Songs like Messe de minuit pour Noel, H. 9: Kyrie by Marc-Antoine Charpentier
Based on a tempo of (+/- 10%) and a similar genre
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Jean-Joseph Cassanéa De Mondonville
Mondonville: In exitu Israel: II. Chœur...
135 bpm • C# Maj • 01:10 • -19.17db
24% Popularity • 39% Danceability • 30% Energy • 50% Liveness
81% Instrumentalness • 59% Positiveness
24% Popularity • 39% Danceability • 30% Energy • 50% Liveness
81% Instrumentalness • 59% Positiveness
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Heinrich Ignaz Franz von Biber
Mystery (Rosary) Sonata No. 3, "The Nati...
135 bpm • C# Maj • 02:54 • -17.2db
14% Popularity • 48% Danceability • 16% Energy • 7% Liveness
20% Instrumentalness • 56% Positiveness
14% Popularity • 48% Danceability • 16% Energy • 7% Liveness
20% Instrumentalness • 56% Positiveness
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Antonio Vivaldi
Vivaldi: Gloria in D Major, RV 589: VII....
135 bpm • E Maj • 02:20 • -19.33db
32% Popularity • 25% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
32% Popularity • 25% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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Carl Philipp Emanuel Bach
Magnificat, Wq. 215: Magnificat, Wq. 215...
135 bpm • C# Maj • 02:53 • -18.05db
24% Popularity • 37% Danceability • 27% Energy • 10% Liveness
17% Instrumentalness • 59% Positiveness
24% Popularity • 37% Danceability • 27% Energy • 10% Liveness
17% Instrumentalness • 59% Positiveness
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Giovanni Battista Pergolesi
Pergolesi: Stabat Mater: IX. Sancta Mate...
136 bpm • D Maj • 05:00 • -18.39db
27% Popularity • 25% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
27% Popularity • 25% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Dietrich Buxtehude
Mit Fried und Freud ich fahr dahin, BuxW...
136 bpm • C Maj • 07:15 • -29db
12% Popularity • 16% Danceability • 4% Energy • 13% Liveness
31% Instrumentalness • 4% Positiveness
12% Popularity • 16% Danceability • 4% Energy • 13% Liveness
31% Instrumentalness • 4% Positiveness
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George Frideric Handel
Rinaldo, HWV 7b: Act I: Overture
134 bpm • E Maj • 05:30 • -27db
31% Popularity • 33% Danceability • 9% Energy • 54% Liveness
92% Instrumentalness • 30% Positiveness
31% Popularity • 33% Danceability • 9% Energy • 54% Liveness
92% Instrumentalness • 30% Positiveness
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Johann Joachim Quantz
Flute Concerto in D Minor, QV 5:81: II. ...
134 bpm • D# Maj • 05:49 • -22.31db
39% Popularity • 24% Danceability • 4% Energy • 16% Liveness
22% Instrumentalness • 35% Positiveness
39% Popularity • 24% Danceability • 4% Energy • 16% Liveness
22% Instrumentalness • 35% Positiveness
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Marc-Antoine Charpentier
Médée, H. 491, Act II: Passacaille
137 bpm • G min • 01:01 • -21.8db
6% Popularity • 21% Danceability • 15% Energy • 48% Liveness
92% Instrumentalness • 57% Positiveness
6% Popularity • 21% Danceability • 15% Energy • 48% Liveness
92% Instrumentalness • 57% Positiveness
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Johann David Heinichen
Concerto in F Major, Seibel 234: I. Viva...
133 bpm • E Maj • 02:32 • -22.89db
26% Popularity • 44% Danceability • 17% Energy • 35% Liveness
88% Instrumentalness • 63% Positiveness
26% Popularity • 44% Danceability • 17% Energy • 35% Liveness
88% Instrumentalness • 63% Positiveness
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Jean-Philippe Rameau
Zaïs, Ouverture
137 bpm • C Maj • 05:31 • -14.8db
17% Popularity • 41% Danceability • 42% Energy • 8% Liveness
48% Instrumentalness • 12% Positiveness
17% Popularity • 41% Danceability • 42% Energy • 8% Liveness
48% Instrumentalness • 12% Positiveness
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Thomas Morley
The Third Dirge Anthem: I Heard a Voice ...
