Songs like Midnight, The Stars And You by Ray Noble & His Orchestra
Based on a tempo of (+/- 10%) and a similar genre
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Ella Mae Morse
Solid Potato Salad
138 bpm • A# Maj • 02:57 • -11.1db
11% Popularity • 68% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
11% Popularity • 68% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
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Lawrence Welk
The Moon Is a Silver Dollar
138 bpm • D# Maj • 02:30 • -15.79db
20% Popularity • 51% Danceability • 14% Energy • 11% Liveness
17% Instrumentalness • 33% Positiveness
20% Popularity • 51% Danceability • 14% Energy • 11% Liveness
17% Instrumentalness • 33% Positiveness
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Louis Jordan & His Tympany Five
Is You or Is You Ain't My Baby
138 bpm • F min • 02:45 • -8.81db
31% Popularity • 80% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
31% Popularity • 80% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Ray Noble & His Orchestra
Midnight, The Stars And You
138 bpm • F Maj • 03:23 • -24.81db
15% Popularity • 42% Danceability • 4% Energy • 12% Liveness
88% Instrumentalness • 37% Positiveness
15% Popularity • 42% Danceability • 4% Energy • 12% Liveness
88% Instrumentalness • 37% Positiveness
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Benny Goodman & Frank Auburn Orchestra
I Found a Million Dollar Baby
138 bpm • A# Maj • 03:23 • -15db
16% Popularity • 60% Danceability • 21% Energy • 9% Liveness
5% Instrumentalness • 67% Positiveness
16% Popularity • 60% Danceability • 21% Energy • 9% Liveness
5% Instrumentalness • 67% Positiveness
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Jack Shaindlin
Let's Go Sunning
138 bpm • C min • 01:44 • -16.02db
43% Popularity • 41% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
43% Popularity • 41% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Billy Murray
The Grand Old Rag
137 bpm • G# Maj • 02:46 • -9.18db
9% Popularity • 78% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
9% Popularity • 78% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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Ray Noble
Midnight With the Stars and You
137 bpm • F Maj • 03:29 • -15db
20% Popularity • 39% Danceability • 20% Energy • 23% Liveness
85% Instrumentalness • 47% Positiveness
20% Popularity • 39% Danceability • 20% Energy • 23% Liveness
85% Instrumentalness • 47% Positiveness
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Ted Weems
The Man from the South (With a Big Cigar...
137 bpm • F# Maj • 02:39 • -10.49db
10% Popularity • 78% Danceability • 52% Energy • 31% Liveness
1% Instrumentalness • 96% Positiveness
10% Popularity • 78% Danceability • 52% Energy • 31% Liveness
1% Instrumentalness • 96% Positiveness
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Ray Noble & His Orchestra
Midnight, The Stars And You
137 bpm • D min • 03:25 • -22db
38% Popularity • 43% Danceability • 10% Energy • 14% Liveness
88% Instrumentalness • 50% Positiveness
38% Popularity • 43% Danceability • 10% Energy • 14% Liveness
88% Instrumentalness • 50% Positiveness
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Billy Cotton & His Band
I'm Just Wild About Harry
137 bpm • D# Maj • 02:24 • -19.16db
18% Popularity • 82% Danceability • 24% Energy • 9% Liveness
2% Instrumentalness • 93% Positiveness
18% Popularity • 82% Danceability • 24% Energy • 9% Liveness
2% Instrumentalness • 93% Positiveness
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Lew Stone & His Band
Pop Goes Your Heart
137 bpm • G# Maj • 02:48 • -19.16db
26% Popularity • 72% Danceability • 19% Energy • 14% Liveness
69% Instrumentalness • 85% Positiveness
26% Popularity • 72% Danceability • 19% Energy • 14% Liveness
69% Instrumentalness • 85% Positiveness
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Bob Howard
Easy Living
136 bpm • G# Maj • 03:02 • -16.3db
36% Popularity • 56% Danceability • 12% Energy • 22% Liveness
64% Instrumentalness • 55% Positiveness
36% Popularity • 56% Danceability • 12% Energy • 22% Liveness
64% Instrumentalness • 55% Positiveness
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Jack Purvis
Mental Strain at Dawn
139 bpm • F Maj • 02:49 • -11.24db
16% Popularity • 77% Danceability • 63% Energy • 7% Liveness
87% Instrumentalness • 90% Positiveness
16% Popularity • 77% Danceability • 63% Energy • 7% Liveness
87% Instrumentalness • 90% Positiveness
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Eddie Lang
I'm Wild About That Thing
136 bpm • F min • 02:52 • -12.64db
25% Popularity • 70% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
25% Popularity • 70% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Noel Coward
A Room with a View
136 bpm • G Maj • 03:34 • -15db
21% Popularity • 40% Danceability • 14% Energy • 30% Liveness
0% Instrumentalness • 45% Positiveness
21% Popularity • 40% Danceability • 14% Energy • 30% Liveness
0% Instrumentalness • 45% Positiveness
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Betty Hutton
Hit The Road To Dreamland - 1995 Remaste...
