Songs like Metal // Skin // Cones by Deru
Based on a tempo of (+/- 10%) and a similar genre
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Lusine
On the Line
160 bpm • D# min • 06:02 • -20.84db
10% Popularity • 43% Danceability • 20% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
10% Popularity • 43% Danceability • 20% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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36
Dream Window
160 bpm • D# min • 02:02 • -19.77db
16% Popularity • 26% Danceability • 50% Energy • 10% Liveness
84% Instrumentalness • 52% Positiveness
16% Popularity • 26% Danceability • 50% Energy • 10% Liveness
84% Instrumentalness • 52% Positiveness
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Caterina Barbieri
SOTRS
159 bpm • E Maj • 09:30 • -14db
39% Popularity • 34% Danceability • 31% Energy • 11% Liveness
82% Instrumentalness • 5% Positiveness
39% Popularity • 34% Danceability • 31% Energy • 11% Liveness
82% Instrumentalness • 5% Positiveness
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Deru
Cottonmouth Lothario
164 bpm • E min • 04:12 • -10.91db
4% Popularity • 57% Danceability • 72% Energy • 10% Liveness
88% Instrumentalness • 88% Positiveness
4% Popularity • 57% Danceability • 72% Energy • 10% Liveness
88% Instrumentalness • 88% Positiveness
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Plaid
Wen
155 bpm • E min • 02:41 • -15db
33% Popularity • 42% Danceability • 24% Energy • 9% Liveness
93% Instrumentalness • 16% Positiveness
33% Popularity • 42% Danceability • 24% Energy • 9% Liveness
93% Instrumentalness • 16% Positiveness
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Rival Consoles
Be Kind
154 bpm • A# min • 04:07 • -20.09db
33% Popularity • 51% Danceability • 34% Energy • 10% Liveness
93% Instrumentalness • 45% Positiveness
33% Popularity • 51% Danceability • 34% Energy • 10% Liveness
93% Instrumentalness • 45% Positiveness
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Lusine
Caught in the Middle
160 bpm • D# min • 03:37 • -21.22db
13% Popularity • 24% Danceability • 36% Energy • 25% Liveness
81% Instrumentalness • 12% Positiveness
13% Popularity • 24% Danceability • 36% Energy • 25% Liveness
81% Instrumentalness • 12% Positiveness
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Susumu Yokota
Shinsen
166 bpm • D# Maj • 04:33 • -17.17db
34% Popularity • 47% Danceability • 15% Energy • 11% Liveness
94% Instrumentalness • 15% Positiveness
34% Popularity • 47% Danceability • 15% Energy • 11% Liveness
94% Instrumentalness • 15% Positiveness
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Alex Smalley
Reconstructing Nature
153 bpm • B min • 04:59 • -17.56db
10% Popularity • 26% Danceability • 37% Energy • 17% Liveness
88% Instrumentalness • 11% Positiveness
10% Popularity • 26% Danceability • 37% Energy • 17% Liveness
88% Instrumentalness • 11% Positiveness
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Deru
You Got Me
167 bpm • A min • 02:12 • -22.73db
4% Popularity • 10% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
4% Popularity • 10% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Vladislav Delay
Luotasi
170 bpm • C min • 08:10 • -20.32db
12% Popularity • 46% Danceability • 18% Energy • 8% Liveness
94% Instrumentalness • 24% Positiveness
12% Popularity • 46% Danceability • 18% Energy • 8% Liveness
94% Instrumentalness • 24% Positiveness
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Rival Consoles
Winter's Lament
168 bpm • E min • 02:50 • -23.83db
38% Popularity • 21% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 29% Positiveness
38% Popularity • 21% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 29% Positiveness
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Kangding Ray
Crystal
170 bpm • C# Maj • 02:15 • -23.02db
30% Popularity • 24% Danceability • 29% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
30% Popularity • 24% Danceability • 29% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
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Proem
Stick to Music Snowflake
170 bpm • D min • 02:10 • -21.54db
29% Popularity • 12% Danceability • 15% Energy • 6% Liveness
90% Instrumentalness • 3% Positiveness
29% Popularity • 12% Danceability • 15% Energy • 6% Liveness
90% Instrumentalness • 3% Positiveness
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Olan Mill
Spare Smoke Template
170 bpm • D Maj • 02:58 • -24db
