Songs like Midnight Round Mekines by Javier Bergia
Based on a tempo of (+/- 10%) and a similar genre
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Javier Bergia
Me CasarÃa Contigo
132 bpm • B Maj • 03:58 • -10.98db
1% Popularity • 79% Danceability • 29% Energy • 28% Liveness
0% Instrumentalness • 91% Positiveness
1% Popularity • 79% Danceability • 29% Energy • 28% Liveness
0% Instrumentalness • 91% Positiveness
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Javier Maroto
Cristina
132 bpm • G# Maj • 03:39 • -10.44db
0% Popularity • 60% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
0% Popularity • 60% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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The Clean Hands Group
Night Fly
132 bpm • F Maj • 04:25 • -7db
10% Popularity • 87% Danceability • 59% Energy • 7% Liveness
22% Instrumentalness • 78% Positiveness
10% Popularity • 87% Danceability • 59% Energy • 7% Liveness
22% Instrumentalness • 78% Positiveness
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The Zenmenn
Homage To A Friendship
132 bpm • C Maj • 05:21 • -10.92db
34% Popularity • 69% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
34% Popularity • 69% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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John Martyn
Please Fall in Love with Me
133 bpm • D min • 06:12 • -15.4db
16% Popularity • 54% Danceability • 32% Energy • 16% Liveness
5% Instrumentalness • 34% Positiveness
16% Popularity • 54% Danceability • 32% Energy • 16% Liveness
5% Instrumentalness • 34% Positiveness
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Blue Gas
Marie - Original Version
133 bpm • B Maj • 04:49 • -16.3db
22% Popularity • 69% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
22% Popularity • 69% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Javier Bergia
Midnight Round Mekines
132 bpm • C# Maj • 05:19 • -8.55db
31% Popularity • 68% Danceability • 70% Energy • 13% Liveness
8% Instrumentalness • 83% Positiveness
31% Popularity • 68% Danceability • 70% Energy • 13% Liveness
8% Instrumentalness • 83% Positiveness
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Domenique Dumont
La bataille de neige
133 bpm • A min • 03:54 • -14.45db
39% Popularity • 90% Danceability • 51% Energy • 28% Liveness
95% Instrumentalness • 97% Positiveness
39% Popularity • 90% Danceability • 51% Energy • 28% Liveness
95% Instrumentalness • 97% Positiveness
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Tony Hymas
Pictures Of Departure
133 bpm • G Maj • 04:46 • -10db
20% Popularity • 74% Danceability • 71% Energy • 44% Liveness
11% Instrumentalness • 76% Positiveness
20% Popularity • 74% Danceability • 71% Energy • 44% Liveness
11% Instrumentalness • 76% Positiveness
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Dunkelziffer
See It
131 bpm • E min • 05:59 • -9.14db
11% Popularity • 68% Danceability • 60% Energy • 36% Liveness
73% Instrumentalness • 40% Positiveness
11% Popularity • 68% Danceability • 60% Energy • 36% Liveness
73% Instrumentalness • 40% Positiveness
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Suse Millemann
Patterns
133 bpm • D# Maj • 04:02 • -9.58db
14% Popularity • 69% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
14% Popularity • 69% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Dexter Story
Eastern Prayer
130 bpm • C Maj • 03:00 • -7.8db
15% Popularity • 67% Danceability • 61% Energy • 10% Liveness
84% Instrumentalness • 47% Positiveness
15% Popularity • 67% Danceability • 61% Energy • 10% Liveness
84% Instrumentalness • 47% Positiveness
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Javier Bergia
Neptuno
130 bpm • G Maj • 02:49 • -24db
0% Popularity • 51% Danceability • 40% Energy • 32% Liveness
0% Instrumentalness • 41% Positiveness
0% Popularity • 51% Danceability • 40% Energy • 32% Liveness
0% Instrumentalness • 41% Positiveness
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Bent
Moonbeams
130 bpm • C Maj • 02:44 • -8.18db
29% Popularity • 60% Danceability • 66% Energy • 29% Liveness
4% Instrumentalness • 59% Positiveness
29% Popularity • 60% Danceability • 66% Energy • 29% Liveness
4% Instrumentalness • 59% Positiveness
