Songs like Midi Sans Frontieres (Avec Batterie) by Squarepusher
Based on a tempo of (+/- 10%) and a similar genre
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Squarepusher
Midi Sans Frontieres (Avec Batterie)
110 bpm • D Maj • 06:00 • -9.89db
33% Popularity • 62% Danceability • 70% Energy • 7% Liveness
81% Instrumentalness • 28% Positiveness
33% Popularity • 62% Danceability • 70% Energy • 7% Liveness
81% Instrumentalness • 28% Positiveness
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Bola
Forcasa 3
110 bpm • C min • 05:24 • -15.39db
20% Popularity • 55% Danceability • 72% Energy • 11% Liveness
82% Instrumentalness • 66% Positiveness
20% Popularity • 55% Danceability • 72% Energy • 11% Liveness
82% Instrumentalness • 66% Positiveness
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Phoenecia
Grrl Trrbl
110 bpm • D Maj • 05:24 • -11.75db
15% Popularity • 79% Danceability • 49% Energy • 8% Liveness
88% Instrumentalness • 5% Positiveness
15% Popularity • 79% Danceability • 49% Energy • 8% Liveness
88% Instrumentalness • 5% Positiveness
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Cylob
Skylight
110 bpm • C min • 05:38 • -20.21db
18% Popularity • 60% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
18% Popularity • 60% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
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Mike & Rich
Winner Takes All
110 bpm • A Maj • 05:44 • -6.38db
11% Popularity • 60% Danceability • 89% Energy • 12% Liveness
70% Instrumentalness • 46% Positiveness
11% Popularity • 60% Danceability • 89% Energy • 12% Liveness
70% Instrumentalness • 46% Positiveness
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Telefon Tel Aviv
Lotus Above Water
110 bpm • B min • 03:33 • -13.68db
21% Popularity • 62% Danceability • 38% Energy • 39% Liveness
45% Instrumentalness • 5% Positiveness
21% Popularity • 62% Danceability • 38% Energy • 39% Liveness
45% Instrumentalness • 5% Positiveness
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The Orb
Pomme Fritz (Meat 'N Veg)
110 bpm • B Maj • 09:02 • -16.85db
24% Popularity • 63% Danceability • 44% Energy • 30% Liveness
83% Instrumentalness • 46% Positiveness
24% Popularity • 63% Danceability • 44% Energy • 30% Liveness
83% Instrumentalness • 46% Positiveness
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Oval
Line Extension
109 bpm • C# min • 03:05 • -18.25db
20% Popularity • 37% Danceability • 39% Energy • 10% Liveness
95% Instrumentalness • 13% Positiveness
20% Popularity • 37% Danceability • 39% Energy • 10% Liveness
95% Instrumentalness • 13% Positiveness
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Hieroglyphic Being
The Shrine Of The Serpent Goddess
109 bpm • F min • 01:06 • -6.9db
35% Popularity • 51% Danceability • 84% Energy • 12% Liveness
9% Instrumentalness • 36% Positiveness
35% Popularity • 51% Danceability • 84% Energy • 12% Liveness
9% Instrumentalness • 36% Positiveness
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Clark
Ted - Bibio Remix
111 bpm • C min • 04:24 • -10db
28% Popularity • 40% Danceability • 63% Energy • 22% Liveness
92% Instrumentalness • 42% Positiveness
28% Popularity • 40% Danceability • 63% Energy • 22% Liveness
92% Instrumentalness • 42% Positiveness
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Mike & Rich
Jelly Fish
110 bpm • F# min • 06:01 • -6.76db
12% Popularity • 66% Danceability • 96% Energy • 10% Liveness
80% Instrumentalness • 51% Positiveness
12% Popularity • 66% Danceability • 96% Energy • 10% Liveness
80% Instrumentalness • 51% Positiveness
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Cylob
Instant Shrink
109 bpm • A# min • 03:17 • -19.59db
17% Popularity • 80% Danceability • 68% Energy • 6% Liveness
87% Instrumentalness • 35% Positiveness
17% Popularity • 80% Danceability • 68% Energy • 6% Liveness
87% Instrumentalness • 35% Positiveness
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Oneohtrix Point Never
Betrayed in the Octagon
