Songs like Messe Solennelle, Op. 16: IV. Benedictus by The Choir of St. Mary's Episcopal Cathedral
Based on a tempo of (+/- 10%) and a similar genre
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Felix Mendelssohn
Elijah, Op. 70: "For He Shall Give His A...
129 bpm • G Maj • 02:36 • -27db
9% Popularity • 20% Danceability • 13% Energy • 10% Liveness
1% Instrumentalness • 18% Positiveness
9% Popularity • 20% Danceability • 13% Energy • 10% Liveness
1% Instrumentalness • 18% Positiveness
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Gioacchino Rossini
Rossini: Petite messe solennelle: III. G...
129 bpm • F Maj • 02:30 • -21db
9% Popularity • 27% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
9% Popularity • 27% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Gioachino Rossini
Petite Messe solennelle - Kyrie: Christe
129 bpm • F min • 01:45 • -34.66db
11% Popularity • 16% Danceability • 2% Energy • 10% Liveness
37% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 2% Energy • 10% Liveness
37% Instrumentalness • 4% Positiveness
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Francis Poulenc
Figure humaine, FP 120: VII. Un feu sans...
129 bpm • F# Maj • 03:49 • -21.96db
8% Popularity • 24% Danceability • 10% Energy • 34% Liveness
0% Instrumentalness • 3% Positiveness
8% Popularity • 24% Danceability • 10% Energy • 34% Liveness
0% Instrumentalness • 3% Positiveness
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Giovanni Pierluigi da Palestrina
Exultate Deo
129 bpm • B Maj • 02:20 • -25.36db
8% Popularity • 21% Danceability • 10% Energy • 7% Liveness
96% Instrumentalness • 9% Positiveness
8% Popularity • 21% Danceability • 10% Energy • 7% Liveness
96% Instrumentalness • 9% Positiveness
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Franz Schubert
Mass No. 2 in G Major, D. 167: VI. Agnus...
129 bpm • G Maj • 05:50 • -28.55db
7% Popularity • 23% Danceability • 4% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
7% Popularity • 23% Danceability • 4% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
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Elliott Z. Levine
Moon and Flowering Plum
130 bpm • D min • 02:24 • -25.7db
8% Popularity • 34% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 34% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Hubert Parry
I was glad when they said unto me, Op. 5...
130 bpm • A# Maj • 04:58 • -20db
9% Popularity • 17% Danceability • 15% Energy • 5% Liveness
96% Instrumentalness • 4% Positiveness
9% Popularity • 17% Danceability • 15% Energy • 5% Liveness
96% Instrumentalness • 4% Positiveness
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Amy Beach
The Year's At The Spring
130 bpm • C# Maj • 00:58 • -16db
7% Popularity • 36% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
7% Popularity • 36% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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Francis Poulenc
Gloria, FP 144: III. Domine Deus
130 bpm • G Maj • 04:35 • -24.74db
23% Popularity • 21% Danceability • 9% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
23% Popularity • 21% Danceability • 9% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
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Edward Elgar
The Dream of Gerontius, Op. 38: No. 5, "...
130 bpm • C min • 02:51 • -27.63db
9% Popularity • 17% Danceability • 3% Energy • 11% Liveness
71% Instrumentalness • 14% Positiveness
9% Popularity • 17% Danceability • 3% Energy • 11% Liveness
71% Instrumentalness • 14% Positiveness
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Franz Schubert
Mass No.2 in G Major, D.167: II. Gloria
129 bpm • D Maj • 02:51 • -19.89db
14% Popularity • 27% Danceability • 13% Energy • 17% Liveness
61% Instrumentalness • 15% Positiveness
14% Popularity • 27% Danceability • 13% Energy • 17% Liveness
61% Instrumentalness • 15% Positiveness
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Felix Mendelssohn
Elijah, Op. 70, MWV A25 / Part 2: "Lift ...
130 bpm • F# Maj • 01:51 • -30.03db
12% Popularity • 31% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
12% Popularity • 31% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Hubert Parry
Songs of Farewell: I Know My Soul Hath P...
