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Micmacs à la gare
Songs like
Micmacs à la gare
by
Raphaël Beau
Based on a tempo of (+/- 10%) and a similar genre
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Divan Gattamorta
Ré
100 bpm • A# min • 05:04 • -9.47db
15% Popularity • 73% Danceability • 94% Energy • 9% Liveness
71% Instrumentalness • 57% Positiveness
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John Rowcroft
Burlesque Grotesque
100 bpm • G min • 01:58 • -7db
27% Popularity • 93% Danceability • 57% Energy • 6% Liveness
2% Instrumentalness • 84% Positiveness
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Laurent Dury
Polkaism - Duet Bass Clarinet And Piano
100 bpm • D# Maj • 01:24 • -17.34db
40% Popularity • 96% Danceability • 33% Energy • 11% Liveness
94% Instrumentalness • 92% Positiveness
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Jeff Steinberg
Assasin's Tango
100 bpm • G# Maj • 03:56 • -12.2db
25% Popularity • 71% Danceability • 19% Energy • 28% Liveness
1% Instrumentalness • 51% Positiveness
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Henry Torgue & Serge Houppin
Plume
100 bpm • B min • 03:11 • -12.9db
14% Popularity • 68% Danceability • 40% Energy • 7% Liveness
85% Instrumentalness • 93% Positiveness
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Raphaël Beau
Moïdin Moïdin
100 bpm • G min • 01:06 • -12.13db
28% Popularity • 77% Danceability • 43% Energy • 8% Liveness
89% Instrumentalness • 82% Positiveness
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Yann Tiersen
Les jours tristes - Instrumental
100 bpm • G min • 03:03 • -8.12db
56% Popularity • 73% Danceability • 34% Energy • 8% Liveness
19% Instrumentalness • 95% Positiveness
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Andrew Hewitt
I Am A Ghost
100 bpm • F# min • 01:36 • -11.12db
36% Popularity • 69% Danceability • 50% Energy • 13% Liveness
90% Instrumentalness • 62% Positiveness
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Laurent Dury
Louvre Rivoli
100 bpm • E min • 01:49 • -13.18db
18% Popularity • 76% Danceability • 23% Energy • 10% Liveness
86% Instrumentalness • 76% Positiveness
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Frederic Talgorn
Thème de Molière
100 bpm • F Maj • 01:06 • -16.84db
22% Popularity • 70% Danceability • 29% Energy • 8% Liveness
77% Instrumentalness • 72% Positiveness
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Rupa & the April Fishes
(el camino del diablo)
100 bpm • B min • 01:57 • -20.1db
22% Popularity • 42% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 27% Positiveness
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Raphaël Beau
Dernier vol
100 bpm • D Maj • 03:58 • -11.32db
19% Popularity • 80% Danceability • 43% Energy • 11% Liveness
44% Instrumentalness • 91% Positiveness
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Yann Tiersen
Arrival On the Island
100 bpm • G# Maj • 01:03 • -12db
39% Popularity • 70% Danceability • 49% Energy • 32% Liveness
70% Instrumentalness • 84% Positiveness
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Les Yeux Noirs
Poite tzigane
99 bpm • G min • 03:21 • -17.79db
23% Popularity • 30% Danceability • 18% Energy • 37% Liveness
35% Instrumentalness • 29% Positiveness
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Wojciech Kilar
Moving to the Ghetto Oct. 31, 1940
101 bpm • A min • 01:45 • -41db
40% Popularity • 15% Danceability • 0% Energy • 10% Liveness
80% Instrumentalness • 37% Positiveness
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Jean-Philippe Goude
Total Balthazar
99 bpm • C# Maj • 03:10 • -13db
11% Popularity • 66% Danceability • 28% Energy • 11% Liveness
79% Instrumentalness • 67% Positiveness
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John Rowcroft
Showtime Hustle
99 bpm • F min • 02:46 • -5.93db
28% Popularity • 90% Danceability • 66% Energy • 8% Liveness
73% Instrumentalness • 97% Positiveness
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Hugues Le Bars
Comme une reine
99 bpm • A# min • 02:05 • -15db
24% Popularity • 93% Danceability • 62% Energy • 12% Liveness
