Songs like Metro - Mixed by Patrick Topping
Based on a tempo of (+/- 10%) and a similar genre
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Patrick Topping
Be Sharp Say Nowt
126 bpm • C# Maj • 07:24 • -6.2db
38% Popularity • 81% Danceability • 99% Energy • 10% Liveness
87% Instrumentalness • 96% Positiveness
38% Popularity • 81% Danceability • 99% Energy • 10% Liveness
87% Instrumentalness • 96% Positiveness
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Alan Fitzpatrick
Brian's Proper Dun One
126 bpm • C# Maj • 07:09 • -7.99db
31% Popularity • 76% Danceability • 96% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
31% Popularity • 76% Danceability • 96% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Sosa UK
Isolator
126 bpm • E min • 04:03 • -8.96db
28% Popularity • 80% Danceability • 71% Energy • 10% Liveness
60% Instrumentalness • 20% Positiveness
28% Popularity • 80% Danceability • 71% Energy • 10% Liveness
60% Instrumentalness • 20% Positiveness
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X-COAST
The Realest Oh La La La
126 bpm • G Maj • 05:22 • -8db
36% Popularity • 72% Danceability • 79% Energy • 22% Liveness
81% Instrumentalness • 40% Positiveness
36% Popularity • 72% Danceability • 79% Energy • 22% Liveness
81% Instrumentalness • 40% Positiveness
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BURNS
Can’t Let Go - Obskür Remix
126 bpm • A# min • 03:35 • -7.6db
46% Popularity • 67% Danceability • 82% Energy • 10% Liveness
82% Instrumentalness • 35% Positiveness
46% Popularity • 67% Danceability • 82% Energy • 10% Liveness
82% Instrumentalness • 35% Positiveness
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Coyu
El Baile Aleman - Patrick Topping Remix
126 bpm • E min • 06:07 • -5.34db
16% Popularity • 81% Danceability • 92% Energy • 8% Liveness
83% Instrumentalness • 38% Positiveness
16% Popularity • 81% Danceability • 92% Energy • 8% Liveness
83% Instrumentalness • 38% Positiveness
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Patrick Topping
Baddie
126 bpm • C Maj • 06:40 • -8.1db
6% Popularity • 94% Danceability • 86% Energy • 10% Liveness
59% Instrumentalness • 38% Positiveness
6% Popularity • 94% Danceability • 86% Energy • 10% Liveness
59% Instrumentalness • 38% Positiveness
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Alan Fitzpatrick
We Do What We Want
126 bpm • F# Maj • 08:25 • -6.7db
46% Popularity • 77% Danceability • 96% Energy • 9% Liveness
93% Instrumentalness • 36% Positiveness
46% Popularity • 77% Danceability • 96% Energy • 9% Liveness
93% Instrumentalness • 36% Positiveness
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Mall Grab
Pool Party Music
126 bpm • B min • 06:07 • -8db
42% Popularity • 84% Danceability • 65% Energy • 13% Liveness
92% Instrumentalness • 41% Positiveness
42% Popularity • 84% Danceability • 65% Energy • 13% Liveness
92% Instrumentalness • 41% Positiveness
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ANOTR
Summer In The Studio
126 bpm • F min • 03:26 • -6.19db
47% Popularity • 72% Danceability • 93% Energy • 26% Liveness
89% Instrumentalness • 61% Positiveness
47% Popularity • 72% Danceability • 93% Energy • 26% Liveness
89% Instrumentalness • 61% Positiveness
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James Hype
Say Yeah
126 bpm • C# Maj • 03:45 • -5.17db
49% Popularity • 73% Danceability • 99% Energy • 9% Liveness
80% Instrumentalness • 16% Positiveness
49% Popularity • 73% Danceability • 99% Energy • 9% Liveness
80% Instrumentalness • 16% Positiveness
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Cloonee
Lose Control