130 bpm • F Maj • 02:03 • -30db
14% Popularity • 16% Danceability • 2% Energy • 13% Liveness
14% Instrumentalness • 3% Positiveness
14% Popularity • 16% Danceability • 2% Energy • 13% Liveness
14% Instrumentalness • 3% Positiveness
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William Walton
A Litany: Drop, Drop Slow Tears
128 bpm • C Maj • 03:12 • -29.79db
3% Popularity • 17% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
3% Popularity • 17% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
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Johann Sebastian Bach
St. John Passion, BWV 245, Pt. 1 (Sung i...
130 bpm • F# min • 09:26 • -20.17db
9% Popularity • 18% Danceability • 24% Energy • 9% Liveness
42% Instrumentalness • 12% Positiveness
9% Popularity • 18% Danceability • 24% Energy • 9% Liveness
42% Instrumentalness • 12% Positiveness
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Henry Purcell
Evening Service in G Minor (Z. 231): Nun...
130 bpm • G# min • 03:43 • -25.34db
9% Popularity • 24% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 24% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Frank Martin
Mass for Double Choir: Sanctus
130 bpm • D Maj • 04:31 • -22db
11% Popularity • 22% Danceability • 11% Energy • 5% Liveness
5% Instrumentalness • 6% Positiveness
11% Popularity • 22% Danceability • 11% Energy • 5% Liveness
5% Instrumentalness • 6% Positiveness
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William Henry Harris
Holy is the True Light
130 bpm • A# Maj • 01:53 • -30.82db
8% Popularity • 18% Danceability • 3% Energy • 6% Liveness
4% Instrumentalness • 3% Positiveness
8% Popularity • 18% Danceability • 3% Energy • 6% Liveness
4% Instrumentalness • 3% Positiveness
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AntonÃn Dvořák
Mass in D major, Op. 86: 2. Gloria
128 bpm • D Maj • 08:39 • -19.93db
15% Popularity • 20% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 20% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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William Walton
Belshazzar's Feast: 5. Praise ye, the Go...
127 bpm • E min • 05:31 • -15.52db
0% Popularity • 26% Danceability • 44% Energy • 66% Liveness
78% Instrumentalness • 7% Positiveness
0% Popularity • 26% Danceability • 44% Energy • 66% Liveness
78% Instrumentalness • 7% Positiveness
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Anton Bruckner
Equale No. 2, WAB 149
131 bpm • G# Maj • 01:38 • -28.37db
15% Popularity • 16% Danceability • 0% Energy • 7% Liveness
72% Instrumentalness • 4% Positiveness
15% Popularity • 16% Danceability • 0% Energy • 7% Liveness
72% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Messe basse: Sanctus
127 bpm • G Maj • 02:28 • -26.52db
9% Popularity • 24% Danceability • 4% Energy • 12% Liveness
98% Instrumentalness • 4% Positiveness
9% Popularity • 24% Danceability • 4% Energy • 12% Liveness
98% Instrumentalness • 4% Positiveness
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Francis Poulenc
Figure humaine, FP 120: VIII. Liberte
131 bpm • C# min • 04:29 • -21.39db
9% Popularity • 26% Danceability • 8% Energy • 5% Liveness
0% Instrumentalness • 7% Positiveness
9% Popularity • 26% Danceability • 8% Energy • 5% Liveness
0% Instrumentalness • 7% Positiveness
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Franz Schubert
Mass No. 2 in G Major, D. 167: II. Glori...
127 bpm • A Maj • 02:54 • -14.64db
11% Popularity • 33% Danceability • 34% Energy • 13% Liveness
2% Instrumentalness • 19% Positiveness
11% Popularity • 33% Danceability • 34% Energy • 13% Liveness
2% Instrumentalness • 19% Positiveness
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Henry Purcell
Burial service: Thou knowest, Lord (Henr...