140 bpm • C Maj • 01:59 • -12.52db
30% Popularity • 69% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
30% Popularity • 69% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Harry Roy and His Orchestra
They Can't Black Out the Moon
140 bpm • A min • 03:11 • -9.65db
17% Popularity • 59% Danceability • 37% Energy • 32% Liveness
82% Instrumentalness • 64% Positiveness
17% Popularity • 59% Danceability • 37% Energy • 32% Liveness
82% Instrumentalness • 64% Positiveness
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The Pied Pipers
Mairzy doats
136 bpm • F min • 02:46 • -5.1db
9% Popularity • 68% Danceability • 44% Energy • 35% Liveness
0% Instrumentalness • 77% Positiveness
9% Popularity • 68% Danceability • 44% Energy • 35% Liveness
0% Instrumentalness • 77% Positiveness
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Cab Calloway
Between the Devil & the Deep Blue Sea
136 bpm • F Maj • 03:05 • -11.87db
14% Popularity • 61% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
14% Popularity • 61% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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The Merry Macs
Mairzy Doats
141 bpm • C# Maj • 02:44 • -11.69db
33% Popularity • 79% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
33% Popularity • 79% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Eddie Cantor
You'd Be Surprised
135 bpm • G# Maj • 03:18 • -10.22db
2% Popularity • 63% Danceability • 27% Energy • 16% Liveness
3% Instrumentalness • 84% Positiveness
2% Popularity • 63% Danceability • 27% Energy • 16% Liveness
3% Instrumentalness • 84% Positiveness
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Jimmy Durante
Inka Dinka Doo
141 bpm • D# Maj • 02:52 • -16.37db
17% Popularity • 64% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
17% Popularity • 64% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
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Betty Hutton
Murder, He Says
135 bpm • A# Maj • 03:12 • -10.63db
21% Popularity • 60% Danceability • 32% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
21% Popularity • 60% Danceability • 32% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
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Kay Starr
Wheel Of Fortune
142 bpm • G Maj • 03:09 • -12db
33% Popularity • 46% Danceability • 25% Energy • 41% Liveness
0% Instrumentalness • 37% Positiveness
33% Popularity • 46% Danceability • 25% Energy • 41% Liveness
0% Instrumentalness • 37% Positiveness
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Ethel Waters
I Got Rhythm
142 bpm • F Maj • 03:06 • -11.1db
32% Popularity • 68% Danceability • 27% Energy • 23% Liveness
2% Instrumentalness • 67% Positiveness
32% Popularity • 68% Danceability • 27% Energy • 23% Liveness
2% Instrumentalness • 67% Positiveness
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Tony Bennett
Put on a Happy Face
142 bpm • F Maj • 02:37 • -10.1db
29% Popularity • 38% Danceability • 58% Energy • 42% Liveness
0% Instrumentalness • 64% Positiveness
29% Popularity • 38% Danceability • 58% Energy • 42% Liveness
0% Instrumentalness • 64% Positiveness
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Al Bowlly
Close Your Eyes
134 bpm • F min • 03:16 • -11db
10% Popularity • 32% Danceability • 20% Energy • 25% Liveness
81% Instrumentalness • 43% Positiveness
10% Popularity • 32% Danceability • 20% Energy • 25% Liveness
81% Instrumentalness • 43% Positiveness
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Ray Noble & His Orchestra
Please Don't Mention It
143 bpm • D# Maj • 03:13 • -20db
3% Popularity • 77% Danceability • 13% Energy • 13% Liveness
5% Instrumentalness • 80% Positiveness
3% Popularity • 77% Danceability • 13% Energy • 13% Liveness
5% Instrumentalness • 80% Positiveness
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Craig Duncan
Fascination
143 bpm • C Maj • 02:09 • -9.44db
7% Popularity • 23% Danceability • 33% Energy • 43% Liveness
1% Instrumentalness • 51% Positiveness
7% Popularity • 23% Danceability • 33% Energy • 43% Liveness
1% Instrumentalness • 51% Positiveness
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Lew Stone & His Band
Just Let Me Look at You
143 bpm • A# Maj • 03:18 • -19db
14% Popularity • 29% Danceability • 15% Energy • 32% Liveness
94% Instrumentalness • 32% Positiveness
14% Popularity • 29% Danceability • 15% Energy • 32% Liveness
94% Instrumentalness • 32% Positiveness
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Jelly Roll Morton
The crave
143 bpm • F Maj • 04:39 • -12.7db
3% Popularity • 64% Danceability • 39% Energy • 17% Liveness
93% Instrumentalness • 87% Positiveness
3% Popularity • 64% Danceability • 39% Energy • 17% Liveness
93% Instrumentalness • 87% Positiveness
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Roy Fox Band
Lazy day
