Songs like Messe a 3 voix (Mass in 3 voices), Op. 12, M. 61: Panis angelicus by César Franck
Based on a tempo of (+/- 10%) and a similar genre
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Wolfgang Amadeus Mozart
Mozart: Vesperae solennes de confessore,...
89 bpm • F Maj • 05:04 • -27.49db
7% Popularity • 20% Danceability • 7% Energy • 12% Liveness
3% Instrumentalness • 4% Positiveness
7% Popularity • 20% Danceability • 7% Energy • 12% Liveness
3% Instrumentalness • 4% Positiveness
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George Frideric Handel
Handel: Serse, HWV 40, Act 1, Scene 1: A...
89 bpm • E Maj • 03:23 • -20.19db
31% Popularity • 13% Danceability • 12% Energy • 16% Liveness
2% Instrumentalness • 4% Positiveness
31% Popularity • 13% Danceability • 12% Energy • 16% Liveness
2% Instrumentalness • 4% Positiveness
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Jessye Norman
Dido and Aeneas: Dido's Lament
89 bpm • C min • 04:49 • -15.19db
18% Popularity • 31% Danceability • 22% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
18% Popularity • 31% Danceability • 22% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
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César Franck
Messe a 3 voix (Mass in 3 voices), Op. 1...
89 bpm • A Maj • 05:01 • -28db
28% Popularity • 17% Danceability • 3% Energy • 9% Liveness
21% Instrumentalness • 4% Positiveness
28% Popularity • 17% Danceability • 3% Energy • 9% Liveness
21% Instrumentalness • 4% Positiveness
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Samuel Barber
String Quartet, Op. 11: II. Molto adagio
90 bpm • A# min • 06:52 • -26.61db
27% Popularity • 10% Danceability • 4% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
27% Popularity • 10% Danceability • 4% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Tomaso Albinoni
Albinoni: Adagio in G Minor
90 bpm • C min • 05:53 • -20.28db
37% Popularity • 14% Danceability • 10% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
37% Popularity • 14% Danceability • 10% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann (1989 Digital Rema...
90 bpm • D Maj • 03:49 • -28.46db
34% Popularity • 20% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
34% Popularity • 20% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Aram Khachaturian
Khachaturian: Spartacus (Highlights from...
88 bpm • G# Maj • 09:54 • -21.56db
38% Popularity • 11% Danceability • 11% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
38% Popularity • 11% Danceability • 11% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
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Claudio Monteverdi
Cantate Domino, SV 293
88 bpm • F Maj • 01:43 • -19db
37% Popularity • 14% Danceability • 17% Energy • 12% Liveness
87% Instrumentalness • 16% Positiveness
37% Popularity • 14% Danceability • 17% Energy • 12% Liveness
87% Instrumentalness • 16% Positiveness
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César Franck
Franck: Cello Sonata in A Major, FWV 8: ...
90 bpm • C# min • 06:41 • -19db
11% Popularity • 24% Danceability • 10% Energy • 7% Liveness
79% Instrumentalness • 22% Positiveness
11% Popularity • 24% Danceability • 10% Energy • 7% Liveness
79% Instrumentalness • 22% Positiveness
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Johann Michael Bach
Halt, was du hast
88 bpm • E min • 05:26 • -21db
17% Popularity • 18% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
17% Popularity • 18% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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![Je te veux (I want you) [arr. E. Blackwood] cover art](https://i.scdn.co/image/ab67616d00001e026dd33ceae26466d0243ab588)
Erik Satie
Je te veux (I want you) [arr. E. Blackwo...
90 bpm • A Maj • 03:41 • -23.23db
18% Popularity • 22% Danceability • 9% Energy • 28% Liveness
0% Instrumentalness • 13% Positiveness
18% Popularity • 22% Danceability • 9% Energy • 28% Liveness
0% Instrumentalness • 13% Positiveness
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Jacques Offenbach
Les larmes de Jacqueline, Op. 76, No. 2
90 bpm • C Maj • 07:11 • -19.82db
27% Popularity • 20% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
27% Popularity • 20% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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JoaquÃn Rodrigo
FantasÃa para un Gentilhombre: IIa. Esp...