27% Popularity • 8% Danceability • 18% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
27% Popularity • 8% Danceability • 18% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Deru
We're Not Needed
151 bpm • C Maj • 05:53 • -20.23db
7% Popularity • 27% Danceability • 30% Energy • 8% Liveness
89% Instrumentalness • 44% Positiveness
7% Popularity • 27% Danceability • 30% Energy • 8% Liveness
89% Instrumentalness • 44% Positiveness
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Bersarin Quartett
St. Petersburg
150 bpm • E min • 05:20 • -10.17db
12% Popularity • 28% Danceability • 68% Energy • 11% Liveness
96% Instrumentalness • 19% Positiveness
12% Popularity • 28% Danceability • 68% Energy • 11% Liveness
96% Instrumentalness • 19% Positiveness
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Tim Hecker
That world
172 bpm • G# min • 09:10 • -18.63db
21% Popularity • 18% Danceability • 25% Energy • 23% Liveness
88% Instrumentalness • 4% Positiveness
21% Popularity • 18% Danceability • 25% Energy • 23% Liveness
88% Instrumentalness • 4% Positiveness
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Taylor Deupree
tea
171 bpm • C# Maj • 02:21 • -25.92db
39% Popularity • 12% Danceability • 7% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
39% Popularity • 12% Danceability • 7% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Proem
No.Imback
150 bpm • A# min • 05:32 • -15.66db
16% Popularity • 48% Danceability • 43% Energy • 11% Liveness
89% Instrumentalness • 12% Positiveness
16% Popularity • 48% Danceability • 43% Energy • 11% Liveness
89% Instrumentalness • 12% Positiveness
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Murcof
Dandelion Heart
172 bpm • B min • 05:33 • -24db
28% Popularity • 9% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
28% Popularity • 9% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Imaginary Softwoods
Yellow Calcite
173 bpm • D min • 02:30 • -23db
41% Popularity • 30% Danceability • 14% Energy • 7% Liveness
91% Instrumentalness • 20% Positiveness
41% Popularity • 30% Danceability • 14% Energy • 7% Liveness
91% Instrumentalness • 20% Positiveness
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Deru
Let The Silence Float
174 bpm • A min • 04:42 • -14.99db
29% Popularity • 13% Danceability • 22% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
29% Popularity • 13% Danceability • 22% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
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Tim Hecker
No Drums
172 bpm • A min • 03:24 • -34.01db
33% Popularity • 8% Danceability • 7% Energy • 13% Liveness
88% Instrumentalness • 16% Positiveness
33% Popularity • 8% Danceability • 7% Energy • 13% Liveness
88% Instrumentalness • 16% Positiveness
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Abul Mogard
Tumbling Relentless Heaps
174 bpm • A# min • 06:54 • -16.67db
15% Popularity • 24% Danceability • 40% Energy • 23% Liveness
84% Instrumentalness • 4% Positiveness
15% Popularity • 24% Danceability • 40% Energy • 23% Liveness
84% Instrumentalness • 4% Positiveness
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Biosphere
Shenzhou
175 bpm • E min • 04:59 • -28.23db
16% Popularity • 11% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 10% Positiveness
16% Popularity • 11% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 10% Positiveness
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Jan Jelinek
Moiré - Piano & Organ
176 bpm • F Maj • 06:54 • -18db
33% Popularity • 46% Danceability • 22% Energy • 10% Liveness
88% Instrumentalness • 19% Positiveness
33% Popularity • 46% Danceability • 22% Energy • 10% Liveness
88% Instrumentalness • 19% Positiveness
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Kara-Lis Coverdale
Imgs /r - Mixed
176 bpm • G Maj • 02:52 • -20.52db
18% Popularity • 12% Danceability • 18% Energy • 22% Liveness
84% Instrumentalness • 5% Positiveness
18% Popularity • 12% Danceability • 18% Energy • 22% Liveness
84% Instrumentalness • 5% Positiveness
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Bersarin Quartett
Oktober
145 bpm • A min • 06:28 • -10db
26% Popularity • 55% Danceability • 45% Energy • 10% Liveness
85% Instrumentalness • 22% Positiveness
26% Popularity • 55% Danceability • 45% Energy • 10% Liveness
85% Instrumentalness • 22% Positiveness
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Deru
Light the Pyre
176 bpm • G Maj • 06:24 • -20.18db
