Songs like Metamorphosis: Metamorphosis One by Philip Glass
Based on a tempo of (+/- 10%) and a similar genre
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Philip Glass
I'm Going to Make a Cake
127 bpm • F Maj • 04:04 • -28.23db
33% Popularity • 21% Danceability • 3% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
33% Popularity • 21% Danceability • 3% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Erik Satie
Enfantillages pittoresques: II. Berceuse
127 bpm • A min • 01:17 • -45db
57% Popularity • 44% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 47% Positiveness
57% Popularity • 44% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 47% Positiveness
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Joep Beving
Reflection #2
127 bpm • G min • 06:27 • -26db
36% Popularity • 28% Danceability • 2% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
36% Popularity • 28% Danceability • 2% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
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Federico Albanese
Migrants
128 bpm • G# Maj • 03:58 • -21db
45% Popularity • 31% Danceability • 11% Energy • 8% Liveness
95% Instrumentalness • 15% Positiveness
45% Popularity • 31% Danceability • 11% Energy • 8% Liveness
95% Instrumentalness • 15% Positiveness
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Peter Gregson
II. Up
126 bpm • E min • 02:43 • -26.72db
23% Popularity • 64% Danceability • 34% Energy • 11% Liveness
84% Instrumentalness • 83% Positiveness
23% Popularity • 64% Danceability • 34% Energy • 11% Liveness
84% Instrumentalness • 83% Positiveness
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Julia Kent
Gardermoen
128 bpm • G min • 04:10 • -20.67db
46% Popularity • 43% Danceability • 15% Energy • 13% Liveness
87% Instrumentalness • 9% Positiveness
46% Popularity • 43% Danceability • 15% Energy • 13% Liveness
87% Instrumentalness • 9% Positiveness
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Philip Glass
North Star: Étoile polaire (Arranged by...
126 bpm • C min • 02:39 • -16.83db
26% Popularity • 16% Danceability • 0% Energy • 18% Liveness
96% Instrumentalness • 13% Positiveness
26% Popularity • 16% Danceability • 0% Energy • 18% Liveness
96% Instrumentalness • 13% Positiveness
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Camille Saint-Saëns
Le Carnaval des Animaux, R. 125: VII. Aq...
126 bpm • A min • 02:41 • -35db
39% Popularity • 24% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
39% Popularity • 24% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Joep Beving
Etude
126 bpm • A min • 04:35 • -28db
50% Popularity • 41% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 24% Positiveness
50% Popularity • 41% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 24% Positiveness
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Maurice Ravel
Ravel: Pavane pour une infante défunte,...
126 bpm • E min • 05:46 • -27db
60% Popularity • 49% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
60% Popularity • 49% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
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Ignaz Friedman
Orfeo ed Euridice, Act II: Dance of the ...
128 bpm • D min • 04:11 • -34db
53% Popularity • 38% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
53% Popularity • 38% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
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Hilary Hahn
Ashes
128 bpm • C# min • 03:12 • -20db
26% Popularity • 43% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
26% Popularity • 43% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Alfred Schnittke
Die Geschichte Eines Unbekannten Schausp...
129 bpm • A# Maj • 02:15 • -34db
24% Popularity • 17% Danceability • 0% Energy • 6% Liveness
68% Instrumentalness • 15% Positiveness
24% Popularity • 17% Danceability • 0% Energy • 6% Liveness
68% Instrumentalness • 15% Positiveness
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Philip Glass
Orphée Suite: VI. Orphée's Return
125 bpm • F Maj • 07:51 • -23.59db
44% Popularity • 41% Danceability • 10% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
44% Popularity • 41% Danceability • 10% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
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Joep Beving
The Gift
128 bpm • C Maj • 03:45 • -24.33db
53% Popularity • 38% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 8% Positiveness
53% Popularity • 38% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 8% Positiveness
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Max Richter
Recomposed By Max Richter: Vivaldi, The ...
126 bpm • G min • 04:11 • -13db
46% Popularity • 33% Danceability • 52% Energy • 27% Liveness
24% Instrumentalness • 7% Positiveness
46% Popularity • 33% Danceability • 52% Energy • 27% Liveness
24% Instrumentalness • 7% Positiveness
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John Adams
Adams: Nixon in China: Act III - (Beginn...