109 bpm • A# min • 03:32 • -10.63db
26% Popularity • 66% Danceability • 90% Energy • 17% Liveness
88% Instrumentalness • 7% Positiveness
26% Popularity • 66% Danceability • 90% Energy • 17% Liveness
88% Instrumentalness • 7% Positiveness
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Oval
Panorama
110 bpm • F# Maj • 03:51 • -11.74db
19% Popularity • 43% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 6% Positiveness
19% Popularity • 43% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 6% Positiveness
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Ilkae
Naku Uinti
109 bpm • C# min • 01:17 • -11.62db
29% Popularity • 85% Danceability • 55% Energy • 10% Liveness
84% Instrumentalness • 68% Positiveness
29% Popularity • 85% Danceability • 55% Energy • 10% Liveness
84% Instrumentalness • 68% Positiveness
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µ-Ziq
Blainville
112 bpm • G# min • 03:41 • -7.77db
28% Popularity • 68% Danceability • 80% Energy • 11% Liveness
92% Instrumentalness • 32% Positiveness
28% Popularity • 68% Danceability • 80% Energy • 11% Liveness
92% Instrumentalness • 32% Positiveness
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Two Lone Swordsmen
Ivy and Lead
112 bpm • A# min • 02:48 • -10.58db
22% Popularity • 74% Danceability • 76% Energy • 11% Liveness
27% Instrumentalness • 67% Positiveness
22% Popularity • 74% Danceability • 76% Energy • 11% Liveness
27% Instrumentalness • 67% Positiveness
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Jan Jelinek
Universal Band Silhouette
112 bpm • A# Maj • 07:06 • -12.68db
15% Popularity • 31% Danceability • 49% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
15% Popularity • 31% Danceability • 49% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Biosphere
Tranquillizer
108 bpm • F# min • 08:18 • -24.6db
21% Popularity • 61% Danceability • 36% Energy • 26% Liveness
83% Instrumentalness • 16% Positiveness
21% Popularity • 61% Danceability • 36% Energy • 26% Liveness
83% Instrumentalness • 16% Positiveness
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Oval
Aero Deck
112 bpm • A# min • 04:33 • -22db
21% Popularity • 50% Danceability • 25% Energy • 8% Liveness
96% Instrumentalness • 10% Positiveness
21% Popularity • 50% Danceability • 25% Energy • 8% Liveness
96% Instrumentalness • 10% Positiveness
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Bochum Welt
Southern England in Summer
112 bpm • A min • 02:08 • -16db
31% Popularity • 65% Danceability • 46% Energy • 12% Liveness
93% Instrumentalness • 20% Positiveness
31% Popularity • 65% Danceability • 46% Energy • 12% Liveness
93% Instrumentalness • 20% Positiveness
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Seefeel
Time to Find Me - AFX Fast Mix
107 bpm • B min • 07:37 • -14.09db
35% Popularity • 71% Danceability • 48% Energy • 20% Liveness
91% Instrumentalness • 22% Positiveness
35% Popularity • 71% Danceability • 48% Energy • 20% Liveness
91% Instrumentalness • 22% Positiveness
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Fennesz
Tom
113 bpm • B Maj • 03:04 • -14.03db
33% Popularity • 17% Danceability • 18% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
33% Popularity • 17% Danceability • 18% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Machinedrum
Tried & True
107 bpm • B Maj • 02:03 • -10.76db
37% Popularity • 47% Danceability • 66% Energy • 40% Liveness
85% Instrumentalness • 16% Positiveness
37% Popularity • 47% Danceability • 66% Energy • 40% Liveness
85% Instrumentalness • 16% Positiveness
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Leila
Underwaters (One for Keni)
114 bpm • A# min • 03:22 • -15.21db
14% Popularity • 47% Danceability • 39% Energy • 7% Liveness
67% Instrumentalness • 8% Positiveness
14% Popularity • 47% Danceability • 39% Energy • 7% Liveness
67% Instrumentalness • 8% Positiveness
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The Future Sound Of London
Herd Killing