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Marcy Luarks
Electric Murder
130 bpm • E min • 03:44 • -13.02db
21% Popularity • 80% Danceability • 47% Energy • 8% Liveness
87% Instrumentalness • 96% Positiveness
21% Popularity • 80% Danceability • 47% Energy • 8% Liveness
87% Instrumentalness • 96% Positiveness
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Fran Espinosa
Podrás Volar
130 bpm • A Maj • 04:17 • -5.86db
6% Popularity • 57% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
6% Popularity • 57% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Suse Millemann
Patterns
130 bpm • D# Maj • 04:22 • -13.03db
23% Popularity • 69% Danceability • 33% Energy • 11% Liveness
49% Instrumentalness • 34% Positiveness
23% Popularity • 69% Danceability • 33% Energy • 11% Liveness
49% Instrumentalness • 34% Positiveness
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Luis Delgado
El Agua de por San Juan "Los Entremeses"
135 bpm • C# Maj • 01:40 • -7.86db
0% Popularity • 47% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
0% Popularity • 47% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
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Javier Bergia
MarÃa de los desamparados
135 bpm • F Maj • 04:02 • -19.85db
0% Popularity • 51% Danceability • 35% Energy • 36% Liveness
0% Instrumentalness • 40% Positiveness
0% Popularity • 51% Danceability • 35% Energy • 36% Liveness
0% Instrumentalness • 40% Positiveness
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Chico Herrera
Un dÃa cualquiera
135 bpm • B min • 03:13 • -11.66db
0% Popularity • 72% Danceability • 28% Energy • 30% Liveness
0% Instrumentalness • 22% Positiveness
0% Popularity • 72% Danceability • 28% Energy • 30% Liveness
0% Instrumentalness • 22% Positiveness
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Região Abissal
Feminina Mulher - Instrumental
135 bpm • F# min • 05:37 • -8.06db
13% Popularity • 75% Danceability • 62% Energy • 11% Liveness
40% Instrumentalness • 59% Positiveness
13% Popularity • 75% Danceability • 62% Energy • 11% Liveness
40% Instrumentalness • 59% Positiveness
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Eddie Chacon
Trouble
129 bpm • A min • 03:50 • -11.11db
29% Popularity • 70% Danceability • 48% Energy • 12% Liveness
12% Instrumentalness • 86% Positiveness
29% Popularity • 70% Danceability • 48% Energy • 12% Liveness
12% Instrumentalness • 86% Positiveness
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Maximum Joy
Silent Street / Silent Dub
129 bpm • C# min • 07:54 • -11.83db
22% Popularity • 62% Danceability • 43% Energy • 8% Liveness
48% Instrumentalness • 68% Positiveness
22% Popularity • 62% Danceability • 43% Energy • 8% Liveness
48% Instrumentalness • 68% Positiveness
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Luis Delgado
Canción de la Cueva de Salamanca "Los E...
129 bpm • G Maj • 02:01 • -8.09db
0% Popularity • 70% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 95% Positiveness
0% Popularity • 70% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 95% Positiveness
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Javier Bergia
Madre dormida
129 bpm • F min • 05:03 • -27.01db
0% Popularity • 34% Danceability • 10% Energy • 17% Liveness
26% Instrumentalness • 12% Positiveness
0% Popularity • 34% Danceability • 10% Energy • 17% Liveness
26% Instrumentalness • 12% Positiveness
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Imagination
Can't Stand Without You
136 bpm • C min • 09:13 • -8.76db
18% Popularity • 70% Danceability • 59% Energy • 32% Liveness
0% Instrumentalness • 71% Positiveness
18% Popularity • 70% Danceability • 59% Energy • 32% Liveness
0% Instrumentalness • 71% Positiveness
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Jeff Majors
Yasmeen
136 bpm • C# Maj • 05:31 • -12.02db
15% Popularity • 52% Danceability • 38% Energy • 11% Liveness
81% Instrumentalness • 4% Positiveness
15% Popularity • 52% Danceability • 38% Energy • 11% Liveness
81% Instrumentalness • 4% Positiveness
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Inre Kretsen Grupp
Campo Santo
136 bpm • C min • 05:38 • -8.97db
14% Popularity • 72% Danceability • 47% Energy • 6% Liveness
87% Instrumentalness • 35% Positiveness
