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Mi fa male
Songs like
Mi fa male
by
Igor Krutoy
Based on a tempo of (+/- 10%) and a similar genre
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Leo Nucci
Il tango delle capinere
82 bpm • D Maj • 02:37 • -11.21db
33% Popularity • 33% Danceability • 39% Energy • 25% Liveness
1% Instrumentalness • 49% Positiveness
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Igor Krutoy
Mi fa male
82 bpm • A Maj • 03:41 • -8.46db
10% Popularity • 18% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Francesco Cilea
Adriana Lecouvreur / Act I: "Ecco: respi...
82 bpm • G# Maj • 03:42 • -18.62db
33% Popularity • 21% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Don Giovanni, ossia Il dissoluto punito,...
82 bpm • A Maj • 03:26 • -20.35db
18% Popularity • 25% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 15% Positiveness
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Richard Strauss
Strauss, R: 4 Letzte Lieder: No. 4, Im A...
82 bpm • A# Maj • 08:27 • -24.29db
19% Popularity • 8% Danceability • 6% Energy • 13% Liveness
55% Instrumentalness • 4% Positiveness
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Jacques Offenbach
Offenbach: Les Contes d'Hoffmann, Act 1:...
82 bpm • G# Maj • 05:48 • -17.5db
17% Popularity • 33% Danceability • 11% Energy • 9% Liveness
23% Instrumentalness • 14% Positiveness
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Alessandro Safina
Arrivederci America
82 bpm • G# min • 05:20 • -9.7db
32% Popularity • 41% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Richard Wagner
Wagner: Tristan und Isolde, Act III: Lie...
82 bpm • B Maj • 08:43 • -17db
10% Popularity • 18% Danceability • 21% Energy • 13% Liveness
27% Instrumentalness • 3% Positiveness
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Giacomo Puccini
Tosca / Act II: "Vissi d'arte, vissi d'a...
82 bpm • D# Maj • 03:26 • -18.6db
23% Popularity • 32% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Igor Krutoy
Gioia
82 bpm • G Maj • 03:58 • -8db
8% Popularity • 16% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Teresa Berganza
La Chulapona: "Ese Pañuelito Blanco"
82 bpm • C# Maj • 03:56 • -11.62db
9% Popularity • 28% Danceability • 36% Energy • 25% Liveness
0% Instrumentalness • 6% Positiveness
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Birgit Nilsson
Tosca, Act 2: "vissi D'arte"
82 bpm • G# Maj • 04:21 • -14db
21% Popularity • 20% Danceability • 36% Energy • 67% Liveness
0% Instrumentalness • 4% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 2: "Belle nu...
82 bpm • D Maj • 04:09 • -27.01db
39% Popularity • 20% Danceability • 11% Energy • 37% Liveness
15% Instrumentalness • 6% Positiveness
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Alessandro Scarlatti
Il Sedecia, Rè di Gerusalemme: "Caldo S...
82 bpm • A# min • 05:25 • -20.73db
17% Popularity • 18% Danceability • 5% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Nikolai Rimsky-Korsakov
'T was Not the Wind
81 bpm • F Maj • 02:09 • -22db
14% Popularity • 24% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Igor Krutoy
Seguire me
82 bpm • F Maj • 04:05 • -11db
8% Popularity • 19% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
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Victoria de los Ángeles
Als die alte Mutter
81 bpm • D Maj • 02:36 • -14db
27% Popularity • 19% Danceability • 17% Energy • 30% Liveness
10% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Così fan tutte, K.588 / Act 1: "Soave s...
81 bpm • E Maj • 02:38 • -17db
16% Popularity • 17% Danceability • 30% Energy • 21% Liveness
0% Instrumentalness • 7% Positiveness
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Erich Wolfgang Korngold
Die tote Stadt (The Dead City), Op. 12: ...
83 bpm • A# Maj • 05:28 • -24.23db
34% Popularity • 9% Danceability • 10% Energy • 17% Liveness
34% Instrumentalness • 6% Positiveness
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Hector Berlioz
Benvenuto Cellini / Act I: "Les belles f...