114 bpm • G# Maj • 02:37 • -11.73db
29% Popularity • 66% Danceability • 97% Energy • 17% Liveness
67% Instrumentalness • 30% Positiveness
29% Popularity • 66% Danceability • 97% Energy • 17% Liveness
67% Instrumentalness • 30% Positiveness
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Clark
Ted
106 bpm • G Maj • 02:54 • -6db
29% Popularity • 36% Danceability • 91% Energy • 35% Liveness
59% Instrumentalness • 28% Positiveness
29% Popularity • 36% Danceability • 91% Energy • 35% Liveness
59% Instrumentalness • 28% Positiveness
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Boards of Canada
Orange Romeda
106 bpm • G Maj • 04:51 • -9.26db
25% Popularity • 64% Danceability • 100% Energy • 4% Liveness
90% Instrumentalness • 77% Positiveness
25% Popularity • 64% Danceability • 100% Energy • 4% Liveness
90% Instrumentalness • 77% Positiveness
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Fennesz
Before I Leave
106 bpm • B Maj • 04:08 • -20.1db
30% Popularity • 23% Danceability • 63% Energy • 9% Liveness
98% Instrumentalness • 3% Positiveness
30% Popularity • 23% Danceability • 63% Energy • 9% Liveness
98% Instrumentalness • 3% Positiveness
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Gescom
Key nell 1
106 bpm • D Maj • 07:59 • -13.84db
20% Popularity • 84% Danceability • 50% Energy • 46% Liveness
84% Instrumentalness • 51% Positiveness
20% Popularity • 84% Danceability • 50% Energy • 46% Liveness
84% Instrumentalness • 51% Positiveness
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Richard Devine
Untitled 3
114 bpm • C# Maj • 05:06 • -8db
14% Popularity • 79% Danceability • 92% Energy • 36% Liveness
88% Instrumentalness • 52% Positiveness
14% Popularity • 79% Danceability • 92% Energy • 36% Liveness
88% Instrumentalness • 52% Positiveness
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Squarepusher
Iambic 9 Poetry
106 bpm • B min • 06:55 • -12.89db
31% Popularity • 39% Danceability • 55% Energy • 7% Liveness
88% Instrumentalness • 38% Positiveness
31% Popularity • 39% Danceability • 55% Energy • 7% Liveness
88% Instrumentalness • 38% Positiveness
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Aphex Twin
Xtal
115 bpm • A min • 04:53 • -13.05db
62% Popularity • 51% Danceability • 50% Energy • 12% Liveness
96% Instrumentalness • 32% Positiveness
62% Popularity • 51% Danceability • 50% Energy • 12% Liveness
96% Instrumentalness • 32% Positiveness
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Tim Hecker
The Piano Drop
114 bpm • C# min • 02:53 • -12db
36% Popularity • 58% Danceability • 85% Energy • 14% Liveness
96% Instrumentalness • 3% Positiveness
36% Popularity • 58% Danceability • 85% Energy • 14% Liveness
96% Instrumentalness • 3% Positiveness
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Shed
The Praetorian
115 bpm • G Maj • 02:22 • -20.34db
35% Popularity • 34% Danceability • 40% Energy • 9% Liveness
87% Instrumentalness • 25% Positiveness
35% Popularity • 34% Danceability • 40% Energy • 9% Liveness
87% Instrumentalness • 25% Positiveness
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Actress
FALLING RIZLAS
115 bpm • E min • 02:25 • -15.9db
45% Popularity • 44% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
45% Popularity • 44% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
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Plone
Plaything
115 bpm • D# Maj • 04:14 • -9.98db
14% Popularity • 63% Danceability • 40% Energy • 18% Liveness
83% Instrumentalness • 14% Positiveness
14% Popularity • 63% Danceability • 40% Energy • 18% Liveness
83% Instrumentalness • 14% Positiveness
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Speedy J
De-Orbit - Remastered 2021
105 bpm • C# Maj • 06:10 • -11db
29% Popularity • 61% Danceability • 85% Energy • 9% Liveness
6% Instrumentalness • 48% Positiveness
29% Popularity • 61% Danceability • 85% Energy • 9% Liveness
6% Instrumentalness • 48% Positiveness
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Oneohtrix Point Never