14% Popularity • 72% Danceability • 47% Energy • 6% Liveness
87% Instrumentalness • 35% Positiveness
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Jack J
Only You Know Why
128 bpm • G Maj • 04:16 • -9.84db
26% Popularity • 81% Danceability • 52% Energy • 14% Liveness
11% Instrumentalness • 71% Positiveness
26% Popularity • 81% Danceability • 52% Energy • 14% Liveness
11% Instrumentalness • 71% Positiveness
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Basa Basa
Black Light
128 bpm • B min • 03:36 • -9db
18% Popularity • 44% Danceability • 60% Energy • 12% Liveness
72% Instrumentalness • 69% Positiveness
18% Popularity • 44% Danceability • 60% Energy • 12% Liveness
72% Instrumentalness • 69% Positiveness
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Javier Bergia
Una Mañana Esencial
128 bpm • C# Maj • 04:22 • -12.18db
1% Popularity • 31% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
1% Popularity • 31% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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The Zenmenn
Topaz (The Days Of Our Lives)
136 bpm • F Maj • 09:45 • -12.95db
18% Popularity • 34% Danceability • 29% Energy • 28% Liveness
49% Instrumentalness • 7% Positiveness
18% Popularity • 34% Danceability • 29% Energy • 28% Liveness
49% Instrumentalness • 7% Positiveness
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JoaquÃn DÃaz
Duérmete Fiu del Alma - En Directo
128 bpm • A min • 02:42 • -9.63db
0% Popularity • 35% Danceability • 44% Energy • 76% Liveness
0% Instrumentalness • 44% Positiveness
0% Popularity • 35% Danceability • 44% Energy • 76% Liveness
0% Instrumentalness • 44% Positiveness
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Spike
Kanti Dadum
127 bpm • E min • 03:11 • -7.56db
11% Popularity • 69% Danceability • 65% Energy • 34% Liveness
0% Instrumentalness • 82% Positiveness
11% Popularity • 69% Danceability • 65% Energy • 34% Liveness
0% Instrumentalness • 82% Positiveness
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George Oban
Basshoven
127 bpm • D min • 06:48 • -8.54db
13% Popularity • 60% Danceability • 64% Energy • 7% Liveness
64% Instrumentalness • 80% Positiveness
13% Popularity • 60% Danceability • 64% Energy • 7% Liveness
64% Instrumentalness • 80% Positiveness
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Arthur Russell
That's Us/Wild Combination
138 bpm • C# min • 06:58 • -13.34db
43% Popularity • 66% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
43% Popularity • 66% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
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Javier Bergia
Aquellos dÃas
136 bpm • E Maj • 04:28 • -7.03db
1% Popularity • 64% Danceability • 63% Energy • 28% Liveness
0% Instrumentalness • 45% Positiveness
1% Popularity • 64% Danceability • 63% Energy • 28% Liveness
0% Instrumentalness • 45% Positiveness
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Weekend
Nostalgia - Version 1
127 bpm • B min • 03:52 • -17.98db
13% Popularity • 42% Danceability • 12% Energy • 8% Liveness
1% Instrumentalness • 15% Positiveness
13% Popularity • 42% Danceability • 12% Energy • 8% Liveness
1% Instrumentalness • 15% Positiveness
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Violet Eves
Listen Over The Ocean
137 bpm • C# Maj • 04:19 • -8db
29% Popularity • 39% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
29% Popularity • 39% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Gino Soccio
So Lonely
126 bpm • A min • 02:04 • -14db
19% Popularity • 72% Danceability • 49% Energy • 20% Liveness
18% Instrumentalness • 77% Positiveness
19% Popularity • 72% Danceability • 49% Energy • 20% Liveness
18% Instrumentalness • 77% Positiveness
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Nexus
Stand Up - Instrumental
127 bpm • F# min • 05:52 • -8.5db
17% Popularity • 87% Danceability • 69% Energy • 7% Liveness
82% Instrumentalness • 97% Positiveness
17% Popularity • 87% Danceability • 69% Energy • 7% Liveness
82% Instrumentalness • 97% Positiveness
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Rupa
Aaj Shanibar
126 bpm • D Maj • 07:59 • -11db
41% Popularity • 58% Danceability • 76% Energy • 7% Liveness
8% Instrumentalness • 82% Positiveness
41% Popularity • 58% Danceability • 76% Energy • 7% Liveness