126 bpm • G# Maj • 06:05 • -8.72db
42% Popularity • 88% Danceability • 88% Energy • 8% Liveness
49% Instrumentalness • 97% Positiveness
42% Popularity • 88% Danceability • 88% Energy • 8% Liveness
49% Instrumentalness • 97% Positiveness
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Patrick Topping
Brayed
126 bpm • C# Maj • 06:28 • -5.74db
11% Popularity • 84% Danceability • 74% Energy • 5% Liveness
90% Instrumentalness • 42% Positiveness
11% Popularity • 84% Danceability • 74% Energy • 5% Liveness
90% Instrumentalness • 42% Positiveness
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Rebūke
The Pipe
126 bpm • G Maj • 05:39 • -7.81db
19% Popularity • 85% Danceability • 75% Energy • 9% Liveness
92% Instrumentalness • 37% Positiveness
19% Popularity • 85% Danceability • 75% Energy • 9% Liveness
92% Instrumentalness • 37% Positiveness
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Matador
Inceptions - Patrick Topping Remix
126 bpm • F# Maj • 07:08 • -5.97db
0% Popularity • 81% Danceability • 94% Energy • 8% Liveness
81% Instrumentalness • 67% Positiveness
0% Popularity • 81% Danceability • 94% Energy • 8% Liveness
81% Instrumentalness • 67% Positiveness
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Secondcity
Let the Music
126 bpm • G# Maj • 03:04 • -12.41db
34% Popularity • 82% Danceability • 63% Energy • 3% Liveness
0% Instrumentalness • 61% Positiveness
34% Popularity • 82% Danceability • 63% Energy • 3% Liveness
0% Instrumentalness • 61% Positiveness
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PAX
Touch Me - PAX & Rui Da Silva Version
126 bpm • C# Maj • 03:25 • -9db
62% Popularity • 73% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
62% Popularity • 73% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Shannon
Let the Music Play - Alan Fitzpatrick Re...
126 bpm • A# min • 02:21 • -7.75db
30% Popularity • 66% Danceability • 71% Energy • 14% Liveness
7% Instrumentalness • 45% Positiveness
30% Popularity • 66% Danceability • 71% Energy • 14% Liveness
7% Instrumentalness • 45% Positiveness
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Patrick Topping
Planet Session
126 bpm • A# min • 05:50 • -6.81db
11% Popularity • 80% Danceability • 72% Energy • 14% Liveness
91% Instrumentalness • 33% Positiveness
11% Popularity • 80% Danceability • 72% Energy • 14% Liveness
91% Instrumentalness • 33% Positiveness
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Hannah Wants
Rhymes
126 bpm • F Maj • 03:20 • -7.81db
54% Popularity • 90% Danceability • 56% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
54% Popularity • 90% Danceability • 56% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
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Jansons
Medicine
126 bpm • F# min • 03:44 • -6.06db
40% Popularity • 80% Danceability • 96% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
40% Popularity • 80% Danceability • 96% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Marco Strous
Tip Toe
126 bpm • C# min • 07:07 • -9db
34% Popularity • 81% Danceability • 58% Energy • 6% Liveness
71% Instrumentalness • 30% Positiveness
34% Popularity • 81% Danceability • 58% Energy • 6% Liveness
71% Instrumentalness • 30% Positiveness
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ATFC
Spirit of House
126 bpm • B Maj • 03:11 • -6.37db
39% Popularity • 74% Danceability • 81% Energy • 11% Liveness
20% Instrumentalness • 35% Positiveness
39% Popularity • 74% Danceability • 81% Energy • 11% Liveness
20% Instrumentalness • 35% Positiveness
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Carl Cox
I Want You (Forever) - Josh Butler Remix...
