Songs like Messa a cinque concertata in G Minor: V. Gloria: Et in terra pax (Largo) by Giovanni Bononcini
Based on a tempo of (+/- 10%) and a similar genre
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Franz Schubert
Mass No. 2 in G Major, D. 167: Kyrie
129 bpm • G Maj • 03:01 • -24.31db
16% Popularity • 24% Danceability • 7% Energy • 16% Liveness
64% Instrumentalness • 8% Positiveness
16% Popularity • 24% Danceability • 7% Energy • 16% Liveness
64% Instrumentalness • 8% Positiveness
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François Couperin
Concert No. 8 in G Major "Les goûts ré...
129 bpm • F Maj • 02:18 • -25.41db
17% Popularity • 23% Danceability • 3% Energy • 8% Liveness
1% Instrumentalness • 21% Positiveness
17% Popularity • 23% Danceability • 3% Energy • 8% Liveness
1% Instrumentalness • 21% Positiveness
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Johann Rosenmüller
Sonata Decima à 5 en fa majeur
129 bpm • E Maj • 05:33 • -18.3db
8% Popularity • 36% Danceability • 19% Energy • 9% Liveness
2% Instrumentalness • 25% Positiveness
8% Popularity • 36% Danceability • 19% Energy • 9% Liveness
2% Instrumentalness • 25% Positiveness
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Henry Purcell
Fantazia IX, Z. 740
129 bpm • E Maj • 04:23 • -18.1db
8% Popularity • 18% Danceability • 14% Energy • 9% Liveness
84% Instrumentalness • 7% Positiveness
8% Popularity • 18% Danceability • 14% Energy • 9% Liveness
84% Instrumentalness • 7% Positiveness
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Heinrich Ignaz Franz von Biber
Violin Sonata No. 1 in A Major, C. 138: ...
129 bpm • D# Maj • 01:05 • -25.63db
22% Popularity • 18% Danceability • 5% Energy • 20% Liveness
45% Instrumentalness • 24% Positiveness
22% Popularity • 18% Danceability • 5% Energy • 20% Liveness
45% Instrumentalness • 24% Positiveness
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Marin Marais
Alcyone Suite: Marche en rondeau
129 bpm • C# min • 01:37 • -16db
25% Popularity • 41% Danceability • 19% Energy • 8% Liveness
84% Instrumentalness • 36% Positiveness
25% Popularity • 41% Danceability • 19% Energy • 8% Liveness
84% Instrumentalness • 36% Positiveness
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Georg Philipp Telemann
Sinfonia melodica in C Major, TWV 50:2: ...
128 bpm • B min • 02:32 • -21.08db
12% Popularity • 20% Danceability • 8% Energy • 26% Liveness
32% Instrumentalness • 18% Positiveness
12% Popularity • 20% Danceability • 8% Energy • 26% Liveness
32% Instrumentalness • 18% Positiveness
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Giovanni Bononcini
La Maddalena a' piedi di Cristo / 1ère ...
128 bpm • D Maj • 02:50 • -22.91db
0% Popularity • 26% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
0% Popularity • 26% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
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Pietro Locatelli
Sei Introduttioni teatrali, Op. 4, No. 2...
130 bpm • B Maj • 02:04 • -18db
17% Popularity • 61% Danceability • 16% Energy • 23% Liveness
3% Instrumentalness • 72% Positiveness
17% Popularity • 61% Danceability • 16% Energy • 23% Liveness
3% Instrumentalness • 72% Positiveness
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Henry Purcell
Amphitryon, Z. 572, "The 2 Sosias": IV. ...
129 bpm • E Maj • 01:38 • -25.63db
29% Popularity • 41% Danceability • 3% Energy • 9% Liveness
15% Instrumentalness • 21% Positiveness
29% Popularity • 41% Danceability • 3% Energy • 9% Liveness
15% Instrumentalness • 21% Positiveness
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Jean-Baptiste Lully
Phaeton: Acte II, Chaconne
130 bpm • F Maj • 07:05 • -14db
8% Popularity • 36% Danceability • 16% Energy • 55% Liveness
0% Instrumentalness • 27% Positiveness
8% Popularity • 36% Danceability • 16% Energy • 55% Liveness
0% Instrumentalness • 27% Positiveness
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António Pereira da Costa
Concerto VIII in C Minor: IV. Adagio
128 bpm • C min • 01:04 • -18.73db
10% Popularity • 17% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 18% Positiveness
10% Popularity • 17% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 18% Positiveness
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Georg Philipp Telemann
Telemann: Nouveaux quatuors "Paris Quart...