88 bpm • A min • 05:04 • -23.4db
40% Popularity • 33% Danceability • 5% Energy • 12% Liveness
91% Instrumentalness • 21% Positiveness
40% Popularity • 33% Danceability • 5% Energy • 12% Liveness
91% Instrumentalness • 21% Positiveness
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Henry Purcell
Purcell: Dido and Aeneas, Z. 626, Act II...
88 bpm • F# min • 03:50 • -21db
26% Popularity • 23% Danceability • 9% Energy • 13% Liveness
28% Instrumentalness • 4% Positiveness
26% Popularity • 23% Danceability • 9% Energy • 13% Liveness
28% Instrumentalness • 4% Positiveness
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César Franck
Symphony in D Minor: II. Allegretto
90 bpm • F# Maj • 09:48 • -29db
8% Popularity • 10% Danceability • 3% Energy • 9% Liveness
78% Instrumentalness • 4% Positiveness
8% Popularity • 10% Danceability • 3% Energy • 9% Liveness
78% Instrumentalness • 4% Positiveness
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Samuel Barber
Four Songs Op. 13: No. 3 Sure On This Sh...
88 bpm • A# Maj • 02:31 • -17.02db
22% Popularity • 19% Danceability • 18% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
22% Popularity • 19% Danceability • 18% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Intermezzo sinfoni...
88 bpm • F Maj • 03:39 • -27.02db
30% Popularity • 15% Danceability • 4% Energy • 24% Liveness
90% Instrumentalness • 5% Positiveness
30% Popularity • 15% Danceability • 4% Energy • 24% Liveness
90% Instrumentalness • 5% Positiveness
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George Frideric Handel
Serse (Xerxes), Hwv 40 (arr. for oboe an...
88 bpm • F Maj • 03:47 • -19.59db
37% Popularity • 10% Danceability • 13% Energy • 11% Liveness
81% Instrumentalness • 4% Positiveness
37% Popularity • 10% Danceability • 13% Energy • 11% Liveness
81% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Samson et Dalila, Op. 47: Mon coeur s'ou...
91 bpm • G Maj • 03:10 • -23.44db
24% Popularity • 21% Danceability • 5% Energy • 8% Liveness
81% Instrumentalness • 4% Positiveness
24% Popularity • 21% Danceability • 5% Energy • 8% Liveness
81% Instrumentalness • 4% Positiveness
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Maria Callas
Extrait "Casta Diva"
87 bpm • F Maj • 07:25 • -16db
28% Popularity • 16% Danceability • 12% Energy • 13% Liveness
11% Instrumentalness • 9% Positiveness
28% Popularity • 16% Danceability • 12% Energy • 13% Liveness
11% Instrumentalness • 9% Positiveness
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César Franck
Sonata in A Major, CFF 123: IV. Allegret...
88 bpm • A Maj • 06:26 • -14.8db
0% Popularity • 21% Danceability • 20% Energy • 6% Liveness
89% Instrumentalness • 20% Positiveness
0% Popularity • 21% Danceability • 20% Energy • 6% Liveness
89% Instrumentalness • 20% Positiveness
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Giuseppe Verdi
Verdi: Otello, Act 4: "Ave Maria, piena ...
87 bpm • G# Maj • 04:32 • -21.4db
17% Popularity • 26% Danceability • 8% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
17% Popularity • 26% Danceability • 8% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
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Zoltán Kodály
Esti Dal
91 bpm • A# Maj • 03:08 • -31.28db
20% Popularity • 10% Danceability • 0% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
20% Popularity • 10% Danceability • 0% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Patrick Hawes
Reflexionem
87 bpm • D Maj • 03:27 • -19.54db
20% Popularity • 16% Danceability • 14% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
20% Popularity • 16% Danceability • 14% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
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Alfredo Catalani
La Wally / Act 1: "Ebben? Ne andrò lont...
