Songs like Mexico by Ollie Joseph
Based on a tempo of (+/- 10%) and a similar genre
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Ollie Joseph
Mexico
107 bpm • G Maj • 02:54 • -4.99db
35% Popularity • 77% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
35% Popularity • 77% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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C-Dot 416
Want You
107 bpm • A min • 03:32 • -6.58db
11% Popularity • 73% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
11% Popularity • 73% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Tai Verdes
DRUGS
107 bpm • A# min • 02:39 • -7.54db
61% Popularity • 86% Danceability • 46% Energy • 60% Liveness
0% Instrumentalness • 73% Positiveness
61% Popularity • 86% Danceability • 46% Energy • 60% Liveness
0% Instrumentalness • 73% Positiveness
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JZAC
Wild Ride
107 bpm • F Maj • 01:54 • -2.42db
41% Popularity • 76% Danceability • 93% Energy • 24% Liveness
0% Instrumentalness • 94% Positiveness
41% Popularity • 76% Danceability • 93% Energy • 24% Liveness
0% Instrumentalness • 94% Positiveness
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Kev Sound
Magic
107 bpm • A# min • 03:27 • -7.49db
16% Popularity • 51% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
16% Popularity • 51% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
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Porsh Bet$
Peanut Butter
108 bpm • F Maj • 02:12 • -8.09db
35% Popularity • 79% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
35% Popularity • 79% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Jay Ham
Woah There, Buddy
106 bpm • A Maj • 03:20 • -6.24db
14% Popularity • 84% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
14% Popularity • 84% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Brendan Bennett
3am in Chicago
106 bpm • C Maj • 03:02 • -7db
34% Popularity • 76% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
34% Popularity • 76% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Alec Beretz
Peep This
106 bpm • G# Maj • 02:47 • -6.86db
37% Popularity • 69% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
37% Popularity • 69% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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John Nonny
Maria I'm Drunk
106 bpm • C Maj • 04:01 • -9.65db
30% Popularity • 86% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
30% Popularity • 86% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Deerock
Old School Vibe
108 bpm • C Maj • 02:35 • -4.98db
41% Popularity • 65% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
41% Popularity • 65% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Nippy-E
Do Your Dance
105 bpm • D min • 02:28 • -5db
13% Popularity • 84% Danceability • 82% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
13% Popularity • 84% Danceability • 82% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
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Swilson
1201
105 bpm • D Maj • 03:49 • -7.64db
37% Popularity • 77% Danceability • 78% Energy • 11% Liveness
7% Instrumentalness • 49% Positiveness
37% Popularity • 77% Danceability • 78% Energy • 11% Liveness
7% Instrumentalness • 49% Positiveness
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Ollie Joseph
Moon & Back
105 bpm • E min • 02:51 • -6.99db
12% Popularity • 84% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
12% Popularity • 84% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Brandon Taylor
Roses
105 bpm • G Maj • 02:28 • -9.18db
31% Popularity • 93% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
31% Popularity • 93% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Charles Infamous
LOVE + AFFECTION
104 bpm • G# Maj • 02:41 • -9.62db
31% Popularity • 64% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
31% Popularity • 64% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Drewmat
Gelato
110 bpm • D min • 02:58 • -8.96db
13% Popularity • 73% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
13% Popularity • 73% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Bangers Only
I Can Pretend
110 bpm • D Maj • 02:25 • -8db
34% Popularity • 87% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
34% Popularity • 87% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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IRusH
Something Real
110 bpm • G Maj • 04:05 • -6.94db
0% Popularity • 88% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
0% Popularity • 88% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Ollie Joseph
Rendezvous
110 bpm • B Maj • 02:57 • -4.13db
29% Popularity • 90% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
29% Popularity • 90% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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ChrispyD
90210
110 bpm • C min • 02:28 • -6.18db
37% Popularity • 81% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
37% Popularity • 81% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Two Friends
Good For You
104 bpm • A# Maj • 03:16 • -4.24db
34% Popularity • 71% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
34% Popularity • 71% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
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Marko Penn
Started from the Mud
110 bpm • F# Maj • 02:32 • -13.23db
36% Popularity • 75% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
36% Popularity • 75% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Adam Nystrom
Margarita
104 bpm • G Maj • 03:46 • -6.16db
23% Popularity • 80% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
23% Popularity • 80% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
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Turbo
Exes
110 bpm • A# min • 02:44 • -4.11db
19% Popularity • 55% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
19% Popularity • 55% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Ollie Joseph
Mexico - Endless Summer Edit
110 bpm • G Maj • 03:58 • -3.71db
8% Popularity • 71% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