130 bpm • C# min • 02:11 • -25.06db
8% Popularity • 22% Danceability • 3% Energy • 13% Liveness
1% Instrumentalness • 8% Positiveness
8% Popularity • 22% Danceability • 3% Energy • 13% Liveness
1% Instrumentalness • 8% Positiveness
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Francesca Caccini
Scene 1
130 bpm • F# Maj • 01:20 • -15.87db
17% Popularity • 32% Danceability • 16% Energy • 16% Liveness
29% Instrumentalness • 38% Positiveness
17% Popularity • 32% Danceability • 16% Energy • 16% Liveness
29% Instrumentalness • 38% Positiveness
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Jean-Baptiste Quentin
Sonates à violon ou flûte seule avec b...
130 bpm • G# Maj • 04:43 • -20.34db
12% Popularity • 25% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
12% Popularity • 25% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Evaristo Felice Dall'Abaco
Concerto à più istrumenti, Op. 6, Conc...
130 bpm • F# Maj • 03:26 • -18.27db
9% Popularity • 54% Danceability • 19% Energy • 14% Liveness
22% Instrumentalness • 32% Positiveness
9% Popularity • 54% Danceability • 19% Energy • 14% Liveness
22% Instrumentalness • 32% Positiveness
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Giovanni Bononcini
Polifemo: Nacque da' lumi tuoi (Aria)
128 bpm • D# min • 03:06 • -23.05db
1% Popularity • 32% Danceability • 10% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
1% Popularity • 32% Danceability • 10% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
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Nicola Porpora
Il trionfo della divina Giustizia ne' to...
127 bpm • B min • 06:53 • -21.45db
18% Popularity • 19% Danceability • 9% Energy • 22% Liveness
18% Instrumentalness • 4% Positiveness
18% Popularity • 19% Danceability • 9% Energy • 22% Liveness
18% Instrumentalness • 4% Positiveness
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Nicola Matteis
Preludio in fantasia
128 bpm • D# min • 01:16 • -16.68db
14% Popularity • 33% Danceability • 23% Energy • 10% Liveness
3% Instrumentalness • 37% Positiveness
14% Popularity • 33% Danceability • 23% Energy • 10% Liveness
3% Instrumentalness • 37% Positiveness
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Élisabeth Jacquet de La Guerre
Chamber Sonata No. 4 in G Minor: VIII. A...
131 bpm • F# Maj • 01:05 • -16.86db
19% Popularity • 41% Danceability • 25% Energy • 11% Liveness
94% Instrumentalness • 49% Positiveness
19% Popularity • 41% Danceability • 25% Energy • 11% Liveness
94% Instrumentalness • 49% Positiveness
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Antonio Sartorio
Sartorio: Antonino e Pompeiano, Act 3: "...
127 bpm • D Maj • 03:22 • -18.24db
17% Popularity • 44% Danceability • 17% Energy • 11% Liveness
18% Instrumentalness • 55% Positiveness
17% Popularity • 44% Danceability • 17% Energy • 11% Liveness
18% Instrumentalness • 55% Positiveness
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Alessandro Scarlatti
Il Giardino d'Amore: Con battaglia di fi...
131 bpm • C# Maj • 05:29 • -15.12db
11% Popularity • 51% Danceability • 22% Energy • 11% Liveness
9% Instrumentalness • 31% Positiveness
11% Popularity • 51% Danceability • 22% Energy • 11% Liveness
9% Instrumentalness • 31% Positiveness
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Giuseppe Valentini
Concerti grossi a quatro e sei strumenti...