80% Instrumentalness • 96% Positiveness
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Yann Tiersen
La redécouverte
100 bpm • A min • 01:13 • -14.56db
50% Popularity • 53% Danceability • 38% Energy • 4% Liveness
37% Instrumentalness • 82% Positiveness
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Klezmer Music
Donna Donna
99 bpm • C Maj • 03:00 • -8.85db
21% Popularity • 60% Danceability • 36% Energy • 10% Liveness
86% Instrumentalness • 54% Positiveness
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Carlos D'Alessio
Valse de l’Eden Cinéma [Foutaises]
99 bpm • C min • 03:08 • -20db
30% Popularity • 31% Danceability • 18% Energy • 16% Liveness
92% Instrumentalness • 35% Positiveness
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Rachel Portman
Minor Swing
99 bpm • A min • 02:13 • -15db
41% Popularity • 72% Danceability • 45% Energy • 6% Liveness
88% Instrumentalness • 94% Positiveness
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Joachim Horsley
Beyondlings
101 bpm • F min • 02:55 • -13.17db
9% Popularity • 22% Danceability • 13% Energy • 9% Liveness
76% Instrumentalness • 4% Positiveness
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Mathias Duplessy
Kaala Paani - Hell On Earth
101 bpm • E min • 02:28 • -12.03db
8% Popularity • 57% Danceability • 25% Energy • 10% Liveness
94% Instrumentalness • 49% Positiveness
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Raphaël Beau
L'ordre Yonyx
99 bpm • F min • 03:51 • -22.87db
1% Popularity • 15% Danceability • 11% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
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Shigeru Umebayashi
Trishna's Waltz 2
101 bpm • D min • 01:46 • -19.93db
44% Popularity • 21% Danceability • 20% Energy • 17% Liveness
90% Instrumentalness • 5% Positiveness
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Alexander Balanescu
To the hills (Variation 1)
99 bpm • A min • 04:36 • -16db
23% Popularity • 30% Danceability • 2% Energy • 12% Liveness
25% Instrumentalness • 4% Positiveness
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Emir Kusturica & The No Smoking Orchestra
Moldavian Song - Reprise / 'Life Is A Mi...
102 bpm • C min • 01:47 • -9.7db
22% Popularity • 24% Danceability • 43% Energy • 16% Liveness
72% Instrumentalness • 89% Positiveness
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Nicola Piovani
Palombella Rossa: Palombella Rossa
98 bpm • D Maj • 01:58 • -16.61db
36% Popularity • 18% Danceability • 11% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Kevin Sport
Bounces, Breathings on Two Counts
98 bpm • B min • 01:38 • -10.65db
21% Popularity • 67% Danceability • 30% Energy • 9% Liveness
92% Instrumentalness • 10% Positiveness
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Mathias Duplessy
The Road to East
98 bpm • C min • 05:16 • -11.69db
30% Popularity • 60% Danceability • 42% Energy • 12% Liveness
78% Instrumentalness • 60% Positiveness
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Theo Degler
Lyon
98 bpm • A min • 01:06 • -9db
26% Popularity • 67% Danceability • 29% Energy • 8% Liveness
88% Instrumentalness • 94% Positiveness
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George Fenton
Miss Shepherd's Waltz
98 bpm • C min • 01:56 • -18db
31% Popularity • 46% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 38% Positiveness
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Eleni Karaindrou
Felizze, Pt. 2
102 bpm • A# min • 01:21 • -7.9db
20% Popularity • 87% Danceability • 27% Energy • 11% Liveness
86% Instrumentalness • 83% Positiveness
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Phil Coulter
Coultergeist
98 bpm • A min • 04:20 • -13.63db
38% Popularity • 55% Danceability • 55% Energy • 18% Liveness
76% Instrumentalness • 33% Positiveness
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Charlie Chaplin
Tango Bitterness
98 bpm • G min • 02:46 • -13.5db
11% Popularity • 55% Danceability • 24% Energy • 14% Liveness
7% Instrumentalness • 59% Positiveness
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Cirque du Soleil
Irna
103 bpm • D Maj • 04:46 • -10.65db