Laser to Laser
115 bpm • F Maj • 03:19 • -9.53db
22% Popularity • 38% Danceability • 58% Energy • 15% Liveness
99% Instrumentalness • 4% Positiveness
22% Popularity • 38% Danceability • 58% Energy • 15% Liveness
99% Instrumentalness • 4% Positiveness
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Tim Hecker
Trade Winds, White Heat
105 bpm • B Maj • 04:22 • -27.68db
42% Popularity • 15% Danceability • 2% Energy • 30% Liveness
98% Instrumentalness • 3% Positiveness
42% Popularity • 15% Danceability • 2% Energy • 30% Liveness
98% Instrumentalness • 3% Positiveness
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Clark
Diesel Raven
115 bpm • C# Maj • 02:53 • -7.29db
15% Popularity • 58% Danceability • 79% Energy • 33% Liveness
90% Instrumentalness • 59% Positiveness
15% Popularity • 58% Danceability • 79% Energy • 33% Liveness
90% Instrumentalness • 59% Positiveness
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Murcof
Memoria
115 bpm • G# Maj • 05:58 • -15.99db
23% Popularity • 74% Danceability • 62% Energy • 12% Liveness
82% Instrumentalness • 5% Positiveness
23% Popularity • 74% Danceability • 62% Energy • 12% Liveness
82% Instrumentalness • 5% Positiveness
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Luke Vibert
Harmonic
105 bpm • G# min • 04:33 • -7db
13% Popularity • 75% Danceability • 87% Energy • 7% Liveness
54% Instrumentalness • 58% Positiveness
13% Popularity • 75% Danceability • 87% Energy • 7% Liveness
54% Instrumentalness • 58% Positiveness
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Fennesz
Rivers of Sand
115 bpm • D Maj • 04:42 • -14.34db
28% Popularity • 19% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
28% Popularity • 19% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Seefeel
Charlotte's Mouth
105 bpm • F# Maj • 07:27 • -15db
22% Popularity • 29% Danceability • 48% Energy • 12% Liveness
79% Instrumentalness • 26% Positiveness
22% Popularity • 29% Danceability • 48% Energy • 12% Liveness
79% Instrumentalness • 26% Positiveness
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Ilkae
Sweet Tooth Subway
115 bpm • A Maj • 01:48 • -10.57db
28% Popularity • 87% Danceability • 59% Energy • 8% Liveness
83% Instrumentalness • 80% Positiveness
28% Popularity • 87% Danceability • 59% Energy • 8% Liveness
83% Instrumentalness • 80% Positiveness
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Ceephax Acid Crew
Natural Spectrum
105 bpm • A min • 02:56 • -11.42db
19% Popularity • 69% Danceability • 42% Energy • 40% Liveness
87% Instrumentalness • 15% Positiveness
19% Popularity • 69% Danceability • 42% Energy • 40% Liveness
87% Instrumentalness • 15% Positiveness
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Oval
Cross Selling
104 bpm • B Maj • 06:09 • -18.52db
17% Popularity • 46% Danceability • 48% Energy • 9% Liveness
92% Instrumentalness • 11% Positiveness
17% Popularity • 46% Danceability • 48% Energy • 9% Liveness
92% Instrumentalness • 11% Positiveness
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Brothomstates
Mdrmx
116 bpm • A Maj • 05:59 • -16.65db
25% Popularity • 42% Danceability • 45% Energy • 18% Liveness
9% Instrumentalness • 17% Positiveness
25% Popularity • 42% Danceability • 45% Energy • 18% Liveness
9% Instrumentalness • 17% Positiveness
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Plaid
Assault On Precinct Zero
116 bpm • G# Maj • 04:28 • -10.96db
22% Popularity • 63% Danceability • 73% Energy • 25% Liveness
94% Instrumentalness • 50% Positiveness
22% Popularity • 63% Danceability • 73% Energy • 25% Liveness
94% Instrumentalness • 50% Positiveness
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Caribou
The Spiritually Immature Mansion
104 bpm • B Maj • 02:11 • -18db
46% Popularity • 78% Danceability • 43% Energy • 14% Liveness
86% Instrumentalness • 37% Positiveness
46% Popularity • 78% Danceability • 43% Energy • 14% Liveness
86% Instrumentalness • 37% Positiveness