87 bpm • E Maj • 03:42 • -21db
30% Popularity • 24% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
30% Popularity • 24% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Maurice Duruflé
Maurice Duruflé: Ubi caritas
87 bpm • D# Maj • 02:26 • -29db
28% Popularity • 14% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
28% Popularity • 14% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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César Franck
Sonata in A Major: I. Allegretto ben mod...
87 bpm • A Maj • 06:42 • -22db
8% Popularity • 20% Danceability • 8% Energy • 11% Liveness
40% Instrumentalness • 4% Positiveness
8% Popularity • 20% Danceability • 8% Energy • 11% Liveness
40% Instrumentalness • 4% Positiveness
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Carl Stamitz
Cello Concerto No. 1 in G Major: II. Rom...
91 bpm • A# Maj • 05:23 • -28db
39% Popularity • 14% Danceability • 4% Energy • 11% Liveness
87% Instrumentalness • 6% Positiveness
39% Popularity • 14% Danceability • 4% Energy • 11% Liveness
87% Instrumentalness • 6% Positiveness
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Max Bruch
Bruch: Violin Concerto No. 1 in G Minor,...
91 bpm • D# Maj • 08:11 • -22.97db
24% Popularity • 15% Danceability • 10% Energy • 36% Liveness
16% Instrumentalness • 7% Positiveness
24% Popularity • 15% Danceability • 10% Energy • 36% Liveness
16% Instrumentalness • 7% Positiveness
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Reynaldo Hahn
A Chloris (Arr. For Cor Anglais & Orches...
87 bpm • E Maj • 04:15 • -27db
33% Popularity • 18% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
33% Popularity • 18% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
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Claudio Scimone
Handel: Rinaldo, HWV 7, Act 2: Aria. "La...
87 bpm • D Maj • 04:34 • -19.95db
21% Popularity • 26% Danceability • 13% Energy • 17% Liveness
2% Instrumentalness • 4% Positiveness
21% Popularity • 26% Danceability • 13% Energy • 17% Liveness
2% Instrumentalness • 4% Positiveness
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Alexander Glazunov
The Seasons, Op. 67: XIV. Petit Adagio
87 bpm • A Maj • 03:29 • -21.96db
34% Popularity • 18% Danceability • 10% Energy • 15% Liveness
81% Instrumentalness • 6% Positiveness
34% Popularity • 18% Danceability • 10% Energy • 15% Liveness
81% Instrumentalness • 6% Positiveness
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César Franck
Dextera Domini, FWV 65
91 bpm • A# Maj • 08:32 • -18db
12% Popularity • 12% Danceability • 19% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
12% Popularity • 12% Danceability • 19% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
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Johannes Brahms
5 Lieder, Op. 49: No. 4, Wiegenlied
92 bpm • D# Maj • 02:13 • -32.09db
27% Popularity • 26% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
27% Popularity • 26% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Jean-Philippe Rameau
Castor et Pollux, RCT 32, Acte I, Scène...
86 bpm • D Maj • 07:33 • -28.99db
32% Popularity • 9% Danceability • 1% Energy • 11% Liveness
75% Instrumentalness • 4% Positiveness
32% Popularity • 9% Danceability • 1% Energy • 11% Liveness
75% Instrumentalness • 4% Positiveness
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Arcangelo Corelli
Sonata Op. 5, No. 10: Sarabanda
86 bpm • C# min • 03:57 • -29db
26% Popularity • 22% Danceability • 3% Energy • 11% Liveness
95% Instrumentalness • 5% Positiveness
26% Popularity • 22% Danceability • 3% Energy • 11% Liveness
95% Instrumentalness • 5% Positiveness
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Henry Purcell
Dido and Aeneas, Z. 626: Act III: When I...
86 bpm • G min • 03:54 • -21db
31% Popularity • 18% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
31% Popularity • 18% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Seattle Symphony Orchestra
Symphony No. 3 in F major, Op. 90: III. ...
92 bpm • C min • 06:48 • -26.93db
26% Popularity • 11% Danceability • 3% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
26% Popularity • 11% Danceability • 3% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
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César Franck
Die sieben Worte Christi am Kreuz für S...