31% Popularity • 39% Danceability • 69% Energy • 7% Liveness
86% Instrumentalness • 47% Positiveness
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Bruno Coulais
Return of the Cranes
97 bpm • F min • 02:35 • -9.3db
19% Popularity • 38% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Yann Tiersen
Evening Party
103 bpm • E min • 02:54 • -10.66db
34% Popularity • 54% Danceability • 34% Energy • 14% Liveness
7% Instrumentalness • 63% Positiveness
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Cameron Brookside
Reflections of the Vanishing Eclipse
103 bpm • A# min • 02:00 • -16.82db
17% Popularity • 79% Danceability • 16% Energy • 15% Liveness
58% Instrumentalness • 81% Positiveness
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Oleg Ponomarev
Lautory (Arr. For violin and guitars)
97 bpm • D min • 03:18 • -8.29db
14% Popularity • 44% Danceability • 31% Energy • 6% Liveness
8% Instrumentalness • 64% Positiveness
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Alberto Iglesias
Soy Marco ")
103 bpm • C Maj • 01:59 • -28.01db
29% Popularity • 23% Danceability • 5% Energy • 11% Liveness
48% Instrumentalness • 6% Positiveness
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Cirque du Soleil
Jeux D'Enfants
97 bpm • G min • 04:40 • -9db
30% Popularity • 76% Danceability • 67% Energy • 5% Liveness
63% Instrumentalness • 44% Positiveness
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Maxime Rodriguez
Guerilleros
103 bpm • C# Maj • 02:58 • -8.2db
19% Popularity • 43% Danceability • 46% Energy • 12% Liveness
47% Instrumentalness • 8% Positiveness
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Nonemis
Romancing
103 bpm • G min • 01:00 • -15.6db
49% Popularity • 43% Danceability • 25% Energy • 9% Liveness
98% Instrumentalness • 14% Positiveness
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Dave Thomas
The Skeleton's Waltz
97 bpm • C# min • 02:23 • -5.64db
33% Popularity • 29% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
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Jean-Luc Pacaud
Sea
97 bpm • A# min • 06:19 • -20db
16% Popularity • 75% Danceability • 44% Energy • 9% Liveness
20% Instrumentalness • 77% Positiveness
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Tziganes russes
Kalinka
96 bpm • G min • 02:20 • -14.3db
18% Popularity • 50% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Raphaël Beau
La diva du porno
104 bpm • A min • 01:52 • -15.11db
5% Popularity • 71% Danceability • 37% Energy • 12% Liveness
84% Instrumentalness • 21% Positiveness
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Les Yeux Noirs
Danse de la mariée
96 bpm • A min • 02:02 • -25.16db
36% Popularity • 64% Danceability • 6% Energy • 20% Liveness
2% Instrumentalness • 66% Positiveness
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Latché Swing
Valse a Bamboula
96 bpm • D min • 02:21 • -7db
40% Popularity • 78% Danceability • 34% Energy • 19% Liveness
93% Instrumentalness • 73% Positiveness
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Olivier Daviaud
Conversations autour d'une caisse de liv...
96 bpm • A Maj • 01:48 • -6.68db
32% Popularity • 86% Danceability • 61% Energy • 12% Liveness
92% Instrumentalness • 64% Positiveness
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Rachel Portman
Caravan - Instrumental
96 bpm • E min • 03:43 • -18.85db
34% Popularity • 74% Danceability • 19% Energy • 11% Liveness
70% Instrumentalness • 43% Positiveness
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Ian Post
Spring in Barcelona
104 bpm • G min • 01:15 • -18.02db
38% Popularity • 68% Danceability • 9% Energy • 12% Liveness
73% Instrumentalness • 51% Positiveness
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Cirque du Soleil
Propel
104 bpm • C min • 01:16 • -10.97db
25% Popularity • 75% Danceability • 40% Energy • 6% Liveness
91% Instrumentalness • 94% Positiveness
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Hugues Le Bars
Marquise frivole
96 bpm • B Maj • 02:31 • -11.75db
12% Popularity • 69% Danceability • 43% Energy • 21% Liveness
5% Instrumentalness • 57% Positiveness