126 bpm • A Maj • 04:05 • -8.83db
59% Popularity • 87% Danceability • 66% Energy • 83% Liveness
7% Instrumentalness • 30% Positiveness
59% Popularity • 87% Danceability • 66% Energy • 83% Liveness
7% Instrumentalness • 30% Positiveness
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Patrick Topping
Track Change - Edit
126 bpm • E min • 03:54 • -7.95db
17% Popularity • 80% Danceability • 85% Energy • 10% Liveness
86% Instrumentalness • 35% Positiveness
17% Popularity • 80% Danceability • 85% Energy • 10% Liveness
86% Instrumentalness • 35% Positiveness
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Route 94
House & Pressure
126 bpm • A# min • 02:28 • -6.08db
49% Popularity • 87% Danceability • 66% Energy • 8% Liveness
20% Instrumentalness • 39% Positiveness
49% Popularity • 87% Danceability • 66% Energy • 8% Liveness
20% Instrumentalness • 39% Positiveness
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Biscits
Wait A Minute
126 bpm • A# min • 03:35 • -6.26db
50% Popularity • 86% Danceability • 100% Energy • 3% Liveness
6% Instrumentalness • 6% Positiveness
50% Popularity • 86% Danceability • 100% Energy • 3% Liveness
6% Instrumentalness • 6% Positiveness
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Tiga
Woke - Patrick Topping Remix
126 bpm • E min • 07:09 • -8.27db
4% Popularity • 80% Danceability • 91% Energy • 10% Liveness
85% Instrumentalness • 76% Positiveness
4% Popularity • 80% Danceability • 91% Energy • 10% Liveness
85% Instrumentalness • 76% Positiveness
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CID
Let Me Take You
126 bpm • F# min • 02:34 • -3.57db
57% Popularity • 87% Danceability • 91% Energy • 34% Liveness
9% Instrumentalness • 90% Positiveness
57% Popularity • 87% Danceability • 91% Energy • 34% Liveness
9% Instrumentalness • 90% Positiveness
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Denis Sulta
A.A.S - Nite & Day Mix
126 bpm • G Maj • 06:11 • -9.19db
33% Popularity • 80% Danceability • 40% Energy • 6% Liveness
2% Instrumentalness • 29% Positiveness
33% Popularity • 80% Danceability • 40% Energy • 6% Liveness
2% Instrumentalness • 29% Positiveness
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Patrick Topping
Be Sharp Say Nowt - Edit
126 bpm • C# Maj • 03:48 • -5.73db
53% Popularity • 76% Danceability • 98% Energy • 66% Liveness
87% Instrumentalness • 96% Positiveness
53% Popularity • 76% Danceability • 98% Energy • 66% Liveness
87% Instrumentalness • 96% Positiveness
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Julie McDermott
Don't Go - Gerd Janson Re-Work - Shorter...
126 bpm • A# min • 02:26 • -14.34db
54% Popularity • 61% Danceability • 67% Energy • 7% Liveness
73% Instrumentalness • 63% Positiveness
54% Popularity • 61% Danceability • 67% Energy • 7% Liveness
73% Instrumentalness • 63% Positiveness
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Ewan McVicar
Tell Me Something Good
126 bpm • G# Maj • 04:09 • -10.55db
61% Popularity • 81% Danceability • 80% Energy • 36% Liveness
92% Instrumentalness • 96% Positiveness
61% Popularity • 81% Danceability • 80% Energy • 36% Liveness
92% Instrumentalness • 96% Positiveness
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Jansons
Switch (Follow The Drum)
126 bpm • A# min • 02:22 • -7.4db
44% Popularity • 82% Danceability • 90% Energy • 30% Liveness
21% Instrumentalness • 88% Positiveness
44% Popularity • 82% Danceability • 90% Energy • 30% Liveness
21% Instrumentalness • 88% Positiveness
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LF SYSTEM
Afraid To Feel - CID Remix
126 bpm • G# min • 03:25 • -4.21db
35% Popularity • 69% Danceability • 98% Energy • 33% Liveness
50% Instrumentalness • 55% Positiveness
35% Popularity • 69% Danceability • 98% Energy • 33% Liveness
50% Instrumentalness • 55% Positiveness
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Maur
Deep Inside
126 bpm • B min • 03:22 • -5.27db
