Songs like Messe du 4e ton: V. Laudamus te by Ensemble Gilles Binchois
Based on a tempo of (+/- 10%) and a similar genre
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Claudio Monteverdi
Messa a quattro voci, SV 190: II. Gloria
81 bpm • B min • 04:26 • -22.81db
10% Popularity • 12% Danceability • 16% Energy • 32% Liveness
51% Instrumentalness • 5% Positiveness
10% Popularity • 12% Danceability • 16% Energy • 32% Liveness
51% Instrumentalness • 5% Positiveness
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Pavel Jurkovič
Letní ukolébavka
81 bpm • C Maj • 02:15 • -28.32db
11% Popularity • 36% Danceability • 1% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
11% Popularity • 36% Danceability • 1% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Francesco Landini
Chosì pensoso
81 bpm • D min • 02:25 • -20.44db
8% Popularity • 29% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
8% Popularity • 29% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Jacques Arcadelt
O pulcherrima mulierum a 5
81 bpm • A# min • 02:34 • -22db
17% Popularity • 16% Danceability • 14% Energy • 12% Liveness
55% Instrumentalness • 16% Positiveness
17% Popularity • 16% Danceability • 14% Energy • 12% Liveness
55% Instrumentalness • 16% Positiveness
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La Capella Reial De Catalunya
Sibil-La Mallorquina: Los Infants Qui Na...
81 bpm • A# Maj • 02:33 • -26.68db
8% Popularity • 11% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
8% Popularity • 11% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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Josquin des Prez
Missa Gaudeamus: III. Kyrie eleison II
81 bpm • D min • 01:17 • -17.64db
13% Popularity • 21% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
13% Popularity • 21% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Heinrich Isaac
Esto mihi: II. In te, Domine, speravi
81 bpm • G Maj • 00:49 • -25.61db
10% Popularity • 26% Danceability • 6% Energy • 9% Liveness
15% Instrumentalness • 8% Positiveness
10% Popularity • 26% Danceability • 6% Energy • 9% Liveness
15% Instrumentalness • 8% Positiveness
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Schola gregoriana mediolanensis
Gloria in excelsis Deo - IV modo
81 bpm • B min • 02:43 • -31.89db
10% Popularity • 19% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
10% Popularity • 19% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Gregorio Allegri
Miserere a 9: No. 1, Miserere mei, Deus
81 bpm • F# min • 01:33 • -27.41db
17% Popularity • 20% Danceability • 5% Energy • 10% Liveness
29% Instrumentalness • 4% Positiveness
17% Popularity • 20% Danceability • 5% Energy • 10% Liveness
29% Instrumentalness • 4% Positiveness
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Francesco Landini
Angelica biltà
81 bpm • A Maj • 02:11 • -28db
12% Popularity • 31% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
12% Popularity • 31% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Cristobal de Morales
Introitus: II. Te decet hymnus Deus in S...
81 bpm • F min • 01:26 • -16.92db
10% Popularity • 23% Danceability • 11% Energy • 14% Liveness
5% Instrumentalness • 5% Positiveness
10% Popularity • 23% Danceability • 11% Energy • 14% Liveness
5% Instrumentalness • 5% Positiveness
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Men's Choir of the Valaam Singing Culture Institute
O Virgin Unwedded
81 bpm • C# min • 02:31 • -26.05db
12% Popularity • 17% Danceability • 7% Energy • 11% Liveness
97% Instrumentalness • 13% Positiveness
12% Popularity • 17% Danceability • 7% Energy • 11% Liveness
97% Instrumentalness • 13% Positiveness
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Samuel Scheidt
Canon a 3 voc. in unisono, Cantio Sacra
80 bpm • A# min • 02:33 • -34db
13% Popularity • 17% Danceability • 0% Energy • 8% Liveness
95% Instrumentalness • 18% Positiveness
13% Popularity • 17% Danceability • 0% Energy • 8% Liveness
95% Instrumentalness • 18% Positiveness
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Samsonov
To Whom Shall I Cry?
82 bpm • G# Maj • 02:55 • -23.1db
7% Popularity • 11% Danceability • 8% Energy • 18% Liveness
4% Instrumentalness • 4% Positiveness
7% Popularity • 11% Danceability • 8% Energy • 18% Liveness
4% Instrumentalness • 4% Positiveness
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John Sheppard
Media vita in morte sumus: I. Media vita...
