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Messe solennelle pour deux orgues et choeur, Op. 1...
Songs like
Messe solennelle pour deux orgues et choeur, Op. 16: IV. Benedictus
by
Louis Vierne
Based on a tempo of (+/- 10%) and a similar genre
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Louis Vierne
Messe solennelle pour deux orgues et cho...
94 bpm • E Maj • 03:26 • -21db
11% Popularity • 11% Danceability • 2% Energy • 12% Liveness
4% Instrumentalness • 4% Positiveness
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Hans Leo Hassler
Verbum caro factum est
94 bpm • G Maj • 02:56 • -21db
14% Popularity • 17% Danceability • 10% Energy • 6% Liveness
24% Instrumentalness • 8% Positiveness
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Edward Bairstow
Psalm 84, 'O how amiable are Thy dwellin...
94 bpm • A Maj • 03:34 • -27.48db
8% Popularity • 22% Danceability • 10% Energy • 9% Liveness
6% Instrumentalness • 10% Positiveness
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Orazio Benevoli
Missa si Deus pro nobis, a 16 voci: I. K...
94 bpm • C Maj • 04:44 • -19.22db
17% Popularity • 11% Danceability • 13% Energy • 18% Liveness
89% Instrumentalness • 6% Positiveness
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The Tallis Scholars
Tallis: Salvator Mundi, Salva Nos I
95 bpm • E Maj • 02:20 • -21.68db
26% Popularity • 19% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Johannes Brahms
Der 13. Psalm, Op. 27
93 bpm • G Maj • 05:08 • -22.07db
14% Popularity • 16% Danceability • 11% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Louis Vierne
24 Pieces in Free Style (Book I), Op. 31...
94 bpm • G# Maj • 03:04 • -12.82db
0% Popularity • 14% Danceability • 36% Energy • 30% Liveness
84% Instrumentalness • 17% Positiveness
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Jacob Obrecht
Largire nunc mitissime
95 bpm • C Maj • 01:23 • -18db
35% Popularity • 15% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Blackburn Cathedral Choir
Brewer: Magnificat in D
92 bpm • D Maj • 03:55 • -20db
10% Popularity • 22% Danceability • 14% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Anton Bruckner
Afferentur regi, WAB 1
92 bpm • F Maj • 01:35 • -28db
25% Popularity • 12% Danceability • 4% Energy • 6% Liveness
36% Instrumentalness • 4% Positiveness
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Heinrich Kaminski
Psalm 130: Ich Harre auf den Herren
92 bpm • A# Maj • 01:08 • -27.74db
36% Popularity • 25% Danceability • 5% Energy • 9% Liveness
17% Instrumentalness • 6% Positiveness
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Johann Christoph Bach
Fürchte dich nicht
96 bpm • A min • 04:35 • -26db
10% Popularity • 18% Danceability • 5% Energy • 30% Liveness
0% Instrumentalness • 9% Positiveness
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Louis Vierne
Messe Solennelle, Op. 16 - Sanctus
93 bpm • E Maj • 02:32 • -14.64db
8% Popularity • 17% Danceability • 23% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
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Joseph Meunier d’Haudimont
Prose of the Consecration (Jerusalem et ...