59% Popularity • 64% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
59% Popularity • 64% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Patrick Topping
Dr. Vibes
126 bpm • E min • 07:08 • -6.63db
25% Popularity • 92% Danceability • 54% Energy • 7% Liveness
94% Instrumentalness • 32% Positiveness
25% Popularity • 92% Danceability • 54% Energy • 7% Liveness
94% Instrumentalness • 32% Positiveness
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Carl Cox
I Want You (Forever) - Josh Butler Remix
126 bpm • A Maj • 07:03 • -9.23db
32% Popularity • 80% Danceability • 82% Energy • 24% Liveness
57% Instrumentalness • 20% Positiveness
32% Popularity • 80% Danceability • 82% Energy • 24% Liveness
57% Instrumentalness • 20% Positiveness
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Secondcity
Tomorrow's World - Edit
126 bpm • F Maj • 03:41 • -7.01db
26% Popularity • 56% Danceability • 92% Energy • 5% Liveness
16% Instrumentalness • 27% Positiveness
26% Popularity • 56% Danceability • 92% Energy • 5% Liveness
16% Instrumentalness • 27% Positiveness
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Leftwing : Kody
I Feel It
126 bpm • F# Maj • 02:35 • -4.68db
54% Popularity • 57% Danceability • 95% Energy • 9% Liveness
3% Instrumentalness • 89% Positiveness
54% Popularity • 57% Danceability • 95% Energy • 9% Liveness
3% Instrumentalness • 89% Positiveness
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Hannah Wants
Call Me
126 bpm • C# Maj • 03:34 • -6.11db
33% Popularity • 77% Danceability • 96% Energy • 6% Liveness
42% Instrumentalness • 85% Positiveness
33% Popularity • 77% Danceability • 96% Energy • 6% Liveness
42% Instrumentalness • 85% Positiveness
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Cloonee
Sun Goes Down
126 bpm • G Maj • 02:34 • -5.15db
57% Popularity • 77% Danceability • 94% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
57% Popularity • 77% Danceability • 94% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
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Patrick Topping
Taking Libz
126 bpm • G# Maj • 06:17 • -7.79db
22% Popularity • 81% Danceability • 80% Energy • 8% Liveness
90% Instrumentalness • 23% Positiveness
22% Popularity • 81% Danceability • 80% Energy • 8% Liveness
90% Instrumentalness • 23% Positiveness
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Spencer Ramsay
Take It Easy
126 bpm • F min • 02:51 • -4.91db
39% Popularity • 65% Danceability • 98% Energy • 33% Liveness
25% Instrumentalness • 70% Positiveness
39% Popularity • 65% Danceability • 98% Energy • 33% Liveness
25% Instrumentalness • 70% Positiveness
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Ewan McVicar
The Rhythm
126 bpm • G Maj • 04:30 • -6.65db
35% Popularity • 73% Danceability • 82% Energy • 18% Liveness
14% Instrumentalness • 30% Positiveness
35% Popularity • 73% Danceability • 82% Energy • 18% Liveness
14% Instrumentalness • 30% Positiveness
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Josh Butler
Call You Back
126 bpm • B min • 07:09 • -8.01db
37% Popularity • 79% Danceability • 87% Energy • 9% Liveness
85% Instrumentalness • 19% Positiveness
37% Popularity • 79% Danceability • 87% Energy • 9% Liveness
85% Instrumentalness • 19% Positiveness
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Maur
Set You Free
126 bpm • A# min • 02:36 • -5db
55% Popularity • 60% Danceability • 93% Energy • 28% Liveness
18% Instrumentalness • 52% Positiveness
55% Popularity • 60% Danceability • 93% Energy • 28% Liveness
18% Instrumentalness • 52% Positiveness
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Dominica
Gotta Let You Go - Original '95 Club Mix
126 bpm • D# min • 06:22 • -7.54db
41% Popularity • 77% Danceability • 98% Energy • 9% Liveness
70% Instrumentalness • 78% Positiveness
41% Popularity • 77% Danceability • 98% Energy • 9% Liveness
70% Instrumentalness • 78% Positiveness
