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Midnight And Lonesome
Songs like
Midnight And Lonesome
by
Buddy Miller
Based on a tempo of (+/- 10%) and a similar genre
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Buddy Miller
Midnight And Lonesome
72 bpm • D Maj • 03:55 • -8.8db
9% Popularity • 50% Danceability • 53% Energy • 28% Liveness
0% Instrumentalness • 35% Positiveness
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Loretta Lynn
I'm Dying for Someone to Live For
71 bpm • E Maj • 02:30 • -7.51db
26% Popularity • 61% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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The Modern Don Juans
The Prettiest Thing
74 bpm • G Maj • 04:14 • -6.75db
31% Popularity • 54% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Caleb Caudle
Love That's Wild
75 bpm • C Maj • 02:59 • -9.05db
24% Popularity • 55% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Carsie Blanton
Fishin' with You
75 bpm • G Maj • 02:16 • -8db
39% Popularity • 47% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Jim Lauderdale
Let's Have A Good Thing Together
75 bpm • B Maj • 02:09 • -7.02db
32% Popularity • 68% Danceability • 53% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
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Eilen Jewell
Miles to Go
75 bpm • D Maj • 03:16 • -10.31db
41% Popularity • 66% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Holly Williams
Drinkin'
76 bpm • D Maj • 03:42 • -7.45db
23% Popularity • 53% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Lilly Hiatt
Walking Proof
76 bpm • F# Maj • 03:55 • -9db
21% Popularity • 55% Danceability • 40% Energy • 29% Liveness
0% Instrumentalness • 58% Positiveness
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Gurf Morlix
Clay Pigeons
77 bpm • D Maj • 03:25 • -9db
19% Popularity • 56% Danceability • 45% Energy • 23% Liveness
0% Instrumentalness • 67% Positiveness
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Amanda Shires
Detroit or Buffalo
77 bpm • C Maj • 04:08 • -10.02db
26% Popularity • 76% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Amanda Anne Platt & the Honeycutters
The Road
77 bpm • D Maj • 02:39 • -8.9db
21% Popularity • 67% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Nanci Griffith
Across the Great Divide
77 bpm • A Maj • 03:57 • -14.27db
36% Popularity • 54% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Buddy Miller
Sunday Morning Coming Down
78 bpm • G Maj • 04:24 • -13.72db
24% Popularity • 58% Danceability • 28% Energy • 42% Liveness
0% Instrumentalness • 38% Positiveness
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Levon Helm
Got Me A Woman
77 bpm • C Maj • 03:12 • -7db
34% Popularity • 69% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Shannon McNally
Lovin' In My Baby's Eyes
78 bpm • D Maj • 03:56 • -7.93db
17% Popularity • 58% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Dori Freeman
I Want to See the Bright Lights Tonight
78 bpm • B Maj • 03:14 • -6db
13% Popularity • 55% Danceability • 67% Energy • 23% Liveness
0% Instrumentalness • 61% Positiveness
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James McMurtry
Canola Fields
78 bpm • G# Maj • 04:49 • -8db
43% Popularity • 56% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 44% Positiveness
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Alejandro Escovedo
Evening Gown
79 bpm • G Maj • 03:28 • -6.68db
32% Popularity • 56% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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Buddy Miller
I'm Gonna Be Strong
78 bpm • A Maj • 03:31 • -10.05db
4% Popularity • 46% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Emmylou Harris
Boulder To Birmingham - Live
65 bpm • A Maj • 04:01 • -7.88db
43% Popularity • 35% Danceability • 50% Energy • 92% Liveness
0% Instrumentalness • 32% Positiveness
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Amanda Shires
Wasted and Rollin'
79 bpm • D Maj • 03:52 • -8.62db
25% Popularity • 38% Danceability • 54% Energy • 12% Liveness
3% Instrumentalness • 46% Positiveness
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Tift Merritt
Bramble Rose
80 bpm • D Maj • 04:30 • -11.08db
25% Popularity • 48% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Logan Ledger
Imagining Raindrops
81 bpm • G Maj • 03:20 • -7db
17% Popularity • 39% Danceability • 44% Energy • 36% Liveness
0% Instrumentalness • 39% Positiveness
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Lori McKenna