83 bpm • A Maj • 07:43 • -17db
9% Popularity • 30% Danceability • 18% Energy • 22% Liveness
0% Instrumentalness • 6% Positiveness
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Dimash Qudaibergen
Your Love
81 bpm • A# min • 04:49 • -5.39db
40% Popularity • 18% Danceability • 60% Energy • 34% Liveness
0% Instrumentalness • 17% Positiveness
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Franz Lehár
Meine Lippen, die küssen so heiss
83 bpm • E Maj • 05:38 • -16db
19% Popularity • 26% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
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Richard Strauss
Strauss, R: 8 Gedichte aus Letzte Blätt...
81 bpm • C Maj • 01:55 • -16.04db
20% Popularity • 36% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Francesco Paolo Tosti
L'alba sepàra dalla luce l'ombra (Trans...
81 bpm • D# Maj • 02:30 • -13.62db
9% Popularity • 22% Danceability • 28% Energy • 10% Liveness
81% Instrumentalness • 16% Positiveness
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Jacques Offenbach
Offenbach: Les Contes d'Hoffmann, Act 4:...
81 bpm • D Maj • 04:23 • -24.77db
34% Popularity • 24% Danceability • 9% Energy • 33% Liveness
6% Instrumentalness • 6% Positiveness
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Igor Krutoy
White Bird (Arr. Ross)
83 bpm • G# Maj • 04:38 • -11.43db
14% Popularity • 26% Danceability • 31% Energy • 21% Liveness
1% Instrumentalness • 7% Positiveness
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Giacomo Puccini
Gianni Schicchi: "O mio babbino caro"
81 bpm • G# Maj • 02:40 • -17.25db
14% Popularity • 24% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Franz Lehár
Lehár: Giuditta, Act 3: "Meine Lippen s...
81 bpm • E Maj • 05:16 • -8.28db
12% Popularity • 25% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 10% Positiveness
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Giuseppe Di Stefano
Mi par d'udire ancora (I Pescatori di Pe...
81 bpm • G min • 04:04 • -11.3db
16% Popularity • 16% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Camille Saint-Saëns
Samson et Dalila, Op. 47, R. 288 / Act 1...
83 bpm • E Maj • 06:20 • -23db
9% Popularity • 20% Danceability • 4% Energy • 11% Liveness
5% Instrumentalness • 4% Positiveness
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Angela Gheorghiu
Copacul
83 bpm • A# min • 04:06 • -10.26db
19% Popularity • 28% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
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Carlos Guastavino
La rosa y el sauce
81 bpm • F# min • 02:24 • -20db
16% Popularity • 20% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Reynaldo Hahn
L' Heure exquise
83 bpm • C# Maj • 02:45 • -41.83db
10% Popularity • 16% Danceability • 0% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Alfredo Kraus
Les Pecheurs De Perles: Je Crois Entendr...
81 bpm • A min • 05:23 • -21.74db
13% Popularity • 23% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Mirella Freni
La Traviata (Oper in 3 Akten)
81 bpm • C# Maj • 09:31 • -16.06db
8% Popularity • 26% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Vocalise, Op. 34, No. 14
83 bpm • C# min • 07:59 • -16db
16% Popularity • 18% Danceability • 22% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Georges Bizet
Bizet: Carmen, WD 31, Act 2: "La fleur q...
83 bpm • C# Maj • 04:04 • -19db
13% Popularity • 22% Danceability • 16% Energy • 10% Liveness
7% Instrumentalness • 8% Positiveness
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Giuseppe Verdi
La traviata / Act II: "Pura siccome un a...
81 bpm • G# Maj • 01:50 • -21.53db
24% Popularity • 34% Danceability • 5% Energy • 70% Liveness
0% Instrumentalness • 26% Positiveness
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Alfredo Catalani
La Wally, Act I: Ebben?... Ne andrò lon...
81 bpm • E min • 04:38 • -22db
10% Popularity • 21% Danceability • 10% Energy • 21% Liveness
0% Instrumentalness • 4% Positiveness
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Richard Wagner
Tannhauser: O du mein holder Abendstern
84 bpm • G Maj • 04:45 • -20db
25% Popularity • 18% Danceability • 18% Energy • 9% Liveness
4% Instrumentalness • 5% Positiveness
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Carl Orff
Carmina Burana / 3. Cour d'amours: "In t...
