Songs like Messa per l'incoronazione del doge Michel'Angiolo Cambiaso: Qui tollis by Giovanni Lorenzo Mariani
Based on a tempo of (+/- 10%) and a similar genre
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Antonín Dvořák
Mass in D Major, Op. 86 / Kyrie: Ia. Kyr...
79 bpm • D Maj • 03:15 • -19.23db
13% Popularity • 10% Danceability • 18% Energy • 13% Liveness
89% Instrumentalness • 3% Positiveness
13% Popularity • 10% Danceability • 18% Energy • 13% Liveness
89% Instrumentalness • 3% Positiveness
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Johann Sebastian Bach
Magnificat in D Major, BWV 243: Et miser...
79 bpm • A min • 03:46 • -26.27db
17% Popularity • 25% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
17% Popularity • 25% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Heikki Rainio
Kuoro, Katselen Golgatalle Päin
79 bpm • D# min • 07:00 • -22db
15% Popularity • 15% Danceability • 15% Energy • 19% Liveness
14% Instrumentalness • 7% Positiveness
15% Popularity • 15% Danceability • 15% Energy • 19% Liveness
14% Instrumentalness • 7% Positiveness
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Giovanni Gabrieli
In ecclesiis (a 14), C78
79 bpm • A min • 07:44 • -21db
15% Popularity • 11% Danceability • 11% Energy • 18% Liveness
18% Instrumentalness • 4% Positiveness
15% Popularity • 11% Danceability • 11% Energy • 18% Liveness
18% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Paulus: II. Teil: Nr. 41 Chor & Rezitati...
79 bpm • F Maj • 03:46 • -24db
11% Popularity • 18% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
11% Popularity • 18% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Ave verum corpus, K. 618
79 bpm • A Maj • 02:41 • -21.23db
26% Popularity • 18% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
26% Popularity • 18% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
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Antonín Dvořák
Mass in D major, Op. 86: 1. Kyrie
79 bpm • D Maj • 05:44 • -21db
11% Popularity • 11% Danceability • 9% Energy • 7% Liveness
4% Instrumentalness • 4% Positiveness
11% Popularity • 11% Danceability • 9% Energy • 7% Liveness
4% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Fauré: Cantique de Jean Racine, Op. 11
79 bpm • C# Maj • 04:53 • -22.46db
30% Popularity • 13% Danceability • 6% Energy • 17% Liveness
95% Instrumentalness • 4% Positiveness
30% Popularity • 13% Danceability • 6% Energy • 17% Liveness
95% Instrumentalness • 4% Positiveness
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George Frideric Handel
Handel: Eternal Source Of Light Divine (...
78 bpm • C# Maj • 03:53 • -20db
28% Popularity • 12% Danceability • 8% Energy • 10% Liveness
67% Instrumentalness • 5% Positiveness
28% Popularity • 12% Danceability • 8% Energy • 10% Liveness
67% Instrumentalness • 5% Positiveness
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Michael Haydn
Missa Sanctae Ursulae, MH 546: Et incarn...
80 bpm • A min • 04:18 • -33.23db
11% Popularity • 17% Danceability • 1% Energy • 10% Liveness
53% Instrumentalness • 4% Positiveness
11% Popularity • 17% Danceability • 1% Energy • 10% Liveness
53% Instrumentalness • 4% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice: Act I, Scene 1, Coro:...
80 bpm • F min • 02:23 • -21db
25% Popularity • 10% Danceability • 13% Energy • 22% Liveness
64% Instrumentalness • 3% Positiveness
25% Popularity • 10% Danceability • 13% Energy • 22% Liveness
64% Instrumentalness • 3% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater, P. 77: III. O quam tristis
80 bpm • G min • 02:33 • -23.72db
41% Popularity • 14% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
41% Popularity • 14% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Antonín Dvořák
Mass in D Major, Op. 86 / Kyrie: Ib. Chr...
