G Maj • 03:34 • -5.36db
22% Popularity • 20% Danceability • 87% Energy • 23% Liveness
0% Instrumentalness • 14% Positiveness
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Blanche Zephaniah
In The Suns
144 bpm • G Maj • 05:19 • -8.19db
23% Popularity • 39% Danceability • 85% Energy • 15% Liveness
81% Instrumentalness • 71% Positiveness
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Kumquat
Burning in the Sun
144 bpm • C# Maj • 03:58 • -8.53db
18% Popularity • 35% Danceability • 68% Energy • 24% Liveness
1% Instrumentalness • 63% Positiveness
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Big Bill
Ex-Con
144 bpm • G min • 02:44 • -5.02db
16% Popularity • 45% Danceability • 98% Energy • 49% Liveness
1% Instrumentalness • 24% Positiveness
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Grunge Norris & the Slackers
Black Rose
136 bpm • C min • 03:07 • -6.93db
12% Popularity • 51% Danceability • 93% Energy • 17% Liveness
80% Instrumentalness • 76% Positiveness
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The Wonsers
Half
136 bpm • C Maj • 03:07 • -7.83db
0% Popularity • 56% Danceability • 74% Energy • 24% Liveness
0% Instrumentalness • 84% Positiveness
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Escape Artist Lovers
Out Where I Can Wander
136 bpm • C Maj • 03:14 • -5.36db
9% Popularity • 43% Danceability • 91% Energy • 31% Liveness
0% Instrumentalness • 58% Positiveness
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Penpals
Magic
136 bpm • A Maj • 03:13 • -13.05db
8% Popularity • 44% Danceability • 46% Energy • 25% Liveness
0% Instrumentalness • 43% Positiveness
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Weaveworld
Davy Jones
136 bpm • G Maj • 03:50 • -9.87db
19% Popularity • 36% Danceability • 92% Energy • 35% Liveness
0% Instrumentalness • 60% Positiveness
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Jack Adaptor
High Score On The Galaxian
136 bpm • A Maj • 04:02 • -6.32db
12% Popularity • 52% Danceability • 92% Energy • 26% Liveness
0% Instrumentalness • 59% Positiveness
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Versus
Atomic Kid
136 bpm • A Maj • 04:03 • -2.89db
8% Popularity • 52% Danceability • 98% Energy • 58% Liveness
4% Instrumentalness • 52% Positiveness
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The Wonsers
1,000 Things
144 bpm • D min • 03:16 • -11.24db
0% Popularity • 69% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
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Jackie Jankuloski
Not Too Many
136 bpm • G Maj • 04:20 • -10db
27% Popularity • 37% Danceability • 65% Energy • 36% Liveness
0% Instrumentalness • 65% Positiveness
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Klyben
Plum and Shiver
144 bpm • D Maj • 02:51 • -7.8db
8% Popularity • 25% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Edgar Carl
We Live Together
145 bpm • A Maj • 03:37 • -7.76db
27% Popularity • 25% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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Levine
The Fools Forced Down
145 bpm • D Maj • 04:40 • 1.77db
9% Popularity • 32% Danceability • 96% Energy • 38% Liveness
3% Instrumentalness • 52% Positiveness
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Sober Flesh
Wild Choice
145 bpm • C# min • 02:38 • -12.26db
9% Popularity • 52% Danceability • 66% Energy • 7% Liveness
2% Instrumentalness • 57% Positiveness
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The Wonsers
Amazed
136 bpm • G Maj • 04:16 • -11.33db
0% Popularity • 44% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
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Dominic Angelella
California Freedom Fighter
135 bpm • C Maj • 02:12 • -5.32db
12% Popularity • 51% Danceability • 71% Energy • 26% Liveness
0% Instrumentalness • 63% Positiveness
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Tomahawk Radio
Delusion
135 bpm • C Maj • 03:16 • -9.1db
9% Popularity • 47% Danceability • 83% Energy • 29% Liveness
0% Instrumentalness • 67% Positiveness
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CLVBS
CHAMPAGNE AND DENIAL
135 bpm • D min • 02:36 • -7.81db
22% Popularity • 56% Danceability • 69% Energy • 5% Liveness
88% Instrumentalness • 66% Positiveness
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Underdog
Over and Over (Northern Lights)
145 bpm • E min • 02:30 • -1.68db
11% Popularity • 18% Danceability • 79% Energy • 6% Liveness
8% Instrumentalness • 54% Positiveness
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Résiste capture l'obsession
Sky
135 bpm • C Maj • 02:24 • -8.29db
8% Popularity • 53% Danceability • 92% Energy • 10% Liveness
77% Instrumentalness • 67% Positiveness
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The Frestonians
What's In It For Me?