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Patrick Topping
Track Change
126 bpm • E min • 05:57 • -8.75db
14% Popularity • 81% Danceability • 85% Energy • 10% Liveness
89% Instrumentalness • 15% Positiveness
14% Popularity • 81% Danceability • 85% Energy • 10% Liveness
89% Instrumentalness • 15% Positiveness
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Biscits
Me & U
126 bpm • A# Maj • 03:33 • -8.45db
45% Popularity • 72% Danceability • 78% Energy • 3% Liveness
24% Instrumentalness • 8% Positiveness
45% Popularity • 72% Danceability • 78% Energy • 3% Liveness
24% Instrumentalness • 8% Positiveness
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TREASURE SERIES
THE JUNGLE VIP
126 bpm • C min • 04:43 • -12.56db
45% Popularity • 90% Danceability • 53% Energy • 10% Liveness
29% Instrumentalness • 76% Positiveness
45% Popularity • 90% Danceability • 53% Energy • 10% Liveness
29% Instrumentalness • 76% Positiveness
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George Morel
Let's Groove
125 bpm • G Maj • 06:57 • -6.54db
42% Popularity • 73% Danceability • 84% Energy • 9% Liveness
89% Instrumentalness • 56% Positiveness
42% Popularity • 73% Danceability • 84% Energy • 9% Liveness
89% Instrumentalness • 56% Positiveness
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Sam Green
Jam Inside Your Love
127 bpm • F min • 02:27 • -6.77db
63% Popularity • 81% Danceability • 66% Energy • 10% Liveness
44% Instrumentalness • 67% Positiveness
63% Popularity • 81% Danceability • 66% Energy • 10% Liveness
44% Instrumentalness • 67% Positiveness
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Dominica
Gotta Let You Go - Club Mix
126 bpm • D# min • 06:50 • -5.43db
60% Popularity • 77% Danceability • 98% Energy • 9% Liveness
86% Instrumentalness • 50% Positiveness
60% Popularity • 77% Danceability • 98% Energy • 9% Liveness
86% Instrumentalness • 50% Positiveness
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Paul Johnson
Get Get Down
127 bpm • F min • 06:07 • -6.38db
59% Popularity • 88% Danceability • 95% Energy • 7% Liveness
81% Instrumentalness • 62% Positiveness
59% Popularity • 88% Danceability • 95% Energy • 7% Liveness
81% Instrumentalness • 62% Positiveness
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Patrick Topping
Free Admission - Mixed
126 bpm • D# min • 04:22 • -5.68db
16% Popularity • 81% Danceability • 95% Energy • 7% Liveness
95% Instrumentalness • 92% Positiveness
16% Popularity • 81% Danceability • 95% Energy • 7% Liveness
95% Instrumentalness • 92% Positiveness
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Solardo
Be Somebody
125 bpm • E min • 03:22 • -10.67db
40% Popularity • 72% Danceability • 69% Energy • 9% Liveness
62% Instrumentalness • 28% Positiveness
40% Popularity • 72% Danceability • 69% Energy • 9% Liveness
62% Instrumentalness • 28% Positiveness
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Ewan McVicar
Been a Long Time
127 bpm • C# Maj • 04:22 • -7.68db
21% Popularity • 80% Danceability • 66% Energy • 10% Liveness
16% Instrumentalness • 43% Positiveness
21% Popularity • 80% Danceability • 66% Energy • 10% Liveness
16% Instrumentalness • 43% Positiveness
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Raumakustik
Dem A Pree - Patrick Topping Remix
127 bpm • C Maj • 07:33 • -6.25db
28% Popularity • 92% Danceability • 89% Energy • 5% Liveness
80% Instrumentalness • 34% Positiveness
28% Popularity • 92% Danceability • 89% Energy • 5% Liveness
80% Instrumentalness • 34% Positiveness
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PAX
Is It You
127 bpm • C# Maj • 02:39 • -12db
47% Popularity • 69% Danceability • 67% Energy • 32% Liveness
55% Instrumentalness • 16% Positiveness
47% Popularity • 69% Danceability • 67% Energy • 32% Liveness
55% Instrumentalness • 16% Positiveness
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FISHER
Crowd Control
125 bpm • A Maj • 03:51 • -7.88db