133 bpm • G# min • 01:56 • -27.88db
34% Popularity • 16% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
34% Popularity • 16% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Arcangelo Corelli
Concerto Grosso in D Major, Op. 6 No. 4:...
133 bpm • C# Maj • 02:54 • -18.11db
41% Popularity • 56% Danceability • 26% Energy • 18% Liveness
9% Instrumentalness • 71% Positiveness
41% Popularity • 56% Danceability • 26% Energy • 18% Liveness
9% Instrumentalness • 71% Positiveness
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Claudio Monteverdi
Hor che'l ciel, e la terra
138 bpm • A min • 04:40 • -20db
11% Popularity • 23% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 23% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Marc-Antoine Charpentier
Charpentier: Te Deum, H. 146: XII. In Te...
137 bpm • D Maj • 03:23 • -16.28db
10% Popularity • 33% Danceability • 27% Energy • 10% Liveness
79% Instrumentalness • 61% Positiveness
10% Popularity • 33% Danceability • 27% Energy • 10% Liveness
79% Instrumentalness • 61% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater, P. 77: VI. Vidit suum
138 bpm • F min • 03:31 • -28db
34% Popularity • 17% Danceability • 3% Energy • 7% Liveness
2% Instrumentalness • 4% Positiveness
34% Popularity • 17% Danceability • 3% Energy • 7% Liveness
2% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
St. John Passion, BWV 245: Part II: Chor...
132 bpm • B min • 07:55 • -23.27db
27% Popularity • 20% Danceability • 11% Energy • 16% Liveness
80% Instrumentalness • 8% Positiveness
27% Popularity • 20% Danceability • 11% Energy • 16% Liveness
80% Instrumentalness • 8% Positiveness
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Antonio Vivaldi
Lauda Jerusalem (Salmo 147), RV 609
138 bpm • E min • 06:28 • -15db
16% Popularity • 41% Danceability • 23% Energy • 50% Liveness
0% Instrumentalness • 34% Positiveness
16% Popularity • 41% Danceability • 23% Energy • 50% Liveness
0% Instrumentalness • 34% Positiveness
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Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75, Ad pedes: ...
131 bpm • F min • 01:08 • -15db
29% Popularity • 27% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
29% Popularity • 27% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
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Anonymous
Le Concert Royal de la nuit: Ouverture
131 bpm • F# min • 03:05 • -18.91db
7% Popularity • 24% Danceability • 23% Energy • 15% Liveness
63% Instrumentalness • 43% Positiveness
7% Popularity • 24% Danceability • 23% Energy • 15% Liveness
63% Instrumentalness • 43% Positiveness
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Marc-Antoine Charpentier
Messe de minuit pour Noel, H. 9: Sanctus...
132 bpm • C# Maj • 03:10 • -25.07db
2% Popularity • 24% Danceability • 6% Energy • 10% Liveness
5% Instrumentalness • 10% Positiveness
2% Popularity • 24% Danceability • 6% Energy • 10% Liveness
5% Instrumentalness • 10% Positiveness
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Jean-Baptiste Lully
Idylle sur la paix: Air pour Madame la D...
139 bpm • G# min • 02:06 • -15.31db
30% Popularity • 56% Danceability • 30% Energy • 14% Liveness
97% Instrumentalness • 45% Positiveness
30% Popularity • 56% Danceability • 30% Energy • 14% Liveness
97% Instrumentalness • 45% Positiveness
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Louis Couperin
Suite in A Minor: III. Courante La Migno...
131 bpm • G# min • 01:34 • -20db
30% Popularity • 31% Danceability • 17% Energy • 8% Liveness
7% Instrumentalness • 51% Positiveness
30% Popularity • 31% Danceability • 17% Energy • 8% Liveness
7% Instrumentalness • 51% Positiveness
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William Christie
Purcell : King Arthur : Overture to Act ...