82 bpm • D# Maj • 01:41 • -36.07db
12% Popularity • 21% Danceability • 1% Energy • 18% Liveness
0% Instrumentalness • 11% Positiveness
12% Popularity • 21% Danceability • 1% Energy • 18% Liveness
0% Instrumentalness • 11% Positiveness
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John Taverner
Taverner: Missa Corona spinea - 08. Hosa...
80 bpm • D# Maj • 01:35 • -18db
21% Popularity • 12% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
21% Popularity • 12% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
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Eleonora d'Este
Sicut lilium inter spinas
82 bpm • F Maj • 01:49 • -22.48db
30% Popularity • 10% Danceability • 8% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
30% Popularity • 10% Danceability • 8% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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The Valery Rybin Male Choir
We Sing Unto Thee
80 bpm • G Maj • 02:32 • -37db
13% Popularity • 7% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
13% Popularity • 7% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
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Charles D'Argentil
Missa pro defunctis: V. Sanctus
80 bpm • A Maj • 03:14 • -13.11db
20% Popularity • 15% Danceability • 34% Energy • 29% Liveness
0% Instrumentalness • 8% Positiveness
20% Popularity • 15% Danceability • 34% Energy • 29% Liveness
0% Instrumentalness • 8% Positiveness
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Giovanni Ambrosio
Ballo Francese chiamato Amoroso (Arr. fo...
82 bpm • A# Maj • 01:49 • -25.07db
13% Popularity • 30% Danceability • 6% Energy • 24% Liveness
99% Instrumentalness • 4% Positiveness
13% Popularity • 30% Danceability • 6% Energy • 24% Liveness
99% Instrumentalness • 4% Positiveness
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Komitas
Divine Liturgy (Arr. V. Sharafyan for Mi...
82 bpm • G min • 01:44 • -22.95db
16% Popularity • 20% Danceability • 4% Energy • 13% Liveness
8% Instrumentalness • 4% Positiveness
16% Popularity • 20% Danceability • 4% Energy • 13% Liveness
8% Instrumentalness • 4% Positiveness
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Orlande de Lassus
Cor meum conturbatum est, IOL 58
82 bpm • D min • 01:48 • -23.29db
23% Popularity • 20% Danceability • 10% Energy • 6% Liveness
96% Instrumentalness • 3% Positiveness
23% Popularity • 20% Danceability • 10% Energy • 6% Liveness
96% Instrumentalness • 3% Positiveness
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Antoine Brumel
Missa "Et ecce terrae motus" A 12 voce: ...
82 bpm • C Maj • 01:38 • -18db
16% Popularity • 15% Danceability • 26% Energy • 15% Liveness
74% Instrumentalness • 8% Positiveness
16% Popularity • 15% Danceability • 26% Energy • 15% Liveness
74% Instrumentalness • 8% Positiveness
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Bernat De Ventadorn
Can vei la lauzeta mover
80 bpm • C# Maj • 05:58 • -31.53db
8% Popularity • 27% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 27% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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William Byrd
Mass for five voices: I. Kyrie eleison
80 bpm • D min • 01:35 • -23.89db
9% Popularity • 15% Danceability • 8% Energy • 7% Liveness
58% Instrumentalness • 4% Positiveness
9% Popularity • 15% Danceability • 8% Energy • 7% Liveness
58% Instrumentalness • 4% Positiveness
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Graduel De Bakócz
Recordare virgo mater
82 bpm • D Maj • 02:08 • -25.69db
8% Popularity • 24% Danceability • 2% Energy • 11% Liveness
51% Instrumentalness • 10% Positiveness
8% Popularity • 24% Danceability • 2% Energy • 11% Liveness
51% Instrumentalness • 10% Positiveness
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Ensemble Gilles Binchois
Cancionero de Palacio (Madrid, Palacio R...