78 bpm • G min • 02:10 • -24.43db
11% Popularity • 10% Danceability • 7% Energy • 10% Liveness
52% Instrumentalness • 4% Positiveness
11% Popularity • 10% Danceability • 7% Energy • 10% Liveness
52% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Vesperae solennes de confessore in C, K....
78 bpm • F Maj • 03:59 • -26db
14% Popularity • 19% Danceability • 4% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
14% Popularity • 19% Danceability • 4% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Requiem, Op. 48: Agnus Dei
78 bpm • D min • 05:15 • -23.53db
2% Popularity • 7% Danceability • 7% Energy • 10% Liveness
77% Instrumentalness • 4% Positiveness
2% Popularity • 7% Danceability • 7% Energy • 10% Liveness
77% Instrumentalness • 4% Positiveness
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Coral Del Chiaro
Jesus Alegria Dos Homens
78 bpm • G Maj • 03:37 • -15.76db
29% Popularity • 16% Danceability • 21% Energy • 11% Liveness
75% Instrumentalness • 8% Positiveness
29% Popularity • 16% Danceability • 21% Energy • 11% Liveness
75% Instrumentalness • 8% Positiveness
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Richard Einhorn
Voices of Light: IX. Abjuration - Voice
80 bpm • D min • 07:36 • -29.23db
7% Popularity • 8% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
7% Popularity • 8% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
Credo, R.592: 2. Adagio: Et incarnatus e...
80 bpm • A Maj • 01:05 • -24.41db
13% Popularity • 22% Danceability • 8% Energy • 14% Liveness
96% Instrumentalness • 3% Positiveness
13% Popularity • 22% Danceability • 8% Energy • 14% Liveness
96% Instrumentalness • 3% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater, P. 77: I. Stabat Mater dol...
80 bpm • F min • 04:38 • -28.71db
43% Popularity • 18% Danceability • 5% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
43% Popularity • 18% Danceability • 5% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Ave verum corpus, K. 618
78 bpm • D Maj • 02:46 • -26db
16% Popularity • 20% Danceability • 6% Energy • 12% Liveness
97% Instrumentalness • 3% Positiveness
16% Popularity • 20% Danceability • 6% Energy • 12% Liveness
97% Instrumentalness • 3% Positiveness
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Gabriel Fauré
Cantique de J.Racine, Op. 11
78 bpm • C# Maj • 04:47 • -26.55db
21% Popularity • 14% Danceability • 3% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
21% Popularity • 14% Danceability • 3% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
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Giovanni Lorenzo Mariani
Messa per l'incoronazione del doge Miche...
78 bpm • F min • 05:26 • -21.94db
0% Popularity • 8% Danceability • 9% Energy • 26% Liveness
15% Instrumentalness • 7% Positiveness
0% Popularity • 8% Danceability • 9% Energy • 26% Liveness
15% Instrumentalness • 7% Positiveness
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Johann Sebastian Bach
Der Himmel lacht, die Erde jubilieret, B...
78 bpm • C Maj • 04:54 • -17.86db
3% Popularity • 22% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
3% Popularity • 22% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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Antonio Vivaldi
Gloria in D Major, RV 589 (Rev. Negri): ...
80 bpm • B Maj • 01:01 • -15.82db
9% Popularity • 24% Danceability • 16% Energy • 11% Liveness
19% Instrumentalness • 4% Positiveness
9% Popularity • 24% Danceability • 16% Energy • 11% Liveness
19% Instrumentalness • 4% Positiveness
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Robin Milford
Slow Minuet in A
78 bpm • A Maj • 01:22 • -26db
10% Popularity • 7% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 25% Positiveness
10% Popularity • 7% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 25% Positiveness
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Wolfgang Amadeus Mozart
Quis te comprehendat, K. Anh. 110
80 bpm • D# Maj • 04:41 • -21.57db
8% Popularity • 8% Danceability • 10% Energy • 10% Liveness
49% Instrumentalness • 6% Positiveness
8% Popularity • 8% Danceability • 10% Energy • 10% Liveness
49% Instrumentalness • 6% Positiveness
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Gabriel Fauré
Fauré / Arr. Higginbottom: 2 Motets, Op...