15% Popularity • 9% Danceability • 22% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
15% Popularity • 9% Danceability • 22% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
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Steve Hauschildt
Galloping
177 bpm • F Maj • 02:33 • -8.87db
23% Popularity • 44% Danceability • 92% Energy • 16% Liveness
87% Instrumentalness • 3% Positiveness
23% Popularity • 44% Danceability • 92% Energy • 16% Liveness
87% Instrumentalness • 3% Positiveness
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Kangding Ray
Schnee
177 bpm • D# min • 01:43 • -28.85db
39% Popularity • 9% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 5% Positiveness
39% Popularity • 9% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 5% Positiveness
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Talbot
The Great Tree of Life, Pt. 1
144 bpm • G# min • 07:28 • -21.66db
1% Popularity • 23% Danceability • 7% Energy • 8% Liveness
94% Instrumentalness • 5% Positiveness
1% Popularity • 23% Danceability • 7% Energy • 8% Liveness
94% Instrumentalness • 5% Positiveness
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Eluvium
Virga I (ii)
178 bpm • G min • 04:06 • -23.01db
31% Popularity • 7% Danceability • 17% Energy • 11% Liveness
75% Instrumentalness • 8% Positiveness
31% Popularity • 7% Danceability • 17% Energy • 11% Liveness
75% Instrumentalness • 8% Positiveness
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Bersarin Quartett
Sanft verblassen die Geschichten
143 bpm • F min • 03:08 • -17.17db
30% Popularity • 14% Danceability • 27% Energy • 10% Liveness
94% Instrumentalness • 6% Positiveness
30% Popularity • 14% Danceability • 27% Energy • 10% Liveness
94% Instrumentalness • 6% Positiveness
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Stars Of The Lid
The Evil That Never Arrived
143 bpm • D Maj • 05:04 • -21db
35% Popularity • 14% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
35% Popularity • 14% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Deru
The Future Never Comes
144 bpm • C min • 04:48 • -12.15db
22% Popularity • 52% Danceability • 53% Energy • 34% Liveness
94% Instrumentalness • 4% Positiveness
22% Popularity • 52% Danceability • 53% Energy • 34% Liveness
94% Instrumentalness • 4% Positiveness
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Mark Pritchard
Give It Your Choir - Instrumental
143 bpm • D min • 04:30 • -19db
20% Popularity • 51% Danceability • 41% Energy • 10% Liveness
95% Instrumentalness • 29% Positiveness
20% Popularity • 51% Danceability • 41% Energy • 10% Liveness
95% Instrumentalness • 29% Positiveness
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The Dead Texan
The Six Million Dollar Sandwich
143 bpm • G Maj • 03:02 • -19db
34% Popularity • 13% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
34% Popularity • 13% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
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Visible Cloaks
Stratum
180 bpm • B Maj • 07:11 • -24.66db
29% Popularity • 22% Danceability • 2% Energy • 12% Liveness
90% Instrumentalness • 7% Positiveness
29% Popularity • 22% Danceability • 2% Energy • 12% Liveness
90% Instrumentalness • 7% Positiveness
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Bvdub
Your Painted Armor Aches to Crack
142 bpm • E min • 08:32 • -29db
23% Popularity • 14% Danceability • 6% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
23% Popularity • 14% Danceability • 6% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
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Bing & Ruth
Chonchos
180 bpm • C Maj • 04:58 • -31.05db
22% Popularity • 7% Danceability • 3% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
22% Popularity • 7% Danceability • 3% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
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Deru
The Unthinkable
180 bpm • D Maj • 06:46 • -17.86db
3% Popularity • 27% Danceability • 24% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
3% Popularity • 27% Danceability • 24% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
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Ryan Teague
Artifact 3
180 bpm • G Maj • 03:12 • -18.56db
29% Popularity • 26% Danceability • 19% Energy • 9% Liveness
91% Instrumentalness • 8% Positiveness
29% Popularity • 26% Danceability • 19% Energy • 9% Liveness
91% Instrumentalness • 8% Positiveness
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Mark Pritchard
?