8% Instrumentalness • 82% Positiveness
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Javier Bergia
El Frente Minskins
127 bpm • A min • 05:41 • -10.83db
1% Popularity • 73% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
1% Popularity • 73% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Agathe & Regrets
Digamelo
126 bpm • D Maj • 03:56 • -9db
21% Popularity • 84% Danceability • 53% Energy • 10% Liveness
3% Instrumentalness • 86% Positiveness
21% Popularity • 84% Danceability • 53% Energy • 10% Liveness
3% Instrumentalness • 86% Positiveness
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The Durutti Column
Bordeaux Sequence
126 bpm • G Maj • 05:53 • -12db
11% Popularity • 54% Danceability • 43% Energy • 10% Liveness
56% Instrumentalness • 67% Positiveness
11% Popularity • 54% Danceability • 43% Energy • 10% Liveness
56% Instrumentalness • 67% Positiveness
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Laraaji
I Can Only Bliss Out (F'Days)
139 bpm • F Maj • 05:37 • -18.03db
34% Popularity • 55% Danceability • 45% Energy • 10% Liveness
21% Instrumentalness • 63% Positiveness
34% Popularity • 55% Danceability • 45% Energy • 10% Liveness
21% Instrumentalness • 63% Positiveness
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Arthur Russell
Get Around To It
125 bpm • F min • 04:58 • -12db
31% Popularity • 80% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
31% Popularity • 80% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
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Womack & Womack
Conscious Of My Conscience
125 bpm • A Maj • 06:08 • -18.54db
26% Popularity • 87% Danceability • 33% Energy • 32% Liveness
3% Instrumentalness • 61% Positiveness
26% Popularity • 87% Danceability • 33% Energy • 32% Liveness
3% Instrumentalness • 61% Positiveness
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The Rests
Someone to Call My Lover
125 bpm • D Maj • 04:01 • -6.01db
15% Popularity • 54% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
15% Popularity • 54% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Feater
Time Million
139 bpm • A# Maj • 04:49 • -11.96db
36% Popularity • 75% Danceability • 59% Energy • 5% Liveness
10% Instrumentalness • 75% Positiveness
36% Popularity • 75% Danceability • 59% Energy • 5% Liveness
10% Instrumentalness • 75% Positiveness
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Evans Pyramid
Never Gonna Leave You
125 bpm • G# Maj • 06:45 • -11.68db
33% Popularity • 72% Danceability • 71% Energy • 12% Liveness
69% Instrumentalness • 96% Positiveness
33% Popularity • 72% Danceability • 71% Energy • 12% Liveness
69% Instrumentalness • 96% Positiveness
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Atelje
Everslick
125 bpm • A# Maj • 06:05 • -9.08db
21% Popularity • 70% Danceability • 75% Energy • 38% Liveness
6% Instrumentalness • 93% Positiveness
21% Popularity • 70% Danceability • 75% Energy • 38% Liveness
6% Instrumentalness • 93% Positiveness
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Joe Tossini
Wild Dream
125 bpm • D min • 04:25 • -11.84db
14% Popularity • 79% Danceability • 32% Energy • 16% Liveness
5% Instrumentalness • 64% Positiveness
14% Popularity • 79% Danceability • 32% Energy • 16% Liveness
5% Instrumentalness • 64% Positiveness
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Javier Bergia
Tierre A La Vista
140 bpm • C Maj • 04:19 • -12.61db
4% Popularity • 31% Danceability • 38% Energy • 11% Liveness
11% Instrumentalness • 7% Positiveness
4% Popularity • 31% Danceability • 38% Energy • 11% Liveness
11% Instrumentalness • 7% Positiveness
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Luis Delgado
Canción del Alcalde "Los Entremeses"
140 bpm • C Maj • 01:44 • -11.44db
0% Popularity • 74% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
0% Popularity • 74% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Eddie Chacon
Wicked World
140 bpm • C# min • 03:31 • -12.45db
25% Popularity • 77% Danceability • 25% Energy • 10% Liveness
17% Instrumentalness • 60% Positiveness
25% Popularity • 77% Danceability • 25% Energy • 10% Liveness
17% Instrumentalness • 60% Positiveness
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Fuga Ronto
Daydreams