80 bpm • F Maj • 03:41 • -28db
13% Popularity • 13% Danceability • 5% Energy • 17% Liveness
36% Instrumentalness • 4% Positiveness
13% Popularity • 13% Danceability • 5% Energy • 17% Liveness
36% Instrumentalness • 4% Positiveness
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Heinrich Ignaz Franz von Biber
Missa Salisburgensis: I. Kyrie
78 bpm • C Maj • 05:50 • -18db
8% Popularity • 23% Danceability • 13% Energy • 14% Liveness
18% Instrumentalness • 17% Positiveness
8% Popularity • 23% Danceability • 13% Energy • 14% Liveness
18% Instrumentalness • 17% Positiveness
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Johann Sebastian Bach
Bach, JS: Mass in B Minor, BWV 232: Cruc...
78 bpm • C Maj • 04:20 • -20db
1% Popularity • 8% Danceability • 21% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
1% Popularity • 8% Danceability • 21% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Michelangelo Falvetti
Nabucco: Prologo / Siamo a riva
80 bpm • C Maj • 02:16 • -30.21db
17% Popularity • 33% Danceability • 7% Energy • 7% Liveness
60% Instrumentalness • 21% Positiveness
17% Popularity • 33% Danceability • 7% Energy • 7% Liveness
60% Instrumentalness • 21% Positiveness
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Johann Christian Bach
Requiem: Requiem: VIII. 7. Coro. Juste j...
78 bpm • C min • 02:12 • -21.6db
8% Popularity • 22% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
8% Popularity • 22% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
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Luigi Cherubini
Requiem in C Minor: II. Graduale
81 bpm • G Maj • 01:15 • -29db
19% Popularity • 23% Danceability • 6% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
19% Popularity • 23% Danceability • 6% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Requiem in D Minor, Op. 48: Agnus Dei
77 bpm • F Maj • 06:17 • -23.98db
15% Popularity • 7% Danceability • 3% Energy • 10% Liveness
81% Instrumentalness • 3% Positiveness
15% Popularity • 7% Danceability • 3% Energy • 10% Liveness
81% Instrumentalness • 3% Positiveness
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Giacomo Puccini
Salve Regina
81 bpm • F Maj • 04:40 • -28.41db
14% Popularity • 17% Danceability • 1% Energy • 11% Liveness
12% Instrumentalness • 4% Positiveness
14% Popularity • 17% Danceability • 1% Energy • 11% Liveness
12% Instrumentalness • 4% Positiveness
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Orchestra of the Vienna Concert House
1. Introitus: Requiem: Requiem in D Mino...
81 bpm • G min • 05:09 • -19db
14% Popularity • 10% Danceability • 14% Energy • 13% Liveness
55% Instrumentalness • 4% Positiveness
14% Popularity • 10% Danceability • 14% Energy • 13% Liveness
55% Instrumentalness • 4% Positiveness
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Antonín Dvořák
Mass in D Major, Op. 86, B. 153: II. Glo...
81 bpm • D Maj • 07:16 • -21.33db
10% Popularity • 14% Danceability • 12% Energy • 12% Liveness
70% Instrumentalness • 4% Positiveness
10% Popularity • 14% Danceability • 12% Energy • 12% Liveness
70% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Bach, JS: Matthäus-Passion, BWV 244, Pt...
81 bpm • C min • 08:02 • -20.27db
8% Popularity • 8% Danceability • 15% Energy • 12% Liveness
92% Instrumentalness • 12% Positiveness
8% Popularity • 8% Danceability • 15% Energy • 12% Liveness
92% Instrumentalness • 12% Positiveness
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Antonio Salieri
De profundis
77 bpm • F min • 03:03 • -17db
30% Popularity • 15% Danceability • 10% Energy • 10% Liveness
40% Instrumentalness • 14% Positiveness
30% Popularity • 15% Danceability • 10% Energy • 10% Liveness
40% Instrumentalness • 14% Positiveness
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Anton Bruckner
Psalm 146, WAB 37: Solo and Chorus: Alle...