92 bpm • C min • 05:39 • -21.76db
10% Popularity • 14% Danceability • 5% Energy • 11% Liveness
60% Instrumentalness • 5% Positiveness
10% Popularity • 14% Danceability • 5% Energy • 11% Liveness
60% Instrumentalness • 5% Positiveness
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AntonÃn Dvořák
Dvořák: 7 Gipsy Melodies, Op. 55, B. 1...
92 bpm • D Maj • 02:26 • -16.91db
37% Popularity • 14% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
37% Popularity • 14% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Alessandro Scarlatti
Son tutta duolo
92 bpm • G min • 02:56 • -26.33db
24% Popularity • 28% Danceability • 4% Energy • 11% Liveness
16% Instrumentalness • 7% Positiveness
24% Popularity • 28% Danceability • 4% Energy • 11% Liveness
16% Instrumentalness • 7% Positiveness
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Giuseppe Verdi
Rigoletto / Act 1: "Gualtier Maldè...Ca...
86 bpm • E Maj • 06:18 • -27db
29% Popularity • 26% Danceability • 5% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
29% Popularity • 26% Danceability • 5% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
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Andrew Lloyd Webber
Lloyd Webber: Requiem: VII. Pie Jesu (So...
92 bpm • G# Maj • 02:49 • -20.31db
20% Popularity • 20% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
20% Popularity • 20% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Heinrich Ignaz Franz von Biber
L'Aria
86 bpm • D min • 01:51 • -26db
30% Popularity • 48% Danceability • 11% Energy • 11% Liveness
35% Instrumentalness • 45% Positiveness
30% Popularity • 48% Danceability • 11% Energy • 11% Liveness
35% Instrumentalness • 45% Positiveness
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César Franck
Sonata in A Major, CFF 123: III. Recitat...
86 bpm • F# min • 07:18 • -20.26db
0% Popularity • 17% Danceability • 4% Energy • 14% Liveness
57% Instrumentalness • 4% Positiveness
0% Popularity • 17% Danceability • 4% Energy • 14% Liveness
57% Instrumentalness • 4% Positiveness
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Francesco Nicola Fago
Fago: Il Faraone sommerso: "Alla gente a...
92 bpm • E Maj • 04:45 • -21db
30% Popularity • 22% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
30% Popularity • 22% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Ernest Chausson
Hébée Op. 2 N°6
86 bpm • A min • 02:53 • -25db
16% Popularity • 25% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
16% Popularity • 25% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Le carnaval des animaux: X...
85 bpm • G Maj • 03:05 • -25.79db
28% Popularity • 18% Danceability • 5% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
28% Popularity • 18% Danceability • 5% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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George Frideric Handel
L'Allegro, Il Penseroso, ed il Moderato,...
85 bpm • A Maj • 06:36 • -23db
21% Popularity • 13% Danceability • 9% Energy • 11% Liveness
5% Instrumentalness • 14% Positiveness
21% Popularity • 13% Danceability • 9% Energy • 11% Liveness
5% Instrumentalness • 14% Positiveness
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Maurice Duruflé
Quatre Motets: Ubi Caritas
93 bpm • E Maj • 02:31 • -31db
19% Popularity • 12% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
19% Popularity • 12% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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César Franck
Sonata in A Major for Violin and Piano, ...
86 bpm • A Maj • 05:46 • -26.08db
8% Popularity • 17% Danceability • 2% Energy • 8% Liveness
82% Instrumentalness • 4% Positiveness
8% Popularity • 17% Danceability • 2% Energy • 8% Liveness
82% Instrumentalness • 4% Positiveness
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Richard Strauss
Morgen! Op. 27, No. 4
93 bpm • G Maj • 03:41 • -21.93db
19% Popularity • 18% Danceability • 12% Energy • 27% Liveness
12% Instrumentalness • 4% Positiveness
19% Popularity • 18% Danceability • 12% Energy • 27% Liveness
12% Instrumentalness • 4% Positiveness
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Henry Purcell
Purcell / Arr. Pluhar: An Evening Hymn, ...
85 bpm • D Maj • 06:06 • -18.87db
25% Popularity • 36% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
25% Popularity • 36% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Edward Elgar
Salut d'amour, Op. 12 (version for orche...