129 bpm • D min • 01:10 • -31db
29% Popularity • 54% Danceability • 14% Energy • 13% Liveness
85% Instrumentalness • 59% Positiveness
29% Popularity • 54% Danceability • 14% Energy • 13% Liveness
85% Instrumentalness • 59% Positiveness
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Henryk Górecki
Miserere, Op. 44: 11. Miserere nobis - L...
129 bpm • A min • 02:50 • -44db
29% Popularity • 16% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
29% Popularity • 16% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
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Baal HaSulam
Melodies of the Upper Worlds (Arr. M. Ay...
129 bpm • A min • 02:57 • -32db
42% Popularity • 42% Danceability • 1% Energy • 6% Liveness
92% Instrumentalness • 20% Positiveness
42% Popularity • 42% Danceability • 1% Energy • 6% Liveness
92% Instrumentalness • 20% Positiveness
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Ludovico Einaudi
Discovery At Night
125 bpm • D# Maj • 04:25 • -28.96db
48% Popularity • 30% Danceability • 3% Energy • 15% Liveness
93% Instrumentalness • 10% Positiveness
48% Popularity • 30% Danceability • 3% Energy • 15% Liveness
93% Instrumentalness • 10% Positiveness
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Joep Beving
An Amalgamation Waltz 1839
128 bpm • D min • 04:06 • -30.37db
48% Popularity • 36% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 19% Positiveness
48% Popularity • 36% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 19% Positiveness
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Filharmonie Brno
Requiem for my Friend: Lacrimosa Day of ...
124 bpm • D min • 01:36 • -19.04db
35% Popularity • 17% Danceability • 15% Energy • 13% Liveness
97% Instrumentalness • 21% Positiveness
35% Popularity • 17% Danceability • 15% Energy • 13% Liveness
97% Instrumentalness • 21% Positiveness
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Philip Glass
Mishima: Closing (Arr. Michael Riesman)
130 bpm • D# Maj • 03:37 • -22.78db
11% Popularity • 24% Danceability • 13% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
11% Popularity • 24% Danceability • 13% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Redi Hasa
Wave
131 bpm • D min • 05:29 • -17db
10% Popularity • 38% Danceability • 30% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
10% Popularity • 38% Danceability • 30% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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François Couperin
Les Barricades mystérieuses
131 bpm • A# Maj • 02:10 • -37.66db
31% Popularity • 15% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
31% Popularity • 15% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
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Henryk Górecki
3 Utwory w dawnym stylu (3 Pieces in Old...
130 bpm • A min • 04:27 • -22db
23% Popularity • 16% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 5% Positiveness
23% Popularity • 16% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 5% Positiveness
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Steve Reich
Duet for two Solo Violins and String Orc...
124 bpm • F Maj • 05:34 • -16db
29% Popularity • 29% Danceability • 27% Energy • 91% Liveness
0% Instrumentalness • 19% Positiveness
29% Popularity • 29% Danceability • 27% Energy • 91% Liveness
0% Instrumentalness • 19% Positiveness
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Frédéric Chopin
24 Preludes, Op. 28: No. 15 in D Flat Ma...
131 bpm • C# Maj • 06:19 • -23db
26% Popularity • 40% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 7% Positiveness
26% Popularity • 40% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 7% Positiveness
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Philip Glass
Facades
124 bpm • A# Maj • 07:23 • -20.45db
26% Popularity • 24% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
26% Popularity • 24% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
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Federico Albanese
Shadow Land, Pt. 1
123 bpm • F min • 03:54 • -22.17db
42% Popularity • 42% Danceability • 9% Energy • 10% Liveness
89% Instrumentalness • 8% Positiveness
42% Popularity • 42% Danceability • 9% Energy • 10% Liveness
89% Instrumentalness • 8% Positiveness
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Peter Sculthorpe
Requiem for Cello Alone: IV. Lacrimosa
131 bpm • D min • 02:32 • -34db
25% Popularity • 16% Danceability • 0% Energy • 11% Liveness
9% Instrumentalness • 4% Positiveness
25% Popularity • 16% Danceability • 0% Energy • 11% Liveness
9% Instrumentalness • 4% Positiveness
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Rachel Grimes
Halcyon Hill
132 bpm • G min • 07:18 • -14.63db
20% Popularity • 24% Danceability • 20% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
20% Popularity • 24% Danceability • 20% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
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Maurice Ravel
Ravel: Miroirs, M. 43: V. La Vallée des...