131 bpm • G# min • 05:45 • -15db
13% Popularity • 44% Danceability • 24% Energy • 9% Liveness
10% Instrumentalness • 69% Positiveness
13% Popularity • 44% Danceability • 24% Energy • 9% Liveness
10% Instrumentalness • 69% Positiveness
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Giovanni Bononcini
La Maddalena a' piedi di Cristo / 1ère ...
131 bpm • D# Maj • 03:54 • -23.66db
0% Popularity • 28% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
0% Popularity • 28% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Michel Richard Delalande
Dies iræ, S. 31: Tuba mirum spargens so...
127 bpm • B min • 01:15 • -16.99db
11% Popularity • 28% Danceability • 22% Energy • 21% Liveness
13% Instrumentalness • 50% Positiveness
11% Popularity • 28% Danceability • 22% Energy • 21% Liveness
13% Instrumentalness • 50% Positiveness
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Arcangelo Corelli
Trio Sonata in D Minor, Op. 3 No. 5: II....
131 bpm • C# min • 01:42 • -17.5db
15% Popularity • 36% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
15% Popularity • 36% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Francesco Antonio Bonporti
Trio Sonata in G Minor, Op. 6 No. 7: III...
132 bpm • F# min • 01:39 • -16.53db
15% Popularity • 43% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
15% Popularity • 43% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Alessandro Scarlatti
Sinfonia No. 9 in G Minor, RosS 533.9: I...
131 bpm • F# min • 01:19 • -21.97db
13% Popularity • 24% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
13% Popularity • 24% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75, Ad pedes: ...
126 bpm • C min • 01:33 • -20.73db
20% Popularity • 35% Danceability • 4% Energy • 12% Liveness
1% Instrumentalness • 7% Positiveness
20% Popularity • 35% Danceability • 4% Energy • 12% Liveness
1% Instrumentalness • 7% Positiveness
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Giovanni Bononcini
Polifemo: Dieci vacche, otto viteli (Ari...
131 bpm • F# Maj • 01:14 • -17.49db
1% Popularity • 53% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
1% Popularity • 53% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
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Charles Avison
Concerto Grosso No. 5 in D Minor (after ...
132 bpm • C# min • 01:47 • -19db
20% Popularity • 47% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
20% Popularity • 47% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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František Tůma
Sinfonia a quattro: I. Allegro assai
132 bpm • C# Maj • 02:01 • -25.43db
9% Popularity • 39% Danceability • 14% Energy • 13% Liveness
85% Instrumentalness • 53% Positiveness
9% Popularity • 39% Danceability • 14% Energy • 13% Liveness
85% Instrumentalness • 53% Positiveness
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Pietro Locatelli
Violin Concerto in A Major, Op. 3 No. 11...
132 bpm • A Maj • 06:24 • -21.7db
14% Popularity • 39% Danceability • 8% Energy • 6% Liveness
41% Instrumentalness • 24% Positiveness
14% Popularity • 39% Danceability • 8% Energy • 6% Liveness
41% Instrumentalness • 24% Positiveness
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Carl Philipp Emanuel Bach
Symphony in G Major, H. 657, Wq. 182/1: ...
132 bpm • F# Maj • 03:34 • -18.49db
19% Popularity • 36% Danceability • 15% Energy • 8% Liveness
85% Instrumentalness • 50% Positiveness
19% Popularity • 36% Danceability • 15% Energy • 8% Liveness
85% Instrumentalness • 50% Positiveness
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Niccolò Jommelli
Libera me in C Minor, HocJ E.2: IV. Trem...
126 bpm • D Maj • 01:01 • -21.42db
18% Popularity • 33% Danceability • 14% Energy • 8% Liveness
8% Instrumentalness • 18% Positiveness
18% Popularity • 33% Danceability • 14% Energy • 8% Liveness
8% Instrumentalness • 18% Positiveness
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Giovanni Bononcini
Polifemo: Vanarella, pazzarella (Aria)
132 bpm • C# Maj • 01:40 • -17.42db
0% Popularity • 47% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
0% Popularity • 47% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Tomaso Albinoni
Sinfonie a cinque per due violini, alto,...