53% Popularity • 87% Danceability • 66% Energy • 5% Liveness
35% Instrumentalness • 86% Positiveness
53% Popularity • 87% Danceability • 66% Energy • 5% Liveness
35% Instrumentalness • 86% Positiveness
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Patrick Topping
Shake My Booty
127 bpm • G# Maj • 03:22 • -4.99db
44% Popularity • 71% Danceability • 98% Energy • 22% Liveness
73% Instrumentalness • 68% Positiveness
44% Popularity • 71% Danceability • 98% Energy • 22% Liveness
73% Instrumentalness • 68% Positiveness
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Redlight
Fried Eggs
125 bpm • G Maj • 02:37 • -2.95db
25% Popularity • 51% Danceability • 99% Energy • 32% Liveness
14% Instrumentalness • 45% Positiveness
25% Popularity • 51% Danceability • 99% Energy • 32% Liveness
14% Instrumentalness • 45% Positiveness
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Sneaky Sound System
We Belong
125 bpm • G min • 02:19 • -4.41db
52% Popularity • 59% Danceability • 100% Energy • 29% Liveness
86% Instrumentalness • 68% Positiveness
52% Popularity • 59% Danceability • 100% Energy • 29% Liveness
86% Instrumentalness • 68% Positiveness
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Jess Bays
Temptation
125 bpm • D# min • 02:52 • -8.11db
68% Popularity • 74% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
68% Popularity • 74% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
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Armand Van Helden
I Need A Painkiller
125 bpm • A min • 03:15 • -4.63db
48% Popularity • 74% Danceability • 95% Energy • 36% Liveness
13% Instrumentalness • 59% Positiveness
48% Popularity • 74% Danceability • 95% Energy • 36% Liveness
13% Instrumentalness • 59% Positiveness
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Dale Howard
Gunny
125 bpm • A# min • 03:20 • -7.72db
49% Popularity • 74% Danceability • 92% Energy • 15% Liveness
69% Instrumentalness • 54% Positiveness
49% Popularity • 74% Danceability • 92% Energy • 15% Liveness
69% Instrumentalness • 54% Positiveness
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Biscits
Your Body
127 bpm • E min • 03:27 • -6.74db
52% Popularity • 83% Danceability • 74% Energy • 62% Liveness
46% Instrumentalness • 92% Positiveness
52% Popularity • 83% Danceability • 74% Energy • 62% Liveness
46% Instrumentalness • 92% Positiveness
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Cloonee
Sippin' Yak
127 bpm • A Maj • 02:26 • -4.76db
70% Popularity • 92% Danceability • 76% Energy • 30% Liveness
0% Instrumentalness • 82% Positiveness
70% Popularity • 92% Danceability • 76% Energy • 30% Liveness
0% Instrumentalness • 82% Positiveness
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Robbie Doherty
Pour the Milk
127 bpm • A Maj • 02:52 • -9db
54% Popularity • 93% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
54% Popularity • 93% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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GotSome
Caught In Your Rhythm
127 bpm • B Maj • 03:11 • -7db
39% Popularity • 81% Danceability • 52% Energy • 15% Liveness
1% Instrumentalness • 69% Positiveness
39% Popularity • 81% Danceability • 52% Energy • 15% Liveness
1% Instrumentalness • 69% Positiveness
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PAX
Snake
127 bpm • G Maj • 03:01 • -8db
49% Popularity • 78% Danceability • 88% Energy • 13% Liveness
59% Instrumentalness • 27% Positiveness
49% Popularity • 78% Danceability • 88% Energy • 13% Liveness
59% Instrumentalness • 27% Positiveness
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Ewan McVicar
Street Rave - Edit
127 bpm • A# Maj • 04:01 • -5.63db
22% Popularity • 76% Danceability • 93% Energy • 6% Liveness
90% Instrumentalness • 77% Positiveness
22% Popularity • 76% Danceability • 93% Energy • 6% Liveness
90% Instrumentalness • 77% Positiveness
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PAWSA
Party