81 bpm • A Maj • 04:56 • -23.73db
11% Popularity • 8% Danceability • 13% Energy • 16% Liveness
66% Instrumentalness • 4% Positiveness
11% Popularity • 8% Danceability • 13% Energy • 16% Liveness
66% Instrumentalness • 4% Positiveness
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Manfred Equiluz
Spatzenmesse in C-Dur, KV. 220 'Missa - ...
81 bpm • G Maj • 02:54 • -21.48db
10% Popularity • 32% Danceability • 13% Energy • 33% Liveness
0% Instrumentalness • 22% Positiveness
10% Popularity • 32% Danceability • 13% Energy • 33% Liveness
0% Instrumentalness • 22% Positiveness
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Gabriel Fauré
Requiem, Op. 48: VI. Agnus Dei
77 bpm • F Maj • 05:12 • -25.08db
19% Popularity • 9% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
19% Popularity • 9% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Psalm 42, Op. 42: I. Coro "Wie der Hirsc...
77 bpm • F Maj • 05:28 • -23.8db
19% Popularity • 7% Danceability • 7% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
19% Popularity • 7% Danceability • 7% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Magnificat in D Major, BWV 243: Gloria P...
81 bpm • D Maj • 02:25 • -14.64db
17% Popularity • 25% Danceability • 36% Energy • 19% Liveness
85% Instrumentalness • 20% Positiveness
17% Popularity • 25% Danceability • 36% Energy • 19% Liveness
85% Instrumentalness • 20% Positiveness
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Faure
Requiem in D minor, Op. 48:Ⅱ - remix
77 bpm • F# Maj • 07:55 • -27.92db
11% Popularity • 11% Danceability • 7% Energy • 9% Liveness
5% Instrumentalness • 4% Positiveness
11% Popularity • 11% Danceability • 7% Energy • 9% Liveness
5% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Requiem in D Minor, K. 626: Sequence No....
77 bpm • G min • 03:15 • -22.21db
26% Popularity • 17% Danceability • 9% Energy • 19% Liveness
71% Instrumentalness • 4% Positiveness
26% Popularity • 17% Danceability • 9% Energy • 19% Liveness
71% Instrumentalness • 4% Positiveness
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Christoph Willibald Gluck
Gluck: Orphée et Eurydice, Wq. 41, Act ...
81 bpm • C min • 01:24 • -22.24db
12% Popularity • 18% Danceability • 8% Energy • 16% Liveness
92% Instrumentalness • 3% Positiveness
12% Popularity • 18% Danceability • 8% Energy • 16% Liveness
92% Instrumentalness • 3% Positiveness
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Gabriel Fauré
Requiem, Op. 48: 5. Agnus Dei (Chorus)
81 bpm • F Maj • 07:08 • -24db
10% Popularity • 8% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 3% Positiveness
10% Popularity • 8% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 3% Positiveness
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Felix Mendelssohn
Elijah, Op. 70, MWV A25: Part I: Aria: S...
77 bpm • D# Maj • 02:19 • -23.65db
17% Popularity • 28% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
17% Popularity • 28% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Johann Sebastian Bach
St. Matthew Passion, BWV 244: No. 3, Cho...
81 bpm • B min • 01:28 • -28db
30% Popularity • 10% Danceability • 12% Energy • 18% Liveness
96% Instrumentalness • 6% Positiveness
30% Popularity • 10% Danceability • 12% Energy • 18% Liveness
96% Instrumentalness • 6% Positiveness
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Joseph Haydn
Mass No. 7 in B-Flat Major, Hob.XXII:7, ...
82 bpm • A# Maj • 02:26 • -24.89db
10% Popularity • 19% Danceability • 4% Energy • 23% Liveness
36% Instrumentalness • 9% Positiveness
10% Popularity • 19% Danceability • 4% Energy • 23% Liveness
36% Instrumentalness • 9% Positiveness
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Pieter Jan Leusink
Ave Verum
76 bpm • D Maj • 02:38 • -18.82db
8% Popularity • 17% Danceability • 19% Energy • 11% Liveness
26% Instrumentalness • 4% Positiveness
8% Popularity • 17% Danceability • 19% Energy • 11% Liveness
26% Instrumentalness • 4% Positiveness
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Slovak Philharmonic
Requiem In D Minor, K. 626: Kyrie Eleiso...