80 bpm • F# Maj • 02:42 • -44.17db
1% Popularity • 26% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 24% Positiveness
1% Popularity • 26% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 24% Positiveness
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Heikki Hattunen
Pyhä Jumala
82 bpm • E min • 03:26 • -31.47db
11% Popularity • 10% Danceability • 3% Energy • 10% Liveness
10% Instrumentalness • 4% Positiveness
11% Popularity • 10% Danceability • 3% Energy • 10% Liveness
10% Instrumentalness • 4% Positiveness
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Schola Laudis
Missa Jubilate Deo: Kyrie
80 bpm • D Maj • 02:08 • -21.37db
11% Popularity • 14% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
11% Popularity • 14% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Juan Ponce
Cancionero musical de palacio: No. 20, A...
82 bpm • D min • 02:06 • -24.77db
8% Popularity • 20% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
8% Popularity • 20% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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Antoine Busnois
Alleluya
80 bpm • D# Maj • 01:25 • -20.8db
34% Popularity • 23% Danceability • 8% Energy • 7% Liveness
11% Instrumentalness • 9% Positiveness
34% Popularity • 23% Danceability • 8% Energy • 7% Liveness
11% Instrumentalness • 9% Positiveness
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Philippe de Vitry
Colla iugo subdere - Bona condit cetera ...
79 bpm • A min • 01:40 • -23.46db
19% Popularity • 18% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
19% Popularity • 18% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Ensemble Gilles Binchois
Cancionero de Palacio (Madrid, Palacio R...
80 bpm • A# min • 03:09 • -23.29db
0% Popularity • 14% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 14% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Josquin des Prez
Proch dolor - Pie Jhesu
83 bpm • A min • 02:52 • -19.31db
10% Popularity • 12% Danceability • 18% Energy • 11% Liveness
57% Instrumentalness • 3% Positiveness
10% Popularity • 12% Danceability • 18% Energy • 11% Liveness
57% Instrumentalness • 3% Positiveness
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The Tallis Scholars
Brumel: Mater Patris - 2. Audi Nostra Su...
83 bpm • D min • 01:04 • -26.01db
14% Popularity • 20% Danceability • 4% Energy • 28% Liveness
0% Instrumentalness • 19% Positiveness
14% Popularity • 20% Danceability • 4% Energy • 28% Liveness
0% Instrumentalness • 19% Positiveness
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Matthias Lucht
Tandernaken (2)
83 bpm • D Maj • 01:12 • -20db
12% Popularity • 44% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
12% Popularity • 44% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Philippe Verdelot
Trist'Amarilli mia
83 bpm • F# min • 03:21 • -18.24db
10% Popularity • 22% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
10% Popularity • 22% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Urmas Sisask
Sisask : Gloria Patri... 24 Hymns for Mi...
83 bpm • D Maj • 04:18 • -28.45db
16% Popularity • 8% Danceability • 3% Energy • 13% Liveness
40% Instrumentalness • 4% Positiveness
16% Popularity • 8% Danceability • 3% Energy • 13% Liveness
40% Instrumentalness • 4% Positiveness
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Ensemble Gilles Binchois
Rosa das Rosas
80 bpm • D# Maj • 05:48 • -25.44db
1% Popularity • 15% Danceability • 2% Energy • 10% Liveness
2% Instrumentalness • 6% Positiveness
1% Popularity • 15% Danceability • 2% Energy • 10% Liveness
2% Instrumentalness • 6% Positiveness
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Pierre de la Rue
Pierre de la Rue: Il viendra le jour des...
83 bpm • A min • 02:29 • -18.83db
2% Popularity • 9% Danceability • 20% Energy • 12% Liveness
8% Instrumentalness • 4% Positiveness
2% Popularity • 9% Danceability • 20% Energy • 12% Liveness
8% Instrumentalness • 4% Positiveness
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Pavel Jurkovič
Františkovi Makovičkovi do usínání
79 bpm • G Maj • 01:32 • -22.47db
9% Popularity • 41% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
9% Popularity • 41% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Juan del Encina
Ya soy desposado
83 bpm • G Maj • 02:42 • -28db
8% Popularity • 27% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
8% Popularity • 27% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Adam de la Halle
Trop desir a veoir
83 bpm • G Maj • 01:03 • -18.22db
1% Popularity • 26% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
1% Popularity • 26% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
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Gloriae Dei Cantores
Feria quarta: Communion. Christus resurg...
79 bpm • A Maj • 03:10 • -25.87db
8% Popularity • 33% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
8% Popularity • 33% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Jacob Clemens non Papa
Magi veniunt ab oriente: I. Magi veniunt...