8% Popularity • 71% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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COTIS
Simulation
104 bpm • B min • 02:58 • -5.31db
25% Popularity • 73% Danceability • 74% Energy • 16% Liveness
1% Instrumentalness • 80% Positiveness
25% Popularity • 73% Danceability • 74% Energy • 16% Liveness
1% Instrumentalness • 80% Positiveness
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TYSHii
She Will Be Loved
104 bpm • C min • 05:08 • -9.03db
33% Popularity • 60% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
33% Popularity • 60% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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C-Dot 416
Funk
104 bpm • C min • 03:17 • -10.35db
44% Popularity • 80% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
44% Popularity • 80% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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WESLEY
HOME
104 bpm • C# min • 03:06 • -2.98db
42% Popularity • 79% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
42% Popularity • 79% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Jonah Renna
Cupid Tryouts
103 bpm • E Maj • 03:55 • -6.87db
30% Popularity • 59% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
30% Popularity • 59% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Ollie Joseph
Nothing in Return
104 bpm • C Maj • 03:05 • -7.04db
14% Popularity • 67% Danceability • 72% Energy • 62% Liveness
0% Instrumentalness • 68% Positiveness
14% Popularity • 67% Danceability • 72% Energy • 62% Liveness
0% Instrumentalness • 68% Positiveness
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Gomey
Lizzie
112 bpm • C# Maj • 02:08 • -4.71db
33% Popularity • 63% Danceability • 55% Energy • 3% Liveness
0% Instrumentalness • 71% Positiveness
33% Popularity • 63% Danceability • 55% Energy • 3% Liveness
0% Instrumentalness • 71% Positiveness
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Matt Corman
Word to the Wise
103 bpm • D Maj • 03:12 • -7.21db
61% Popularity • 76% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
61% Popularity • 76% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
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Turbo
18
112 bpm • D# Maj • 03:35 • -5.88db
20% Popularity • 78% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
20% Popularity • 78% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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White Panda
How Good We Got It
112 bpm • E Maj • 02:58 • -9.88db
30% Popularity • 62% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
30% Popularity • 62% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Neon Dreams
High School Dropout
112 bpm • C min • 03:04 • -4.03db
32% Popularity • 72% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
32% Popularity • 72% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Jones
The Ones
112 bpm • G min • 04:22 • -6db
22% Popularity • 72% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 9% Positiveness
22% Popularity • 72% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 9% Positiveness
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Ivan B
Talk Like That
102 bpm • F Maj • 02:45 • -6.18db
24% Popularity • 67% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
24% Popularity • 67% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
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Justus Bennetts
Replace You
113 bpm • G# min • 02:18 • -4.02db
38% Popularity • 72% Danceability • 77% Energy • 22% Liveness
0% Instrumentalness • 86% Positiveness
38% Popularity • 72% Danceability • 77% Energy • 22% Liveness
0% Instrumentalness • 86% Positiveness
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Ollie Joseph
Madrid
113 bpm • A Maj • 03:06 • -6.53db
14% Popularity • 76% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
14% Popularity • 76% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Matt Corman
Need Your Lane
101 bpm • E Maj • 02:43 • -8.9db
44% Popularity • 82% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
44% Popularity • 82% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Willie Shaw
Needed Somebody
101 bpm • A# Maj • 03:09 • -4.41db
34% Popularity • 65% Danceability • 83% Energy • 17% Liveness
0% Instrumentalness • 61% Positiveness
34% Popularity • 65% Danceability • 83% Energy • 17% Liveness
0% Instrumentalness • 61% Positiveness
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Marko Penn
Blame It on the Dope
100 bpm • F# min • 02:35 • -5.58db
23% Popularity • 89% Danceability • 66% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
23% Popularity • 89% Danceability • 66% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
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Col3man
Automatic
100 bpm • A Maj • 03:07 • -4.85db
29% Popularity • 69% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
29% Popularity • 69% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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![95 Skyline (feat. Locnville) [beats by breakfast remix] cover art](https://i.scdn.co/image/ab67616d00001e026c0c50387eb18f859ba36bc5)
Sketchy Bongo
95 Skyline [beats by breakfast remix]
100 bpm • G# Maj • 03:06 • -5.82db
34% Popularity • 82% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
34% Popularity • 82% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Rebels No Savage
Get Right
100 bpm • D Maj • 03:17 • -8.44db
30% Popularity • 90% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
30% Popularity • 90% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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contradash
blocked
100 bpm • C# Maj • 02:23 • -6db
32% Popularity • 71% Danceability • 53% Energy • 37% Liveness
0% Instrumentalness • 46% Positiveness
32% Popularity • 71% Danceability • 53% Energy • 37% Liveness
0% Instrumentalness • 46% Positiveness
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Ark Woods
Like The Way
100 bpm • G Maj • 03:21 • -5.42db
34% Popularity • 66% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
34% Popularity • 66% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