85 bpm • E Maj • 03:35 • -31.88db
49% Popularity • 11% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
49% Popularity • 11% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
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Giuseppe Verdi
Requiem: I. Requiem Aeternam
85 bpm • A min • 09:09 • -29db
32% Popularity • 9% Danceability • 3% Energy • 8% Liveness
10% Instrumentalness • 4% Positiveness
32% Popularity • 9% Danceability • 3% Energy • 8% Liveness
10% Instrumentalness • 4% Positiveness
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Ernest Chausson
Hébé, Op. 2 No. 6
85 bpm • A min • 02:53 • -26db
15% Popularity • 36% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
15% Popularity • 36% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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César Franck
Prélude, fugue et variation pour piano ...
92 bpm • F# min • 02:45 • -33db
19% Popularity • 11% Danceability • 0% Energy • 11% Liveness
84% Instrumentalness • 16% Positiveness
19% Popularity • 11% Danceability • 0% Energy • 11% Liveness
84% Instrumentalness • 16% Positiveness
► Preview
Ludwig van Beethoven
Piano Concerto No. 5 in E-Flat Major, Op...
85 bpm • B Maj • 08:18 • -29.76db
51% Popularity • 23% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
51% Popularity • 23% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Academy of St. Martin in the Fields
Peer Gynt Suite No.2 op. 55 Solveig's So...
93 bpm • A min • 05:14 • -32db
33% Popularity • 11% Danceability • 2% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
33% Popularity • 11% Danceability • 2% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Samuel Barber
Agnus Dei, Op. 11
93 bpm • A# min • 06:37 • -28.81db
11% Popularity • 11% Danceability • 3% Energy • 9% Liveness
73% Instrumentalness • 3% Positiveness
11% Popularity • 11% Danceability • 3% Energy • 9% Liveness
73% Instrumentalness • 3% Positiveness
► Preview
Camille Saint-Saëns
Saint-Saëns / Transcr. Vidal: Le carnav...
85 bpm • G Maj • 03:28 • -28.23db
56% Popularity • 21% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
56% Popularity • 21% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Edward Elgar
Elgar: Cello Concerto in E Minor, Op. 85...
93 bpm • A# Maj • 05:18 • -26.07db
31% Popularity • 16% Danceability • 6% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
31% Popularity • 16% Danceability • 6% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
► Preview
César Franck
Die sieben Worte Christi am Kreuz für S...
86 bpm • A min • 04:49 • -20.35db
11% Popularity • 12% Danceability • 15% Energy • 22% Liveness
47% Instrumentalness • 4% Positiveness
11% Popularity • 12% Danceability • 15% Energy • 22% Liveness
47% Instrumentalness • 4% Positiveness
► Preview
Andreas Scholl
Stabat Mater
85 bpm • F Maj • 02:01 • -11.05db
37% Popularity • 36% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
37% Popularity • 36% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Claude Debussy
Trois chansons de Bilitis, L. 90: No. 1,...
85 bpm • F# Maj • 02:45 • -29db
23% Popularity • 29% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
23% Popularity • 29% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Antonio Vivaldi
Griselda, RV 718, Act I, Scene 5: Vede o...
84 bpm • G Maj • 08:23 • -24.47db
13% Popularity • 19% Danceability • 4% Energy • 13% Liveness
1% Instrumentalness • 6% Positiveness
13% Popularity • 19% Danceability • 4% Energy • 13% Liveness
1% Instrumentalness • 6% Positiveness
► Preview
Jules Massenet
Massenet: Thaïs, Act 2: Méditation (Ar...
85 bpm • D Maj • 06:12 • -22.6db
23% Popularity • 9% Danceability • 7% Energy • 32% Liveness
92% Instrumentalness • 4% Positiveness
23% Popularity • 9% Danceability • 7% Energy • 32% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Alfredo Catalani
La Wally / Act I: "Ebben? Ne andrò lont...
84 bpm • E Maj • 03:54 • -18db
29% Popularity • 28% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
29% Popularity • 28% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
César Franck
Violin Sonata in A Major, FWV 8: III. Re...