80 bpm • E min • 02:27 • -36db
31% Popularity • 14% Danceability • 2% Energy • 12% Liveness
5% Instrumentalness • 4% Positiveness
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Carl Maria von Weber
Der Freischütz, J. 277 / Act III: "Und ...
84 bpm • G# Maj • 05:57 • -23.47db
30% Popularity • 18% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Antonio Caldara
Il trionfo dell'innocenza: "Vanne pentit...
80 bpm • A Maj • 08:45 • -24db
18% Popularity • 22% Danceability • 5% Energy • 13% Liveness
3% Instrumentalness • 7% Positiveness
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Ernest Chausson
Sept mélodies, Op. 2: VI. Hébé
80 bpm • A min • 02:28 • -24db
20% Popularity • 26% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
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Igor Krutoy
Pioggia d'aprile
80 bpm • B Maj • 04:23 • -10.43db
5% Popularity • 18% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Léo Delibes
Lakmé / Act 1: Viens, Mallika, ... Dôm...
84 bpm • B Maj • 06:03 • -22.23db
38% Popularity • 23% Danceability • 6% Energy • 41% Liveness
0% Instrumentalness • 6% Positiveness
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Renata Tebaldi
Si, Mi Chiamano Mimì - la Boheme Atto I
80 bpm • D Maj • 04:56 • -14.01db
29% Popularity • 20% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Kathleen Battle
He's Gone Away
80 bpm • F Maj • 03:44 • -18db
10% Popularity • 27% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Nicholas Brodszky
Brodszky / Arr. Schifrin: Around the Wor...
84 bpm • D min • 01:48 • -15.93db
22% Popularity • 15% Danceability • 32% Energy • 92% Liveness
23% Instrumentalness • 16% Positiveness
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Dimash Qudaibergen
Ti Amo Cosi
80 bpm • C Maj • 04:11 • -6.8db
35% Popularity • 16% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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スーザン・マカロック
歌劇「ホフマン物語」/舟歌 (�...
80 bpm • D Maj • 03:43 • -19.69db
12% Popularity • 17% Danceability • 15% Energy • 21% Liveness
0% Instrumentalness • 6% Positiveness
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Patricia Janečková
Deti moje - Under My Spell
84 bpm • C# min • 02:23 • -9db
15% Popularity • 11% Danceability • 28% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
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Renata Tebaldi
Turandot
84 bpm • F# Maj • 02:32 • -26.41db
25% Popularity • 20% Danceability • 3% Energy • 17% Liveness
4% Instrumentalness • 4% Positiveness
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Giovanni Paisiello
Chi vuol la zingarella
80 bpm • G Maj • 02:20 • -22db
18% Popularity • 49% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Inessa Galante
La Forza Del Destino 1862: La Vergine de...
80 bpm • G Maj • 03:14 • -23db
9% Popularity • 14% Danceability • 7% Energy • 17% Liveness
67% Instrumentalness • 4% Positiveness
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Alfredo Catalani
La Wally / Act I: "Ebben? Ne andrò lont...
84 bpm • E Maj • 03:54 • -18db
28% Popularity • 28% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Rachmaninov: 14 Romances, Op. 34: No. 14...
84 bpm • F# min • 05:20 • -16db
27% Popularity • 25% Danceability • 19% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
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Mario del Monaco
Love's Last Word Is Spoken
84 bpm • G Maj • 02:47 • -11db
28% Popularity • 26% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
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Renata Tebaldi
Tosca
84 bpm • D# Maj • 03:24 • -10.85db
23% Popularity • 18% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Franz Lehár
The Merry Widow, Act II: Vilja-Lied
80 bpm • G Maj • 04:55 • -19db
18% Popularity • 22% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 10% Positiveness
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Carl Orff
Carmina Burana / 3. Cour d'amours: "Stet...
80 bpm • D Maj • 02:36 • -27.07db
8% Popularity • 30% Danceability • 3% Energy • 15% Liveness
1% Instrumentalness • 9% Positiveness
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Jules Massenet
Werther / Act 3: Massenet: Werther: Va !...