83 bpm • B min • 03:06 • -20.2db
11% Popularity • 9% Danceability • 16% Energy • 8% Liveness
66% Instrumentalness • 6% Positiveness
11% Popularity • 9% Danceability • 16% Energy • 8% Liveness
66% Instrumentalness • 6% Positiveness
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Philippe Verdelot
Divini occhi sereni
83 bpm • C# min • 01:30 • -19.41db
12% Popularity • 25% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
12% Popularity • 25% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Elben Schutte
Magne Pater
83 bpm • G Maj • 05:25 • -20.99db
14% Popularity • 11% Danceability • 12% Energy • 9% Liveness
38% Instrumentalness • 5% Positiveness
14% Popularity • 11% Danceability • 12% Energy • 9% Liveness
38% Instrumentalness • 5% Positiveness
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Хор Сретенского монастыря
Чертог твой
79 bpm • B min • 01:51 • -29.28db
14% Popularity • 22% Danceability • 5% Energy • 11% Liveness
55% Instrumentalness • 3% Positiveness
14% Popularity • 22% Danceability • 5% Energy • 11% Liveness
55% Instrumentalness • 3% Positiveness
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Andrea Falconieri
Corrente detta L'Auellina
79 bpm • C Maj • 01:20 • -17.85db
15% Popularity • 42% Danceability • 19% Energy • 19% Liveness
51% Instrumentalness • 55% Positiveness
15% Popularity • 42% Danceability • 19% Energy • 19% Liveness
51% Instrumentalness • 55% Positiveness
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Carlo Gesualdo
Tenebrae Responsories, Feria quinta: VII...
79 bpm • G Maj • 03:14 • -19.93db
10% Popularity • 13% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 13% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Jacob Clemens non Papa
Si mon amour
79 bpm • C Maj • 01:29 • -29.09db
20% Popularity • 7% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 25% Positiveness
20% Popularity • 7% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 25% Positiveness
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Orlande de Lassus
Lassus: Tiers livre des chansons à 4, 5...
79 bpm • G# Maj • 02:15 • -18.53db
2% Popularity • 18% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
2% Popularity • 18% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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La Capella Reial De Catalunya
Sibil-La Valenciana: R/ Al Jord Del Judi...
79 bpm • D min • 00:56 • -23db
10% Popularity • 25% Danceability • 12% Energy • 13% Liveness
10% Instrumentalness • 6% Positiveness
10% Popularity • 25% Danceability • 12% Energy • 13% Liveness
10% Instrumentalness • 6% Positiveness
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Johannes Ockeghem
Ockeghem: Missa pro Defunctis: I. Requie...
83 bpm • F Maj • 05:37 • -31db
17% Popularity • 8% Danceability • 3% Energy • 11% Liveness
51% Instrumentalness • 4% Positiveness
17% Popularity • 8% Danceability • 3% Energy • 11% Liveness
51% Instrumentalness • 4% Positiveness
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Gloriae Dei Cantores
Feria quarta: Offertory. Portas caeli
83 bpm • G# min • 01:35 • -24.14db
12% Popularity • 22% Danceability • 6% Energy • 18% Liveness
4% Instrumentalness • 7% Positiveness
12% Popularity • 22% Danceability • 6% Energy • 18% Liveness
4% Instrumentalness • 7% Positiveness
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Pérotin
Mass for the Nativity of the Virgin: II....
83 bpm • A# Maj • 04:11 • -24.48db
11% Popularity • 11% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 6% Positiveness
11% Popularity • 11% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 6% Positiveness
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William Byrd
Byrd: Te lucis a 4 (Second Verse)
79 bpm • G min • 01:21 • -24.61db
12% Popularity • 18% Danceability • 4% Energy • 11% Liveness
98% Instrumentalness • 9% Positiveness
12% Popularity • 18% Danceability • 4% Energy • 11% Liveness
98% Instrumentalness • 9% Positiveness
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Joseph Chabanceau de La Barre
Airs à deux parties: Sarabande. "Le dig...
79 bpm • C min • 02:16 • -33.67db
19% Popularity • 27% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 22% Positiveness
19% Popularity • 27% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 22% Positiveness
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George de La Hèle
Missa Praeter rerum seriem: VI. Agnus De...