132 bpm • C# Maj • 06:06 • -33db
38% Popularity • 44% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
38% Popularity • 44% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Julia Kent
Idlewild
132 bpm • C Maj • 03:15 • -17.04db
32% Popularity • 54% Danceability • 36% Energy • 11% Liveness
79% Instrumentalness • 30% Positiveness
32% Popularity • 54% Danceability • 36% Energy • 11% Liveness
79% Instrumentalness • 30% Positiveness
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Philip Glass
Dance IX
132 bpm • F Maj • 08:08 • -9.7db
27% Popularity • 54% Danceability • 42% Energy • 21% Liveness
98% Instrumentalness • 8% Positiveness
27% Popularity • 54% Danceability • 42% Energy • 21% Liveness
98% Instrumentalness • 8% Positiveness
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Anne Müller
Walzer für Robert
132 bpm • B min • 04:11 • -18.54db
30% Popularity • 39% Danceability • 16% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
30% Popularity • 39% Danceability • 16% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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Peter Gregson
1.2 Allemande
132 bpm • G Maj • 02:01 • -14.58db
31% Popularity • 68% Danceability • 45% Energy • 13% Liveness
84% Instrumentalness • 71% Positiveness
31% Popularity • 68% Danceability • 45% Energy • 13% Liveness
84% Instrumentalness • 71% Positiveness
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Library Tapes
Running By The Roads, Running By The Fie...
122 bpm • D min • 02:02 • -28.82db
46% Popularity • 45% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
46% Popularity • 45% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
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VÃkingur Ólafsson
…And at the Hour of Death
122 bpm • C Maj • 02:32 • -36.33db
49% Popularity • 48% Danceability • 1% Energy • 6% Liveness
88% Instrumentalness • 20% Positiveness
49% Popularity • 48% Danceability • 1% Energy • 6% Liveness
88% Instrumentalness • 20% Positiveness
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Henryk Górecki
Miserere, Op. 44: 8. Domine Deus noster ...
133 bpm • C Maj • 01:20 • -45.99db
33% Popularity • 16% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
33% Popularity • 16% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
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Philip Glass
Etude 5
132 bpm • F min • 09:01 • -36.28db
26% Popularity • 39% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
26% Popularity • 39% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Franz Schubert
Variations on an Original Theme in A-Fla...
133 bpm • D# Maj • 02:03 • -36.8db
45% Popularity • 40% Danceability • 1% Energy • 15% Liveness
96% Instrumentalness • 13% Positiveness
45% Popularity • 40% Danceability • 1% Energy • 15% Liveness
96% Instrumentalness • 13% Positiveness
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William Duckworth
Times Curve Prelude No. 17
121 bpm • C# Maj • 02:29 • -31.96db
27% Popularity • 44% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 17% Positiveness
27% Popularity • 44% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 17% Positiveness
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Erik Satie
3 Gymnopédies: No. 2, Lent et triste
133 bpm • F Maj • 02:32 • -35.85db
39% Popularity • 48% Danceability • 0% Energy • 11% Liveness
96% Instrumentalness • 42% Positiveness
39% Popularity • 48% Danceability • 0% Energy • 11% Liveness
96% Instrumentalness • 42% Positiveness
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Gerard Cousins
Metamorphosis No.1
133 bpm • C Maj • 06:18 • -21.19db
12% Popularity • 36% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
12% Popularity • 36% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Nils Frahm