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Nick Hall
FAST TRACK
100 bpm • D min • 02:40 • -7db
31% Popularity • 82% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
31% Popularity • 82% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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Jack Bennett
In This Moment
100 bpm • A min • 02:59 • -11.24db
24% Popularity • 82% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
24% Popularity • 82% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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Johnny 2 Phones
Second Chance
100 bpm • D# min • 02:33 • -7.52db
39% Popularity • 83% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
39% Popularity • 83% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
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Ollie Joseph
Weekend Bender
100 bpm • B Maj • 03:13 • -6.79db
29% Popularity • 77% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
29% Popularity • 77% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Noah North
98 baby
100 bpm • C# Maj • 02:12 • -7db
28% Popularity • 76% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
28% Popularity • 76% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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ØRĒNDA
rest of my life
100 bpm • C Maj • 02:38 • -6.12db
6% Popularity • 63% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 49% Positiveness
6% Popularity • 63% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 49% Positiveness
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Mbiezzy
Runway Show
100 bpm • G# Maj • 02:38 • -8.54db
1% Popularity • 90% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
1% Popularity • 90% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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RILEY
SUMMERTIME
100 bpm • G min • 03:48 • -7.05db
33% Popularity • 73% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
33% Popularity • 73% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Two Friends
With My Homies
100 bpm • F min • 03:09 • -3db
34% Popularity • 74% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
34% Popularity • 74% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
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Vic Sage
Jealous
100 bpm • A Maj • 03:06 • -9db
40% Popularity • 90% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
40% Popularity • 90% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Matt Giard
What Did We Do
100 bpm • C Maj • 03:54 • -7db
29% Popularity • 72% Danceability • 74% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
29% Popularity • 72% Danceability • 74% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
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Sammy Arriaga
Something We Can Dance To
100 bpm • G Maj • 02:49 • -4.47db
33% Popularity • 76% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
33% Popularity • 76% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
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Knowmads
Hold On
100 bpm • D# Maj • 04:10 • -7.66db
32% Popularity • 85% Danceability • 45% Energy • 11% Liveness
30% Instrumentalness • 31% Positiveness
32% Popularity • 85% Danceability • 45% Energy • 11% Liveness
30% Instrumentalness • 31% Positiveness
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Yung Sum
Moving On
115 bpm • A# Maj • 02:45 • -10.03db
30% Popularity • 87% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
30% Popularity • 87% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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KP
Crown
100 bpm • F# min • 02:37 • -11db
35% Popularity • 52% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
35% Popularity • 52% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Gavin Haley
Tati
115 bpm • C Maj • 02:52 • -4.13db
23% Popularity • 85% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
23% Popularity • 85% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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Ethan Payton
On The Move
115 bpm • A Maj • 03:27 • -10.88db
22% Popularity • 84% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
22% Popularity • 84% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Erik Cain
Up, Up, and Away
115 bpm • F# min • 02:47 • -7.74db
34% Popularity • 88% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 61% Positiveness
34% Popularity • 88% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 61% Positiveness
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Nate Rose
Psychopath
115 bpm • G# Maj • 03:20 • -8.29db
7% Popularity • 76% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
7% Popularity • 76% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Mishaal Tamer
Run Baby
99 bpm • C# Maj • 02:49 • -5.96db
36% Popularity • 75% Danceability • 79% Energy • 70% Liveness
0% Instrumentalness • 76% Positiveness
36% Popularity • 75% Danceability • 79% Energy • 70% Liveness
0% Instrumentalness • 76% Positiveness
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Amiigos
Clothes Off
116 bpm • F# min • 03:10 • -6.71db
38% Popularity • 70% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
38% Popularity • 70% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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J.Lerch
Papercut
116 bpm • A min • 03:02 • -8.29db
29% Popularity • 96% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
29% Popularity • 96% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Mercocet
Open Your Eyes
116 bpm • F# Maj • 03:12 • -7.13db
33% Popularity • 81% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
33% Popularity • 81% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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Turbo
Bo Exotic
116 bpm • A# Maj • 02:49 • -6.31db
47% Popularity • 74% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
47% Popularity • 74% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
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benny mayne
I AIN'T SHIT
116 bpm • A# min • 03:00 • -12.03db
32% Popularity • 65% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