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Shigeru Umebayashi
Mare Buio Main Theme
105 bpm • C# Maj • 03:00 • -12.01db
16% Popularity • 69% Danceability • 32% Energy • 11% Liveness
93% Instrumentalness • 22% Positiveness
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Paul Mottram
Moonlight Escapade
105 bpm • E min • 02:09 • -14.32db
35% Popularity • 56% Danceability • 38% Energy • 12% Liveness
96% Instrumentalness • 63% Positiveness
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Roby Lakatos
Klezmer Csardas
95 bpm • G min • 04:04 • -9db
13% Popularity • 40% Danceability • 55% Energy • 34% Liveness
43% Instrumentalness • 64% Positiveness
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Sous Le Ciel De Paris
La Partida
105 bpm • A min • 03:01 • -15db
34% Popularity • 64% Danceability • 38% Energy • 19% Liveness
89% Instrumentalness • 80% Positiveness
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Marc Perrone
Esperanza
95 bpm • A min • 02:51 • -10.62db
35% Popularity • 75% Danceability • 77% Energy • 34% Liveness
41% Instrumentalness • 90% Positiveness
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Gold-Tiger
Detective
105 bpm • D min • 01:16 • -22.57db
30% Popularity • 84% Danceability • 5% Energy • 10% Liveness
61% Instrumentalness • 11% Positiveness
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Raphaël Beau
Mimotronik
95 bpm • C min • 02:33 • -11.79db
21% Popularity • 68% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Oleg Ponomarev
Souvenir de Villingen
95 bpm • B min • 01:50 • -12.16db
13% Popularity • 32% Danceability • 16% Energy • 11% Liveness
1% Instrumentalness • 30% Positiveness
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Jocelyn Pook
House of Commons
95 bpm • A min • 03:04 • -13.5db
12% Popularity • 57% Danceability • 26% Energy • 13% Liveness
13% Instrumentalness • 32% Positiveness
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Henry Torgue & Serge Houppin
Le Concile des Zoogs
95 bpm • D Maj • 02:51 • -10db
20% Popularity • 87% Danceability • 22% Energy • 10% Liveness
31% Instrumentalness • 82% Positiveness
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Karl Jenkins
Jenkins: Palladio
95 bpm • D min • 03:38 • -19db
38% Popularity • 48% Danceability • 29% Energy • 9% Liveness
85% Instrumentalness • 25% Positiveness
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Marc Perrone
Serenade Valse
95 bpm • A min • 01:02 • -15.98db
36% Popularity • 34% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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Zbigniew Preisner
The End
106 bpm • C Maj • 02:27 • -13db
34% Popularity • 38% Danceability • 15% Energy • 10% Liveness
74% Instrumentalness • 21% Positiveness
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John Powell
Assassin’s Tango from "Mr. & Mrs. Smit...
94 bpm • G# Maj • 05:17 • -18.77db
22% Popularity • 59% Danceability • 11% Energy • 5% Liveness
37% Instrumentalness • 19% Positiveness
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Abraham Cupeiro
Sudamérica
106 bpm • G Maj • 03:29 • -10.27db
14% Popularity • 61% Danceability • 57% Energy • 29% Liveness
1% Instrumentalness • 42% Positiveness
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Yann Tiersen
L'autre valse d'Amélie
106 bpm • A min • 01:33 • -9.54db
55% Popularity • 52% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
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Cirque Plume
Le dernier tour
106 bpm • D min • 05:32 • -12db
10% Popularity • 26% Danceability • 53% Energy • 69% Liveness
0% Instrumentalness • 29% Positiveness
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Mathias Duplessy
Kaala Paani Letters
106 bpm • B min • 04:05 • -11.97db
7% Popularity • 87% Danceability • 22% Energy • 11% Liveness
23% Instrumentalness • 66% Positiveness
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Colalaila
Old Klezmer Band
94 bpm • A min • 01:32 • -9.9db
24% Popularity • 50% Danceability • 46% Energy • 21% Liveness
85% Instrumentalness • 76% Positiveness
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Laurent Aknin
L'étudiante et Monsieur Henri: ouvertur...