127 bpm • G# Maj • 03:57 • -7.59db
53% Popularity • 86% Danceability • 83% Energy • 7% Liveness
48% Instrumentalness • 52% Positiveness
53% Popularity • 86% Danceability • 83% Energy • 7% Liveness
48% Instrumentalness • 52% Positiveness
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Green Velvet
BARBEE
125 bpm • A Maj • 03:29 • -6.66db
37% Popularity • 78% Danceability • 92% Energy • 1% Liveness
1% Instrumentalness • 79% Positiveness
37% Popularity • 78% Danceability • 92% Energy • 1% Liveness
1% Instrumentalness • 79% Positiveness
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Beltran
Smack Yo'
127 bpm • G Maj • 04:05 • -7.89db
62% Popularity • 88% Danceability • 74% Energy • 9% Liveness
36% Instrumentalness • 74% Positiveness
62% Popularity • 88% Danceability • 74% Energy • 9% Liveness
36% Instrumentalness • 74% Positiveness
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Ferreck Dawn
You Are The One
125 bpm • C min • 02:35 • -7.7db
49% Popularity • 84% Danceability • 71% Energy • 11% Liveness
2% Instrumentalness • 64% Positiveness
49% Popularity • 84% Danceability • 71% Energy • 11% Liveness
2% Instrumentalness • 64% Positiveness
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WEISS
I Need Some
125 bpm • A Maj • 02:22 • -4.42db
43% Popularity • 72% Danceability • 97% Energy • 24% Liveness
59% Instrumentalness • 19% Positiveness
43% Popularity • 72% Danceability • 97% Energy • 24% Liveness
59% Instrumentalness • 19% Positiveness
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Ewan McVicar
Street Rave
127 bpm • A# Maj • 05:53 • -5.74db
36% Popularity • 79% Danceability • 90% Energy • 3% Liveness
91% Instrumentalness • 60% Positiveness
36% Popularity • 79% Danceability • 90% Energy • 3% Liveness
91% Instrumentalness • 60% Positiveness
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Patrick Topping
Galaxy
127 bpm • B min • 07:58 • -7db
17% Popularity • 81% Danceability • 95% Energy • 72% Liveness
91% Instrumentalness • 93% Positiveness
17% Popularity • 81% Danceability • 95% Energy • 72% Liveness
91% Instrumentalness • 93% Positiveness
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Booka Shade
Night Falls - Patrick Topping Remix
125 bpm • A# Maj • 06:49 • -7.63db
4% Popularity • 81% Danceability • 92% Energy • 10% Liveness
88% Instrumentalness • 40% Positiveness
4% Popularity • 81% Danceability • 92% Energy • 10% Liveness
88% Instrumentalness • 40% Positiveness
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Deeper Purpose
Elevate
127 bpm • A min • 03:31 • -9db
45% Popularity • 74% Danceability • 87% Energy • 16% Liveness
86% Instrumentalness • 12% Positiveness
45% Popularity • 74% Danceability • 87% Energy • 16% Liveness
86% Instrumentalness • 12% Positiveness
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Fish Go Deep
The Cure & The Cause - Radio Edit
127 bpm • B min • 02:37 • -8.07db
61% Popularity • 73% Danceability • 80% Energy • 12% Liveness
63% Instrumentalness • 92% Positiveness
61% Popularity • 73% Danceability • 80% Energy • 12% Liveness
63% Instrumentalness • 92% Positiveness
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Chris Stussy
Whatudo
127 bpm • A# min • 07:07 • -11.71db
36% Popularity • 80% Danceability • 81% Energy • 9% Liveness
85% Instrumentalness • 46% Positiveness
36% Popularity • 80% Danceability • 81% Energy • 9% Liveness
85% Instrumentalness • 46% Positiveness
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Ewan McVicar
Hammertime
127 bpm • F Maj • 03:42 • -5.52db
21% Popularity • 77% Danceability • 87% Energy • 5% Liveness
90% Instrumentalness • 81% Positiveness
21% Popularity • 77% Danceability • 87% Energy • 5% Liveness
90% Instrumentalness • 81% Positiveness
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Mason Maynard
Puffy
125 bpm • A Maj • 03:50 • -7.08db
35% Popularity • 80% Danceability • 87% Energy • 60% Liveness
0% Instrumentalness • 34% Positiveness