Because This Must Be
133 bpm • C min • 02:45 • -29.62db
61% Popularity • 19% Danceability • 6% Energy • 12% Liveness
84% Instrumentalness • 9% Positiveness
61% Popularity • 19% Danceability • 6% Energy • 12% Liveness
84% Instrumentalness • 9% Positiveness
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Philip Glass
Études: No. 2
122 bpm • C Maj • 06:00 • -25db
30% Popularity • 36% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
30% Popularity • 36% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Bryce Dessner
Dessner: Song for Octave
133 bpm • D# Maj • 03:17 • -24db
36% Popularity • 41% Danceability • 10% Energy • 13% Liveness
96% Instrumentalness • 16% Positiveness
36% Popularity • 41% Danceability • 10% Energy • 13% Liveness
96% Instrumentalness • 16% Positiveness
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Kate Moore
Zomer
134 bpm • D# min • 04:01 • -37.98db
12% Popularity • 46% Danceability • 0% Energy • 8% Liveness
97% Instrumentalness • 42% Positiveness
12% Popularity • 46% Danceability • 0% Energy • 8% Liveness
97% Instrumentalness • 42% Positiveness
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Luciano Berio
Wasserklavier
134 bpm • C# Maj • 03:03 • -33db
15% Popularity • 53% Danceability • 1% Energy • 8% Liveness
89% Instrumentalness • 19% Positiveness
15% Popularity • 53% Danceability • 1% Energy • 8% Liveness
89% Instrumentalness • 19% Positiveness
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VÃkingur Ólafsson
Bach mit Zumutungen
134 bpm • A Maj • 03:45 • -27.38db
19% Popularity • 21% Danceability • 18% Energy • 11% Liveness
94% Instrumentalness • 15% Positiveness
19% Popularity • 21% Danceability • 18% Energy • 11% Liveness
94% Instrumentalness • 15% Positiveness
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Gerard Cousins
Metamorphosis No.5
134 bpm • C Maj • 05:34 • -23.22db
11% Popularity • 31% Danceability • 2% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
11% Popularity • 31% Danceability • 2% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
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Philip Glass
Etude No. 16
134 bpm • G min • 04:14 • -16db
34% Popularity • 36% Danceability • 18% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
34% Popularity • 36% Danceability • 18% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
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Frédéric Chopin
Nocturne in G Minor
120 bpm • G min • 03:01 • -27.33db
33% Popularity • 37% Danceability • 10% Energy • 16% Liveness
91% Instrumentalness • 30% Positiveness
33% Popularity • 37% Danceability • 10% Energy • 16% Liveness
91% Instrumentalness • 30% Positiveness
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Joep Beving
Zoetrope
134 bpm • D min • 03:53 • -28db
47% Popularity • 44% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 19% Positiveness
47% Popularity • 44% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 19% Positiveness
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Meredith Monk
Ellis Island
134 bpm • A min • 03:02 • -32.62db
45% Popularity • 43% Danceability • 6% Energy • 9% Liveness
91% Instrumentalness • 52% Positiveness
45% Popularity • 43% Danceability • 6% Energy • 9% Liveness
91% Instrumentalness • 52% Positiveness
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Vladimir Martynov
I. Movement
120 bpm • A Maj • 03:19 • -11.9db
21% Popularity • 22% Danceability • 23% Energy • 5% Liveness
72% Instrumentalness • 4% Positiveness
21% Popularity • 22% Danceability • 23% Energy • 5% Liveness
72% Instrumentalness • 4% Positiveness
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Gustav Holst
Japanese Suite, Op. 33: I. Prelude: Song...