82 bpm • F Maj • 02:44 • -20db
46% Popularity • 33% Danceability • 21% Energy • 17% Liveness
85% Instrumentalness • 61% Positiveness
46% Popularity • 33% Danceability • 21% Energy • 17% Liveness
85% Instrumentalness • 61% Positiveness
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Gabriel Fauré
Requiem in D Minor, Op. 48: Introït et ...
77 bpm • A# Maj • 06:34 • -24.16db
15% Popularity • 9% Danceability • 3% Energy • 12% Liveness
76% Instrumentalness • 3% Positiveness
15% Popularity • 9% Danceability • 3% Energy • 12% Liveness
76% Instrumentalness • 3% Positiveness
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Felix Mendelssohn
Hör mein Bitten, WoO 15
81 bpm • G Maj • 09:53 • -20.66db
11% Popularity • 18% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 6% Positiveness
11% Popularity • 18% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 6% Positiveness
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Johann Sebastian Bach
Matthäuspassion, BWV 244: No. 5, Du lie...
76 bpm • D# min • 01:03 • -26.62db
12% Popularity • 37% Danceability • 1% Energy • 20% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 37% Danceability • 1% Energy • 20% Liveness
0% Instrumentalness • 4% Positiveness
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MartÍn Palmeri
Misa a Buenos Aires "Misatango": Agnus D...
82 bpm • C Maj • 09:05 • -20db
8% Popularity • 12% Danceability • 10% Energy • 7% Liveness
34% Instrumentalness • 5% Positiveness
8% Popularity • 12% Danceability • 10% Energy • 7% Liveness
34% Instrumentalness • 5% Positiveness
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Wolfgang Amadeus Mozart
Requiem in D Minor, K. 626: I. Introitus...
82 bpm • G min • 04:48 • -22.13db
12% Popularity • 8% Danceability • 9% Energy • 15% Liveness
1% Instrumentalness • 4% Positiveness
12% Popularity • 8% Danceability • 9% Energy • 15% Liveness
1% Instrumentalness • 4% Positiveness
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Slovak Philharmonic
Requiem In D Minor, K. 626: Sanctus
82 bpm • D Maj • 01:38 • -17db
50% Popularity • 17% Danceability • 26% Energy • 54% Liveness
24% Instrumentalness • 27% Positiveness
50% Popularity • 17% Danceability • 26% Energy • 54% Liveness
24% Instrumentalness • 27% Positiveness
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Giovanni Lorenzo Mariani
Messa per l'incoronazione del doge Miche...
82 bpm • F min • 02:04 • -29.38db
0% Popularity • 34% Danceability • 3% Energy • 9% Liveness
1% Instrumentalness • 16% Positiveness
0% Popularity • 34% Danceability • 3% Energy • 9% Liveness
1% Instrumentalness • 16% Positiveness
► Preview
Felix Mendelssohn
Paulus: I. Teil: Nr. 8 Rezitativ & Chora...
77 bpm • G# Maj • 02:43 • -30.47db
16% Popularity • 16% Danceability • 1% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
16% Popularity • 16% Danceability • 1% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
► Preview
Johann Sebastian Bach
Bach, JS: Herz und Mund und Tat und Lebe...