140 bpm • C min • 01:53 • -23db
32% Popularity • 45% Danceability • 15% Energy • 59% Liveness
18% Instrumentalness • 67% Positiveness
32% Popularity • 45% Danceability • 15% Energy • 59% Liveness
18% Instrumentalness • 67% Positiveness
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Giovanni Battista Sammartini
Recorder Concerto in F Major: I. Allegro
131 bpm • E Maj • 03:50 • -13db
19% Popularity • 37% Danceability • 23% Energy • 33% Liveness
50% Instrumentalness • 44% Positiveness
19% Popularity • 37% Danceability • 23% Energy • 33% Liveness
50% Instrumentalness • 44% Positiveness
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Johann Sebastian Bach
Komm, Jesu, komm, BWV 229
131 bpm • F# min • 08:58 • -22db
25% Popularity • 25% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
25% Popularity • 25% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Marc-Antoine Charpentier
Assumpta Est Maria, H. 11: I. Simphonie
131 bpm • C# min • 01:54 • -37db
12% Popularity • 16% Danceability • 0% Energy • 10% Liveness
17% Instrumentalness • 4% Positiveness
12% Popularity • 16% Danceability • 0% Energy • 10% Liveness
17% Instrumentalness • 4% Positiveness
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Jean-Baptiste Lully
Intermedes de Xerxes: Bourre pour les Ba...
140 bpm • F# Maj • 01:04 • -24db
48% Popularity • 52% Danceability • 12% Energy • 11% Liveness
85% Instrumentalness • 34% Positiveness
48% Popularity • 52% Danceability • 12% Energy • 11% Liveness
85% Instrumentalness • 34% Positiveness
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Francesco Onofrio Manfredini
Concerto Grosso in F Major, Op. 3, No. 1...
130 bpm • C Maj • 01:42 • -17db
33% Popularity • 59% Danceability • 22% Energy • 16% Liveness
18% Instrumentalness • 74% Positiveness
33% Popularity • 59% Danceability • 22% Energy • 16% Liveness
18% Instrumentalness • 74% Positiveness
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Girolamo Frescobaldi
A miei pianti al fine un dì, F7.32
130 bpm • G Maj • 01:27 • -23.58db
23% Popularity • 46% Danceability • 12% Energy • 30% Liveness
90% Instrumentalness • 73% Positiveness
23% Popularity • 46% Danceability • 12% Energy • 30% Liveness
90% Instrumentalness • 73% Positiveness
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Antonio Vivaldi
Vivaldi: Gloria in D Major, RV 589: II. ...
130 bpm • A# min • 04:38 • -18db
33% Popularity • 18% Danceability • 18% Energy • 11% Liveness
39% Instrumentalness • 3% Positiveness
33% Popularity • 18% Danceability • 18% Energy • 11% Liveness
39% Instrumentalness • 3% Positiveness
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Johann Sebastian Bach
Christ lag in Todes Banden, BWV 4: Sinfo...
140 bpm • D# min • 01:24 • -28.03db
18% Popularity • 14% Danceability • 4% Energy • 10% Liveness
84% Instrumentalness • 7% Positiveness
18% Popularity • 14% Danceability • 4% Energy • 10% Liveness
84% Instrumentalness • 7% Positiveness
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Giovanni Battista Sammartini
Sonata for 2 Recorders and Basso Continu...
140 bpm • C# min • 01:35 • -25.49db
31% Popularity • 42% Danceability • 4% Energy • 16% Liveness
88% Instrumentalness • 52% Positiveness
31% Popularity • 42% Danceability • 4% Energy • 16% Liveness
88% Instrumentalness • 52% Positiveness
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Marc-Antoine Charpentier
Charpentier: Sans frayeur dans ce bois, ...
139 bpm • F# Maj • 02:56 • -21db
16% Popularity • 33% Danceability • 9% Energy • 10% Liveness
4% Instrumentalness • 35% Positiveness
16% Popularity • 33% Danceability • 9% Energy • 10% Liveness
4% Instrumentalness • 35% Positiveness
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Jean-Baptiste Lully
Phaeton: Acte II, Chaconne
130 bpm • F Maj • 07:05 • -14db
8% Popularity • 36% Danceability • 16% Energy • 55% Liveness
0% Instrumentalness • 27% Positiveness
8% Popularity • 36% Danceability • 16% Energy • 55% Liveness
0% Instrumentalness • 27% Positiveness
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Michael Haydn
Missa Tempore Quadragesimae, MH 553: Agn...