134 bpm • A# Maj • 02:30 • -29db
47% Popularity • 16% Danceability • 1% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
47% Popularity • 16% Danceability • 1% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
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Philip Glass
Or a Wolf
120 bpm • F min • 04:40 • -32db
24% Popularity • 41% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 11% Positiveness
24% Popularity • 41% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 11% Positiveness
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Balanescu Quartet
Interlude
135 bpm • B Maj • 01:05 • -20db
38% Popularity • 53% Danceability • 21% Energy • 13% Liveness
89% Instrumentalness • 25% Positiveness
38% Popularity • 53% Danceability • 21% Energy • 13% Liveness
89% Instrumentalness • 25% Positiveness
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Olivier Messiaen
Preludes: La colombe (The Dove)
135 bpm • F# min • 02:04 • -35db
38% Popularity • 42% Danceability • 0% Energy • 16% Liveness
97% Instrumentalness • 18% Positiveness
38% Popularity • 42% Danceability • 0% Energy • 16% Liveness
97% Instrumentalness • 18% Positiveness
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Joep Beving
Midwayer
135 bpm • C Maj • 05:45 • -25db
51% Popularity • 33% Danceability • 7% Energy • 5% Liveness
87% Instrumentalness • 9% Positiveness
51% Popularity • 33% Danceability • 7% Energy • 5% Liveness
87% Instrumentalness • 9% Positiveness
► Preview
Somei Satoh
Birds In Warped Time II
135 bpm • B min • 10:24 • -28db
21% Popularity • 16% Danceability • 3% Energy • 7% Liveness
81% Instrumentalness • 3% Positiveness
21% Popularity • 16% Danceability • 3% Energy • 7% Liveness
81% Instrumentalness • 3% Positiveness
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Jean-Michel Blais
Les feuilles mortes
136 bpm • C min • 01:37 • -23.74db
42% Popularity • 28% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
42% Popularity • 28% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Philip Glass
Echorus
120 bpm • C Maj • 05:51 • -24.31db
24% Popularity • 28% Danceability • 2% Energy • 13% Liveness
47% Instrumentalness • 4% Positiveness
24% Popularity • 28% Danceability • 2% Energy • 13% Liveness
47% Instrumentalness • 4% Positiveness
► Preview
Max Richter
Written on the Sky
136 bpm • A# min • 01:40 • -25.23db
62% Popularity • 35% Danceability • 12% Energy • 10% Liveness
91% Instrumentalness • 18% Positiveness
62% Popularity • 35% Danceability • 12% Energy • 10% Liveness
91% Instrumentalness • 18% Positiveness
► Preview
Jean-Philippe Rameau
The Arts and the Hours
136 bpm • C# Maj • 04:45 • -36.7db
64% Popularity • 42% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 27% Positiveness
64% Popularity • 42% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 27% Positiveness
► Preview
Joep Beving
Ab Ovo
135 bpm • A min • 04:48 • -25.73db
53% Popularity • 39% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
53% Popularity • 39% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Peter Gregson
I. Primary Colours
137 bpm • C min • 06:10 • -22.35db
23% Popularity • 19% Danceability • 16% Energy • 9% Liveness
66% Instrumentalness • 4% Positiveness
23% Popularity • 19% Danceability • 16% Energy • 9% Liveness
66% Instrumentalness • 4% Positiveness
► Preview
Anja Lechner
Flow
118 bpm • C# min • 06:20 • -25.66db
28% Popularity • 25% Danceability • 4% Energy • 7% Liveness
91% Instrumentalness • 5% Positiveness
28% Popularity • 25% Danceability • 4% Energy • 7% Liveness
91% Instrumentalness • 5% Positiveness
► Preview
Philip Glass
String Quartet No. 3, "Mishima": I. 1957...