126 bpm • B Maj • 03:31 • -17db
9% Popularity • 19% Danceability • 16% Energy • 14% Liveness
42% Instrumentalness • 6% Positiveness
9% Popularity • 19% Danceability • 16% Energy • 14% Liveness
42% Instrumentalness • 6% Positiveness
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Jean-Marie Leclair
Scylla et Glaucus, Op. 11: Prologue. Air...
133 bpm • G# min • 01:21 • -33.04db
30% Popularity • 31% Danceability • 1% Energy • 31% Liveness
98% Instrumentalness • 47% Positiveness
30% Popularity • 31% Danceability • 1% Energy • 31% Liveness
98% Instrumentalness • 47% Positiveness
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Georg Philipp Telemann
Divertimento in E-Flat Major, TWV 50:21:...
133 bpm • B min • 02:28 • -28.27db
33% Popularity • 29% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
33% Popularity • 29% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Johann Adolf Hasse
Marc'Antonio e Cleopatra: Aria "Morte co...
125 bpm • F# min • 04:04 • -16.43db
14% Popularity • 54% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
14% Popularity • 54% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Élisabeth Jacquet de La Guerre
Violin Sonata No. 1 in D Minor: I. Adagi...
125 bpm • C# min • 02:51 • -18.24db
14% Popularity • 18% Danceability • 10% Energy • 8% Liveness
4% Instrumentalness • 5% Positiveness
14% Popularity • 18% Danceability • 10% Energy • 8% Liveness
4% Instrumentalness • 5% Positiveness
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Giovanni Bononcini
La Maddalena a' piedi di Cristo / 1ère ...
132 bpm • G Maj • 01:40 • -18.3db
0% Popularity • 33% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
0% Popularity • 33% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
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Pietro Locatelli
Concerto in C Minor, Op. 3 No. 2: I. And...
124 bpm • B min • 10:04 • -17.8db
8% Popularity • 36% Danceability • 22% Energy • 16% Liveness
85% Instrumentalness • 14% Positiveness
8% Popularity • 36% Danceability • 22% Energy • 16% Liveness
85% Instrumentalness • 14% Positiveness
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Carl Philipp Emanuel Bach
Hamburg Symphony No. 2 in B-Flat Major, ...
124 bpm • E Maj • 05:30 • -16.61db
8% Popularity • 41% Danceability • 30% Energy • 31% Liveness
83% Instrumentalness • 84% Positiveness
8% Popularity • 41% Danceability • 30% Energy • 31% Liveness
83% Instrumentalness • 84% Positiveness
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Georg Philipp Telemann
Ouverture-Suite in D Major, TWV 55:D18: ...
133 bpm • C# Maj • 04:44 • -17db
2% Popularity • 38% Danceability • 28% Energy • 27% Liveness
74% Instrumentalness • 36% Positiveness
2% Popularity • 38% Danceability • 28% Energy • 27% Liveness
74% Instrumentalness • 36% Positiveness
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Antonio Caldara
Stabat Mater: VII. Juxta crucem
124 bpm • A Maj • 01:05 • -21db
30% Popularity • 24% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
30% Popularity • 24% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Nicola Fiorenza
Concerto in A Minor for 3 Violins, Viola...
124 bpm • G# min • 01:23 • -19db
18% Popularity • 64% Danceability • 12% Energy • 19% Liveness
94% Instrumentalness • 56% Positiveness
18% Popularity • 64% Danceability • 12% Energy • 19% Liveness
94% Instrumentalness • 56% Positiveness
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Giovanni Bononcini
Pharnaces: "Mio sposo t’arresta" - Lis...
133 bpm • G Maj • 07:21 • -20.21db
1% Popularity • 33% Danceability • 8% Energy • 36% Liveness
0% Instrumentalness • 8% Positiveness
1% Popularity • 33% Danceability • 8% Energy • 36% Liveness
0% Instrumentalness • 8% Positiveness
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Pietro Locatelli
Concerto XI Ã 5 en Ut Mineur, Op. 1: I....
134 bpm • B min • 02:30 • -19db
9% Popularity • 26% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
9% Popularity • 26% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Andreas Oswald
Sonate für 2 Violinen, Viola da gamba u...