76 bpm • G Maj • 02:59 • -27.56db
22% Popularity • 25% Danceability • 7% Energy • 9% Liveness
79% Instrumentalness • 12% Positiveness
22% Popularity • 25% Danceability • 7% Energy • 9% Liveness
79% Instrumentalness • 12% Positiveness
► Preview
Gabriel Fauré
Requiem, Op. 48: 5. Agnus Dei (I)
76 bpm • D min • 05:43 • -26.04db
9% Popularity • 7% Danceability • 3% Energy • 11% Liveness
75% Instrumentalness • 3% Positiveness
9% Popularity • 7% Danceability • 3% Energy • 11% Liveness
75% Instrumentalness • 3% Positiveness
► Preview
Wolfgang Amadeus Mozart
Ave verum corpus, K. 618
76 bpm • D Maj • 02:50 • -29.62db
25% Popularity • 8% Danceability • 3% Energy • 7% Liveness
8% Instrumentalness • 3% Positiveness
25% Popularity • 8% Danceability • 3% Energy • 7% Liveness
8% Instrumentalness • 3% Positiveness
► Preview
Michael Haydn
Requiem in C Minor, MH 559: Dies irae: O...
76 bpm • G# Maj • 01:06 • -31.13db
24% Popularity • 20% Danceability • 3% Energy • 13% Liveness
80% Instrumentalness • 9% Positiveness
24% Popularity • 20% Danceability • 3% Energy • 13% Liveness
80% Instrumentalness • 9% Positiveness
► Preview
Giovanni Lorenzo Mariani
Messa per l'incoronazione del doge Miche...
82 bpm • F Maj • 02:30 • -23.44db
0% Popularity • 29% Danceability • 7% Energy • 7% Liveness
33% Instrumentalness • 25% Positiveness
0% Popularity • 29% Danceability • 7% Energy • 7% Liveness
33% Instrumentalness • 25% Positiveness
► Preview
Francois-Joseph Gossec
Grande Messe des Morts: XXI. Sanctus: Ma...
76 bpm • F Maj • 00:58 • -16.86db
24% Popularity • 23% Danceability • 26% Energy • 10% Liveness
14% Instrumentalness • 7% Positiveness
24% Popularity • 23% Danceability • 26% Energy • 10% Liveness
14% Instrumentalness • 7% Positiveness
► Preview
Felix Mendelssohn
Verleih uns Frieden gnädiglich, WoO 5
77 bpm • D# Maj • 04:23 • -25db
15% Popularity • 15% Danceability • 7% Energy • 9% Liveness
82% Instrumentalness • 6% Positiveness
15% Popularity • 15% Danceability • 7% Energy • 9% Liveness
82% Instrumentalness • 6% Positiveness
► Preview
Claudio Monteverdi
Vespers of 1610, Magnificat (High): Sicu...
82 bpm • G min • 02:06 • -15.29db
9% Popularity • 9% Danceability • 17% Energy • 10% Liveness
52% Instrumentalness • 8% Positiveness
9% Popularity • 9% Danceability • 17% Energy • 10% Liveness
52% Instrumentalness • 8% Positiveness
► Preview
Franz Schubert
Messe G-Dur D 167 - Ferdinand Schubert F...
76 bpm • G Maj • 05:19 • -13.75db
11% Popularity • 22% Danceability • 24% Energy • 14% Liveness
92% Instrumentalness • 7% Positiveness
11% Popularity • 22% Danceability • 24% Energy • 14% Liveness
92% Instrumentalness • 7% Positiveness
► Preview
Antonio Vivaldi
Gloria in D Major, RV 589: VIII. Domine ...
82 bpm • D min • 04:02 • -31.1db
7% Popularity • 14% Danceability • 3% Energy • 11% Liveness
4% Instrumentalness • 9% Positiveness
7% Popularity • 14% Danceability • 3% Energy • 11% Liveness
4% Instrumentalness • 9% Positiveness
► Preview
Johann Sebastian Bach
Bach, JS: Christ lag in Todes Banden, BW...
83 bpm • D# min • 04:18 • -14.84db
5% Popularity • 30% Danceability • 32% Energy • 7% Liveness
3% Instrumentalness • 48% Positiveness
5% Popularity • 30% Danceability • 32% Energy • 7% Liveness
3% Instrumentalness • 48% Positiveness
► Preview
Orchestra of the Vienna Concert House
3.Sequentia: Lacrimosa dies illae: Requi...