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Ilkae
Rusty Mittens
116 bpm • G# min • 01:43 • -9.45db
25% Popularity • 88% Danceability • 75% Energy • 11% Liveness
78% Instrumentalness • 86% Positiveness
25% Popularity • 88% Danceability • 75% Energy • 11% Liveness
78% Instrumentalness • 86% Positiveness
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The Future Sound Of London
Ill Flower
117 bpm • C min • 03:24 • -22.42db
27% Popularity • 20% Danceability • 30% Energy • 33% Liveness
13% Instrumentalness • 7% Positiveness
27% Popularity • 20% Danceability • 30% Energy • 33% Liveness
13% Instrumentalness • 7% Positiveness
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Squarepusher
Les Mains Dansent
116 bpm • G Maj • 01:20 • -22.02db
39% Popularity • 45% Danceability • 3% Energy • 13% Liveness
92% Instrumentalness • 52% Positiveness
39% Popularity • 45% Danceability • 3% Energy • 13% Liveness
92% Instrumentalness • 52% Positiveness
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Susumu Yokota
Kirakiraboshi
104 bpm • C# Maj • 01:55 • -18db
39% Popularity • 41% Danceability • 33% Energy • 39% Liveness
95% Instrumentalness • 12% Positiveness
39% Popularity • 41% Danceability • 33% Energy • 39% Liveness
95% Instrumentalness • 12% Positiveness
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Nathan Fake
Bawsey
117 bpm • A Maj • 00:58 • -12.56db
39% Popularity • 40% Danceability • 95% Energy • 43% Liveness
90% Instrumentalness • 18% Positiveness
39% Popularity • 40% Danceability • 95% Energy • 43% Liveness
90% Instrumentalness • 18% Positiveness
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Pole
Stadt
104 bpm • G Maj • 03:27 • -15.04db
22% Popularity • 84% Danceability • 36% Energy • 28% Liveness
68% Instrumentalness • 38% Positiveness
22% Popularity • 84% Danceability • 36% Energy • 28% Liveness
68% Instrumentalness • 38% Positiveness
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Mike & Rich
Vodka
117 bpm • G# min • 04:12 • -5.56db
13% Popularity • 73% Danceability • 98% Energy • 20% Liveness
78% Instrumentalness • 51% Positiveness
13% Popularity • 73% Danceability • 98% Energy • 20% Liveness
78% Instrumentalness • 51% Positiveness
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Oval
Shop In Store
103 bpm • C# min • 04:03 • -12.86db
16% Popularity • 52% Danceability • 50% Energy • 13% Liveness
88% Instrumentalness • 55% Positiveness
16% Popularity • 52% Danceability • 50% Energy • 13% Liveness
88% Instrumentalness • 55% Positiveness
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Wagon Christ
Shadows
117 bpm • F min • 04:26 • -6db
34% Popularity • 71% Danceability • 74% Energy • 22% Liveness
69% Instrumentalness • 54% Positiveness
34% Popularity • 71% Danceability • 74% Energy • 22% Liveness
69% Instrumentalness • 54% Positiveness
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Susumu Yokota
I Imagine
117 bpm • C Maj • 02:34 • -20.59db
41% Popularity • 35% Danceability • 10% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
41% Popularity • 35% Danceability • 10% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
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Ametsub
Repeatedly
103 bpm • E min • 05:56 • -13.44db
13% Popularity • 72% Danceability • 39% Energy • 13% Liveness
84% Instrumentalness • 41% Positiveness
13% Popularity • 72% Danceability • 39% Energy • 13% Liveness
84% Instrumentalness • 41% Positiveness
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Aphex Twin
We Are the Music Makers
103 bpm • B Maj • 07:43 • -13.05db
47% Popularity • 72% Danceability • 57% Energy • 14% Liveness
94% Instrumentalness • 56% Positiveness
47% Popularity • 72% Danceability • 57% Energy • 14% Liveness
94% Instrumentalness • 56% Positiveness
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Squarepusher
Detroit People Mover
103 bpm • E min • 04:26 • -13.43db
32% Popularity • 19% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