142 bpm • F Maj • 06:03 • -15.12db
27% Popularity • 18% Danceability • 1% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
27% Popularity • 18% Danceability • 1% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Isan
Every Since And Then
180 bpm • C Maj • 05:38 • -15.66db
24% Popularity • 57% Danceability • 16% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
24% Popularity • 57% Danceability • 16% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Biosphere
Angel's Flight
142 bpm • C# Maj • 05:52 • -17db
39% Popularity • 52% Danceability • 28% Energy • 11% Liveness
94% Instrumentalness • 31% Positiveness
39% Popularity • 52% Danceability • 28% Energy • 11% Liveness
94% Instrumentalness • 31% Positiveness
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Windy & Carl
Forest Trails
142 bpm • D min • 05:46 • -16db
34% Popularity • 14% Danceability • 21% Energy • 22% Liveness
93% Instrumentalness • 2% Positiveness
34% Popularity • 14% Danceability • 21% Energy • 22% Liveness
93% Instrumentalness • 2% Positiveness
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William Basinski
Selva Oscura 1.1
141 bpm • A# Maj • 06:09 • -28db
25% Popularity • 14% Danceability • 17% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
25% Popularity • 14% Danceability • 17% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
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36
Stasis Sounds for Long-Distance Space Tr...
141 bpm • D min • 06:31 • -21db
31% Popularity • 14% Danceability • 24% Energy • 8% Liveness
68% Instrumentalness • 4% Positiveness
31% Popularity • 14% Danceability • 24% Energy • 8% Liveness
68% Instrumentalness • 4% Positiveness
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Mark Pritchard
Light Bodied
141 bpm • D min • 03:01 • -24.61db
31% Popularity • 19% Danceability • 19% Energy • 9% Liveness
86% Instrumentalness • 7% Positiveness
31% Popularity • 19% Danceability • 19% Energy • 9% Liveness
86% Instrumentalness • 7% Positiveness
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Abul Mogard
Despite Faith
141 bpm • C# Maj • 06:10 • -18.5db
16% Popularity • 15% Danceability • 26% Energy • 11% Liveness
88% Instrumentalness • 11% Positiveness
16% Popularity • 15% Danceability • 26% Energy • 11% Liveness
88% Instrumentalness • 11% Positiveness
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Celer
7° 10° 77° 83°
140 bpm • E min • 09:53 • -38db
28% Popularity • 14% Danceability • 3% Energy • 8% Liveness
91% Instrumentalness • 3% Positiveness
28% Popularity • 14% Danceability • 3% Energy • 8% Liveness
91% Instrumentalness • 3% Positiveness
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Stars Of The Lid
Articulate Silences, Pt. 1
141 bpm • D Maj • 05:24 • -25db
39% Popularity • 15% Danceability • 9% Energy • 8% Liveness
91% Instrumentalness • 3% Positiveness
39% Popularity • 15% Danceability • 9% Energy • 8% Liveness
91% Instrumentalness • 3% Positiveness
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Michel Banabila
Cassina
140 bpm • F Maj • 03:50 • -17.85db
15% Popularity • 24% Danceability • 30% Energy • 7% Liveness
88% Instrumentalness • 3% Positiveness
15% Popularity • 24% Danceability • 30% Energy • 7% Liveness
88% Instrumentalness • 3% Positiveness
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36
Ego Death
140 bpm • F# min • 06:40 • -20db
26% Popularity • 18% Danceability • 13% Energy • 6% Liveness
87% Instrumentalness • 4% Positiveness
26% Popularity • 18% Danceability • 13% Energy • 6% Liveness
87% Instrumentalness • 4% Positiveness
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Jacaszek
To Perenna
140 bpm • A Maj • 04:48 • -19.62db
11% Popularity • 15% Danceability • 53% Energy • 13% Liveness
88% Instrumentalness • 15% Positiveness
11% Popularity • 15% Danceability • 53% Energy • 13% Liveness
88% Instrumentalness • 15% Positiveness
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Brian McBride
Overture (For Other Halfs)
140 bpm • G Maj • 06:38 • -28.01db
36% Popularity • 14% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
36% Popularity • 14% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Deru
The Millers Arrive
140 bpm • D Maj • 01:58 • -26.08db
4% Popularity • 33% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 2% Positiveness
4% Popularity • 33% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 2% Positiveness
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Talbot
The Great Tree of Life, Pt. 2
140 bpm • E Maj • 05:16 • -16.86db
1% Popularity • 28% Danceability • 29% Energy • 35% Liveness
76% Instrumentalness • 6% Positiveness