96 bpm • E min • 05:18 • -15.77db
16% Popularity • 12% Danceability • 35% Energy • 31% Liveness
92% Instrumentalness • 14% Positiveness
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AntonÃn Dvořák
Mass in D Major, Op. 86: IV. Sanctus
92 bpm • D Maj • 02:54 • -17.58db
9% Popularity • 18% Danceability • 19% Energy • 11% Liveness
42% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Tallis: Verily, Verily I Say Unto You
91 bpm • G# min • 01:41 • -23.66db
27% Popularity • 16% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Wacław of Szamotuły
Ego sum pastor bonus
97 bpm • F# min • 02:52 • -21.98db
10% Popularity • 19% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Johann Michael Bach
Unser Leben währet siebenzig Jahr
97 bpm • C Maj • 03:54 • -25db
10% Popularity • 18% Danceability • 5% Energy • 11% Liveness
35% Instrumentalness • 4% Positiveness
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John Stainer
Processional To Calvary
91 bpm • C Maj • 09:29 • -19db
14% Popularity • 16% Danceability • 8% Energy • 12% Liveness
62% Instrumentalness • 5% Positiveness
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Louis Vierne
Suite No. 1: Requiem Aeternam
97 bpm • D Maj • 07:31 • -31.97db
3% Popularity • 12% Danceability • 2% Energy • 17% Liveness
89% Instrumentalness • 4% Positiveness
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Peter Philips
Christus resurgens
97 bpm • B Maj • 03:43 • -18db
26% Popularity • 29% Danceability • 14% Energy • 9% Liveness
17% Instrumentalness • 10% Positiveness
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Johann Crüger
O haupt voll blut und wunden
91 bpm • C Maj • 02:46 • -24.71db
8% Popularity • 25% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Charles-Marie Widor
V. Toccata
97 bpm • F Maj • 06:42 • -11.19db
2% Popularity • 28% Danceability • 43% Energy • 9% Liveness
86% Instrumentalness • 10% Positiveness
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Charles Villiers Stanford
Te Deum in B-Flat
91 bpm • A# Maj • 06:11 • -20.35db
8% Popularity • 18% Danceability • 19% Energy • 11% Liveness
22% Instrumentalness • 7% Positiveness
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Giacomo Puccini
Requiem
91 bpm • G min • 05:35 • -30.66db
9% Popularity • 12% Danceability • 2% Energy • 16% Liveness
92% Instrumentalness • 3% Positiveness
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Louis Vierne
Messe solennelle, Op. 16: III. Sanctus
91 bpm • E Maj • 02:19 • -18.12db
2% Popularity • 13% Danceability • 22% Energy • 10% Liveness
95% Instrumentalness • 10% Positiveness
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Alfred Schnittke
Three Sacred Hymns: I. Gegrüßet seist ...
90 bpm • C min • 01:35 • -30db
13% Popularity • 20% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
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Thomas Morley
Burial Service: I. Man that is Born of a...
98 bpm • G min • 01:26 • -29.64db
20% Popularity • 17% Danceability • 3% Energy • 22% Liveness
0% Instrumentalness • 7% Positiveness
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AntonÃn Dvořák
Mass in D Major, Op. 86 / Gloria: IIb. G...
90 bpm • G Maj • 02:46 • -27.7db
10% Popularity • 21% Danceability • 7% Energy • 10% Liveness
19% Instrumentalness • 3% Positiveness
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Felix Mendelssohn
Geistliche Männerchöre, Op. 115: I. Be...
90 bpm • C Maj • 03:47 • -31db
8% Popularity • 14% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Ola Gjeilo
Ubi Caritas
99 bpm • F# min • 03:17 • -29db
20% Popularity • 16% Danceability • 7% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
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Accentus
Drömmarna
99 bpm • D# Maj • 01:45 • -29.36db
29% Popularity • 17% Danceability • 6% Energy • 9% Liveness
17% Instrumentalness • 5% Positiveness
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Louis Vierne
Suite No. 1: Marche nuptiale
89 bpm • A# Maj • 05:53 • -11.62db
4% Popularity • 10% Danceability • 41% Energy • 11% Liveness
94% Instrumentalness • 10% Positiveness
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Johannes Brahms
Fünf Gesänge, Op. 104: II. Nachtwache ...
89 bpm • D# Maj • 01:24 • -23db
12% Popularity • 15% Danceability • 10% Energy • 7% Liveness
4% Instrumentalness • 8% Positiveness
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Jaakko Mäntyjärvi
4 Shakespeare Songs: No. 4. Full fathom ...
89 bpm • G# Maj • 02:22 • -24db
9% Popularity • 15% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 3% Positiveness
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Henry Purcell
Jehova, quam multi sunt hostes mei, Z. 1...
89 bpm • A min • 06:25 • -24.42db
8% Popularity • 16% Danceability • 10% Energy • 12% Liveness
35% Instrumentalness • 10% Positiveness
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Claude Debussy
3 Chansons de Charles d'Orleans: Trois C...
89 bpm • B Maj • 02:17 • -31db
10% Popularity • 16% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 3% Positiveness
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The Tallis Scholars
Tallis: Spem in Alium - 4. Respice (Repe...
89 bpm • D Maj • 01:27 • -15.9db
35% Popularity • 19% Danceability • 28% Energy • 3% Liveness
5% Instrumentalness • 4% Positiveness
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Giovanni Gabrieli
Exaudi, Deus, orationem meam in F Minor,...
100 bpm • A Maj • 03:05 • -20db
22% Popularity • 19% Danceability • 13% Energy • 12% Liveness
56% Instrumentalness • 4% Positiveness
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Jonathan Dove
The Passing of the Year: No. 7. Ring out...