32% Popularity • 19% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Kid Spatula
Qisope
103 bpm • F# Maj • 02:29 • -18.22db
24% Popularity • 50% Danceability • 16% Energy • 11% Liveness
90% Instrumentalness • 11% Positiveness
24% Popularity • 50% Danceability • 16% Energy • 11% Liveness
90% Instrumentalness • 11% Positiveness
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Global Communication
9:39
118 bpm • B Maj • 09:39 • -21.79db
26% Popularity • 20% Danceability • 37% Energy • 36% Liveness
83% Instrumentalness • 4% Positiveness
26% Popularity • 20% Danceability • 37% Energy • 36% Liveness
83% Instrumentalness • 4% Positiveness
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Clark
Vengeance Drools
103 bpm • A# min • 03:43 • -3.48db
14% Popularity • 72% Danceability • 85% Energy • 20% Liveness
92% Instrumentalness • 18% Positiveness
14% Popularity • 72% Danceability • 85% Energy • 20% Liveness
92% Instrumentalness • 18% Positiveness
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Susumu Yokota
Kodomotachi
118 bpm • C# min • 04:06 • -9.65db
37% Popularity • 69% Danceability • 59% Energy • 11% Liveness
91% Instrumentalness • 39% Positiveness
37% Popularity • 69% Danceability • 59% Energy • 11% Liveness
91% Instrumentalness • 39% Positiveness
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Plaid
Return to Return
118 bpm • G Maj • 02:24 • -10.9db
21% Popularity • 67% Danceability • 64% Energy • 35% Liveness
93% Instrumentalness • 14% Positiveness
21% Popularity • 67% Danceability • 64% Energy • 35% Liveness
93% Instrumentalness • 14% Positiveness
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Kid606
Big Sur
118 bpm • C Maj • 02:53 • -18db
23% Popularity • 48% Danceability • 53% Energy • 11% Liveness
94% Instrumentalness • 19% Positiveness
23% Popularity • 48% Danceability • 53% Energy • 11% Liveness
94% Instrumentalness • 19% Positiveness
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Push Button Objects
A Day in a Life
102 bpm • A# min • 05:35 • -16.08db
10% Popularity • 60% Danceability • 74% Energy • 16% Liveness
96% Instrumentalness • 66% Positiveness
10% Popularity • 60% Danceability • 74% Energy • 16% Liveness
96% Instrumentalness • 66% Positiveness
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Two Lone Swordsmen
Constant Reminder
102 bpm • F# Maj • 01:30 • -17.54db
36% Popularity • 38% Danceability • 37% Energy • 10% Liveness
94% Instrumentalness • 18% Positiveness
36% Popularity • 38% Danceability • 37% Energy • 10% Liveness
94% Instrumentalness • 18% Positiveness
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Dr Alex Paterson
Loving You Live
118 bpm • C# Maj • 04:00 • -16db
21% Popularity • 17% Danceability • 42% Energy • 30% Liveness
96% Instrumentalness • 14% Positiveness
21% Popularity • 17% Danceability • 42% Energy • 30% Liveness
96% Instrumentalness • 14% Positiveness
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James McVinnie
Flutes
118 bpm • F Maj • 04:41 • -30.34db
6% Popularity • 32% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 8% Positiveness
6% Popularity • 32% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 8% Positiveness
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Matmos
California Rhinoplasty
102 bpm • A# min • 10:01 • -13.35db
17% Popularity • 80% Danceability • 61% Energy • 8% Liveness
50% Instrumentalness • 38% Positiveness
17% Popularity • 80% Danceability • 61% Energy • 8% Liveness
50% Instrumentalness • 38% Positiveness
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Wagon Christ
Sci-Fi Staircase
118 bpm • G# Maj • 07:00 • -4db
24% Popularity • 42% Danceability • 80% Energy • 19% Liveness
89% Instrumentalness • 20% Positiveness
24% Popularity • 42% Danceability • 80% Energy • 19% Liveness
89% Instrumentalness • 20% Positiveness
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Aphex Twin
Ageispolis
102 bpm • F# min • 05:23 • -17.54db
56% Popularity • 64% Danceability • 39% Energy • 36% Liveness
89% Instrumentalness • 44% Positiveness