32% Popularity • 65% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Ollie Joseph
High Horse
99 bpm • C Maj • 02:09 • -6.95db
29% Popularity • 71% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
29% Popularity • 71% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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THAT DUDE DAX
Trippin'
98 bpm • F# Maj • 02:18 • -8.5db
23% Popularity • 86% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
23% Popularity • 86% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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AMAG
Fill in the Blanks
98 bpm • C min • 02:10 • -9db
57% Popularity • 70% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
57% Popularity • 70% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Lloyd P-White
Save You
98 bpm • A Maj • 03:11 • -8.03db
23% Popularity • 74% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
23% Popularity • 74% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Dioh
Grapevine
98 bpm • D min • 03:06 • -4.15db
33% Popularity • 64% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 30% Positiveness
33% Popularity • 64% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 30% Positiveness
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Chini
Hopeless romantic
98 bpm • A Maj • 02:59 • -10.42db
35% Popularity • 84% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
35% Popularity • 84% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Johnny 2 Phones
Here for It
98 bpm • A min • 04:02 • -8.5db
29% Popularity • 75% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
29% Popularity • 75% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
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blackbear
cheers
98 bpm • A Maj • 03:21 • -4.43db
54% Popularity • 80% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
54% Popularity • 80% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
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Kyle Reynolds
The Real Thing
98 bpm • A# Maj • 03:13 • -3db
29% Popularity • 80% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
29% Popularity • 80% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
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Sammy Pharaoh
Goddess
118 bpm • C min • 02:22 • -4.8db
21% Popularity • 80% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
21% Popularity • 80% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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Joey Burbs
Smile Too - Tropix Remix
118 bpm • D Maj • 03:09 • -4.87db
31% Popularity • 66% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
31% Popularity • 66% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Tano | Mark
Bacardi
97 bpm • F# min • 02:59 • -5.07db
9% Popularity • 78% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 95% Positiveness
9% Popularity • 78% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 95% Positiveness
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Zak James
Sing in the Shower
118 bpm • D Maj • 03:32 • -7db
32% Popularity • 91% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
32% Popularity • 91% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Wix Patton
100 Miles
97 bpm • C# min • 04:02 • -4.89db
25% Popularity • 69% Danceability • 77% Energy • 9% Liveness
11% Instrumentalness • 71% Positiveness
25% Popularity • 69% Danceability • 77% Energy • 9% Liveness
11% Instrumentalness • 71% Positiveness
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Ković Red
ROADTRIP
97 bpm • C# min • 03:05 • -8.61db
31% Popularity • 79% Danceability • 42% Energy • 28% Liveness
0% Instrumentalness • 19% Positiveness
31% Popularity • 79% Danceability • 42% Energy • 28% Liveness
0% Instrumentalness • 19% Positiveness
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Skeez
Sunday Morning
97 bpm • A Maj • 03:17 • -7.54db
38% Popularity • 74% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
38% Popularity • 74% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Cyrus
Cute
97 bpm • C# Maj • 05:21 • -8.2db
34% Popularity • 83% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
34% Popularity • 83% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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iann dior
Pretty Girls
97 bpm • F# Maj • 02:13 • -6.98db
57% Popularity • 73% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
57% Popularity • 73% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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banditism.
Cloned
96 bpm • C# Maj • 03:23 • -4.63db
28% Popularity • 35% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
28% Popularity • 35% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Social House
Magic In The Hamptons
96 bpm • C# Maj • 02:44 • -5.34db
74% Popularity • 77% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
74% Popularity • 77% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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P-Lane
Bottles, Models & Shots - Radio Edit
96 bpm • C min • 03:22 • -5.22db
8% Popularity • 63% Danceability • 81% Energy • 23% Liveness
0% Instrumentalness • 54% Positiveness
8% Popularity • 63% Danceability • 81% Energy • 23% Liveness
0% Instrumentalness • 54% Positiveness
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contradash
cat out the bag
96 bpm • D# Maj • 02:10 • -7.72db
24% Popularity • 46% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 84% Positiveness
24% Popularity • 46% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 84% Positiveness
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Johnny 2 Phones
Into the Sun
96 bpm • A min • 02:15 • -6.53db
58% Popularity • 79% Danceability • 67% Energy • 35% Liveness
0% Instrumentalness • 65% Positiveness
58% Popularity • 79% Danceability • 67% Energy • 35% Liveness
0% Instrumentalness • 65% Positiveness
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Jake Zimma
On Like 40
96 bpm • C Maj • 03:30 • -8.56db
43% Popularity • 70% Danceability • 50% Energy • 23% Liveness
0% Instrumentalness • 61% Positiveness
43% Popularity • 70% Danceability • 50% Energy • 23% Liveness
0% Instrumentalness • 61% Positiveness