120 bpm • C min • 04:19 • -23db
28% Popularity • 23% Danceability • 12% Energy • 10% Liveness
96% Instrumentalness • 18% Positiveness
28% Popularity • 23% Danceability • 12% Energy • 10% Liveness
96% Instrumentalness • 18% Positiveness
► Preview
VÃkingur Ólafsson
Above and Below, B Minor
137 bpm • B min • 03:01 • -22db
32% Popularity • 17% Danceability • 22% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
32% Popularity • 17% Danceability • 22% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
► Preview
John Kusiak
Song IV
137 bpm • G min • 03:01 • -22.62db
21% Popularity • 23% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 12% Positiveness
21% Popularity • 23% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 12% Positiveness
► Preview
Matt Haimovitz
Orbit
137 bpm • C min • 07:13 • -21.54db
20% Popularity • 21% Danceability • 10% Energy • 11% Liveness
89% Instrumentalness • 11% Positiveness
20% Popularity • 21% Danceability • 10% Energy • 11% Liveness
89% Instrumentalness • 11% Positiveness
► Preview
Max Richter
On the Nature of Daylight (Entropy)
117 bpm • C# Maj • 06:53 • -14.82db
46% Popularity • 17% Danceability • 24% Energy • 11% Liveness
89% Instrumentalness • 3% Positiveness
46% Popularity • 17% Danceability • 24% Energy • 11% Liveness
89% Instrumentalness • 3% Positiveness
► Preview
Edward Elgar
Sospiri, Op. 70
117 bpm • F Maj • 05:07 • -30db
37% Popularity • 17% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
37% Popularity • 17% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
► Preview
Philip Glass
Akhnaten: Act II, Scene 3: Dance
136 bpm • F Maj • 05:10 • -15.76db
24% Popularity • 40% Danceability • 24% Energy • 7% Liveness
94% Instrumentalness • 7% Positiveness
24% Popularity • 40% Danceability • 24% Energy • 7% Liveness
94% Instrumentalness • 7% Positiveness
► Preview
Signal
Glassworks: I. Opening
138 bpm • D# Maj • 06:30 • -26db
42% Popularity • 24% Danceability • 4% Energy • 10% Liveness
86% Instrumentalness • 16% Positiveness
42% Popularity • 24% Danceability • 4% Energy • 10% Liveness
86% Instrumentalness • 16% Positiveness
► Preview
Caroline Shaw
Plan & Elevation: IV. The Orangery
117 bpm • A Maj • 01:57 • -23.16db
36% Popularity • 44% Danceability • 14% Energy • 22% Liveness
26% Instrumentalness • 18% Positiveness
36% Popularity • 44% Danceability • 14% Energy • 22% Liveness
26% Instrumentalness • 18% Positiveness
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Peter Gregson
6.5 Gavottes
139 bpm • A Maj • 02:09 • -16db
29% Popularity • 46% Danceability • 22% Energy • 19% Liveness
96% Instrumentalness • 11% Positiveness
29% Popularity • 46% Danceability • 22% Energy • 19% Liveness
96% Instrumentalness • 11% Positiveness
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Maurice Ravel
Ma mère l'Oye, M. 60: I. Pavane de la b...
116 bpm • C Maj • 01:33 • -47.07db
47% Popularity • 43% Danceability • 0% Energy • 4% Liveness
80% Instrumentalness • 29% Positiveness
47% Popularity • 43% Danceability • 0% Energy • 4% Liveness
80% Instrumentalness • 29% Positiveness
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Alexandre Desplat
River Waltz
116 bpm • A# min • 02:22 • -24db
44% Popularity • 51% Danceability • 6% Energy • 6% Liveness
97% Instrumentalness • 9% Positiveness
44% Popularity • 51% Danceability • 6% Energy • 6% Liveness
97% Instrumentalness • 9% Positiveness
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Philip Glass
String Quartet No. 3, "Mishima": VI. Mis...
136 bpm • C min • 03:14 • -29.89db
54% Popularity • 20% Danceability • 4% Energy • 17% Liveness
97% Instrumentalness • 13% Positiveness
54% Popularity • 20% Danceability • 4% Energy • 17% Liveness
97% Instrumentalness • 13% Positiveness
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Aleksandra Vrebalov
The Sea Ranch Songs: Elements I
116 bpm • G min • 04:07 • -15db
13% Popularity • 27% Danceability • 27% Energy • 13% Liveness
86% Instrumentalness • 57% Positiveness
13% Popularity • 27% Danceability • 27% Energy • 13% Liveness
86% Instrumentalness • 57% Positiveness
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Max Richter
Infra 4
116 bpm • D min • 02:45 • -14db
31% Popularity • 22% Danceability • 19% Energy • 11% Liveness
69% Instrumentalness • 4% Positiveness
31% Popularity • 22% Danceability • 19% Energy • 11% Liveness
69% Instrumentalness • 4% Positiveness
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Steve Reich
Duet
140 bpm • F Maj • 04:56 • -20db
31% Popularity • 50% Danceability • 16% Energy • 25% Liveness
7% Instrumentalness • 35% Positiveness
31% Popularity • 50% Danceability • 16% Energy • 25% Liveness
7% Instrumentalness • 35% Positiveness
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Kate Moore
Spin Bird - 1
140 bpm • G Maj • 03:24 • -37.4db
11% Popularity • 11% Danceability • 3% Energy • 7% Liveness
92% Instrumentalness • 3% Positiveness
11% Popularity • 11% Danceability • 3% Energy • 7% Liveness
92% Instrumentalness • 3% Positiveness
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Maurice Ravel
Ravel / Arr. Grainger: Miroirs, M. 43: V...