141 bpm • F# min • 03:23 • -19db
19% Popularity • 22% Danceability • 9% Energy • 11% Liveness
7% Instrumentalness • 4% Positiveness
19% Popularity • 22% Danceability • 9% Energy • 11% Liveness
7% Instrumentalness • 4% Positiveness
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Francesco Geminiani
Oboe Sonata No. 3: I. Adagio
129 bpm • D# min • 01:10 • -19.59db
27% Popularity • 24% Danceability • 6% Energy • 14% Liveness
97% Instrumentalness • 25% Positiveness
27% Popularity • 24% Danceability • 6% Energy • 14% Liveness
97% Instrumentalness • 25% Positiveness
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Alfred Deller
If Music Be The Food Of Love
129 bpm • D min • 02:38 • -22.62db
25% Popularity • 35% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
25% Popularity • 35% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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Marin Marais
Alcyone Suite: Marche en rondeau
129 bpm • C# min • 01:37 • -16db
26% Popularity • 41% Danceability • 19% Energy • 8% Liveness
84% Instrumentalness • 36% Positiveness
26% Popularity • 41% Danceability • 19% Energy • 8% Liveness
84% Instrumentalness • 36% Positiveness
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Marc-Antoine Charpentier
Symphonie devant Regina Coeli. Prélude ...
142 bpm • E Maj • 00:44 • -25.96db
17% Popularity • 14% Danceability • 6% Energy • 27% Liveness
1% Instrumentalness • 24% Positiveness
17% Popularity • 14% Danceability • 6% Energy • 27% Liveness
1% Instrumentalness • 24% Positiveness
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Antonio Vivaldi
Magnificat en sol mineur, RV 610: I. Mag...
128 bpm • F# min • 01:17 • -19db
28% Popularity • 16% Danceability • 18% Energy • 12% Liveness
98% Instrumentalness • 3% Positiveness
28% Popularity • 16% Danceability • 18% Energy • 12% Liveness
98% Instrumentalness • 3% Positiveness
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Arcangelo Corelli
Concerto Grosso in D Major, Op. 6 No. 4:...
127 bpm • A# min • 02:08 • -24.47db
22% Popularity • 21% Danceability • 4% Energy • 14% Liveness
69% Instrumentalness • 7% Positiveness
22% Popularity • 21% Danceability • 4% Energy • 14% Liveness
69% Instrumentalness • 7% Positiveness
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Girolamo Frescobaldi
Frescobaldi: Messa sopra l'aria della mo...
127 bpm • G min • 01:40 • -26db
26% Popularity • 18% Danceability • 11% Energy • 13% Liveness
92% Instrumentalness • 10% Positiveness
26% Popularity • 18% Danceability • 11% Energy • 13% Liveness
92% Instrumentalness • 10% Positiveness
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Jean-Baptiste Lully
Phaeton, Prologue - Le retour de l'Âge ...
128 bpm • A# Maj • 03:22 • -12.11db
26% Popularity • 40% Danceability • 34% Energy • 34% Liveness
1% Instrumentalness • 37% Positiveness
26% Popularity • 40% Danceability • 34% Energy • 34% Liveness
1% Instrumentalness • 37% Positiveness
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Claudio Monteverdi
Monteverdi: Madrigals, Book 8: Ballo, SV...
127 bpm • A min • 03:06 • -18.62db
21% Popularity • 37% Danceability • 13% Energy • 11% Liveness
9% Instrumentalness • 36% Positiveness
21% Popularity • 37% Danceability • 13% Energy • 11% Liveness
9% Instrumentalness • 36% Positiveness
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George Frideric Handel
Rinaldo, HWV 7b: Act III Scene 11: Batta...
127 bpm • C# Maj • 01:35 • -18.85db
33% Popularity • 42% Danceability • 35% Energy • 11% Liveness
96% Instrumentalness • 44% Positiveness
33% Popularity • 42% Danceability • 35% Energy • 11% Liveness
96% Instrumentalness • 44% Positiveness
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Francesco Geminiani
Concerto Grosso in E Minor, Op. 3, No. 3...