75 bpm • D min • 02:59 • -18db
13% Popularity • 16% Danceability • 11% Energy • 21% Liveness
69% Instrumentalness • 5% Positiveness
13% Popularity • 16% Danceability • 11% Energy • 21% Liveness
69% Instrumentalness • 5% Positiveness
► Preview
Felix Mendelssohn
Lauda Sion, Op. 73: VIII. Sumit unus
75 bpm • C Maj • 08:38 • -23.75db
9% Popularity • 9% Danceability • 5% Energy • 7% Liveness
35% Instrumentalness • 4% Positiveness
9% Popularity • 9% Danceability • 5% Energy • 7% Liveness
35% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Ave verum corpus, K. 618
83 bpm • D Maj • 02:57 • -35db
30% Popularity • 13% Danceability • 1% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
30% Popularity • 13% Danceability • 1% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Franz Schubert
Mass No. 2 in G Major, D. 167: VI. Agnus...
83 bpm • D Maj • 04:40 • -32.83db
12% Popularity • 13% Danceability • 1% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
12% Popularity • 13% Danceability • 1% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
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Antonín Dvořák
Mass in D Major, Op. 86, B. 153: I. Kyri...
83 bpm • D Maj • 05:25 • -22.82db
11% Popularity • 18% Danceability • 8% Energy • 13% Liveness
87% Instrumentalness • 4% Positiveness
11% Popularity • 18% Danceability • 8% Energy • 13% Liveness
87% Instrumentalness • 4% Positiveness
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Luigi Cherubini
Requiem No. 1 in C Minor: Pie Jesu
75 bpm • F min • 03:37 • -34.6db
18% Popularity • 20% Danceability • 1% Energy • 9% Liveness
64% Instrumentalness • 3% Positiveness
18% Popularity • 20% Danceability • 1% Energy • 9% Liveness
64% Instrumentalness • 3% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater, P. 77: IV. Quae moerabat
75 bpm • D# Maj • 02:49 • -25db
38% Popularity • 26% Danceability • 6% Energy • 10% Liveness
3% Instrumentalness • 13% Positiveness
38% Popularity • 26% Danceability • 6% Energy • 10% Liveness
3% Instrumentalness • 13% Positiveness
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Anton Bruckner
Requiem: VI. Sanctus
83 bpm • D min • 01:28 • -18.89db
11% Popularity • 22% Danceability • 18% Energy • 11% Liveness
81% Instrumentalness • 7% Positiveness
11% Popularity • 22% Danceability • 18% Energy • 11% Liveness
81% Instrumentalness • 7% Positiveness
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Antonio Caldara
Stabat Mater: VIII. Virgo virginum
75 bpm • D Maj • 01:28 • -24.09db
31% Popularity • 17% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
31% Popularity • 17% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
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Friedrich Ludwig Aemilius Kunzen
Das Halleluja der Schopfung (The Hallelu...
83 bpm • C min • 01:06 • -27.62db
19% Popularity • 14% Danceability • 2% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
19% Popularity • 14% Danceability • 2% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
Crucifixus
83 bpm • A min • 04:28 • -30.75db
3% Popularity • 14% Danceability • 2% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
3% Popularity • 14% Danceability • 2% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
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Luigi Cherubini
Requiem No. 1 in C Minor: Introitus et K...
83 bpm • C min • 07:14 • -31db
25% Popularity • 8% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
25% Popularity • 8% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Anne-Kathrin Dern
Lacrimosa
75 bpm • C min • 01:39 • -13.04db
7% Popularity • 25% Danceability • 30% Energy • 10% Liveness
81% Instrumentalness • 6% Positiveness
7% Popularity • 25% Danceability • 30% Energy • 10% Liveness
81% Instrumentalness • 6% Positiveness
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フォルツハイム・モテット合唱団
教会音楽「モテット」/アヴェ...
83 bpm • D Maj • 02:29 • -27.34db
9% Popularity • 9% Danceability • 5% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
9% Popularity • 9% Danceability • 5% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Elijah, Op. 70, MWV A25 / Part 1: "Bless...