124 bpm • F# Maj • 04:21 • -17.65db
15% Popularity • 31% Danceability • 23% Energy • 17% Liveness
50% Instrumentalness • 23% Positiveness
15% Popularity • 31% Danceability • 23% Energy • 17% Liveness
50% Instrumentalness • 23% Positiveness
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Georg Philipp Telemann
Concerto for Two Violas in G Major, TWV ...
125 bpm • F# Maj • 01:37 • -18.23db
11% Popularity • 52% Danceability • 29% Energy • 20% Liveness
80% Instrumentalness • 91% Positiveness
11% Popularity • 52% Danceability • 29% Energy • 20% Liveness
80% Instrumentalness • 91% Positiveness
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Jan Dismas Zelenka
Missa Paschalis, ZWV 7: Kyrie. Christe e...
124 bpm • G# Maj • 02:31 • -27.67db
10% Popularity • 19% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
10% Popularity • 19% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Unknown
Balletti di Venezia: VII. Adagio
135 bpm • F# Maj • 02:40 • -33.08db
8% Popularity • 26% Danceability • 1% Energy • 18% Liveness
45% Instrumentalness • 15% Positiveness
8% Popularity • 26% Danceability • 1% Energy • 18% Liveness
45% Instrumentalness • 15% Positiveness
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Giovanni Bononcini
Stabat Mater - Ed. Smith: 11. Fac me pla...
133 bpm • G min • 02:51 • -16.39db
1% Popularity • 28% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
1% Popularity • 28% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
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Pietro Locatelli
Concerto Grosso in C Minor, Op. 1 No. 11...
134 bpm • F min • 03:14 • -19.08db
16% Popularity • 20% Danceability • 10% Energy • 33% Liveness
5% Instrumentalness • 12% Positiveness
16% Popularity • 20% Danceability • 10% Energy • 33% Liveness
5% Instrumentalness • 12% Positiveness
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Heinrich Ignaz Franz von Biber
Sonatae Violino Solo (1681): Sonata No. ...
124 bpm • C# min • 08:24 • -12.63db
9% Popularity • 34% Danceability • 25% Energy • 10% Liveness
22% Instrumentalness • 5% Positiveness
9% Popularity • 34% Danceability • 25% Energy • 10% Liveness
22% Instrumentalness • 5% Positiveness
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Jean-Joseph Cassanéa De Mondonville
Mondonville: In exitu Israel: II. Chœur...
135 bpm • C# Maj • 01:10 • -19.17db
22% Popularity • 39% Danceability • 30% Energy • 50% Liveness
81% Instrumentalness • 59% Positiveness
22% Popularity • 39% Danceability • 30% Energy • 50% Liveness
81% Instrumentalness • 59% Positiveness
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Anonymous
Salve Regina, S. 308: No. 1, Salve Regin...
124 bpm • F Maj • 04:38 • -21.94db
9% Popularity • 25% Danceability • 7% Energy • 10% Liveness
62% Instrumentalness • 7% Positiveness
9% Popularity • 25% Danceability • 7% Energy • 10% Liveness
62% Instrumentalness • 7% Positiveness
► Preview
Domenico Zipoli
Beatus vir: II. Exortum est
135 bpm • C# min • 01:36 • -25db
19% Popularity • 18% Danceability • 3% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
19% Popularity • 18% Danceability • 3% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
Giovanni Bononcini
Divertimento No. 4 in D Minor (Version f...
124 bpm • C# min • 08:10 • -28.02db
0% Popularity • 38% Danceability • 9% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
0% Popularity • 38% Danceability • 9% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
► Preview
Charles Avison
Concerto in D Minor; Op. 6 No. 5: II. Al...
135 bpm • C# min • 01:45 • -14.66db
17% Popularity • 57% Danceability • 27% Energy • 7% Liveness
2% Instrumentalness • 83% Positiveness
17% Popularity • 57% Danceability • 27% Energy • 7% Liveness
2% Instrumentalness • 83% Positiveness
► Preview
Heinrich Ignaz Franz von Biber
Mystery (Rosary) Sonata No. 2, "The Visi...
135 bpm • G# Maj • 03:22 • -19.07db
15% Popularity • 37% Danceability • 10% Energy • 10% Liveness
72% Instrumentalness • 30% Positiveness
15% Popularity • 37% Danceability • 10% Energy • 10% Liveness
72% Instrumentalness • 30% Positiveness
► Preview
Benedetto Marcello
Concerto in E Minor: I. Adagio e staccat...