144 bpm • E min • 03:24 • -15db
34% Popularity • 53% Danceability • 29% Energy • 12% Liveness
66% Instrumentalness • 68% Positiveness
34% Popularity • 53% Danceability • 29% Energy • 12% Liveness
66% Instrumentalness • 68% Positiveness
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Jordi Savall
Battalia À 10: Sonata (Biber)
144 bpm • C# Maj • 01:44 • -17.42db
21% Popularity • 50% Danceability • 28% Energy • 12% Liveness
86% Instrumentalness • 52% Positiveness
21% Popularity • 50% Danceability • 28% Energy • 12% Liveness
86% Instrumentalness • 52% Positiveness
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Antonio Caldara
Stabat Mater: I. Stabat Mater dolorosa
126 bpm • C# Maj • 01:38 • -21.97db
38% Popularity • 18% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
38% Popularity • 18% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Jean-Baptiste Lully
Les plaisirs: Sarabande
144 bpm • F# min • 02:11 • -34db
40% Popularity • 14% Danceability • 1% Energy • 8% Liveness
2% Instrumentalness • 8% Positiveness
40% Popularity • 14% Danceability • 1% Energy • 8% Liveness
2% Instrumentalness • 8% Positiveness
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Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75, Ad pedes: ...
126 bpm • C min • 01:33 • -20.73db
20% Popularity • 35% Danceability • 4% Energy • 12% Liveness
1% Instrumentalness • 7% Positiveness
20% Popularity • 35% Danceability • 4% Energy • 12% Liveness
1% Instrumentalness • 7% Positiveness
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Marc-Antoine Charpentier
Magnificat, H. 73
126 bpm • F# min • 08:49 • -19.31db
2% Popularity • 31% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
2% Popularity • 31% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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François Couperin
Couperin, F: Second Livre de pièces de ...
145 bpm • A Maj • 03:19 • -29db
25% Popularity • 22% Danceability • 12% Energy • 10% Liveness
97% Instrumentalness • 47% Positiveness
25% Popularity • 22% Danceability • 12% Energy • 10% Liveness
97% Instrumentalness • 47% Positiveness
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George Frideric Handel
Ode for St. Cecilia's Day, HWV 76: Overt...
125 bpm • C# Maj • 03:33 • -27db
32% Popularity • 41% Danceability • 6% Energy • 10% Liveness
1% Instrumentalness • 25% Positiveness
32% Popularity • 41% Danceability • 6% Energy • 10% Liveness
1% Instrumentalness • 25% Positiveness
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William Christie
Purcell : King Arthur : Act 5 Chaconne
125 bpm • D# Maj • 03:29 • -25.92db
14% Popularity • 31% Danceability • 3% Energy • 23% Liveness
1% Instrumentalness • 40% Positiveness
14% Popularity • 31% Danceability • 3% Energy • 23% Liveness
1% Instrumentalness • 40% Positiveness
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Antonio Vivaldi
Dixit Dominus: Allegro
125 bpm • C# Maj • 02:00 • -20.74db
21% Popularity • 44% Danceability • 21% Energy • 16% Liveness
92% Instrumentalness • 44% Positiveness
21% Popularity • 44% Danceability • 21% Energy • 16% Liveness
92% Instrumentalness • 44% Positiveness
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Claudio Monteverdi
Monteverdi: L'Orfeo, SV 318: Toccata
146 bpm • D Maj • 01:27 • -18.12db
30% Popularity • 39% Danceability • 21% Energy • 16% Liveness
1% Instrumentalness • 42% Positiveness
30% Popularity • 39% Danceability • 21% Energy • 16% Liveness
1% Instrumentalness • 42% Positiveness
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Marc-Antoine Charpentier
Litanies de la Vierge, H. 83: II. Sancta...
126 bpm • C# min • 01:11 • -22.34db
8% Popularity • 17% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
8% Popularity • 17% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Johann Adolf Hasse
Marc'Antonio e Cleopatra: Aria "Morte co...
125 bpm • F# min • 04:04 • -16.43db
14% Popularity • 54% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
14% Popularity • 54% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
► Preview
Jean-Marie Leclair
Concerto 5 in A Minor, Op. 7: I. Vivace
124 bpm • C# min • 05:31 • -17db
29% Popularity • 44% Danceability • 21% Energy • 34% Liveness
1% Instrumentalness • 52% Positiveness
29% Popularity • 44% Danceability • 21% Energy • 34% Liveness
1% Instrumentalness • 52% Positiveness
► Preview
Johann David Heinichen
Concerto in G Minor - Oboe, Strings & B....