145 bpm • E Maj • 02:20 • -5.74db
12% Popularity • 39% Danceability • 92% Energy • 33% Liveness
15% Instrumentalness • 55% Positiveness
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Jason Paul & the Know It Alls
We Shoulda Been
135 bpm • G# Maj • 02:50 • -9.88db
14% Popularity • 67% Danceability • 67% Energy • 10% Liveness
65% Instrumentalness • 94% Positiveness
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The Captains Syndrome
Trouble
135 bpm • A min • 03:31 • -7.99db
9% Popularity • 48% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Tom Scully
Ms Robinson
135 bpm • G min • 04:05 • -5.46db
11% Popularity • 53% Danceability • 95% Energy • 39% Liveness
0% Instrumentalness • 48% Positiveness
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Rose Lyon
Little Gods
135 bpm • B min • 04:20 • -6.57db
13% Popularity • 48% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Torn Boys
See Through My Eyes
145 bpm • D Maj • 02:59 • -7.12db
16% Popularity • 59% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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VELOUR FOG
Glue
135 bpm • D# min • 03:36 • -5.38db
27% Popularity • 45% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 81% Positiveness
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Jackie Jankuloski
Nothing
135 bpm • G# Maj • 03:22 • -13.38db
27% Popularity • 34% Danceability • 49% Energy • 24% Liveness
0% Instrumentalness • 49% Positiveness
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Zebulon Beerbohm
I Have Design
146 bpm • F Maj • 02:52 • -6.33db
22% Popularity • 27% Danceability • 90% Energy • 31% Liveness
0% Instrumentalness • 51% Positiveness
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The Wonsers
Amy's Theme
146 bpm • G Maj • 03:34 • -9.62db
0% Popularity • 46% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Schedule 1
No Grace
146 bpm • A min • 04:11 • -5.01db
16% Popularity • 24% Danceability • 92% Energy • 15% Liveness
81% Instrumentalness • 48% Positiveness
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Maxwell Housman
Youth Love
134 bpm • C Maj • 02:50 • -10.36db
21% Popularity • 51% Danceability • 64% Energy • 13% Liveness
26% Instrumentalness • 53% Positiveness
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Otto Steffan
Reason
134 bpm • E Maj • 03:38 • -10.08db
20% Popularity • 55% Danceability • 87% Energy • 42% Liveness
1% Instrumentalness • 71% Positiveness
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Jackie Jankuloski
On My Edge
146 bpm • A# Maj • 03:15 • -12.49db
27% Popularity • 40% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Blanche Zephaniah
A Shot
134 bpm • A min • 03:11 • -7.33db
24% Popularity • 44% Danceability • 85% Energy • 9% Liveness
39% Instrumentalness • 53% Positiveness
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Regina Hansom
I Don't Care
134 bpm • E Maj • 02:59 • -11.03db
28% Popularity • 48% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
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The Redlines
Take What You Can Get
134 bpm • B min • 03:41 • -3.74db
9% Popularity • 56% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
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Canyons and Locusts
Arms on the Table
134 bpm • C# min • 01:38 • -8.97db
12% Popularity • 25% Danceability • 65% Energy • 7% Liveness
95% Instrumentalness • 38% Positiveness
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Mandel Cook
Don't Treat Me
147 bpm • E min • 01:47 • -10.51db
18% Popularity • 44% Danceability • 61% Energy • 12% Liveness
1% Instrumentalness • 78% Positiveness
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Jackie Jankuloski
The Mirror
134 bpm • C Maj • 03:16 • -10.22db
27% Popularity • 55% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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The Wonsers
Mess (Live at Turf Club, 1999)
147 bpm • F min • 03:25 • -12.6db
0% Popularity • 41% Danceability • 87% Energy • 85% Liveness
56% Instrumentalness • 57% Positiveness
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Medieval Knieval
Burn
147 bpm • D Maj • 03:26 • -10.61db
7% Popularity • 45% Danceability • 56% Energy • 23% Liveness
40% Instrumentalness • 78% Positiveness
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Weaveworld
Out and Down
133 bpm • F Maj • 03:33 • -11.02db
19% Popularity • 40% Danceability • 89% Energy • 9% Liveness
1% Instrumentalness • 54% Positiveness
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Spiraling Reverb
Hello
133 bpm • G Maj • 03:09 • -13db
17% Popularity • 61% Danceability • 71% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
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Seth Broun
Lost Dream
147 bpm • A Maj • 04:07 • -10.52db
20% Popularity • 53% Danceability • 68% Energy • 8% Liveness
3% Instrumentalness • 83% Positiveness
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Delia Hume
Sluggardly
147 bpm • F# Maj • 03:54 • -12.49db
30% Popularity • 48% Danceability • 36% Energy • 14% Liveness
4% Instrumentalness • 43% Positiveness
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Mess