131 bpm • B Maj • 01:53 • -17db
16% Popularity • 25% Danceability • 14% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
16% Popularity • 25% Danceability • 14% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Samuel Barber
Reincarnations, Op. 16: I. Mary Hynes
126 bpm • C Maj • 02:36 • -26.3db
8% Popularity • 24% Danceability • 7% Energy • 33% Liveness
1% Instrumentalness • 6% Positiveness
8% Popularity • 24% Danceability • 7% Energy • 33% Liveness
1% Instrumentalness • 6% Positiveness
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Anton Bruckner
Ecce sacerdos magnus, WAB 13
131 bpm • A Maj • 06:33 • -18.17db
10% Popularity • 23% Danceability • 15% Energy • 35% Liveness
73% Instrumentalness • 3% Positiveness
10% Popularity • 23% Danceability • 15% Energy • 35% Liveness
73% Instrumentalness • 3% Positiveness
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Alberto Ginastera
The Lamentations of Jeremiah, Op. 14: Eg...
132 bpm • D Maj • 04:40 • -38db
11% Popularity • 16% Danceability • 1% Energy • 11% Liveness
9% Instrumentalness • 3% Positiveness
11% Popularity • 16% Danceability • 1% Energy • 11% Liveness
9% Instrumentalness • 3% Positiveness
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Francis Poulenc
Figure humaine, FP 120: I. Bientot
132 bpm • G Maj • 02:44 • -28.68db
9% Popularity • 20% Danceability • 3% Energy • 22% Liveness
0% Instrumentalness • 6% Positiveness
9% Popularity • 20% Danceability • 3% Energy • 22% Liveness
0% Instrumentalness • 6% Positiveness
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Ralph Vaughan Williams
Sancta civitas: I was in the Spirit
126 bpm • F Maj • 05:21 • -22.06db
9% Popularity • 17% Danceability • 8% Energy • 12% Liveness
61% Instrumentalness • 3% Positiveness
9% Popularity • 17% Danceability • 8% Energy • 12% Liveness
61% Instrumentalness • 3% Positiveness
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William Walton
Belshazzar's Feast: Thus spake Isaiah
132 bpm • A# Maj • 05:11 • -23.58db
8% Popularity • 18% Danceability • 9% Energy • 9% Liveness
3% Instrumentalness • 4% Positiveness
8% Popularity • 18% Danceability • 9% Energy • 9% Liveness
3% Instrumentalness • 4% Positiveness
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Edward Elgar
The Music Makers, Op. 69: IV. We, in the...
132 bpm • F Maj • 03:29 • -23.4db
7% Popularity • 16% Danceability • 13% Energy • 9% Liveness
89% Instrumentalness • 8% Positiveness
7% Popularity • 16% Danceability • 13% Energy • 9% Liveness
89% Instrumentalness • 8% Positiveness
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Anton Bruckner
Virga jesse floruit, WAB 52
132 bpm • E Maj • 03:58 • -19.46db
14% Popularity • 20% Danceability • 14% Energy • 8% Liveness
17% Instrumentalness • 4% Positiveness
14% Popularity • 20% Danceability • 14% Energy • 8% Liveness
17% Instrumentalness • 4% Positiveness
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Frank Martin
Mass for Double Choir: V. Agnus dei
126 bpm • E min • 05:11 • -23.31db
13% Popularity • 19% Danceability • 6% Energy • 7% Liveness
85% Instrumentalness • 3% Positiveness
13% Popularity • 19% Danceability • 6% Energy • 7% Liveness
85% Instrumentalness • 3% Positiveness
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Sir Walter Galpin Alcock
Psalm 91, 'Whoso dwelleth under the defe...
125 bpm • E Maj • 04:21 • -23.21db
13% Popularity • 27% Danceability • 13% Energy • 10% Liveness
9% Instrumentalness • 4% Positiveness
13% Popularity • 27% Danceability • 13% Energy • 10% Liveness
9% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Mass in G Minor: Sanctus – Osanna I �...