83 bpm • B min • 03:21 • -21.93db
15% Popularity • 14% Danceability • 8% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
15% Popularity • 14% Danceability • 8% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Giovanni Lorenzo Mariani
Messa per l'incoronazione del doge Miche...
83 bpm • D# Maj • 03:26 • -28.14db
0% Popularity • 28% Danceability • 4% Energy • 9% Liveness
3% Instrumentalness • 27% Positiveness
0% Popularity • 28% Danceability • 4% Energy • 9% Liveness
3% Instrumentalness • 27% Positiveness
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Antonio Vivaldi
Magnificat, RV. 610: Magnificat
83 bpm • G min • 01:24 • -16.84db
23% Popularity • 25% Danceability • 19% Energy • 23% Liveness
98% Instrumentalness • 4% Positiveness
23% Popularity • 25% Danceability • 19% Energy • 23% Liveness
98% Instrumentalness • 4% Positiveness
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César Franck
Sept paroles du Christ en croix: Parole ...
83 bpm • F min • 02:58 • -33.02db
10% Popularity • 16% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 3% Positiveness
10% Popularity • 16% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 3% Positiveness
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Michael John Trotta
Seven Last Words: No. 1. Father, Forgive...
75 bpm • F# min • 08:32 • -24.39db
8% Popularity • 8% Danceability • 6% Energy • 15% Liveness
63% Instrumentalness • 4% Positiveness
8% Popularity • 8% Danceability • 6% Energy • 15% Liveness
63% Instrumentalness • 4% Positiveness
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Francois-Joseph Gossec
Grande Messe des Morts: X. Sequentia: Qu...
75 bpm • F Maj • 01:46 • -24.18db
18% Popularity • 26% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
18% Popularity • 26% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
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Thomas Hengelbrock
Miserere in C minor: Misere III
75 bpm • G Maj • 01:44 • -15.58db
17% Popularity • 31% Danceability • 20% Energy • 16% Liveness
86% Instrumentalness • 10% Positiveness
17% Popularity • 31% Danceability • 20% Energy • 16% Liveness
86% Instrumentalness • 10% Positiveness
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Wolfgang Amadeus Mozart
Requiem for Solo Voices, Chorus, and Orc...
84 bpm • G min • 03:24 • -25.21db
0% Popularity • 12% Danceability • 7% Energy • 20% Liveness
46% Instrumentalness • 4% Positiveness
0% Popularity • 12% Danceability • 7% Energy • 20% Liveness
46% Instrumentalness • 4% Positiveness
► Preview
Ennio Morricone
Habemus Papam Giovanni Paolo II
84 bpm • C min • 03:43 • -14.08db
12% Popularity • 8% Danceability • 20% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
12% Popularity • 8% Danceability • 20% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Christoph Willibald Gluck
Alceste, Wq. 44 (Excerpts): Parez vos fr...
84 bpm • G Maj • 08:49 • -28.66db
12% Popularity • 18% Danceability • 3% Energy • 9% Liveness
69% Instrumentalness • 9% Positiveness
12% Popularity • 18% Danceability • 3% Energy • 9% Liveness
69% Instrumentalness • 9% Positiveness
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Giacomo Puccini
Messa di Gloria: Kyrie
84 bpm • G# Maj • 06:08 • -27.68db
23% Popularity • 8% Danceability • 5% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
23% Popularity • 8% Danceability • 5% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Johann Sebastian Bach
Mass in B Minor, BWV 232 - Missa (Kyrie ...
84 bpm • C# Maj • 01:50 • -16.42db
14% Popularity • 33% Danceability • 30% Energy • 67% Liveness
3% Instrumentalness • 64% Positiveness
14% Popularity • 33% Danceability • 30% Energy • 67% Liveness
3% Instrumentalness • 64% Positiveness
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Arvo Pärt
Veni creator
84 bpm • G Maj • 03:19 • -24.44db
16% Popularity • 16% Danceability • 7% Energy • 18% Liveness
78% Instrumentalness • 4% Positiveness
16% Popularity • 16% Danceability • 7% Energy • 18% Liveness
78% Instrumentalness • 4% Positiveness