56% Popularity • 64% Danceability • 39% Energy • 36% Liveness
89% Instrumentalness • 44% Positiveness
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The Future Sound Of London
Dead Skin Cells
118 bpm • C min • 06:50 • -17.68db
32% Popularity • 31% Danceability • 47% Energy • 16% Liveness
69% Instrumentalness • 11% Positiveness
32% Popularity • 31% Danceability • 47% Energy • 16% Liveness
69% Instrumentalness • 11% Positiveness
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Plaid
Seph
119 bpm • D# min • 01:36 • -12db
31% Popularity • 74% Danceability • 55% Energy • 22% Liveness
84% Instrumentalness • 40% Positiveness
31% Popularity • 74% Danceability • 55% Energy • 22% Liveness
84% Instrumentalness • 40% Positiveness
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Herrmann & Kleine
Transalpin
119 bpm • C Maj • 06:54 • -12.75db
14% Popularity • 60% Danceability • 90% Energy • 11% Liveness
93% Instrumentalness • 40% Positiveness
14% Popularity • 60% Danceability • 90% Energy • 11% Liveness
93% Instrumentalness • 40% Positiveness
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Fennesz
Made In Hong Kong
102 bpm • A# min • 04:24 • -8.02db
19% Popularity • 43% Danceability • 71% Energy • 13% Liveness
91% Instrumentalness • 38% Positiveness
19% Popularity • 43% Danceability • 71% Energy • 13% Liveness
91% Instrumentalness • 38% Positiveness
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µ-Ziq
Catkin And Teasel
120 bpm • B min • 04:36 • -5.53db
26% Popularity • 37% Danceability • 97% Energy • 23% Liveness
89% Instrumentalness • 21% Positiveness
26% Popularity • 37% Danceability • 97% Energy • 23% Liveness
89% Instrumentalness • 21% Positiveness
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Aphex Twin
IZ-US
119 bpm • D# min • 02:57 • -15db
55% Popularity • 58% Danceability • 46% Energy • 15% Liveness
88% Instrumentalness • 32% Positiveness
55% Popularity • 58% Danceability • 46% Energy • 15% Liveness
88% Instrumentalness • 32% Positiveness
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GAS
Pop 4
119 bpm • G# Maj • 09:51 • -15db
35% Popularity • 48% Danceability • 74% Energy • 16% Liveness
84% Instrumentalness • 71% Positiveness
35% Popularity • 48% Danceability • 74% Energy • 16% Liveness
84% Instrumentalness • 71% Positiveness
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The Future Sound Of London
Cerebral
120 bpm • E min • 03:30 • -21.56db
24% Popularity • 36% Danceability • 11% Energy • 19% Liveness
67% Instrumentalness • 28% Positiveness
24% Popularity • 36% Danceability • 11% Energy • 19% Liveness
67% Instrumentalness • 28% Positiveness
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Secede
Foliage Pathway
120 bpm • D# min • 04:27 • -17.35db
24% Popularity • 17% Danceability • 36% Energy • 11% Liveness
85% Instrumentalness • 19% Positiveness
24% Popularity • 17% Danceability • 36% Energy • 11% Liveness
85% Instrumentalness • 19% Positiveness
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Bochum Welt
Ghost
120 bpm • G Maj • 01:46 • -25.38db
43% Popularity • 51% Danceability • 15% Energy • 6% Liveness
97% Instrumentalness • 4% Positiveness
43% Popularity • 51% Danceability • 15% Energy • 6% Liveness
97% Instrumentalness • 4% Positiveness
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Mouse On Mars
Kompod
101 bpm • F# Maj • 04:10 • -18db
29% Popularity • 77% Danceability • 53% Energy • 9% Liveness
89% Instrumentalness • 56% Positiveness
29% Popularity • 77% Danceability • 53% Energy • 9% Liveness
89% Instrumentalness • 56% Positiveness
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Seefeel
Industrious
120 bpm • B Maj • 06:40 • -14db
18% Popularity • 52% Danceability • 72% Energy • 32% Liveness
95% Instrumentalness • 33% Positiveness
18% Popularity • 52% Danceability • 72% Energy • 32% Liveness
95% Instrumentalness • 33% Positiveness
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Björk
All Is Full Of Love - Funkstörung Exclu...