133 bpm • A min • 05:20 • -28.51db
9% Popularity • 17% Danceability • 3% Energy • 8% Liveness
3% Instrumentalness • 4% Positiveness
9% Popularity • 17% Danceability • 3% Energy • 8% Liveness
3% Instrumentalness • 4% Positiveness
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Henry Purcell
Remember Not, Lord, Our Offences, Z. 50
133 bpm • A min • 03:16 • -24.9db
17% Popularity • 17% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
17% Popularity • 17% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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The Choir Of Waltham Abbey
Brahms: How Lovely are Thy Dwellings
125 bpm • D# Maj • 05:19 • -24db
9% Popularity • 21% Danceability • 9% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
9% Popularity • 21% Danceability • 9% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Anton Bruckner
Mass No. 2 in E Minor, WAB 27: IV. Sanct...
125 bpm • E min • 02:18 • -16.32db
11% Popularity • 23% Danceability • 12% Energy • 9% Liveness
20% Instrumentalness • 4% Positiveness
11% Popularity • 23% Danceability • 12% Energy • 9% Liveness
20% Instrumentalness • 4% Positiveness
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William Croft
Burial Sentences: VI. Thou Knowest, Lord
124 bpm • A# Maj • 02:14 • -26db
17% Popularity • 21% Danceability • 6% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
17% Popularity • 21% Danceability • 6% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Francis Poulenc
Stabat Mater, FP 148: 2. Cujus animam ge...
124 bpm • F min • 00:56 • -20.37db
16% Popularity • 46% Danceability • 19% Energy • 16% Liveness
54% Instrumentalness • 17% Positiveness
16% Popularity • 46% Danceability • 19% Energy • 16% Liveness
54% Instrumentalness • 17% Positiveness
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Ralph Vaughan Williams
Lord Thou Hast Been Our Refuge
133 bpm • D Maj • 08:18 • -21.91db
8% Popularity • 16% Danceability • 6% Energy • 7% Liveness
56% Instrumentalness • 4% Positiveness
8% Popularity • 16% Danceability • 6% Energy • 7% Liveness
56% Instrumentalness • 4% Positiveness
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Henry Purcell
Evening Service in G Minor (Z. 231): Mag...
125 bpm • G# min • 04:00 • -26.14db
9% Popularity • 26% Danceability • 4% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
9% Popularity • 26% Danceability • 4% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
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Leonard Bernstein
Chichester Psalms: I. Psalm 108.2 – Ps...
134 bpm • D# Maj • 03:44 • -15.42db
13% Popularity • 37% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
13% Popularity • 37% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Johannes Brahms
11 Zigeunerlieder (Gypsy-Songs), Op. 103...
124 bpm • D min • 01:18 • -16db
7% Popularity • 32% Danceability • 26% Energy • 8% Liveness
6% Instrumentalness • 34% Positiveness
7% Popularity • 32% Danceability • 26% Energy • 8% Liveness
6% Instrumentalness • 34% Positiveness
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Gustav Holst
The Evening-Watch, Op.43 No.1
134 bpm • D Maj • 04:58 • -29.04db
9% Popularity • 16% Danceability • 2% Energy • 6% Liveness
20% Instrumentalness • 3% Positiveness
9% Popularity • 16% Danceability • 2% Energy • 6% Liveness
20% Instrumentalness • 3% Positiveness
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Francis Poulenc
Mass in G Major, FP 89: Agnus Dei
134 bpm • G Maj • 03:49 • -35.19db
9% Popularity • 21% Danceability • 1% Energy • 9% Liveness
56% Instrumentalness • 5% Positiveness
9% Popularity • 21% Danceability • 1% Energy • 9% Liveness
56% Instrumentalness • 5% Positiveness
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Anton Bruckner
Christus factus est, WAB 11
124 bpm • D min • 05:09 • -24db
9% Popularity • 18% Danceability • 4% Energy • 10% Liveness
4% Instrumentalness • 4% Positiveness
9% Popularity • 18% Danceability • 4% Energy • 10% Liveness
4% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Come down, O Love divine
134 bpm • D Maj • 03:35 • -26.51db
9% Popularity • 17% Danceability • 7% Energy • 14% Liveness
13% Instrumentalness • 11% Positiveness
9% Popularity • 17% Danceability • 7% Energy • 14% Liveness
13% Instrumentalness • 11% Positiveness
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Blackburn Cathedral Choir
Brewer: Nunc Dimittis in D
135 bpm • D Maj • 03:07 • -25db
14% Popularity • 16% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
14% Popularity • 16% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
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Leonard Bernstein
Mass: Confession: Trope, "I Don't Know" ...