93 bpm • D Maj • 07:28 • -22.73db
3% Popularity • 18% Danceability • 6% Energy • 12% Liveness
4% Instrumentalness • 4% Positiveness
3% Popularity • 18% Danceability • 6% Energy • 12% Liveness
4% Instrumentalness • 4% Positiveness
► Preview
Jacques Offenbach
Harmonies des bois, Op. 76: II. Les larm...
84 bpm • C Maj • 06:22 • -26.77db
27% Popularity • 10% Danceability • 4% Energy • 11% Liveness
89% Instrumentalness • 7% Positiveness
27% Popularity • 10% Danceability • 4% Energy • 11% Liveness
89% Instrumentalness • 7% Positiveness
► Preview
Edward Elgar
Ave Maria, Op. 2, No. 2
85 bpm • A# Maj • 02:45 • -28.14db
26% Popularity • 12% Danceability • 6% Energy • 21% Liveness
89% Instrumentalness • 4% Positiveness
26% Popularity • 12% Danceability • 6% Energy • 21% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Reynaldo Hahn
Poème de Paul Verlaine: L'heure exquise
94 bpm • B Maj • 01:58 • -26.85db
36% Popularity • 27% Danceability • 2% Energy • 8% Liveness
2% Instrumentalness • 6% Positiveness
36% Popularity • 27% Danceability • 2% Energy • 8% Liveness
2% Instrumentalness • 6% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Intermezzo
84 bpm • F Maj • 03:40 • -21.01db
32% Popularity • 12% Danceability • 15% Energy • 18% Liveness
84% Instrumentalness • 4% Positiveness
32% Popularity • 12% Danceability • 15% Energy • 18% Liveness
84% Instrumentalness • 4% Positiveness
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John Rutter
Requiem: III. Pie Jesu
94 bpm • F Maj • 04:10 • -35.7db
20% Popularity • 17% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
20% Popularity • 17% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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César Franck
Franck / Arr. Sandré: Mass, Op. 12, FWV...
85 bpm • A Maj • 04:54 • -20db
12% Popularity • 18% Danceability • 12% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
12% Popularity • 18% Danceability • 12% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
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Léo Delibes
Lakmé / Act 1: Viens, Mallika, ... Dôm...
84 bpm • B Maj • 06:03 • -22.23db
38% Popularity • 23% Danceability • 6% Energy • 41% Liveness
0% Instrumentalness • 6% Positiveness
38% Popularity • 23% Danceability • 6% Energy • 41% Liveness
0% Instrumentalness • 6% Positiveness
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Germaine Tailleferre
Sonata for Solo Harp: I. Allegretto
84 bpm • C# Maj • 03:16 • -28db
22% Popularity • 24% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
22% Popularity • 24% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
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Antonio Vivaldi
Ottone in villa, RV 729, Act II Scene VI...
84 bpm • E Maj • 05:35 • -28db
20% Popularity • 16% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
20% Popularity • 16% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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George Frideric Handel
Rinaldo, HWV 7b: Act II Scene 4: Aria: L...
84 bpm • E Maj • 06:03 • -26db
36% Popularity • 25% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
36% Popularity • 25% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Carl Maria von Weber
Der Freischütz, J. 277 / Act III: "Und ...
84 bpm • G# Maj • 05:57 • -23.47db
30% Popularity • 18% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
30% Popularity • 18% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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César Franck
Violin Sonata in A major, FWV 8: IV. All...
94 bpm • A Maj • 06:04 • -18.62db
51% Popularity • 25% Danceability • 14% Energy • 5% Liveness
3% Instrumentalness • 18% Positiveness
51% Popularity • 25% Danceability • 14% Energy • 5% Liveness
3% Instrumentalness • 18% Positiveness
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AntonÃn Dvořák
Rusalka, Op. 114, B. 203 / Act 1: "O Sil...
95 bpm • F# Maj • 06:40 • -22db
9% Popularity • 21% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 21% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
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Reynaldo Hahn
Hahn: Chansons grises: No. 5, L'heure ex...