80 bpm • D min • 02:35 • -23.26db
10% Popularity • 21% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Claude Debussy
Trois chansons de Bilitis, L. 90: No. 1,...
85 bpm • F# Maj • 02:45 • -29db
23% Popularity • 29% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Vincenzo Bellini
I Puritani / Act II: Qui la voce sua soa...
79 bpm • D# Maj • 03:58 • -27.09db
24% Popularity • 22% Danceability • 5% Energy • 22% Liveness
83% Instrumentalness • 4% Positiveness
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Giacomo Puccini
La Bohème / Act 1: "Sì. Mi chiamano Mi...
85 bpm • D Maj • 05:18 • -23db
28% Popularity • 19% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Henry Purcell
Dido and Aeneas, Z. 626: When I am laid ...
79 bpm • G min • 03:55 • -22db
11% Popularity • 15% Danceability • 5% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
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Igor Krutoy
Cantami
85 bpm • G# Maj • 03:37 • -7db
28% Popularity • 21% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Birgit Nilsson
Turandot, Act 2: "in Questa Reggia"
85 bpm • D Maj • 06:29 • -11db
12% Popularity • 31% Danceability • 27% Energy • 35% Liveness
0% Instrumentalness • 4% Positiveness
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Georges Bizet
Bizet: Carmen, WD 31, Act 1: Chœur des ...
85 bpm • E Maj • 02:10 • -26.58db
20% Popularity • 13% Danceability • 5% Energy • 14% Liveness
73% Instrumentalness • 7% Positiveness
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Vincenzo Bellini
Norma / Act I: Casta Diva
85 bpm • F Maj • 09:31 • -18.7db
19% Popularity • 19% Danceability • 13% Energy • 72% Liveness
2% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Pique Dame, Op. 68, TH. 10: Akh, istomil...
85 bpm • A min • 03:40 • -13.66db
12% Popularity • 24% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Mario del Monaco
Manon Lescaut: Donna Non Vidi Mai...
85 bpm • A# Maj • 02:54 • -14.28db
16% Popularity • 29% Danceability • 19% Energy • 7% Liveness
16% Instrumentalness • 20% Positiveness
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Katia Ricciarelli
Gianni Schicchi (O mio bambino caro)
79 bpm • G# Maj • 02:55 • -14db
34% Popularity • 20% Danceability • 20% Energy • 68% Liveness
0% Instrumentalness • 5% Positiveness
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Giacomo Puccini
La Bohème / Act 1: "Sì. Mi chiamano Mi...
85 bpm • D Maj • 06:02 • -24db
9% Popularity • 22% Danceability • 7% Energy • 25% Liveness
0% Instrumentalness • 4% Positiveness
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Giuseppe Di Stefano
O Lola - Cavalleria rusticana
79 bpm • F min • 02:37 • -10.98db
17% Popularity • 38% Danceability • 32% Energy • 13% Liveness
1% Instrumentalness • 18% Positiveness
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Christoph Willibald Gluck
Gluck: Orfeo ed Euridice, Wq. 30, Act 3 ...
85 bpm • E min • 03:53 • -18.04db
9% Popularity • 31% Danceability • 9% Energy • 29% Liveness
1% Instrumentalness • 7% Positiveness
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Wolfgang Amadeus Mozart
Idomeneo, re di Creta, K.366 / Act I: "Q...
85 bpm • G min • 07:17 • -19db
4% Popularity • 38% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Renata Tebaldi
Tosca
85 bpm • D# Maj • 03:16 • -18.48db
24% Popularity • 23% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Francesco Cilea
Adriana Lecouvreur: La dolcissima effigi...
79 bpm • G# Maj • 02:06 • -17.14db
23% Popularity • 25% Danceability • 24% Energy • 17% Liveness
77% Instrumentalness • 13% Positiveness
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Camille Saint-Saëns
Samson et Dalila, Op. 47, Act II: Mon co...