140 bpm • A# min • 06:21 • -8.52db
13% Popularity • 68% Danceability • 59% Energy • 24% Liveness
49% Instrumentalness • 63% Positiveness
13% Popularity • 68% Danceability • 59% Energy • 24% Liveness
49% Instrumentalness • 63% Positiveness
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Moonlight
Am I Really Here
124 bpm • A min • 04:13 • -11db
8% Popularity • 61% Danceability • 36% Energy • 16% Liveness
1% Instrumentalness • 43% Positiveness
8% Popularity • 61% Danceability • 36% Energy • 16% Liveness
1% Instrumentalness • 43% Positiveness
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Spike
You Can Do It
124 bpm • D min • 02:31 • -12.35db
24% Popularity • 65% Danceability • 43% Energy • 12% Liveness
32% Instrumentalness • 32% Positiveness
24% Popularity • 65% Danceability • 43% Energy • 12% Liveness
32% Instrumentalness • 32% Positiveness
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Javier Bergia
Del Buen Amor
125 bpm • E Maj • 03:50 • -11.58db
1% Popularity • 65% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
1% Popularity • 65% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Womack & Womack
Drive (First Gear)
141 bpm • C min • 06:02 • -15.61db
28% Popularity • 83% Danceability • 41% Energy • 6% Liveness
44% Instrumentalness • 56% Positiveness
28% Popularity • 83% Danceability • 41% Energy • 6% Liveness
44% Instrumentalness • 56% Positiveness
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Dan Lacksman
Love You Every Day
124 bpm • B min • 04:25 • -15db
14% Popularity • 60% Danceability • 49% Energy • 6% Liveness
14% Instrumentalness • 43% Positiveness
14% Popularity • 60% Danceability • 49% Energy • 6% Liveness
14% Instrumentalness • 43% Positiveness
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Gregorio Paniagua
Tocatta Mendicorum
141 bpm • C Maj • 01:42 • -14.68db
0% Popularity • 46% Danceability • 29% Energy • 10% Liveness
67% Instrumentalness • 48% Positiveness
0% Popularity • 46% Danceability • 29% Energy • 10% Liveness
67% Instrumentalness • 48% Positiveness
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Os Mulheres Negras
Mãoscolorida
141 bpm • B min • 03:52 • -6.87db
24% Popularity • 54% Danceability • 51% Energy • 10% Liveness
64% Instrumentalness • 41% Positiveness
24% Popularity • 54% Danceability • 51% Energy • 10% Liveness
64% Instrumentalness • 41% Positiveness
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Domenique Dumont
+371
141 bpm • F# Maj • 04:21 • -13db
17% Popularity • 82% Danceability • 55% Energy • 6% Liveness
94% Instrumentalness • 96% Positiveness
17% Popularity • 82% Danceability • 55% Energy • 6% Liveness
94% Instrumentalness • 96% Positiveness
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James McKenzie
I've Got to Go
124 bpm • E min • 03:35 • -11.63db
12% Popularity • 53% Danceability • 42% Energy • 48% Liveness
0% Instrumentalness • 76% Positiveness
12% Popularity • 53% Danceability • 42% Energy • 48% Liveness
0% Instrumentalness • 76% Positiveness
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Lives Of Angels
Golden Age
141 bpm • D Maj • 06:32 • -8db
20% Popularity • 64% Danceability • 65% Energy • 15% Liveness
46% Instrumentalness • 51% Positiveness
20% Popularity • 64% Danceability • 65% Energy • 15% Liveness
46% Instrumentalness • 51% Positiveness
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Margaret Wakeley
Hard To Leave The Island
123 bpm • C Maj • 03:27 • -14.81db
22% Popularity • 70% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
22% Popularity • 70% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Kash
Percussion Sundance
123 bpm • G min • 06:00 • -9db
17% Popularity • 78% Danceability • 54% Energy • 12% Liveness
85% Instrumentalness • 70% Positiveness
17% Popularity • 78% Danceability • 54% Energy • 12% Liveness
85% Instrumentalness • 70% Positiveness
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Javier Bergia
Himalaya
141 bpm • A Maj • 04:03 • -11.5db
4% Popularity • 39% Danceability • 36% Energy • 10% Liveness
28% Instrumentalness • 9% Positiveness
4% Popularity • 39% Danceability • 36% Energy • 10% Liveness
28% Instrumentalness • 9% Positiveness
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Daniel Grau
Con El Cielo En Tus Ojos - Original from...