35% Popularity • 80% Danceability • 87% Energy • 60% Liveness
0% Instrumentalness • 34% Positiveness
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East End Dubs
Bossy - Dub
127 bpm • G# Maj • 06:42 • -8.1db
26% Popularity • 81% Danceability • 68% Energy • 7% Liveness
91% Instrumentalness • 85% Positiveness
26% Popularity • 81% Danceability • 68% Energy • 7% Liveness
91% Instrumentalness • 85% Positiveness
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Biscits
Sundown
125 bpm • C# Maj • 03:31 • -7.57db
53% Popularity • 77% Danceability • 88% Energy • 3% Liveness
14% Instrumentalness • 87% Positiveness
53% Popularity • 77% Danceability • 88% Energy • 3% Liveness
14% Instrumentalness • 87% Positiveness
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FISHER
Ya Kidding
125 bpm • C# Maj • 03:58 • -5.51db
43% Popularity • 81% Danceability • 98% Energy • 50% Liveness
54% Instrumentalness • 78% Positiveness
43% Popularity • 81% Danceability • 98% Energy • 50% Liveness
54% Instrumentalness • 78% Positiveness
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Guy Gerber
Bocat - Michael Bibi Remix
127 bpm • C Maj • 06:07 • -6.43db
47% Popularity • 81% Danceability • 77% Energy • 8% Liveness
75% Instrumentalness • 60% Positiveness
47% Popularity • 81% Danceability • 77% Energy • 8% Liveness
75% Instrumentalness • 60% Positiveness
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Chris Stussy
Breather
125 bpm • G Maj • 07:45 • -8.73db
44% Popularity • 76% Danceability • 92% Energy • 5% Liveness
85% Instrumentalness • 92% Positiveness
44% Popularity • 76% Danceability • 92% Energy • 5% Liveness
85% Instrumentalness • 92% Positiveness
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Solardo
On the Corner
125 bpm • G Maj • 03:21 • -6.5db
38% Popularity • 80% Danceability • 92% Energy • 6% Liveness
19% Instrumentalness • 54% Positiveness
38% Popularity • 80% Danceability • 92% Energy • 6% Liveness
19% Instrumentalness • 54% Positiveness
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AMIRA
My Desire - Sam Divine Remix
125 bpm • G# Maj • 06:44 • -5.96db
35% Popularity • 74% Danceability • 79% Energy • 4% Liveness
18% Instrumentalness • 57% Positiveness
35% Popularity • 74% Danceability • 79% Energy • 4% Liveness
18% Instrumentalness • 57% Positiveness
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Michael Bibi
Boomin
127 bpm • B min • 04:17 • -8.09db
33% Popularity • 83% Danceability • 72% Energy • 11% Liveness
60% Instrumentalness • 54% Positiveness
33% Popularity • 83% Danceability • 72% Energy • 11% Liveness
60% Instrumentalness • 54% Positiveness
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Green Velvet
Voicemail - Layton Giordani Remix
127 bpm • F# Maj • 04:35 • -5.05db
37% Popularity • 85% Danceability • 93% Energy • 8% Liveness
2% Instrumentalness • 72% Positiveness
37% Popularity • 85% Danceability • 93% Energy • 8% Liveness
2% Instrumentalness • 72% Positiveness
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Patrick Topping
Quick To The Mothership
127 bpm • G# Maj • 05:37 • -7.92db
7% Popularity • 76% Danceability • 85% Energy • 9% Liveness
86% Instrumentalness • 60% Positiveness
7% Popularity • 76% Danceability • 85% Energy • 9% Liveness
86% Instrumentalness • 60% Positiveness
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Franky Rizardo
Same Man
125 bpm • C Maj • 06:28 • -7.24db
31% Popularity • 81% Danceability • 91% Energy • 5% Liveness
91% Instrumentalness • 95% Positiveness
31% Popularity • 81% Danceability • 91% Energy • 5% Liveness
91% Instrumentalness • 95% Positiveness
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Storken
Lille Vals - Patrick Topping Remix
127 bpm • B min • 04:01 • -9.97db
18% Popularity • 76% Danceability • 76% Energy • 3% Liveness
93% Instrumentalness • 72% Positiveness
18% Popularity • 76% Danceability • 76% Energy • 3% Liveness
93% Instrumentalness • 72% Positiveness