124 bpm • B min • 01:41 • -13.8db
19% Popularity • 52% Danceability • 28% Energy • 76% Liveness
0% Instrumentalness • 65% Positiveness
19% Popularity • 52% Danceability • 28% Energy • 76% Liveness
0% Instrumentalness • 65% Positiveness
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Louis Vierne
Messe Solennelle, Op. 16 - Agnus Dei
135 bpm • G# Maj • 05:33 • -22.98db
7% Popularity • 16% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
7% Popularity • 16% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
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Frank Martin
Mass for Double Choir: Credo
135 bpm • A min • 06:15 • -25.51db
11% Popularity • 19% Danceability • 4% Energy • 9% Liveness
9% Instrumentalness • 4% Positiveness
11% Popularity • 19% Danceability • 4% Energy • 9% Liveness
9% Instrumentalness • 4% Positiveness
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Anton Bruckner
Os justi meditabitur sapientiam, WAB 30
135 bpm • C Maj • 05:25 • -24.13db
9% Popularity • 16% Danceability • 3% Energy • 8% Liveness
27% Instrumentalness • 3% Positiveness
9% Popularity • 16% Danceability • 3% Energy • 8% Liveness
27% Instrumentalness • 3% Positiveness
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Charles Villiers Stanford
Nunc Dimittis in B-Flat
135 bpm • A# Maj • 03:21 • -29db
8% Popularity • 15% Danceability • 3% Energy • 12% Liveness
58% Instrumentalness • 5% Positiveness
8% Popularity • 15% Danceability • 3% Energy • 12% Liveness
58% Instrumentalness • 5% Positiveness
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George Lloyd
A Symphonic Mass for Chorus & Orchestra:...
123 bpm • D# min • 07:52 • -20.39db
11% Popularity • 19% Danceability • 19% Energy • 13% Liveness
83% Instrumentalness • 5% Positiveness
11% Popularity • 19% Danceability • 19% Energy • 13% Liveness
83% Instrumentalness • 5% Positiveness
► Preview
Claudio Monteverdi
Versicle/Response: Deus in adjutorium/Do...
135 bpm • D# Maj • 01:59 • -14db
10% Popularity • 24% Danceability • 20% Energy • 7% Liveness
23% Instrumentalness • 11% Positiveness
10% Popularity • 24% Danceability • 20% Energy • 7% Liveness
23% Instrumentalness • 11% Positiveness
► Preview
Bob Chilcott
St. John Passion, Part II: The Judgement...
123 bpm • F min • 06:18 • -18.83db
8% Popularity • 34% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
8% Popularity • 34% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
Edward Bairstow
I Sat Down Under His Shadow
135 bpm • E Maj • 01:43 • -25.9db
11% Popularity • 18% Danceability • 4% Energy • 10% Liveness
42% Instrumentalness • 3% Positiveness
11% Popularity • 18% Danceability • 4% Energy • 10% Liveness
42% Instrumentalness • 3% Positiveness
► Preview
Ralph Vaughan Williams
Songs of Travel: The Roadside Fire
135 bpm • F# Maj • 02:18 • -21db
14% Popularity • 36% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
14% Popularity • 36% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
► Preview
Benjamin Britten
Rejoice in the Lamb, Op. 30: For the Mou...