79 bpm • G# min • 02:46 • -20.2db
9% Popularity • 21% Danceability • 14% Energy • 12% Liveness
64% Instrumentalness • 4% Positiveness
9% Popularity • 21% Danceability • 14% Energy • 12% Liveness
64% Instrumentalness • 4% Positiveness
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A5 Vocal Ensemble
Guerrero: Trahe me post te
84 bpm • G# min • 04:19 • -21.16db
11% Popularity • 18% Danceability • 12% Energy • 8% Liveness
28% Instrumentalness • 5% Positiveness
11% Popularity • 18% Danceability • 12% Energy • 8% Liveness
28% Instrumentalness • 5% Positiveness
► Preview
Claudio Monteverdi
Messa a quattro voci, SV 190: III. Credo
78 bpm • E min • 05:35 • -24.68db
10% Popularity • 18% Danceability • 13% Energy • 11% Liveness
38% Instrumentalness • 7% Positiveness
10% Popularity • 18% Danceability • 13% Energy • 11% Liveness
38% Instrumentalness • 7% Positiveness
► Preview
Cipriano de Rore
Com'havran fin le dolorose tempre
78 bpm • G# min • 02:12 • -19.46db
8% Popularity • 17% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
8% Popularity • 17% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
► Preview
The Tallis Scholars
Palestrina: Assumpta Est Maria in Caelum...
84 bpm • A# Maj • 01:26 • -20.48db
16% Popularity • 13% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
16% Popularity • 13% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Alfonso X El Sabio
Cantigas de Santa Maria, No. 60: Entre A...
84 bpm • F Maj • 03:20 • -20.89db
20% Popularity • 36% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
20% Popularity • 36% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
► Preview
Pierre de Manchicourt
Regina caeli: II. Resurrexit, sicut dixi...
79 bpm • G# Maj • 02:31 • -18.83db
8% Popularity • 8% Danceability • 23% Energy • 10% Liveness
97% Instrumentalness • 20% Positiveness
8% Popularity • 8% Danceability • 23% Energy • 10% Liveness
97% Instrumentalness • 20% Positiveness
► Preview
Antonio Cornazzano
La Figlia di Guglielmino
84 bpm • D# Maj • 01:16 • -25.46db
12% Popularity • 21% Danceability • 3% Energy • 41% Liveness
100% Instrumentalness • 36% Positiveness
12% Popularity • 21% Danceability • 3% Energy • 41% Liveness
100% Instrumentalness • 36% Positiveness
► Preview
Sexteto Cantábile
Notre Père (Maurice Duruflé)
84 bpm • F# Maj • 01:24 • -25.58db
38% Popularity • 20% Danceability • 6% Energy • 11% Liveness
81% Instrumentalness • 8% Positiveness
38% Popularity • 20% Danceability • 6% Energy • 11% Liveness
81% Instrumentalness • 8% Positiveness
► Preview
Johann Hermann Schein
Intrada à 5
78 bpm • D min • 01:02 • -15.59db
19% Popularity • 45% Danceability • 27% Energy • 10% Liveness
85% Instrumentalness • 16% Positiveness
19% Popularity • 45% Danceability • 27% Energy • 10% Liveness
85% Instrumentalness • 16% Positiveness
► Preview
Cantos Gregorianos
Antífona: Ave Regina Caleorum
78 bpm • F Maj • 02:04 • -31.97db
21% Popularity • 12% Danceability • 3% Energy • 9% Liveness
7% Instrumentalness • 5% Positiveness
21% Popularity • 12% Danceability • 3% Energy • 9% Liveness
7% Instrumentalness • 5% Positiveness
► Preview
Claudio Merulo
Missa Virginis Mariae: VIII. Ite, missa ...