85 bpm • C# Maj • 05:43 • -15db
14% Popularity • 16% Danceability • 21% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
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Ernest Chausson
Hébée Op. 2 N°6
86 bpm • A min • 02:53 • -25db
16% Popularity • 25% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Christoph Willibald Gluck
Gluck: Orphée et Eurydice, Act 3: "J'ai...
79 bpm • E min • 04:22 • -20.16db
19% Popularity • 32% Danceability • 10% Energy • 35% Liveness
0% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Idomeneo, rè di Creta, K. 366, ...
85 bpm • C min • 03:14 • -14db
20% Popularity • 43% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Pique Dame, Op. 68, TH 10 /...
79 bpm • D# Maj • 05:48 • -21db
8% Popularity • 14% Danceability • 18% Energy • 9% Liveness
44% Instrumentalness • 6% Positiveness
► Preview
Alfredo Catalani
Catalani: La Wally, Act 1: "Ebben? ... N...
86 bpm • E Maj • 04:25 • -19.11db
17% Popularity • 25% Danceability • 15% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
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Beniamino Gigli
Una furtiva lacrima
78 bpm • F min • 03:46 • -12db
20% Popularity • 33% Danceability • 10% Energy • 18% Liveness
0% Instrumentalness • 14% Positiveness
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Gioachino Rossini
III. Quis est homo (Duet)
78 bpm • E Maj • 05:56 • -22.54db
10% Popularity • 26% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 5% Positiveness
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Cesare Siepi
Vi ravviso, luoghi ameni (La Sonnambula)
86 bpm • G# Maj • 03:02 • -13db
11% Popularity • 22% Danceability • 36% Energy • 12% Liveness
38% Instrumentalness • 24% Positiveness
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Rolando Villazón
El Cigarrito
86 bpm • G Maj • 02:49 • -10.65db
29% Popularity • 31% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Pyotr Ilyich Tchaikovsky
Pique Dame, Op. 68, TH. 10: Uzh polnoch ...
86 bpm • A min • 02:03 • -18.45db
9% Popularity • 27% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Mario del Monaco
Giulietta: "Giulietta son io"
86 bpm • A min • 04:12 • -12db
5% Popularity • 22% Danceability • 26% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
► Preview
Camille Saint-Saëns
Samson et Dalila, Op. 47, R. 288 / Act 2...
86 bpm • C# Maj • 05:57 • -18db
20% Popularity • 29% Danceability • 14% Energy • 10% Liveness
17% Instrumentalness • 4% Positiveness
► Preview
Gioachino Rossini
Il barbiere di Siviglia / Act 1: "Una vo...
78 bpm • B Maj • 05:35 • -21.94db
15% Popularity • 37% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Franz Lehár
Lehár: Die lustige Witwe, Act 3: "Lippe...
78 bpm • G Maj • 03:11 • -9.9db
16% Popularity • 26% Danceability • 19% Energy • 9% Liveness
3% Instrumentalness • 15% Positiveness
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Alfredo Catalani
Ebben? Ne andro lontano
86 bpm • E min • 03:41 • -22db
11% Popularity • 26% Danceability • 11% Energy • 28% Liveness
24% Instrumentalness • 4% Positiveness
► Preview
Patricia Janečková
Mesícku na nebi hlubokém - Rusalka
86 bpm • F# Maj • 06:42 • -14.18db
17% Popularity • 22% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Henry Purcell
Dido and Aeneas, Z. 626: Act III: When I...
86 bpm • G min • 03:54 • -21db
31% Popularity • 18% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Amilcare Ponchielli
La Gioconda / Act 1: "Voce di donna o d'...
78 bpm • D# Maj • 04:05 • -22.26db
12% Popularity • 25% Danceability • 6% Energy • 17% Liveness
1% Instrumentalness • 3% Positiveness
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Fritz Wunderlich
Trinke, Liebchen (Glücklich ist, wer ve...
78 bpm • G Maj • 03:05 • -9.22db
16% Popularity • 27% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Umberto Giordano
Fedora, Act II: Amor ti vieta
86 bpm • C Maj • 01:23 • -8.87db
23% Popularity • 28% Danceability • 29% Energy • 23% Liveness
0% Instrumentalness • 24% Positiveness
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Mi fa male