89 bpm • C Maj • 05:13 • -19db
7% Popularity • 26% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Gregorio Allegri
Messe vidi turbam magnam: No. 3, Gloria
100 bpm • F Maj • 03:20 • -19db
17% Popularity • 18% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
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Frank Martin
Mass for Double Choir: II. Gloria
88 bpm • C Maj • 05:28 • -25db
13% Popularity • 13% Danceability • 11% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
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Cristobal de Morales
Introitus: I. Requiem aeternam
88 bpm • G# Maj • 02:43 • -21.3db
14% Popularity • 12% Danceability • 9% Energy • 10% Liveness
27% Instrumentalness • 5% Positiveness
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Josef Rheinberger
Mass in E-Flat Major, Op. 109 "Cantus Mi...
88 bpm • G# Maj • 02:19 • -25.25db
17% Popularity • 22% Danceability • 8% Energy • 11% Liveness
20% Instrumentalness • 3% Positiveness
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William Croft
Burial Sentences: III. We Brought Nothin...
88 bpm • F min • 01:12 • -27.47db
32% Popularity • 12% Danceability • 4% Energy • 10% Liveness
58% Instrumentalness • 4% Positiveness
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Robert Schumann
Romanzen und Balladen, Book 1, Op. 67: N...
100 bpm • G Maj • 02:57 • -40.12db
13% Popularity • 17% Danceability • 1% Energy • 7% Liveness
19% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Psalm 100, "Jauchzet dem Herrn, all Welt...
88 bpm • F Maj • 04:26 • -22.22db
12% Popularity • 15% Danceability • 12% Energy • 9% Liveness
4% Instrumentalness • 5% Positiveness
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Charles Villiers Stanford
Magnificat in B-Flat Major
100 bpm • D# Maj • 04:05 • -23.93db
8% Popularity • 18% Danceability • 13% Energy • 30% Liveness
2% Instrumentalness • 10% Positiveness
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AntonÃn Dvořák
Mass in D Major, Op. 86 / Gloria: IIa. G...
88 bpm • D Maj • 02:32 • -17.05db
11% Popularity • 16% Danceability • 23% Energy • 13% Liveness
6% Instrumentalness • 13% Positiveness
► Preview
Sergei Rachmaninoff
All-Night Vigil, Op. 37: No. 6, Rejoice,...
88 bpm • F Maj • 03:06 • -28.3db
12% Popularity • 9% Danceability • 3% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Edward Hopkins
Psalm 15: Lord, who shall dwell in Thy t...
88 bpm • F Maj • 02:10 • -22.23db
6% Popularity • 20% Danceability • 14% Energy • 9% Liveness
18% Instrumentalness • 13% Positiveness
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Johannes Brahms
Three Songs, Op. 42: II. Vineta
101 bpm • F# Maj • 02:54 • -25.92db
11% Popularity • 25% Danceability • 11% Energy • 33% Liveness
0% Instrumentalness • 6% Positiveness
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Felix Mendelssohn
3 Psalms, Op. 78: II. Psalm 43 "Richte m...
101 bpm • D Maj • 03:53 • -24.43db
10% Popularity • 21% Danceability • 12% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
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George Dyson
Magnificat in F Major (1)
88 bpm • G min • 03:42 • -33db
10% Popularity • 12% Danceability • 2% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
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Niccolò Jommelli
Requiem in D Minor, K. 626 (Paris 1804 V...
88 bpm • E min • 02:37 • -33db
21% Popularity • 9% Danceability • 2% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
All-night Vigil, Op. 37, "Vespers": Psal...
87 bpm • G# Maj • 02:11 • -22.34db
18% Popularity • 18% Danceability • 13% Energy • 10% Liveness
1% Instrumentalness • 7% Positiveness
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Louis Vierne
Messe solennelle, Op. 16: I. Kyrie eleis...
87 bpm • C# min • 05:57 • -19.71db
1% Popularity • 15% Danceability • 14% Energy • 10% Liveness
16% Instrumentalness • 4% Positiveness
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Charles Gounod
Messe brève No. 7: IIb. Quoniam tu solu...
87 bpm • C Maj • 00:54 • -20.4db
11% Popularity • 31% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Herbert Howells
Behold, O God, Our Great Defender
87 bpm • A Maj • 04:29 • -20.84db
9% Popularity • 16% Danceability • 14% Energy • 13% Liveness
68% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Die deutsche Liturgie: Heilig, heilig is...