135 bpm • D# min • 00:57 • -41.13db
11% Popularity • 23% Danceability • 1% Energy • 36% Liveness
0% Instrumentalness • 20% Positiveness
11% Popularity • 23% Danceability • 1% Energy • 36% Liveness
0% Instrumentalness • 20% Positiveness
► Preview
Emma Lou Diemer
3 Madrigals: No. 1. O Mistress Mine, Whe...
135 bpm • G min • 01:00 • -23.4db
17% Popularity • 44% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
17% Popularity • 44% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
► Preview
Orlando Gibbons
Almighty and everlasting God
136 bpm • G# Maj • 02:30 • -25db
11% Popularity • 17% Danceability • 6% Energy • 10% Liveness
16% Instrumentalness • 4% Positiveness
11% Popularity • 17% Danceability • 6% Energy • 10% Liveness
16% Instrumentalness • 4% Positiveness
► Preview
AntonÃn Dvořák
Mass in D Major, Op. 86: V. Agnus Dei
136 bpm • G Maj • 05:19 • -25.89db
8% Popularity • 17% Danceability • 6% Energy • 10% Liveness
6% Instrumentalness • 3% Positiveness
8% Popularity • 17% Danceability • 6% Energy • 10% Liveness
6% Instrumentalness • 3% Positiveness
► Preview
Frank Martin
Mass for Double Choir: IV. Sanctus - Ben...
122 bpm • D Maj • 04:13 • -21.14db
14% Popularity • 21% Danceability • 15% Energy • 6% Liveness
69% Instrumentalness • 4% Positiveness
14% Popularity • 21% Danceability • 15% Energy • 6% Liveness
69% Instrumentalness • 4% Positiveness
► Preview
Unknown
Randall Thompson : Alleluia
136 bpm • D Maj • 05:03 • -18.81db
7% Popularity • 19% Danceability • 23% Energy • 9% Liveness
49% Instrumentalness • 4% Positiveness
7% Popularity • 19% Danceability • 23% Energy • 9% Liveness
49% Instrumentalness • 4% Positiveness
► Preview
Gerald Finzi
Seven Poems of Robert Bridges, Op. 17: I...
136 bpm • F# min • 01:38 • -26db
9% Popularity • 22% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
9% Popularity • 22% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Joseph Haydn
Mass No. 7 in B-Flat Major, Hob.XXII:7, ...
137 bpm • A# Maj • 01:00 • -24db
26% Popularity • 24% Danceability • 9% Energy • 24% Liveness
7% Instrumentalness • 33% Positiveness
26% Popularity • 24% Danceability • 9% Energy • 24% Liveness
7% Instrumentalness • 33% Positiveness
► Preview
Anton Bruckner
Christus factus est, WAB 11
137 bpm • C min • 05:54 • -21.38db
20% Popularity • 16% Danceability • 7% Energy • 9% Liveness
12% Instrumentalness • 3% Positiveness
20% Popularity • 16% Danceability • 7% Energy • 9% Liveness
12% Instrumentalness • 3% Positiveness
► Preview
Josef Rheinberger
Mass in E-Flat Major, Op. 109 "Cantus Mi...
137 bpm • D# Maj • 03:38 • -23db
16% Popularity • 20% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
16% Popularity • 20% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Wolfgang Amadeus Mozart
Vesperae solennes de confessore in C, K....
137 bpm • C Maj • 03:50 • -17db
9% Popularity • 30% Danceability • 29% Energy • 34% Liveness
92% Instrumentalness • 39% Positiveness
9% Popularity • 30% Danceability • 29% Energy • 34% Liveness
92% Instrumentalness • 39% Positiveness
► Preview
Markku Liukkonen
Aaria, Kun Herra Kulkee Pyhään Kaupunk...
137 bpm • C min • 04:22 • -18.78db
12% Popularity • 18% Danceability • 16% Energy • 12% Liveness
82% Instrumentalness • 9% Positiveness
12% Popularity • 18% Danceability • 16% Energy • 12% Liveness
82% Instrumentalness • 9% Positiveness
► Preview
Henry Purcell
Purcell: Hear My Prayer, O Lord, Z. 15
137 bpm • C min • 02:28 • -21.91db
8% Popularity • 15% Danceability • 6% Energy • 10% Liveness
50% Instrumentalness • 4% Positiveness
8% Popularity • 15% Danceability • 6% Energy • 10% Liveness
50% Instrumentalness • 4% Positiveness
► Preview
Gerald Finzi
Let us garlands bring, Op. 18: It was a ...