124 bpm • F# min • 04:32 • -18.62db
21% Popularity • 57% Danceability • 26% Energy • 18% Liveness
95% Instrumentalness • 75% Positiveness
21% Popularity • 57% Danceability • 26% Energy • 18% Liveness
95% Instrumentalness • 75% Positiveness
► Preview
Jean-Baptiste Lully
Te Deum Motet à deux choeurs
147 bpm • B Maj • 02:17 • -11.13db
30% Popularity • 36% Danceability • 31% Energy • 13% Liveness
14% Instrumentalness • 74% Positiveness
30% Popularity • 36% Danceability • 31% Energy • 13% Liveness
14% Instrumentalness • 74% Positiveness
► Preview
Antonio Caldara
Stabat Mater: VII. Juxta crucem
124 bpm • A Maj • 01:05 • -21db
28% Popularity • 24% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
28% Popularity • 24% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Marc-Antoine Charpentier
Pour un reposoir, H. 508: III. Tantum er...
146 bpm • E Maj • 00:46 • -25.67db
2% Popularity • 18% Danceability • 5% Energy • 13% Liveness
14% Instrumentalness • 8% Positiveness
2% Popularity • 18% Danceability • 5% Energy • 13% Liveness
14% Instrumentalness • 8% Positiveness
► Preview
Domenico Scarlatti
Stabat Mater pour dix voix et basse cont...
123 bpm • B min • 03:02 • -21.54db
17% Popularity • 17% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
17% Popularity • 17% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Claudio Monteverdi
Vespro della Beata Vergine, SV 206: Hymn...
123 bpm • G Maj • 09:28 • -25.9db
17% Popularity • 20% Danceability • 6% Energy • 9% Liveness
1% Instrumentalness • 6% Positiveness
17% Popularity • 20% Danceability • 6% Energy • 9% Liveness
1% Instrumentalness • 6% Positiveness
► Preview
Pietro Locatelli
Concerto Grosso in F Major, Op. 1, No. 1...
123 bpm • F Maj • 01:34 • -18.1db
37% Popularity • 57% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
37% Popularity • 57% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
► Preview
Dietrich Buxtehude
Gott hilf mir, denn das Wasser geht mir ...
148 bpm • C min • 01:46 • -28db
37% Popularity • 13% Danceability • 3% Energy • 18% Liveness
88% Instrumentalness • 4% Positiveness
37% Popularity • 13% Danceability • 3% Energy • 18% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Girolamo Frescobaldi
Il primo libro delle canzoni: Toccata (2...
149 bpm • G min • 02:01 • -32.84db
22% Popularity • 20% Danceability • 4% Energy • 9% Liveness
86% Instrumentalness • 8% Positiveness
22% Popularity • 20% Danceability • 4% Energy • 9% Liveness
86% Instrumentalness • 8% Positiveness
► Preview
Marc-Antoine Charpentier
Médée, H. 491: Ouverture
146 bpm • A# Maj • 01:41 • -20.67db
14% Popularity • 28% Danceability • 20% Energy • 41% Liveness
30% Instrumentalness • 67% Positiveness
14% Popularity • 28% Danceability • 20% Energy • 41% Liveness
30% Instrumentalness • 67% Positiveness
► Preview
Baldassare Galuppi
Concerto primo in G Major: I. Andante - ...
122 bpm • G Maj • 02:08 • -17db
15% Popularity • 41% Danceability • 20% Energy • 12% Liveness
65% Instrumentalness • 37% Positiveness
15% Popularity • 41% Danceability • 20% Energy • 12% Liveness
65% Instrumentalness • 37% Positiveness
► Preview
Francesco Cavalli
Musiche sacre: No. 23, Canzon à 3
122 bpm • G# min • 05:31 • -18.68db
37% Popularity • 27% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
37% Popularity • 27% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Arcangelo Corelli
Sonata Da Chiesa No. 4 in F Major, Op. 5...
122 bpm • E Maj • 02:23 • -14db
31% Popularity • 43% Danceability • 38% Energy • 12% Liveness
41% Instrumentalness • 39% Positiveness
31% Popularity • 43% Danceability • 38% Energy • 12% Liveness
41% Instrumentalness • 39% Positiveness
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Jean-Baptiste Lully
Atys, LWV 53, Prologue: Ouverture
122 bpm • F# min • 01:49 • -20db
18% Popularity • 35% Danceability • 12% Energy • 20% Liveness
23% Instrumentalness • 30% Positiveness
18% Popularity • 35% Danceability • 12% Energy • 20% Liveness
23% Instrumentalness • 30% Positiveness
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William Boyce
Symphony No. 3 in C Major, Op. 2, "The C...