94 bpm • C min • 01:13 • -18.53db
56% Popularity • 48% Danceability • 24% Energy • 10% Liveness
85% Instrumentalness • 8% Positiveness
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17 Hippies
Saragina Rumba
94 bpm • G# Maj • 02:10 • -8db
34% Popularity • 49% Danceability • 65% Energy • 70% Liveness
10% Instrumentalness • 94% Positiveness
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Raphaël Beau
Miroir
106 bpm • D min • 04:47 • -19.34db
1% Popularity • 18% Danceability • 12% Energy • 10% Liveness
85% Instrumentalness • 9% Positiveness
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Cirque du Soleil
Vai Vedrai
94 bpm • E min • 04:34 • -11.94db
36% Popularity • 53% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Stomp
Stomp House
106 bpm • C# Maj • 01:29 • -12db
20% Popularity • 75% Danceability • 91% Energy • 4% Liveness
84% Instrumentalness • 49% Positiveness
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Rachel Portman
Vianne Sets Up Shop
107 bpm • D min • 01:57 • -15db
42% Popularity • 66% Danceability • 41% Energy • 37% Liveness
49% Instrumentalness • 59% Positiveness
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Barbatuques
Barbapapa's Groove
94 bpm • C# Maj • 03:17 • -9.32db
28% Popularity • 81% Danceability • 87% Energy • 26% Liveness
55% Instrumentalness • 40% Positiveness
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Maxime Rodriguez
Je me souviens de nous
107 bpm • C min • 04:47 • -8.76db
19% Popularity • 31% Danceability • 50% Energy • 8% Liveness
7% Instrumentalness • 26% Positiveness
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Raphaël Beau
Réunion au sommet
94 bpm • F Maj • 02:29 • -25.51db
3% Popularity • 46% Danceability • 5% Energy • 10% Liveness
72% Instrumentalness • 14% Positiveness
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Les Yeux Noirs
Danse du sabre (Aram katchaturian)
107 bpm • C Maj • 02:05 • -9.94db
35% Popularity • 63% Danceability • 52% Energy • 6% Liveness
84% Instrumentalness • 84% Positiveness
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Stromae
Tous les mêmes
107 bpm • F min • 03:05 • -10.95db
28% Popularity • 72% Danceability • 30% Energy • 7% Liveness
3% Instrumentalness • 66% Positiveness
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Rachel Portman
Passage of Time
94 bpm • E min • 02:32 • -22db
35% Popularity • 41% Danceability • 5% Energy • 8% Liveness
72% Instrumentalness • 19% Positiveness
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Sophie Solomon
Easy Virtue Tango
93 bpm • A min • 02:41 • -14.86db
17% Popularity • 29% Danceability • 22% Energy • 16% Liveness
8% Instrumentalness • 28% Positiveness
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Clarinetes Ad Libitum
Quebra-Queixo
107 bpm • C min • 04:55 • -16db
13% Popularity • 51% Danceability • 9% Energy • 11% Liveness
84% Instrumentalness • 72% Positiveness
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Raphaël Beau
Happy End
107 bpm • D# Maj • 02:21 • -15.82db
6% Popularity • 74% Danceability • 17% Energy • 18% Liveness
8% Instrumentalness • 43% Positiveness
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Charlie Chaplin
The Fight
93 bpm • C# Maj • 04:55 • -10db
12% Popularity • 74% Danceability • 46% Energy • 16% Liveness
62% Instrumentalness • 93% Positiveness
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Trio Bravo+
Wiener Würstchen
107 bpm • A min • 02:47 • -14.8db
10% Popularity • 87% Danceability • 50% Energy • 9% Liveness
90% Instrumentalness • 88% Positiveness
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Alberto Iglesias
Hable con ella
107 bpm • A min • 05:18 • -16.18db
36% Popularity • 51% Danceability • 18% Energy • 10% Liveness
71% Instrumentalness • 32% Positiveness
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Jan Boutouk
Danse Hongroise
107 bpm • G Maj • 02:59 • -10db
20% Popularity • 53% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Opa Tsupa
La valse Niglos
93 bpm • E min • 03:11 • -11db
20% Popularity • 82% Danceability • 34% Energy • 8% Liveness
85% Instrumentalness • 76% Positiveness
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Raphaël Beau
Thrène
107 bpm • F min • 01:38 • -15.34db
1% Popularity • 73% Danceability • 4% Energy • 13% Liveness
76% Instrumentalness • 19% Positiveness
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Niki Reiser
Radtour
107 bpm • C Maj • 01:09 • -7.69db
27% Popularity • 36% Danceability • 36% Energy • 11% Liveness
73% Instrumentalness • 73% Positiveness
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Sting
Englishman In New York - Philharmonix Ve...
107 bpm • A min • 04:02 • -14db
20% Popularity • 50% Danceability • 24% Energy • 7% Liveness
56% Instrumentalness • 50% Positiveness
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Alberto Iglesias
Hable con ella
107 bpm • A min • 05:19 • -15db
29% Popularity • 49% Danceability • 23% Energy • 11% Liveness
83% Instrumentalness • 31% Positiveness
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Opus4
Czardas De Monti
107 bpm • D Maj • 03:17 • -10.34db
15% Popularity • 50% Danceability • 57% Energy • 11% Liveness
40% Instrumentalness • 85% Positiveness
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Micmacs à la gare