138 bpm • A Maj • 02:37 • -21db
9% Popularity • 39% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
9% Popularity • 39% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Franz von Suppé
Requiem aeternam: Recordare
121 bpm • D min • 05:40 • -24.31db
9% Popularity • 23% Danceability • 7% Energy • 8% Liveness
17% Instrumentalness • 4% Positiveness
9% Popularity • 23% Danceability • 7% Energy • 8% Liveness
17% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Dona Nobis Pacem: Beat! Beat! Drums!
120 bpm • F Maj • 03:31 • -16.29db
17% Popularity • 35% Danceability • 41% Energy • 11% Liveness
93% Instrumentalness • 21% Positiveness
17% Popularity • 35% Danceability • 41% Energy • 11% Liveness
93% Instrumentalness • 21% Positiveness
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Herbert Howells
Requiem: Salvator mundi
139 bpm • G Maj • 02:00 • -31.24db
24% Popularity • 15% Danceability • 4% Energy • 9% Liveness
37% Instrumentalness • 4% Positiveness
24% Popularity • 15% Danceability • 4% Energy • 9% Liveness
37% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
Mass in D major, Op. 86: 6. Agnus Dei
120 bpm • G Maj • 05:29 • -28.41db
8% Popularity • 18% Danceability • 3% Energy • 15% Liveness
16% Instrumentalness • 3% Positiveness
8% Popularity • 18% Danceability • 3% Energy • 15% Liveness
16% Instrumentalness • 3% Positiveness
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Edward Elgar
From the Bavarian Highlands, Op. 27 (Ver...
120 bpm • G Maj • 05:42 • -18.49db
10% Popularity • 29% Danceability • 18% Energy • 12% Liveness
17% Instrumentalness • 24% Positiveness
10% Popularity • 29% Danceability • 18% Energy • 12% Liveness
17% Instrumentalness • 24% Positiveness
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Paul Hindemith
Six chansons: I. La biche
120 bpm • E Maj • 01:14 • -29.84db
10% Popularity • 21% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
10% Popularity • 21% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Charles Wood
O Most Merciful
139 bpm • G min • 01:28 • -28db
11% Popularity • 15% Danceability • 3% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
11% Popularity • 15% Danceability • 3% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
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Francis Poulenc
Gloria, FP 144: II. Laudamus te
139 bpm • F Maj • 02:50 • -21db
24% Popularity • 30% Danceability • 23% Energy • 11% Liveness
84% Instrumentalness • 33% Positiveness
24% Popularity • 30% Danceability • 23% Energy • 11% Liveness
84% Instrumentalness • 33% Positiveness
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Anton Bruckner
Ave Maria, WAB 6
139 bpm • A min • 03:04 • -27.03db
18% Popularity • 14% Danceability • 3% Energy • 9% Liveness
59% Instrumentalness • 3% Positiveness
18% Popularity • 14% Danceability • 3% Energy • 9% Liveness
59% Instrumentalness • 3% Positiveness
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AntonÃn Dvořák
Stabat Mater, Op. 58: X. Quando corpus m...
139 bpm • D Maj • 07:39 • -16.45db
20% Popularity • 18% Danceability • 20% Energy • 10% Liveness
71% Instrumentalness • 4% Positiveness
20% Popularity • 18% Danceability • 20% Energy • 10% Liveness
71% Instrumentalness • 4% Positiveness
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Henry Purcell
Purcell: Remember Not, Lord, Our Offence...