121 bpm • G# min • 01:49 • -27db
44% Popularity • 44% Danceability • 3% Energy • 15% Liveness
34% Instrumentalness • 52% Positiveness
44% Popularity • 44% Danceability • 3% Energy • 15% Liveness
34% Instrumentalness • 52% Positiveness
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Marc-Antoine Charpentier
Te Deum, H. 146: V. "Tu devicto mortis a...
124 bpm • C# Maj • 01:52 • -17.21db
18% Popularity • 41% Danceability • 28% Energy • 8% Liveness
92% Instrumentalness • 28% Positiveness
18% Popularity • 41% Danceability • 28% Energy • 8% Liveness
92% Instrumentalness • 28% Positiveness
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Louis-Nicolas Clérambault
Simphonia V: Chaconne in D Major
121 bpm • C# Maj • 05:39 • -23db
18% Popularity • 31% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
18% Popularity • 31% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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![Water Music, Suite No. 2, HWV 349: XI. [Allegro] cover art](https://i.scdn.co/image/ab67616d00001e020467d27cbc2ac9ea30779a5d)
George Frideric Handel
Water Music, Suite No. 2, HWV 349: XI. [...
122 bpm • C# Maj • 02:00 • -16db
30% Popularity • 48% Danceability • 20% Energy • 16% Liveness
79% Instrumentalness • 49% Positiveness
30% Popularity • 48% Danceability • 20% Energy • 16% Liveness
79% Instrumentalness • 49% Positiveness
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Jan Dismas Zelenka
Dixit Dominus, ZWV 66: Judicabit - After...
121 bpm • F# min • 01:00 • -15.36db
28% Popularity • 35% Danceability • 34% Energy • 12% Liveness
61% Instrumentalness • 49% Positiveness
28% Popularity • 35% Danceability • 34% Energy • 12% Liveness
61% Instrumentalness • 49% Positiveness
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Jean-Baptiste Lully
Roland, Opera, LWV 65: Acte I, scene 6: ...
122 bpm • C Maj • 04:44 • -19.01db
26% Popularity • 34% Danceability • 10% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
26% Popularity • 34% Danceability • 10% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
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Antonio Vivaldi
Gloria: Cum Sancto Spiritu
121 bpm • C# Maj • 02:47 • -15.06db
28% Popularity • 33% Danceability • 26% Energy • 6% Liveness
53% Instrumentalness • 28% Positiveness
28% Popularity • 33% Danceability • 26% Energy • 6% Liveness
53% Instrumentalness • 28% Positiveness
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![In Nativitate Domini N[ost]ri Jesu Christi Canticum, H. 421 cover art](https://i.scdn.co/image/ab67616d00001e02a7e4d2d43ffc33c8ee35592a)
Marc-Antoine Charpentier
In Nativitate Domini N[ost]ri Jesu Chris...
148 bpm • A# Maj • 10:09 • -19.64db
6% Popularity • 30% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
6% Popularity • 30% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Giovanni Battista Pergolesi
Pergolesi: Confitebor: IV. Redemptionem ...
120 bpm • F# min • 01:00 • -17.77db
28% Popularity • 20% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
28% Popularity • 20% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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George Frideric Handel
Water Music, Suite No. 3, HWV 350: XX. [...
121 bpm • F# min • 02:11 • -26db
28% Popularity • 44% Danceability • 7% Energy • 13% Liveness
3% Instrumentalness • 71% Positiveness
28% Popularity • 44% Danceability • 7% Energy • 13% Liveness
3% Instrumentalness • 71% Positiveness
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William Boyce
Symphony No. 1 in B-Flat Major, Op. 2, "...
120 bpm • A Maj • 02:06 • -24db
42% Popularity • 49% Danceability • 16% Energy • 12% Liveness
93% Instrumentalness • 82% Positiveness
42% Popularity • 49% Danceability • 16% Energy • 12% Liveness
93% Instrumentalness • 82% Positiveness
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Jean-Baptiste Lully
Les plaisirs: Bourree pour les Coutisans
121 bpm • B min • 00:48 • -26db
28% Popularity • 68% Danceability • 8% Energy • 7% Liveness
41% Instrumentalness • 25% Positiveness
28% Popularity • 68% Danceability • 8% Energy • 7% Liveness
41% Instrumentalness • 25% Positiveness
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Marin Marais
Pièces de viole, Livre II No. 40: La po...