120 bpm • A# min • 04:38 • -8.57db
22% Popularity • 78% Danceability • 91% Energy • 11% Liveness
87% Instrumentalness • 77% Positiveness
22% Popularity • 78% Danceability • 91% Energy • 11% Liveness
87% Instrumentalness • 77% Positiveness
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Cylob
Diof
120 bpm • F# min • 04:16 • -7.06db
17% Popularity • 81% Danceability • 81% Energy • 8% Liveness
86% Instrumentalness • 95% Positiveness
17% Popularity • 81% Danceability • 81% Energy • 8% Liveness
86% Instrumentalness • 95% Positiveness
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Gak
GAK 4
120 bpm • F# Maj • 06:04 • -14db
18% Popularity • 81% Danceability • 36% Energy • 7% Liveness
92% Instrumentalness • 47% Positiveness
18% Popularity • 81% Danceability • 36% Energy • 7% Liveness
92% Instrumentalness • 47% Positiveness
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Actress
Our
120 bpm • D# min • 02:32 • -5db
38% Popularity • 56% Danceability • 71% Energy • 11% Liveness
65% Instrumentalness • 50% Positiveness
38% Popularity • 56% Danceability • 71% Energy • 11% Liveness
65% Instrumentalness • 50% Positiveness
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Fennesz
Shisheido
120 bpm • A Maj • 02:57 • -12db
26% Popularity • 60% Danceability • 32% Energy • 9% Liveness
79% Instrumentalness • 21% Positiveness
26% Popularity • 60% Danceability • 32% Energy • 9% Liveness
79% Instrumentalness • 21% Positiveness
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Seefeel
Imperial
120 bpm • C min • 06:39 • -11db
17% Popularity • 39% Danceability • 65% Energy • 25% Liveness
85% Instrumentalness • 41% Positiveness
17% Popularity • 39% Danceability • 65% Energy • 25% Liveness
85% Instrumentalness • 41% Positiveness
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Aphex Twin
Jynweythek
120 bpm • D# min • 02:23 • -20db
49% Popularity • 72% Danceability • 25% Energy • 10% Liveness
89% Instrumentalness • 12% Positiveness
49% Popularity • 72% Danceability • 25% Energy • 10% Liveness
89% Instrumentalness • 12% Positiveness
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Susumu Yokota
Genshi
120 bpm • F Maj • 04:57 • -17.47db
32% Popularity • 44% Danceability • 57% Energy • 7% Liveness
93% Instrumentalness • 21% Positiveness
32% Popularity • 44% Danceability • 57% Energy • 7% Liveness
93% Instrumentalness • 21% Positiveness
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Clark
Pleen 1930's
120 bpm • G min • 01:31 • -15db
48% Popularity • 65% Danceability • 29% Energy • 15% Liveness
85% Instrumentalness • 71% Positiveness
48% Popularity • 65% Danceability • 29% Energy • 15% Liveness
85% Instrumentalness • 71% Positiveness