1% Popularity • 28% Danceability • 29% Energy • 35% Liveness
76% Instrumentalness • 6% Positiveness
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Christina Vantzou
Little Darlin Seize the Sun
140 bpm • A# Maj • 02:02 • -21db
33% Popularity • 26% Danceability • 28% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
33% Popularity • 26% Danceability • 28% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
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Steve Hauschildt
Reverse Culture Music
183 bpm • F min • 06:09 • -19db
30% Popularity • 47% Danceability • 33% Energy • 13% Liveness
92% Instrumentalness • 72% Positiveness
30% Popularity • 47% Danceability • 33% Energy • 13% Liveness
92% Instrumentalness • 72% Positiveness
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William Basinski
Mono No Aware 1.3
140 bpm • F# Maj • 06:48 • -28db
32% Popularity • 15% Danceability • 19% Energy • 11% Liveness
67% Instrumentalness • 7% Positiveness
32% Popularity • 15% Danceability • 19% Energy • 11% Liveness
67% Instrumentalness • 7% Positiveness
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Abul Mogard
The Purpose of Peace
139 bpm • F# min • 07:24 • -17.18db
12% Popularity • 35% Danceability • 37% Energy • 7% Liveness
99% Instrumentalness • 4% Positiveness
12% Popularity • 35% Danceability • 37% Energy • 7% Liveness
99% Instrumentalness • 4% Positiveness
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Deru
She Just Needed to Understand
140 bpm • D Maj • 04:56 • -23db
5% Popularity • 46% Danceability • 13% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
5% Popularity • 46% Danceability • 13% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Susumu Yokota
Tobiume
139 bpm • F# Maj • 04:38 • -17.03db
42% Popularity • 24% Danceability • 25% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
42% Popularity • 24% Danceability • 25% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
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Dictaphone
Sonne Free
184 bpm • E min • 02:24 • -11.07db
21% Popularity • 64% Danceability • 39% Energy • 18% Liveness
87% Instrumentalness • 42% Positiveness
21% Popularity • 64% Danceability • 39% Energy • 18% Liveness
87% Instrumentalness • 42% Positiveness
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Marcus Fischer
Loss
139 bpm • B min • 04:45 • -27.47db
12% Popularity • 19% Danceability • 9% Energy • 18% Liveness
87% Instrumentalness • 4% Positiveness
12% Popularity • 19% Danceability • 9% Energy • 18% Liveness
87% Instrumentalness • 4% Positiveness
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Chihei Hatakeyama
door to the cosmos
139 bpm • F Maj • 06:14 • -28.89db
40% Popularity • 15% Danceability • 1% Energy • 8% Liveness
98% Instrumentalness • 3% Positiveness
40% Popularity • 15% Danceability • 1% Energy • 8% Liveness
98% Instrumentalness • 3% Positiveness
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Nathan Fake
REMAIN - Olga Wojciechowska Rework
139 bpm • C# min • 04:43 • -14.75db
29% Popularity • 15% Danceability • 42% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
29% Popularity • 15% Danceability • 42% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Deru
1979
139 bpm • F Maj • 04:51 • -17db
36% Popularity • 30% Danceability • 13% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
36% Popularity • 30% Danceability • 13% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
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Thomas Köner
Teimo (Schluss)
138 bpm • F# Maj • 04:22 • -42.2db
27% Popularity • 14% Danceability • 1% Energy • 10% Liveness
97% Instrumentalness • 5% Positiveness
27% Popularity • 14% Danceability • 1% Energy • 10% Liveness
97% Instrumentalness • 5% Positiveness
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William Basinski
Disintegration Loops (1.1 Excerpt I)
138 bpm • F Maj • 02:02 • -24.25db
33% Popularity • 16% Danceability • 15% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
33% Popularity • 16% Danceability • 15% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
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Julien Neto
Farewell
138 bpm • A min • 04:37 • -18db
7% Popularity • 22% Danceability • 22% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
7% Popularity • 22% Danceability • 22% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Clark
Open Foe
138 bpm • A# min • 02:08 • -19.41db
25% Popularity • 40% Danceability • 34% Energy • 10% Liveness
91% Instrumentalness • 16% Positiveness
25% Popularity • 40% Danceability • 34% Energy • 10% Liveness
91% Instrumentalness • 16% Positiveness