83 bpm • B Maj • 02:15 • -38db
26% Popularity • 24% Danceability • 0% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
26% Popularity • 24% Danceability • 0% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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Jules Massenet
Massenet: Thaïs, Act 2: Méditation (Ar...
95 bpm • D Maj • 05:12 • -23.92db
31% Popularity • 22% Danceability • 8% Energy • 8% Liveness
65% Instrumentalness • 3% Positiveness
31% Popularity • 22% Danceability • 8% Energy • 8% Liveness
65% Instrumentalness • 3% Positiveness
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Harold Bauer
Prélude, Fugue et Variation in B Minor ...
95 bpm • B min • 10:23 • -27.05db
0% Popularity • 38% Danceability • 4% Energy • 7% Liveness
87% Instrumentalness • 15% Positiveness
0% Popularity • 38% Danceability • 4% Energy • 7% Liveness
87% Instrumentalness • 15% Positiveness
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Samuel Barber
Sure on this shining night, Op. 13, No. ...
83 bpm • A# Maj • 02:33 • -26.46db
22% Popularity • 20% Danceability • 4% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
22% Popularity • 20% Danceability • 4% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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César Franck
Symphony in D Minor, FWV 48 (Remastered)...
84 bpm • D Maj • 10:21 • -15.2db
14% Popularity • 9% Danceability • 15% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
14% Popularity • 9% Danceability • 15% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
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John Tavener
The Lamb
83 bpm • A min • 04:14 • -39.3db
24% Popularity • 8% Danceability • 1% Energy • 6% Liveness
11% Instrumentalness • 3% Positiveness
24% Popularity • 8% Danceability • 1% Energy • 6% Liveness
11% Instrumentalness • 3% Positiveness
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Reynaldo Hahn
Chansons grises: V. L'heure exquise
83 bpm • D Maj • 03:32 • -37db
24% Popularity • 15% Danceability • 1% Energy • 13% Liveness
28% Instrumentalness • 4% Positiveness
24% Popularity • 15% Danceability • 1% Energy • 13% Liveness
28% Instrumentalness • 4% Positiveness
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Henry Purcell
Dido and Aeneas / Act 3: "Thy Hand Belin...
83 bpm • F# min • 04:06 • -28.04db
39% Popularity • 14% Danceability • 2% Energy • 21% Liveness
0% Instrumentalness • 4% Positiveness
39% Popularity • 14% Danceability • 2% Energy • 21% Liveness
0% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
Dvořák: From the Bohemian Forest, Op. ...
95 bpm • C# Maj • 06:46 • -20db
28% Popularity • 12% Danceability • 14% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
28% Popularity • 12% Danceability • 14% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Ave verum corpus, K. 618
83 bpm • D Maj • 02:57 • -35db
30% Popularity • 13% Danceability • 1% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
30% Popularity • 13% Danceability • 1% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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César Franck
Ave Maria, FWV 62
83 bpm • E Maj • 02:23 • -21.54db
11% Popularity • 9% Danceability • 13% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
11% Popularity • 9% Danceability • 13% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Edward Elgar
Cello Concerto in E Minor, Op. 85: III. ...
96 bpm • A# Maj • 05:55 • -31.12db
16% Popularity • 16% Danceability • 4% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
16% Popularity • 16% Danceability • 4% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
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Camille Saint-Saëns
Le carnaval des animaux, R. 125: Le cygn...
83 bpm • C Maj • 04:11 • -41.12db
41% Popularity • 8% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
41% Popularity • 8% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
Andromeda Liberata (Serenata Veneziana),...
83 bpm • E min • 09:07 • -23.1db
12% Popularity • 23% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
12% Popularity • 23% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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AntonÃn Dvořák
Dvořák: Rusalka, Op. 114, B. 203, Act ...
96 bpm • F# Maj • 05:55 • -20db
25% Popularity • 23% Danceability • 8% Energy • 16% Liveness
1% Instrumentalness • 4% Positiveness
25% Popularity • 23% Danceability • 8% Energy • 16% Liveness
1% Instrumentalness • 4% Positiveness