123 bpm • D# min • 02:08 • -21db
24% Popularity • 35% Danceability • 4% Energy • 14% Liveness
3% Instrumentalness • 17% Positiveness
24% Popularity • 35% Danceability • 4% Energy • 14% Liveness
3% Instrumentalness • 17% Positiveness
► Preview
Carl Philipp Emanuel Bach
Magnificat, Wq. 215: Magnificat, Wq. 215...
135 bpm • B Maj • 05:52 • -21db
12% Popularity • 32% Danceability • 15% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
12% Popularity • 32% Danceability • 15% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
► Preview
Matthew Locke
Psyche, Act I Scene 1: Symphony of rusti...
135 bpm • C# min • 01:00 • -18.65db
21% Popularity • 58% Danceability • 31% Energy • 26% Liveness
56% Instrumentalness • 34% Positiveness
21% Popularity • 58% Danceability • 31% Energy • 26% Liveness
56% Instrumentalness • 34% Positiveness
► Preview
Giovanni Bononcini
Stabat Mater a quatro in C Minor: IX. Vi...
135 bpm • D# Maj • 01:26 • -17.73db
19% Popularity • 24% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
19% Popularity • 24% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
► Preview
Francesco Geminiani
Cello Sonata in D Minor, Op. 5 No. 2, H....
136 bpm • C# min • 02:19 • -21.2db
9% Popularity • 21% Danceability • 12% Energy • 14% Liveness
6% Instrumentalness • 24% Positiveness
9% Popularity • 21% Danceability • 12% Energy • 14% Liveness
6% Instrumentalness • 24% Positiveness
► Preview
Domenico Zipoli
Beatus vir: IV. Peccator videbit
122 bpm • E Maj • 01:45 • -22.72db
10% Popularity • 23% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
10% Popularity • 23% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
► Preview
Baldassare Galuppi
Concerto primo in G Major: I. Andante - ...
122 bpm • G Maj • 02:08 • -17db
14% Popularity • 41% Danceability • 20% Energy • 12% Liveness
65% Instrumentalness • 37% Positiveness
14% Popularity • 41% Danceability • 20% Energy • 12% Liveness
65% Instrumentalness • 37% Positiveness
► Preview
Jean-Baptiste Lully
Atys, LWV 53, Prologue: Ouverture
122 bpm • F# min • 01:49 • -20db
18% Popularity • 35% Danceability • 12% Energy • 20% Liveness
23% Instrumentalness • 30% Positiveness
18% Popularity • 35% Danceability • 12% Energy • 20% Liveness
23% Instrumentalness • 30% Positiveness
► Preview
Johann Adolf Hasse
Hasse: Demofoonte, Act 1: "Sperai vicino...
137 bpm • B Maj • 05:26 • -15.51db
15% Popularity • 37% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
15% Popularity • 37% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
► Preview
Giovanni Bononcini
La Maddalena a' piedi di Cristo / 1ère ...
136 bpm • B min • 01:56 • -17.13db
0% Popularity • 45% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
0% Popularity • 45% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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Leopold Mozart
Der Mensch, ein Gottesmörder: Siehe, al...
137 bpm • D# Maj • 08:37 • -17db
8% Popularity • 33% Danceability • 13% Energy • 11% Liveness
8% Instrumentalness • 23% Positiveness
8% Popularity • 33% Danceability • 13% Energy • 11% Liveness
8% Instrumentalness • 23% Positiveness
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Georg Philipp Telemann
Ouverture burlesque in B-Flat Major, TWV...
137 bpm • A Maj • 04:06 • -19.1db
9% Popularity • 32% Danceability • 23% Energy • 18% Liveness
33% Instrumentalness • 56% Positiveness
9% Popularity • 32% Danceability • 23% Energy • 18% Liveness
33% Instrumentalness • 56% Positiveness
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Arcangelo Corelli
Violin Sonata in C Major, Op. 5 No. 3: I...