87 bpm • D Maj • 02:00 • -24db
11% Popularity • 23% Danceability • 17% Energy • 6% Liveness
80% Instrumentalness • 4% Positiveness
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Jean Richafort
Requiem in memoriam Josquin Desprez: I. ...
86 bpm • F Maj • 04:18 • -20.99db
16% Popularity • 9% Danceability • 14% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness
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Jacobus Gallus
Pueri concinite
87 bpm • F Maj • 01:51 • -25db
36% Popularity • 14% Danceability • 8% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
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Paul Hindemith
6 Chansons: No. 1. La biche
102 bpm • C# min • 01:17 • -28db
29% Popularity • 22% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Antonio Vivaldi
Magnificat, RV 610: 9. Gloria Patri
103 bpm • G min • 01:55 • -17.21db
12% Popularity • 32% Danceability • 24% Energy • 13% Liveness
90% Instrumentalness • 9% Positiveness
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Anton Bruckner
Tantum ergo, WAB 32
86 bpm • D Maj • 03:07 • -26.68db
19% Popularity • 14% Danceability • 7% Energy • 8% Liveness
42% Instrumentalness • 8% Positiveness
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Guillaume Dufay
Se la face ay pale
103 bpm • A# Maj • 02:53 • -23db
13% Popularity • 22% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Sergei Rachmaninoff
Vespers, Op. 37: O Serene Light
86 bpm • G# Maj • 03:26 • -24.82db
9% Popularity • 21% Danceability • 8% Energy • 8% Liveness
38% Instrumentalness • 3% Positiveness
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Giulio Caccini
All'imperio d'Amore: 7. Ineffabile ardor...
103 bpm • A# Maj • 00:54 • -16db
21% Popularity • 18% Danceability • 26% Energy • 30% Liveness
99% Instrumentalness • 5% Positiveness
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Johannes Brahms
Three Songs, Op. 42: III. Darthulas Grab...
103 bpm • G min • 04:28 • -31.74db
8% Popularity • 21% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Thomas Morley
A lieta vita (Sing and we chant it)
103 bpm • F# Maj • 01:31 • -22db
24% Popularity • 48% Danceability • 12% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
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Frank Martin
Mass for Double Choir: Gloria
86 bpm • D min • 06:10 • -27db
12% Popularity • 12% Danceability • 6% Energy • 6% Liveness
30% Instrumentalness • 4% Positiveness
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Millikin University Choir
Stetit Angelus
86 bpm • A min • 04:38 • -24db
29% Popularity • 12% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Edward Elgar
2 Choral songs, Op. 73: No. 2. Serenade
86 bpm • D# Maj • 02:04 • -31.21db
11% Popularity • 20% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
Mass in D major, Op. 86: 5. Benedictus
85 bpm • G Maj • 06:45 • -24.36db
8% Popularity • 9% Danceability • 4% Energy • 13% Liveness
36% Instrumentalness • 3% Positiveness
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Antonio Lotti
Lotti: Crucifixus a 8 voci
103 bpm • C min • 03:44 • -25.69db
14% Popularity • 16% Danceability • 6% Energy • 10% Liveness
60% Instrumentalness • 3% Positiveness
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American Bach Soloists
Missa brevis Sancti Joannis de Deo "Litt...
104 bpm • A# Maj • 02:03 • -19.27db
14% Popularity • 34% Danceability • 9% Energy • 9% Liveness
35% Instrumentalness • 9% Positiveness
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Hans Leo Hassler
O Haupt voll Blut und Wunden
104 bpm • D Maj • 04:27 • -25.63db
13% Popularity • 22% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 10% Positiveness
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Jonathan Dove
The Passing of the Year: No. 5. Ah, Sun-...
104 bpm • F# Maj • 02:13 • -24db
23% Popularity • 16% Danceability • 6% Energy • 8% Liveness
63% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
All-night Vigil, Op. 37, "Vespers": Song...