140 bpm • C# Maj • 05:27 • -28.18db
21% Popularity • 16% Danceability • 1% Energy • 6% Liveness
89% Instrumentalness • 3% Positiveness
21% Popularity • 16% Danceability • 1% Energy • 6% Liveness
89% Instrumentalness • 3% Positiveness
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Philip Glass
Medeira River
118 bpm • C Maj • 02:58 • -12db
27% Popularity • 47% Danceability • 49% Energy • 55% Liveness
92% Instrumentalness • 32% Positiveness
27% Popularity • 47% Danceability • 49% Energy • 55% Liveness
92% Instrumentalness • 32% Positiveness
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Astor Piazzolla
Oblivion (Arr. String Quartet)
115 bpm • C min • 03:32 • -16.62db
27% Popularity • 19% Danceability • 19% Energy • 11% Liveness
89% Instrumentalness • 15% Positiveness
27% Popularity • 19% Danceability • 19% Energy • 11% Liveness
89% Instrumentalness • 15% Positiveness
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Peter Gregson
1.1 Prelude
140 bpm • G Maj • 02:01 • -15db
48% Popularity • 24% Danceability • 27% Energy • 15% Liveness
71% Instrumentalness • 43% Positiveness
48% Popularity • 24% Danceability • 27% Energy • 15% Liveness
71% Instrumentalness • 43% Positiveness
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Max Richter
Recomposed By Max Richter: Vivaldi, The ...
141 bpm • G# Maj • 02:51 • -27.78db
41% Popularity • 17% Danceability • 6% Energy • 39% Liveness
45% Instrumentalness • 8% Positiveness
41% Popularity • 17% Danceability • 6% Energy • 39% Liveness
45% Instrumentalness • 8% Positiveness
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Frédéric Chopin
Preludes, Op. 28: No. 4 in E Minor, Larg...
115 bpm • C Maj • 02:20 • -31db
46% Popularity • 44% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
46% Popularity • 44% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
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Morton Feldman
Rothko Chapel 2
141 bpm • B min • 04:35 • -39db
22% Popularity • 14% Danceability • 0% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
22% Popularity • 14% Danceability • 0% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
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Philip Glass
Scene 6: The Somnambulist
116 bpm • A min • 04:12 • -36.58db
22% Popularity • 49% Danceability • 2% Energy • 11% Liveness
86% Instrumentalness • 8% Positiveness
22% Popularity • 49% Danceability • 2% Energy • 11% Liveness
86% Instrumentalness • 8% Positiveness
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Johann Sebastian Bach/Alexander Siloti
Prelude in B minor
114 bpm • B min • 03:19 • -31db
28% Popularity • 28% Danceability • 7% Energy • 7% Liveness
96% Instrumentalness • 14% Positiveness
28% Popularity • 28% Danceability • 7% Energy • 7% Liveness
96% Instrumentalness • 14% Positiveness
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Peter Gregson
V. Duplicity
141 bpm • E Maj • 06:00 • -19.15db
23% Popularity • 16% Danceability • 13% Energy • 82% Liveness
39% Instrumentalness • 4% Positiveness
23% Popularity • 16% Danceability • 13% Energy • 82% Liveness
39% Instrumentalness • 4% Positiveness
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Max Richter
Recomposed By Max Richter: Vivaldi, The ...
114 bpm • F Maj • 05:41 • -16.4db
42% Popularity • 39% Danceability • 15% Energy • 14% Liveness
46% Instrumentalness • 13% Positiveness
42% Popularity • 39% Danceability • 15% Energy • 14% Liveness
46% Instrumentalness • 13% Positiveness