121 bpm • C# Maj • 02:11 • -18.65db
23% Popularity • 36% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
23% Popularity • 36% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Carl Philipp Emanuel Bach
Symphony in A Major, H. 660, Wq. 182/4: ...
137 bpm • G# Maj • 04:10 • -21db
16% Popularity • 44% Danceability • 20% Energy • 14% Liveness
39% Instrumentalness • 74% Positiveness
16% Popularity • 44% Danceability • 20% Energy • 14% Liveness
39% Instrumentalness • 74% Positiveness
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Henry Purcell
Abdelazar Suite, Z. 570: I. Overture
137 bpm • D min • 02:08 • -17.89db
21% Popularity • 34% Danceability • 20% Energy • 18% Liveness
70% Instrumentalness • 30% Positiveness
21% Popularity • 34% Danceability • 20% Energy • 18% Liveness
70% Instrumentalness • 30% Positiveness
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Giovanni Bononcini
Sinfonia decima a 7 en ré majeur pour 2...
122 bpm • A Maj • 02:59 • -15.97db
0% Popularity • 35% Danceability • 19% Energy • 5% Liveness
88% Instrumentalness • 12% Positiveness
0% Popularity • 35% Danceability • 19% Energy • 5% Liveness
88% Instrumentalness • 12% Positiveness
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Jan Dismas Zelenka
Dixit Dominus, ZWV 66: Judicabit - After...
121 bpm • F# min • 01:00 • -15.36db
29% Popularity • 35% Danceability • 34% Energy • 12% Liveness
61% Instrumentalness • 49% Positiveness
29% Popularity • 35% Danceability • 34% Energy • 12% Liveness
61% Instrumentalness • 49% Positiveness
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Georg Philipp Telemann
Gesegnet ist die Zuversicht, TVWV 1:616:...
138 bpm • A Maj • 02:21 • -24.16db
8% Popularity • 39% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
8% Popularity • 39% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Élisabeth Jacquet de La Guerre
Chamber Sonata No. 4 in G Minor: IV. Pre...
121 bpm • F# min • 01:22 • -16.4db
24% Popularity • 49% Danceability • 24% Energy • 17% Liveness
93% Instrumentalness • 57% Positiveness
24% Popularity • 49% Danceability • 24% Energy • 17% Liveness
93% Instrumentalness • 57% Positiveness
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Carl Philipp Emanuel Bach
Symphony in G Major, H. 657, Wq. 182/1: ...
138 bpm • F# Maj • 04:06 • -20.91db
16% Popularity • 46% Danceability • 19% Energy • 7% Liveness
92% Instrumentalness • 67% Positiveness
16% Popularity • 46% Danceability • 19% Energy • 7% Liveness
92% Instrumentalness • 67% Positiveness
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Jean-Féry Rebel
Les Caractères de la Danse: XIV. Sonate
138 bpm • C# Maj • 01:21 • -14db
11% Popularity • 51% Danceability • 61% Energy • 12% Liveness
64% Instrumentalness • 37% Positiveness
11% Popularity • 51% Danceability • 61% Energy • 12% Liveness
64% Instrumentalness • 37% Positiveness
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Henry Purcell
Amphitryon, Z. 572, "The 2 Sosias": VII....
138 bpm • C# min • 01:06 • -23.44db
16% Popularity • 73% Danceability • 19% Energy • 13% Liveness
5% Instrumentalness • 55% Positiveness
16% Popularity • 73% Danceability • 19% Energy • 13% Liveness
5% Instrumentalness • 55% Positiveness
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Giovanni Bononcini
Aure che sussuranti
138 bpm • E Maj • 08:55 • -18.65db
0% Popularity • 38% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
0% Popularity • 38% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Pietro Locatelli
Concerto Grosso in E-Flat Major, Op. 7 N...
120 bpm • C min • 03:29 • -16.51db
13% Popularity • 28% Danceability • 12% Energy • 16% Liveness
35% Instrumentalness • 22% Positiveness
13% Popularity • 28% Danceability • 12% Energy • 16% Liveness
35% Instrumentalness • 22% Positiveness
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Alessandro Stradella
Sinfonia
120 bpm • C# Maj • 02:01 • -20.19db
23% Popularity • 33% Danceability • 19% Energy • 19% Liveness
88% Instrumentalness • 27% Positiveness
23% Popularity • 33% Danceability • 19% Energy • 19% Liveness
88% Instrumentalness • 27% Positiveness
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Carl Philipp Emanuel Bach
Hamburg Symphony No. 3 in C Major, Wq. 1...