141 bpm • F Maj • 03:30 • -7.86db
19% Popularity • 76% Danceability • 58% Energy • 8% Liveness
77% Instrumentalness • 73% Positiveness
19% Popularity • 76% Danceability • 58% Energy • 8% Liveness
77% Instrumentalness • 73% Positiveness
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Domenique Dumont
Sans cesse, mon chéri
123 bpm • D# Maj • 04:07 • -10.39db
51% Popularity • 87% Danceability • 54% Energy • 11% Liveness
65% Instrumentalness • 94% Positiveness
51% Popularity • 87% Danceability • 54% Energy • 11% Liveness
65% Instrumentalness • 94% Positiveness
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Tom of England
Song of the Sex Monk
123 bpm • A min • 09:25 • -10.83db
12% Popularity • 58% Danceability • 46% Energy • 10% Liveness
68% Instrumentalness • 26% Positiveness
12% Popularity • 58% Danceability • 46% Energy • 10% Liveness
68% Instrumentalness • 26% Positiveness
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Antena
Bye Bye Papaye
142 bpm • A min • 04:22 • -17.2db
27% Popularity • 61% Danceability • 33% Energy • 18% Liveness
6% Instrumentalness • 37% Positiveness
27% Popularity • 61% Danceability • 33% Energy • 18% Liveness
6% Instrumentalness • 37% Positiveness
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Alessandro Alessandroni
Afro Discoteca
123 bpm • C Maj • 03:08 • -8.62db
17% Popularity • 76% Danceability • 61% Energy • 9% Liveness
87% Instrumentalness • 83% Positiveness
17% Popularity • 76% Danceability • 61% Energy • 9% Liveness
87% Instrumentalness • 83% Positiveness
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Luis Delgado
Canción de la Mujer Bermeja "Los Entrem...
142 bpm • C Maj • 01:24 • -12.41db
0% Popularity • 62% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
0% Popularity • 62% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Low Motion Disco
Things Are Gonna Get Easier
142 bpm • C min • 06:15 • -9db
37% Popularity • 65% Danceability • 73% Energy • 15% Liveness
81% Instrumentalness • 64% Positiveness
37% Popularity • 65% Danceability • 73% Energy • 15% Liveness
81% Instrumentalness • 64% Positiveness
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The Durutti Column
Otis
122 bpm • A# Maj • 04:17 • -9.13db
44% Popularity • 47% Danceability • 39% Energy • 48% Liveness
76% Instrumentalness • 8% Positiveness
44% Popularity • 47% Danceability • 39% Energy • 48% Liveness
76% Instrumentalness • 8% Positiveness
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Javier Bergia
Delirio
143 bpm • E Maj • 04:39 • -15.98db
1% Popularity • 72% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
1% Popularity • 72% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Antena
Bye Bye Papaye (Lexx Mix)
142 bpm • A min • 04:52 • -9.26db
25% Popularity • 75% Danceability • 54% Energy • 31% Liveness
64% Instrumentalness • 79% Positiveness
25% Popularity • 75% Danceability • 54% Energy • 31% Liveness
64% Instrumentalness • 79% Positiveness
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Stratus
Girl
143 bpm • B min • 04:32 • -12.36db
14% Popularity • 46% Danceability • 64% Energy • 26% Liveness
61% Instrumentalness • 61% Positiveness
14% Popularity • 46% Danceability • 64% Energy • 26% Liveness
61% Instrumentalness • 61% Positiveness
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The System
Almost Grown
122 bpm • A min • 06:09 • -7.84db
31% Popularity • 58% Danceability • 78% Energy • 6% Liveness
2% Instrumentalness • 51% Positiveness
31% Popularity • 58% Danceability • 78% Energy • 6% Liveness
2% Instrumentalness • 51% Positiveness
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Richenel
Slave Of The Body / Mind
122 bpm • A# min • 03:19 • -10.46db
27% Popularity • 85% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
27% Popularity • 85% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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Jaime Roos
Tras Tus Ojos - Remastered
144 bpm • G Maj • 05:15 • -12.31db
18% Popularity • 83% Danceability • 51% Energy • 18% Liveness
50% Instrumentalness • 97% Positiveness
18% Popularity • 83% Danceability • 51% Energy • 18% Liveness
50% Instrumentalness • 97% Positiveness
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Ronald Langestraat
Then and forever
121 bpm • D min • 03:31 • -10db