85 bpm • F# Maj • 03:21 • -29db
23% Popularity • 20% Danceability • 4% Energy • 6% Liveness
85% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
9 Sacred Pieces: 4. "Tebe poem"
85 bpm • C Maj • 04:04 • -26.19db
9% Popularity • 13% Danceability • 7% Energy • 5% Liveness
91% Instrumentalness • 3% Positiveness
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Joseph Haydn
Te Deum, Hob. XXIIIc:2
104 bpm • C Maj • 08:21 • -19.64db
18% Popularity • 35% Danceability • 23% Energy • 9% Liveness
1% Instrumentalness • 14% Positiveness
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Claude Debussy
Dieu, qu'il l'a fait bon regarder
85 bpm • G# min • 02:15 • -36db
14% Popularity • 9% Danceability • 1% Energy • 18% Liveness
0% Instrumentalness • 4% Positiveness
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Dan Forrest
Entreat Me Not to Leave You
104 bpm • A# min • 08:28 • -20.02db
14% Popularity • 18% Danceability • 14% Energy • 9% Liveness
20% Instrumentalness • 4% Positiveness
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Edward Elgar
Ave Maria, Op. 2, No. 2
85 bpm • A# Maj • 02:45 • -28.14db
28% Popularity • 12% Danceability • 6% Energy • 21% Liveness
89% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
All-night Vigil, Op. 37, "Vespers": Hymn...
85 bpm • D min • 02:58 • -21.56db
16% Popularity • 15% Danceability • 5% Energy • 26% Liveness
26% Instrumentalness • 5% Positiveness
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Léon Boëllmann
Suite Gothique, Op. 25: III. Prière à ...
84 bpm • G# Maj • 04:20 • -33.14db
8% Popularity • 8% Danceability • 0% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
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Westminster Williamson Voices
Tantum Ergo
105 bpm • F min • 01:21 • -35db
36% Popularity • 28% Danceability • 4% Energy • 8% Liveness
30% Instrumentalness • 6% Positiveness
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Hubert Parry
I was glad when they said unto me
84 bpm • A# Maj • 06:48 • -15.83db
9% Popularity • 10% Danceability • 34% Energy • 9% Liveness
91% Instrumentalness • 6% Positiveness
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Louis Vierne
Symphonie No. 3 pour Orgue: IV. Adagio
84 bpm • B min • 07:38 • -32db
3% Popularity • 15% Danceability • 1% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
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Felix Mendelssohn
Psalm 42, Op. 42, MWV A15: Finale: Warum...
105 bpm • F Maj • 04:41 • -15.68db
10% Popularity • 35% Danceability • 24% Energy • 13% Liveness
24% Instrumentalness • 22% Positiveness
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Thomas Morley
Burial Service: III. Thou Knowest, Lord,...
105 bpm • G min • 01:42 • -26db
15% Popularity • 20% Danceability • 9% Energy • 19% Liveness
0% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
Mass in D Major, Op. 86 / Credo: IIIe. C...
84 bpm • A# Maj • 03:19 • -17.24db
8% Popularity • 12% Danceability • 16% Energy • 8% Liveness
14% Instrumentalness • 5% Positiveness
► Preview
Charles-Marie Widor
10ème symphonie "Romane", Op. 73: Final...
84 bpm • D Maj • 10:30 • -16.8db
2% Popularity • 12% Danceability • 21% Energy • 38% Liveness
88% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Palestrina: Missa Papae Marcelli - 1c. K...
84 bpm • B Maj • 01:15 • -18.5db
38% Popularity • 21% Danceability • 30% Energy • 7% Liveness
91% Instrumentalness • 25% Positiveness
► Preview
Herbert Howells
Requiem: Requiem aeternam II
84 bpm • D Maj • 04:01 • -26db
14% Popularity • 15% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
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John Ireland
Communion Service in C Major: Agnus Dei
84 bpm • A min • 02:09 • -33.91db
19% Popularity • 15% Danceability • 0% Energy • 10% Liveness
6% Instrumentalness • 4% Positiveness
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John Taverner
Mother of God Here I Stand
84 bpm • F# Maj • 03:10 • -41db
18% Popularity • 8% Danceability • 1% Energy • 11% Liveness
63% Instrumentalness • 4% Positiveness
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Ola Gjeilo
Tota pulchra es
84 bpm • E Maj • 05:30 • -34db
18% Popularity • 14% Danceability • 1% Energy • 7% Liveness
4% Instrumentalness • 3% Positiveness
► Preview
University of King's College Chapel Choir
Christ Our Passover
105 bpm • C min • 04:13 • -15db
12% Popularity • 20% Danceability • 22% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
► Preview
Anton Bruckner
Ave Maria, WAB 6
84 bpm • F Maj • 03:38 • -29db
13% Popularity • 8% Danceability • 1% Energy • 6% Liveness
6% Instrumentalness • 3% Positiveness
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Messe solennelle pour deux orgues et choeur, Op. 1...