84 bpm • D min • 01:30 • -16.51db
10% Popularity • 21% Danceability • 7% Energy • 12% Liveness
42% Instrumentalness • 18% Positiveness
10% Popularity • 21% Danceability • 7% Energy • 12% Liveness
42% Instrumentalness • 18% Positiveness
► Preview
Pierre de Manchicourt
Osculetur me: II. Trahe me post te
78 bpm • F min • 03:29 • -19.69db
9% Popularity • 19% Danceability • 19% Energy • 9% Liveness
98% Instrumentalness • 8% Positiveness
9% Popularity • 19% Danceability • 19% Energy • 9% Liveness
98% Instrumentalness • 8% Positiveness
► Preview
Guglielmo Ebreo da Pesaro
Falla con misuras
84 bpm • E min • 01:26 • -27db
35% Popularity • 14% Danceability • 5% Energy • 10% Liveness
87% Instrumentalness • 24% Positiveness
35% Popularity • 14% Danceability • 5% Energy • 10% Liveness
87% Instrumentalness • 24% Positiveness
► Preview
Anon. English 13th cent.
Missa 'Cum iubilo': Kyrie
78 bpm • E min • 01:52 • -35.12db
10% Popularity • 27% Danceability • 2% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
10% Popularity • 27% Danceability • 2% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Salomone Rossi
Sinfonia grave
84 bpm • C Maj • 03:41 • -17.44db
8% Popularity • 17% Danceability • 33% Energy • 15% Liveness
99% Instrumentalness • 27% Positiveness
8% Popularity • 17% Danceability • 33% Energy • 15% Liveness
99% Instrumentalness • 27% Positiveness
► Preview
Arvo Pärt
Passio: Haec cum dixisset Jesus
84 bpm • A min • 05:29 • -23.91db
8% Popularity • 14% Danceability • 9% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
8% Popularity • 14% Danceability • 9% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
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The Sirin Choir, Choirmaster: Andrey Kotov
Open Unto Me The Gates Of Repentance
78 bpm • F min • 01:35 • -33.88db
14% Popularity • 25% Danceability • 1% Energy • 11% Liveness
8% Instrumentalness • 17% Positiveness
14% Popularity • 25% Danceability • 1% Energy • 11% Liveness
8% Instrumentalness • 17% Positiveness
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Alexander Agricola
Ay je rien fet
78 bpm • D min • 03:11 • -16db
9% Popularity • 20% Danceability • 21% Energy • 9% Liveness
3% Instrumentalness • 31% Positiveness
9% Popularity • 20% Danceability • 21% Energy • 9% Liveness
3% Instrumentalness • 31% Positiveness
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Lorenzini
Fantaisie
84 bpm • A min • 03:11 • -29.9db
8% Popularity • 14% Danceability • 2% Energy • 7% Liveness
62% Instrumentalness • 15% Positiveness
8% Popularity • 14% Danceability • 2% Energy • 7% Liveness
62% Instrumentalness • 15% Positiveness
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Adrian Willaert
Missa super Benedicta es: Agnus Dei
78 bpm • C Maj • 04:04 • -21db
15% Popularity • 18% Danceability • 14% Energy • 12% Liveness
26% Instrumentalness • 6% Positiveness
15% Popularity • 18% Danceability • 14% Energy • 12% Liveness
26% Instrumentalness • 6% Positiveness
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Comtessa de Dia
A chantar m'er de so qu'eu no volria
78 bpm • A# min • 06:02 • -22.83db
11% Popularity • 24% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
11% Popularity • 24% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Loyset Compère
In nomine Iesu: Patris sapientia
78 bpm • C Maj • 01:45 • -22db
7% Popularity • 21% Danceability • 13% Energy • 16% Liveness
1% Instrumentalness • 7% Positiveness
7% Popularity • 21% Danceability • 13% Energy • 16% Liveness
1% Instrumentalness • 7% Positiveness
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Kryštof Harant
Qui confidunt
84 bpm • A min • 03:11 • -17.2db
9% Popularity • 20% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
9% Popularity • 20% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Ensemble Gilles Binchois
Cancionero de Palacio (Madrid, Palacio R...
78 bpm • F# Maj • 02:41 • -24.75db
0% Popularity • 16% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 16% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Gregorio Allegri
Miserere: I. Miserere mei Dei ; Et secun...
85 bpm • B min • 00:55 • -24.56db
19% Popularity • 19% Danceability • 4% Energy • 25% Liveness
0% Instrumentalness • 4% Positiveness
19% Popularity • 19% Danceability • 4% Energy • 25% Liveness
0% Instrumentalness • 4% Positiveness
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Tylman Susato
Susato: Het derdren musyck boexken "Dans...