28% Popularity • 59% Danceability • 42% Energy • 29% Liveness
1% Instrumentalness • 55% Positiveness
28% Popularity • 59% Danceability • 42% Energy • 29% Liveness
1% Instrumentalness • 55% Positiveness
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Dunkelziffer
This Is How You Came
121 bpm • G Maj • 08:01 • -12db
13% Popularity • 62% Danceability • 69% Energy • 13% Liveness
8% Instrumentalness • 74% Positiveness
13% Popularity • 62% Danceability • 69% Energy • 13% Liveness
8% Instrumentalness • 74% Positiveness
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Mark & Suzann Farmer
Dreams
121 bpm • C Maj • 05:08 • -7.01db
21% Popularity • 59% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
21% Popularity • 59% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Krisma
U (I Dig You), Pt. 1
121 bpm • G min • 06:17 • -7.24db
13% Popularity • 41% Danceability • 81% Energy • 18% Liveness
5% Instrumentalness • 85% Positiveness
13% Popularity • 41% Danceability • 81% Energy • 18% Liveness
5% Instrumentalness • 85% Positiveness
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Stirling March
Under Cover Lover
121 bpm • D min • 04:57 • -10.02db
33% Popularity • 80% Danceability • 52% Energy • 9% Liveness
1% Instrumentalness • 79% Positiveness
33% Popularity • 80% Danceability • 52% Energy • 9% Liveness
1% Instrumentalness • 79% Positiveness
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Finis Africae
El secreto de las 12
144 bpm • F Maj • 07:01 • -9.23db
15% Popularity • 16% Danceability • 68% Energy • 40% Liveness
0% Instrumentalness • 14% Positiveness
15% Popularity • 16% Danceability • 68% Energy • 40% Liveness
0% Instrumentalness • 14% Positiveness
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Javier Bergia
Con Su Pan Se Lo Coma
121 bpm • A Maj • 03:32 • -12.16db
2% Popularity • 39% Danceability • 50% Energy • 23% Liveness
0% Instrumentalness • 78% Positiveness
2% Popularity • 39% Danceability • 50% Energy • 23% Liveness
0% Instrumentalness • 78% Positiveness
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Penny Goodwin
Too Soon You're Old
144 bpm • D min • 05:16 • -9.02db
29% Popularity • 45% Danceability • 75% Energy • 20% Liveness
1% Instrumentalness • 88% Positiveness
29% Popularity • 45% Danceability • 75% Energy • 20% Liveness
1% Instrumentalness • 88% Positiveness
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Ingleton Falls
High
144 bpm • A# Maj • 09:23 • -10.23db
12% Popularity • 63% Danceability • 58% Energy • 12% Liveness
5% Instrumentalness • 46% Positiveness
12% Popularity • 63% Danceability • 58% Energy • 12% Liveness
5% Instrumentalness • 46% Positiveness
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Popcorn
Song for You
121 bpm • G Maj • 04:33 • -8.52db
27% Popularity • 73% Danceability • 63% Energy • 14% Liveness
5% Instrumentalness • 88% Positiveness
27% Popularity • 73% Danceability • 63% Energy • 14% Liveness
5% Instrumentalness • 88% Positiveness
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Stirling March
Under Cover Lover - Instrumental
121 bpm • D min • 04:57 • -10.71db
15% Popularity • 74% Danceability • 61% Energy • 13% Liveness
58% Instrumentalness • 71% Positiveness
15% Popularity • 74% Danceability • 61% Energy • 13% Liveness
58% Instrumentalness • 71% Positiveness
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Fimber Bravo
Santana's Daughter
144 bpm • A# min • 05:34 • -14.46db
10% Popularity • 85% Danceability • 24% Energy • 11% Liveness
91% Instrumentalness • 34% Positiveness
10% Popularity • 85% Danceability • 24% Energy • 11% Liveness
91% Instrumentalness • 34% Positiveness
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Javier Bergia
Un Carnivoro Cuchillo
145 bpm • D Maj • 04:41 • -13.42db
1% Popularity • 69% Danceability • 33% Energy • 26% Liveness
0% Instrumentalness • 23% Positiveness
1% Popularity • 69% Danceability • 33% Energy • 26% Liveness
0% Instrumentalness • 23% Positiveness
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Bobbie Gentry
Thunder In The Afternoon
144 bpm • D min • 04:42 • -10.79db
20% Popularity • 66% Danceability • 55% Energy • 15% Liveness
4% Instrumentalness • 90% Positiveness
20% Popularity • 66% Danceability • 55% Energy • 15% Liveness
4% Instrumentalness • 90% Positiveness