People Get Old
81 bpm • G# Maj • 03:42 • -11db
44% Popularity • 62% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Buddy Miller
Dang Me
81 bpm • E min • 05:02 • -13.18db
5% Popularity • 50% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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The Flatlanders
After the Storm
81 bpm • D# Maj • 03:52 • -9.65db
28% Popularity • 65% Danceability • 41% Energy • 10% Liveness
5% Instrumentalness • 21% Positiveness
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Natalie Hemby
Grand Restoration
81 bpm • C# Maj • 02:57 • -8.38db
29% Popularity • 54% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Tift Merritt
Traveling Alone
81 bpm • D Maj • 04:44 • -11db
46% Popularity • 51% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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James McMurtry
Memorial Day
81 bpm • A Maj • 04:14 • -8db
22% Popularity • 51% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Kieran Kane
Till I'm Too Old to Die Young
81 bpm • D Maj • 03:29 • -8.96db
21% Popularity • 47% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
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Buddy Miller
Vampire Girl
82 bpm • A min • 02:41 • -5.26db
6% Popularity • 26% Danceability • 81% Energy • 33% Liveness
0% Instrumentalness • 79% Positiveness
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Mary Gauthier
Oh Soul
82 bpm • F Maj • 05:26 • -15.83db
27% Popularity • 44% Danceability • 26% Energy • 11% Liveness
1% Instrumentalness • 38% Positiveness
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Amanda Anne Platt & the Honeycutters
What We've Got
83 bpm • C# Maj • 04:45 • -7.61db
18% Popularity • 62% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Kelsey Waldon
All by Myself
82 bpm • E Maj • 03:19 • -8.57db
18% Popularity • 43% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Chris Smither
What They Say
83 bpm • D Maj • 02:46 • -6.42db
42% Popularity • 57% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Kieran Kane
Please Help Me, I'm Falling
84 bpm • D Maj • 03:34 • -17.41db
16% Popularity • 60% Danceability • 7% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Dee White
Wherever You Go
84 bpm • G Maj • 03:20 • -7.29db
27% Popularity • 57% Danceability • 71% Energy • 21% Liveness
19% Instrumentalness • 57% Positiveness
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Abalone Dots
The Way That I'm Living
84 bpm • G min • 03:47 • -9.12db
3% Popularity • 43% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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John Hiatt
Dust Down A Country Road
85 bpm • A Maj • 04:04 • -9.67db
32% Popularity • 61% Danceability • 59% Energy • 34% Liveness
0% Instrumentalness • 55% Positiveness
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Ana Egge
Flat Top Guitar
85 bpm • G Maj • 02:50 • -8.25db
22% Popularity • 59% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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Bill Kirchen
Rocks into Sand
85 bpm • D min • 03:26 • -13.13db
23% Popularity • 63% Danceability • 32% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
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Kelsey Waldon
Anyhow
87 bpm • A Maj • 02:58 • -6.4db
19% Popularity • 49% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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The Bottle Rockets
Smile
85 bpm • F# Maj • 02:25 • -4.06db
32% Popularity • 47% Danceability • 69% Energy • 21% Liveness
0% Instrumentalness • 75% Positiveness
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Sophie Gault
Trouble
87 bpm • G# Maj • 03:47 • -5.87db
18% Popularity • 53% Danceability • 62% Energy • 10% Liveness
1% Instrumentalness • 32% Positiveness
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Jeffrey Foucault
Train to Jackson
88 bpm • A Maj • 04:17 • -9.82db
31% Popularity • 60% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Paul Thorn
I Have A Good Day
87 bpm • F Maj • 03:14 • -9.67db
24% Popularity • 67% Danceability • 40% Energy • 30% Liveness
0% Instrumentalness • 66% Positiveness
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Sunny Sweeney
But You Like Country Music
89 bpm • G Maj • 03:49 • -6.82db
27% Popularity • 72% Danceability • 68% Energy • 29% Liveness
0% Instrumentalness • 73% Positiveness
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Logan Ledger
River Of Fools
90 bpm • G Maj • 03:11 • -8db