85 bpm • G min • 01:01 • -17db
12% Popularity • 60% Danceability • 25% Energy • 15% Liveness
97% Instrumentalness • 91% Positiveness
12% Popularity • 60% Danceability • 25% Energy • 15% Liveness
97% Instrumentalness • 91% Positiveness
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Jacob Obrecht
Missa Malheur me bat a 4: Kyrie
77 bpm • F# min • 01:16 • -20db
23% Popularity • 18% Danceability • 19% Energy • 19% Liveness
76% Instrumentalness • 7% Positiveness
23% Popularity • 18% Danceability • 19% Energy • 19% Liveness
76% Instrumentalness • 7% Positiveness
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Claudio Monteverdi
Messa a quattro voci, SV 190: V. Benedic...
85 bpm • E min • 01:23 • -23.7db
12% Popularity • 20% Danceability • 13% Energy • 11% Liveness
20% Instrumentalness • 9% Positiveness
12% Popularity • 20% Danceability • 13% Energy • 11% Liveness
20% Instrumentalness • 9% Positiveness
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Annibale Padovano
Missa Domine a lingua dolosa: Vb. Agnus ...
85 bpm • G# Maj • 02:21 • -20.77db
20% Popularity • 11% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
20% Popularity • 11% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Ensemble Gilles Binchois
Cancionero de Palacio (Madrid, Palacio R...
85 bpm • F# Maj • 01:01 • -29.83db
1% Popularity • 13% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
1% Popularity • 13% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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A5 Vocal Ensemble
Guerrero: Ave virgo sanctissima
85 bpm • G# min • 03:45 • -20.45db
11% Popularity • 10% Danceability • 10% Energy • 11% Liveness
7% Instrumentalness • 4% Positiveness
11% Popularity • 10% Danceability • 10% Energy • 11% Liveness
7% Instrumentalness • 4% Positiveness
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Anonymous
Cancionero musical de palacio: No. 221, ...
77 bpm • A min • 01:23 • -27.21db
11% Popularity • 25% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 46% Positiveness
11% Popularity • 25% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 46% Positiveness
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Ensemble des chants et choeurs russes orthodoxes
Le Beau Joseph
77 bpm • A Maj • 02:24 • -22.62db
15% Popularity • 14% Danceability • 14% Energy • 12% Liveness
71% Instrumentalness • 4% Positiveness
15% Popularity • 14% Danceability • 14% Energy • 12% Liveness
71% Instrumentalness • 4% Positiveness
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Juan del Encina
Daca, bailemos Carillo
85 bpm • A min • 02:47 • -26db
10% Popularity • 20% Danceability • 4% Energy • 10% Liveness
43% Instrumentalness • 21% Positiveness
10% Popularity • 20% Danceability • 4% Energy • 10% Liveness
43% Instrumentalness • 21% Positiveness
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Francesco Landini
Echo la primavera
85 bpm • F Maj • 01:17 • -28db
25% Popularity • 22% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
25% Popularity • 22% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Ensemble Gilles Binchois
Cancionero de Palacio (Madrid, Palacio R...
77 bpm • D# min • 03:44 • -28.54db
2% Popularity • 10% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
2% Popularity • 10% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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George de La Hèle
Missa Praeter rerum seriem: II. Gloria
77 bpm • G# min • 06:37 • -19.73db
9% Popularity • 11% Danceability • 20% Energy • 17% Liveness
27% Instrumentalness • 4% Positiveness
9% Popularity • 11% Danceability • 20% Energy • 17% Liveness
27% Instrumentalness • 4% Positiveness
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Jehan Chardavoine
Quand j'etais libre
77 bpm • F Maj • 02:27 • -22.42db
3% Popularity • 36% Danceability • 4% Energy • 19% Liveness
0% Instrumentalness • 15% Positiveness
3% Popularity • 36% Danceability • 4% Energy • 19% Liveness
0% Instrumentalness • 15% Positiveness
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Diego Ortiz
Trattado de glosas: Recercadas primera y...
85 bpm • F Maj • 01:24 • -22.26db
13% Popularity • 29% Danceability • 14% Energy • 18% Liveness
20% Instrumentalness • 72% Positiveness
13% Popularity • 29% Danceability • 14% Energy • 18% Liveness
20% Instrumentalness • 72% Positiveness