119 bpm • C# min • 01:34 • -16.77db
26% Popularity • 39% Danceability • 19% Energy • 11% Liveness
82% Instrumentalness • 62% Positiveness
26% Popularity • 39% Danceability • 19% Energy • 11% Liveness
82% Instrumentalness • 62% Positiveness
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Marc-Antoine Charpentier
Te Deum, H. 146: V. Tu de victo mortis a...
149 bpm • C Maj • 01:19 • -14.89db
12% Popularity • 30% Danceability • 38% Energy • 16% Liveness
56% Instrumentalness • 69% Positiveness
12% Popularity • 30% Danceability • 38% Energy • 16% Liveness
56% Instrumentalness • 69% Positiveness
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Pietro Locatelli
Concerto Grosso in D Major, Op. 1, No. 5...
119 bpm • D Maj • 01:17 • -15db
52% Popularity • 40% Danceability • 12% Energy • 12% Liveness
10% Instrumentalness • 60% Positiveness
52% Popularity • 40% Danceability • 12% Energy • 12% Liveness
10% Instrumentalness • 60% Positiveness
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George Frideric Handel
Water Music, Suite No. 1, HWV 348: III. ...
151 bpm • E Maj • 02:08 • -17.98db
37% Popularity • 36% Danceability • 39% Energy • 41% Liveness
90% Instrumentalness • 78% Positiveness
37% Popularity • 36% Danceability • 39% Energy • 41% Liveness
90% Instrumentalness • 78% Positiveness
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Claudio Monteverdi
Chiome d'oro, SV 143
119 bpm • C Maj • 01:25 • -23db
45% Popularity • 46% Danceability • 8% Energy • 15% Liveness
82% Instrumentalness • 77% Positiveness
45% Popularity • 46% Danceability • 8% Energy • 15% Liveness
82% Instrumentalness • 77% Positiveness
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Jean-Baptiste Lully
Alcidiane: Petite Chaconne
150 bpm • B Maj • 01:32 • -31db
39% Popularity • 27% Danceability • 3% Energy • 18% Liveness
94% Instrumentalness • 29% Positiveness
39% Popularity • 27% Danceability • 3% Energy • 18% Liveness
94% Instrumentalness • 29% Positiveness
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Alessandro Marcello
Concerto Per Oboe, Archi E Continuo In R...
118 bpm • C# min • 03:26 • -24db
22% Popularity • 53% Danceability • 16% Energy • 8% Liveness
71% Instrumentalness • 75% Positiveness
22% Popularity • 53% Danceability • 16% Energy • 8% Liveness
71% Instrumentalness • 75% Positiveness
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Marc-Antoine Charpentier
"Marche de triomphe et Second air de tro...
121 bpm • C# Maj • 03:19 • -8.39db
8% Popularity • 52% Danceability • 76% Energy • 12% Liveness
36% Instrumentalness • 31% Positiveness
8% Popularity • 52% Danceability • 76% Energy • 12% Liveness
36% Instrumentalness • 31% Positiveness
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Dietrich Buxtehude
Jesu, meines Lebens Leben in D Minor, Bu...
118 bpm • D min • 05:57 • -21.35db
13% Popularity • 28% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
13% Popularity • 28% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
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George Frideric Handel
Concerto Grosso in B-Flat Major, Op. 3, ...
120 bpm • G min • 01:24 • -17.94db
43% Popularity • 61% Danceability • 36% Energy • 8% Liveness
59% Instrumentalness • 80% Positiveness
43% Popularity • 61% Danceability • 36% Energy • 8% Liveness
59% Instrumentalness • 80% Positiveness
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Michel Corrette
Noel Symphony No. 4 in D Minor: II. Alle...
118 bpm • C# min • 01:16 • -22db
20% Popularity • 50% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
20% Popularity • 50% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Jean-Baptiste Lully
Les plaisirs: Gavotte pour les Suisses
121 bpm • A Maj • 01:11 • -34.79db
42% Popularity • 50% Danceability • 0% Energy • 9% Liveness
11% Instrumentalness • 22% Positiveness
42% Popularity • 50% Danceability • 0% Energy • 9% Liveness
11% Instrumentalness • 22% Positiveness