23% Popularity • 68% Danceability • 60% Energy • 24% Liveness
4% Instrumentalness • 44% Positiveness
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Kinky Friedman
Resurrection
90 bpm • D Maj • 04:11 • -6.42db
12% Popularity • 56% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Kelsey Waldon
Kentucky, 1988
89 bpm • D# Maj • 04:04 • -7.58db
16% Popularity • 32% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Phil Madeira
I Think About Her
90 bpm • A# Maj • 04:28 • -7.1db
0% Popularity • 61% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Fred Eaglesmith
Drinking Too Much
91 bpm • C Maj • 03:55 • -7.32db
13% Popularity • 57% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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Buddy Miller
Barres De La Prison
91 bpm • G# Maj • 03:50 • -15.35db
4% Popularity • 38% Danceability • 22% Energy • 11% Liveness
56% Instrumentalness • 12% Positiveness
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Eilen Jewell
Half-Broke Horse
91 bpm • B Maj • 03:26 • -10.02db
38% Popularity • 53% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Asleep At The Wheel
Time Changes Everything
92 bpm • G Maj • 03:37 • -8.38db
10% Popularity • 69% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Justin Townes Earle
Mama's Eyes
92 bpm • F Maj • 02:18 • -10.09db
46% Popularity • 63% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Lukas Nelson and Promise of the Real
Just Outside Of Austin
93 bpm • C Maj • 04:44 • -12.87db
43% Popularity • 60% Danceability • 41% Energy • 10% Liveness
1% Instrumentalness • 42% Positiveness
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Bill Kirchen
Down to Seeds and Stems Again
93 bpm • C Maj • 04:02 • -11db
21% Popularity • 47% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Buddy Miller
Down South in New Orleans
92 bpm • F Maj • 02:58 • -6.49db
25% Popularity • 62% Danceability • 70% Energy • 21% Liveness
0% Instrumentalness • 95% Positiveness
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Eilen Jewell
Worried Mind
92 bpm • A Maj • 03:15 • -8db
43% Popularity • 43% Danceability • 61% Energy • 13% Liveness
8% Instrumentalness • 41% Positiveness
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Terry Allen
Gimme a Ride to Heaven Boy
93 bpm • A Maj • 04:59 • -9.99db
35% Popularity • 62% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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John Hiatt
Gone
93 bpm • G Maj • 02:57 • -7.7db
42% Popularity • 71% Danceability • 64% Energy • 7% Liveness
13% Instrumentalness • 94% Positiveness
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Lukas Nelson and Promise of the Real
Runnin’ Shine
92 bpm • D Maj • 03:22 • -10db
28% Popularity • 38% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Paul Thorn
I Backslide on Friday
93 bpm • G Maj • 03:34 • -6db
17% Popularity • 64% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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James McMurtry
Decent Man
93 bpm • D Maj • 04:48 • -8.42db
31% Popularity • 67% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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The Flatlanders
Homeland Refugee
93 bpm • C Maj • 03:58 • -8.7db
28% Popularity • 65% Danceability • 56% Energy • 19% Liveness
3% Instrumentalness • 47% Positiveness
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Kris Kristofferson
Pilgrim's Progress
93 bpm • A Maj • 02:14 • -8.56db
27% Popularity • 77% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Gurf Morlix
Big Cheeseburgers and Good French Fries
93 bpm • G Maj • 02:51 • -12.01db
20% Popularity • 85% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
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Vincent Neil Emerson
Texas Moon
93 bpm • D Maj • 03:25 • -7db
35% Popularity • 46% Danceability • 65% Energy • 37% Liveness
0% Instrumentalness • 83% Positiveness
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Skydiggers
This Old Town
93 bpm • A Maj • 02:40 • -11.34db
28% Popularity • 70% Danceability • 49% Energy • 35% Liveness
0% Instrumentalness • 79% Positiveness
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Chris Smither
Winsome Smile
94 bpm • F# Maj • 03:34 • -7.05db
31% Popularity • 49% Danceability • 60% Energy • 34% Liveness
0% Instrumentalness • 71% Positiveness
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Logan Ledger
The Lights Of San Francisco
94 bpm • A# Maj • 05:01 • -9.5db
17% Popularity • 57% Danceability • 49% Energy • 9% Liveness