140 bpm • A min • 02:51 • -24.62db
12% Popularity • 16% Danceability • 7% Energy • 9% Liveness
53% Instrumentalness • 4% Positiveness
12% Popularity • 16% Danceability • 7% Energy • 9% Liveness
53% Instrumentalness • 4% Positiveness
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Gabriel Fauré
4 Melodies, Op. 39: No. 4, Les roses d'I...
119 bpm • E Maj • 03:45 • -30.16db
7% Popularity • 30% Danceability • 2% Energy • 8% Liveness
3% Instrumentalness • 6% Positiveness
7% Popularity • 30% Danceability • 2% Energy • 8% Liveness
3% Instrumentalness • 6% Positiveness
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Arthur Sullivan
Macbeth: Chorus of Spirits in the Air - ...
140 bpm • D min • 01:07 • -26.79db
16% Popularity • 46% Danceability • 9% Energy • 12% Liveness
55% Instrumentalness • 10% Positiveness
16% Popularity • 46% Danceability • 9% Energy • 12% Liveness
55% Instrumentalness • 10% Positiveness
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Benjamin Britten
Rejoice in the Lamb, Op. 30: For I am un...
141 bpm • E min • 02:26 • -23.99db
12% Popularity • 15% Danceability • 2% Energy • 8% Liveness
1% Instrumentalness • 3% Positiveness
12% Popularity • 15% Danceability • 2% Energy • 8% Liveness
1% Instrumentalness • 3% Positiveness
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Josef Rheinberger
Mass in E-Flat Major, Op. 109 "Cantus Mi...
118 bpm • G# Maj • 06:46 • -24.16db
14% Popularity • 19% Danceability • 5% Energy • 8% Liveness
1% Instrumentalness • 3% Positiveness
14% Popularity • 19% Danceability • 5% Energy • 8% Liveness
1% Instrumentalness • 3% Positiveness
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Ralph Vaughan Williams
Rest
141 bpm • D# Maj • 03:51 • -32db
13% Popularity • 14% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 3% Positiveness
13% Popularity • 14% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 3% Positiveness
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Felix Mendelssohn
Elijah, Op. 70: Introduction "As God the...
142 bpm • C min • 01:05 • -27db
9% Popularity • 26% Danceability • 7% Energy • 15% Liveness
0% Instrumentalness • 6% Positiveness
9% Popularity • 26% Danceability • 7% Energy • 15% Liveness
0% Instrumentalness • 6% Positiveness
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Percy Grainger
Scotch Strathspey and Reel - Inlaid with...
118 bpm • C min • 06:55 • -21.55db
8% Popularity • 35% Danceability • 17% Energy • 59% Liveness
86% Instrumentalness • 47% Positiveness
8% Popularity • 35% Danceability • 17% Energy • 59% Liveness
86% Instrumentalness • 47% Positiveness
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Gerald Finzi
Let us garlands bring, Op. 18: Come away...
142 bpm • D Maj • 03:29 • -26db
7% Popularity • 26% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
7% Popularity • 26% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Charles Villiers Stanford
Blarney Ballads: No. 1, The Grand Ould M...
117 bpm • C min • 04:03 • -22.75db
9% Popularity • 37% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
9% Popularity • 37% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Benjamin Britten
Rejoice in the Lamb, Op. 30: For the flo...
142 bpm • A Maj • 01:56 • -40db
12% Popularity • 14% Danceability • 0% Energy • 12% Liveness
36% Instrumentalness • 4% Positiveness
12% Popularity • 14% Danceability • 0% Energy • 12% Liveness
36% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Mass in G Minor: Gloria in excelsis
143 bpm • C Maj • 04:17 • -26.78db
11% Popularity • 15% Danceability • 4% Energy • 17% Liveness
0% Instrumentalness • 7% Positiveness
11% Popularity • 15% Danceability • 4% Energy • 17% Liveness
0% Instrumentalness • 7% Positiveness
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Herbert Murrill
Magnificat in E Major
116 bpm • F# min • 04:29 • -24.52db
10% Popularity • 21% Danceability • 13% Energy • 10% Liveness
4% Instrumentalness • 6% Positiveness
10% Popularity • 21% Danceability • 13% Energy • 10% Liveness
4% Instrumentalness • 6% Positiveness