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Steve Hauschildt
Subtractive Skies
138 bpm • G min • 06:46 • -18.16db
31% Popularity • 26% Danceability • 50% Energy • 10% Liveness
96% Instrumentalness • 40% Positiveness
31% Popularity • 26% Danceability • 50% Energy • 10% Liveness
96% Instrumentalness • 40% Positiveness
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Deru
The Rain
139 bpm • F min • 05:14 • -20.05db
5% Popularity • 47% Danceability • 24% Energy • 11% Liveness
89% Instrumentalness • 73% Positiveness
5% Popularity • 47% Danceability • 24% Energy • 11% Liveness
89% Instrumentalness • 73% Positiveness
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Roly Porter
Kistvaen
138 bpm • D Maj • 06:30 • -18.75db
8% Popularity • 17% Danceability • 22% Energy • 12% Liveness
94% Instrumentalness • 3% Positiveness
8% Popularity • 17% Danceability • 22% Energy • 12% Liveness
94% Instrumentalness • 3% Positiveness
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The Dead Texan
The Struggle
138 bpm • D Maj • 05:28 • -23db
31% Popularity • 35% Danceability • 4% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
31% Popularity • 35% Danceability • 4% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Celer
Elapsed Paradise
137 bpm • A min • 07:59 • -35.74db
28% Popularity • 15% Danceability • 1% Energy • 34% Liveness
97% Instrumentalness • 3% Positiveness
28% Popularity • 15% Danceability • 1% Energy • 34% Liveness
97% Instrumentalness • 3% Positiveness
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Abul Mogard
Where Not Even
137 bpm • D Maj • 06:42 • -23.75db
15% Popularity • 15% Danceability • 12% Energy • 9% Liveness
70% Instrumentalness • 3% Positiveness
15% Popularity • 15% Danceability • 12% Energy • 9% Liveness
70% Instrumentalness • 3% Positiveness
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Ex Confusion
When I Think of You
136 bpm • B Maj • 05:24 • -27.16db
34% Popularity • 15% Danceability • 6% Energy • 8% Liveness
87% Instrumentalness • 3% Positiveness
34% Popularity • 15% Danceability • 6% Energy • 8% Liveness
87% Instrumentalness • 3% Positiveness
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Sarah Davachi
Ghosts and All
137 bpm • A# Maj • 08:32 • -11.38db
25% Popularity • 15% Danceability • 27% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
25% Popularity • 15% Danceability • 27% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
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Pan-American
Het Volk
188 bpm • C min • 04:45 • -14.13db
21% Popularity • 31% Danceability • 24% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
21% Popularity • 31% Danceability • 24% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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The Dead Texan
Taco DE Macque
136 bpm • F# min • 02:37 • -26.75db
27% Popularity • 15% Danceability • 5% Energy • 35% Liveness
81% Instrumentalness • 14% Positiveness
27% Popularity • 15% Danceability • 5% Energy • 35% Liveness
81% Instrumentalness • 14% Positiveness
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Secede
Kingdom of Hearts
136 bpm • A# min • 04:55 • -16.88db
18% Popularity • 19% Danceability • 31% Energy • 38% Liveness
28% Instrumentalness • 11% Positiveness
18% Popularity • 19% Danceability • 31% Energy • 38% Liveness
28% Instrumentalness • 11% Positiveness
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Isan
No. 3. - Lent Et Grave
189 bpm • A min • 02:14 • -15.15db
27% Popularity • 24% Danceability • 51% Energy • 6% Liveness
62% Instrumentalness • 34% Positiveness
27% Popularity • 24% Danceability • 51% Energy • 6% Liveness
62% Instrumentalness • 34% Positiveness
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Tomasz Bednarczyk
Vacation
189 bpm • E Maj • 02:33 • -31.16db
27% Popularity • 18% Danceability • 3% Energy • 10% Liveness
87% Instrumentalness • 5% Positiveness
27% Popularity • 18% Danceability • 3% Energy • 10% Liveness
87% Instrumentalness • 5% Positiveness
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Freescha
Bumble
192 bpm • D min • 01:49 • -27.27db
31% Popularity • 29% Danceability • 12% Energy • 15% Liveness
91% Instrumentalness • 6% Positiveness
31% Popularity • 29% Danceability • 12% Energy • 15% Liveness
91% Instrumentalness • 6% Positiveness
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Kangding Ray
NN/Peaks
200 bpm • A# min • 06:20 • -21.55db
25% Popularity • 60% Danceability • 30% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
25% Popularity • 60% Danceability • 30% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