16% Instrumentalness • 43% Positiveness
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The Black Lillies
Whiskey Angel
94 bpm • C Maj • 04:52 • -10.52db
24% Popularity • 46% Danceability • 45% Energy • 14% Liveness
1% Instrumentalness • 32% Positiveness
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Jonathan Tyler
Old Friend
94 bpm • G Maj • 04:25 • -7.52db
26% Popularity • 66% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Paul Thorn
It's Never Too Late to Call
94 bpm • E Maj • 03:01 • -16.43db
21% Popularity • 64% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Lucinda Williams
Can't Let Go
94 bpm • G Maj • 03:28 • -8.61db
48% Popularity • 62% Danceability • 82% Energy • 7% Liveness
3% Instrumentalness • 92% Positiveness
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Jaime Wyatt
Hurt So Bad
94 bpm • C Maj • 03:49 • -5.82db
42% Popularity • 57% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
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Courtney Marie Andrews
It Must Be Someone Else’s Fault
95 bpm • G# Maj • 03:18 • -7.92db
36% Popularity • 56% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Laura Cantrell
The Whiskey Makes You Sweeter
95 bpm • A# Maj • 05:07 • -9db
20% Popularity • 66% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Lauren Barth
Buddies
95 bpm • G Maj • 03:25 • -8.34db
6% Popularity • 58% Danceability • 47% Energy • 16% Liveness
12% Instrumentalness • 38% Positiveness
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Jim Lauderdale
No Later than Soon
95 bpm • B Maj • 02:56 • -9.6db
30% Popularity • 64% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Leah Blevins
Runnin'
95 bpm • G# Maj • 03:57 • -7.11db
25% Popularity • 49% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Buddy Miller
Love’s Gonna Live Here
95 bpm • G Maj • 02:14 • -6.91db
51% Popularity • 65% Danceability • 56% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
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Patty Griffin
Never Grow Old
95 bpm • A Maj • 03:11 • -15db
21% Popularity • 56% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Amanda Anne Platt & the Honeycutters
Eden
96 bpm • B Maj • 05:32 • -6db
28% Popularity • 68% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Shannon McNally
You Asked Me To
96 bpm • F Maj • 03:31 • -7.12db
5% Popularity • 37% Danceability • 72% Energy • 10% Liveness
1% Instrumentalness • 54% Positiveness
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Kieran Kane
Hillbilly Blue
96 bpm • A Maj • 03:11 • -10.05db
11% Popularity • 50% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Lauren Morrow
I Don't Think About You at All
96 bpm • E Maj • 04:22 • -9.23db
10% Popularity • 63% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Keith Sykes
Country Morning Music
96 bpm • C Maj • 02:27 • -7.34db
13% Popularity • 72% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Brennen Leigh
Tell Him I'm Dead
96 bpm • D Maj • 02:48 • -11.87db
22% Popularity • 76% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Justin Townes Earle
Slippin' And Slidin'
97 bpm • E Maj • 02:58 • -8.84db
33% Popularity • 48% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Jaime Wyatt
From Outer Space
97 bpm • D Maj • 04:13 • -6.49db
16% Popularity • 63% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Kieran Kane
Just Like That
98 bpm • C Maj • 03:30 • -12.02db
28% Popularity • 72% Danceability • 43% Energy • 9% Liveness
50% Instrumentalness • 75% Positiveness
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Buddy Miller
I Want to Be with You Always
98 bpm • F Maj • 03:11 • -10.56db
29% Popularity • 55% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Brigitte DeMeyer
Runnin' Round
98 bpm • G Maj • 02:46 • -9.37db
21% Popularity • 78% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Joe Ely
You Can Bet I'm Gone
98 bpm • D Maj • 02:52 • -9.42db
12% Popularity • 62% Danceability • 50% Energy • 57% Liveness
0% Instrumentalness • 58% Positiveness
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Lucinda Williams
Car Wheels On A Gravel Road
99 bpm • B Maj • 04:44 • -6.98db
45% Popularity • 63% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Zephaniah OHora
All American Singer
99 bpm • C Maj • 03:57 • -10.22db
16% Popularity • 66% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Miko Marks
Long Journey Home
99 bpm • D# Maj • 03:05 • -7.94db
16% Popularity • 64% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Midnight And Lonesome