121 bpm • F# Maj • 03:02 • -24.22db
8% Popularity • 23% Danceability • 3% Energy • 9% Liveness
5% Instrumentalness • 4% Positiveness
8% Popularity • 23% Danceability • 3% Energy • 9% Liveness
5% Instrumentalness • 4% Positiveness
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![Concerto grosso No. 6 in D Major: II. Con furia (After D. Scarlatti's Kk. 29) [2] cover art](https://i.scdn.co/image/ab67616d00001e02fe833cbdd39d5fa4fc6d784d)
Charles Avison
Concerto grosso No. 6 in D Major: II. Co...
139 bpm • C# Maj • 01:16 • -23.76db
22% Popularity • 38% Danceability • 15% Energy • 18% Liveness
69% Instrumentalness • 77% Positiveness
22% Popularity • 38% Danceability • 15% Energy • 18% Liveness
69% Instrumentalness • 77% Positiveness
► Preview
Matthew Locke
Psyche, Act V Scene 3: Rustick musick of...
120 bpm • G# Maj • 01:06 • -17.53db
25% Popularity • 43% Danceability • 29% Energy • 28% Liveness
97% Instrumentalness • 90% Positiveness
25% Popularity • 43% Danceability • 29% Energy • 28% Liveness
97% Instrumentalness • 90% Positiveness
► Preview
Henry Purcell
Dido and Aeneas, Z. 626, Act II: Gitter ...
120 bpm • C# min • 03:01 • -18.49db
10% Popularity • 48% Danceability • 22% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
10% Popularity • 48% Danceability • 22% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
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James Oswald
Airs for the Spring: Ranunculus: III. Te...
120 bpm • A Maj • 01:24 • -13.55db
26% Popularity • 24% Danceability • 17% Energy • 12% Liveness
39% Instrumentalness • 27% Positiveness
26% Popularity • 24% Danceability • 17% Energy • 12% Liveness
39% Instrumentalness • 27% Positiveness
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Niccolò Jommelli
Missa pro Defunctis in E-Flat Major, Hoc...
139 bpm • B min • 02:11 • -21.5db
14% Popularity • 15% Danceability • 8% Energy • 16% Liveness
51% Instrumentalness • 4% Positiveness
14% Popularity • 15% Danceability • 8% Energy • 16% Liveness
51% Instrumentalness • 4% Positiveness
► Preview
Pietro Locatelli
Concerto grosso in B-Flat Major, Op. 1 N...
120 bpm • A Maj • 01:40 • -14.99db
16% Popularity • 36% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
16% Popularity • 36% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Jan Dismas Zelenka
Missa Divi Xaverii, ZWV 12: Christe elei...
139 bpm • G# Maj • 03:19 • -23.34db
12% Popularity • 27% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
12% Popularity • 27% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Giovanni Bononcini
La Maddalena a' piedi di Cristo / 1ère ...
140 bpm • B min • 04:15 • -18.23db
1% Popularity • 19% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
1% Popularity • 19% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
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Antonio Maria Bononcini
Sonata a Violoncello Solo G Major: Largo
140 bpm • F# Maj • 02:04 • -19.08db
8% Popularity • 17% Danceability • 13% Energy • 15% Liveness
96% Instrumentalness • 34% Positiveness
8% Popularity • 17% Danceability • 13% Energy • 15% Liveness
96% Instrumentalness • 34% Positiveness
► Preview
Charles Avison
Concerto in D Minor, Op. 6 No. 3: I. Lar...
119 bpm • C# min • 01:27 • -16.79db
24% Popularity • 35% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
24% Popularity • 35% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
![Bist du bei mir (Formerly Attrib. Bach as BWV 508)[Voice & Harpsichord] cover art](https://i.scdn.co/image/ab67616d00001e0299acf539a3fa903fc3223059)