133 bpm • G min • 03:14 • -5.76db
1% Popularity • 64% Danceability • 38% Energy • 11% Liveness
7% Instrumentalness • 54% Positiveness
1% Popularity • 64% Danceability • 38% Energy • 11% Liveness
7% Instrumentalness • 54% Positiveness
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Aldwych Players
Dancing With Tears In My Eyes
133 bpm • G min • 02:27 • -21.19db
23% Popularity • 39% Danceability • 9% Energy • 15% Liveness
88% Instrumentalness • 35% Positiveness
23% Popularity • 39% Danceability • 9% Energy • 15% Liveness
88% Instrumentalness • 35% Positiveness
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Jack Hylton & His Orchestra
Blue Skies Are Around The Corner
133 bpm • G Maj • 02:59 • -9.15db
21% Popularity • 63% Danceability • 39% Energy • 13% Liveness
3% Instrumentalness • 48% Positiveness
21% Popularity • 63% Danceability • 39% Energy • 13% Liveness
3% Instrumentalness • 48% Positiveness
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Laurel and Hardy
At The Ball, That’s All
132 bpm • B Maj • 02:03 • -14.59db
7% Popularity • 66% Danceability • 30% Energy • 28% Liveness
44% Instrumentalness • 78% Positiveness
7% Popularity • 66% Danceability • 30% Energy • 28% Liveness
44% Instrumentalness • 78% Positiveness
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Ray Noble & His Orchestra
Happy
132 bpm • G Maj • 03:05 • -21.13db
0% Popularity • 72% Danceability • 19% Energy • 12% Liveness
25% Instrumentalness • 76% Positiveness
0% Popularity • 72% Danceability • 19% Energy • 12% Liveness
25% Instrumentalness • 76% Positiveness
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Charlie & His Orchestra
Submarines
144 bpm • G min • 02:53 • -15.09db
7% Popularity • 48% Danceability • 24% Energy • 40% Liveness
29% Instrumentalness • 74% Positiveness
7% Popularity • 48% Danceability • 24% Energy • 40% Liveness
29% Instrumentalness • 74% Positiveness
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Johnny Mathis
Wonderful! Wonderful! - Single Version
144 bpm • G min • 02:47 • -11db
33% Popularity • 26% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
33% Popularity • 26% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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American Quartet
You're a Grand Old Flag
132 bpm • C# min • 02:42 • -14.12db
11% Popularity • 83% Danceability • 20% Energy • 26% Liveness
2% Instrumentalness • 74% Positiveness
11% Popularity • 83% Danceability • 20% Energy • 26% Liveness
2% Instrumentalness • 74% Positiveness
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Jack Hylton
Blue Skies Are Around The Corner
131 bpm • G Maj • 03:01 • -20.24db
12% Popularity • 62% Danceability • 14% Energy • 18% Liveness
1% Instrumentalness • 57% Positiveness
12% Popularity • 62% Danceability • 14% Energy • 18% Liveness
1% Instrumentalness • 57% Positiveness
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Betty Hutton
It's a Man (Alternate Take)
145 bpm • D Maj • 02:23 • -6.98db
16% Popularity • 62% Danceability • 37% Energy • 60% Liveness
0% Instrumentalness • 94% Positiveness
16% Popularity • 62% Danceability • 37% Energy • 60% Liveness
0% Instrumentalness • 94% Positiveness
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Ray Noble & His Orchestra
I Never Had A Chance
132 bpm • A# Maj • 03:15 • -17.21db
6% Popularity • 45% Danceability • 21% Energy • 12% Liveness
31% Instrumentalness • 54% Positiveness
6% Popularity • 45% Danceability • 21% Energy • 12% Liveness
31% Instrumentalness • 54% Positiveness
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Ginger Rogers
I Used to Be Color Blind
146 bpm • C min • 03:27 • -12.32db
9% Popularity • 48% Danceability • 16% Energy • 31% Liveness
22% Instrumentalness • 57% Positiveness
9% Popularity • 48% Danceability • 16% Energy • 31% Liveness
22% Instrumentalness • 57% Positiveness
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Cab Calloway & His Orchestra
Hi de Ho Man
146 bpm • D min • 03:03 • -12.83db
7% Popularity • 45% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
7% Popularity • 45% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
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Paul Whiteman & His Orchestra
3 O'clock in the Morning
130 bpm • A Maj • 03:15 • -10.63db
14% Popularity • 30% Danceability • 20% Energy • 11% Liveness
84% Instrumentalness • 38% Positiveness
14% Popularity • 30% Danceability • 20% Energy • 11% Liveness
84% Instrumentalness • 38% Positiveness
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Eddie Cantor
Ma! (He's Making Eyes at Me)
130 bpm • F Maj • 02:18 • -10db
26% Popularity • 78% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
26% Popularity • 78% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
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Betty Hutton
Blue Skies
131 bpm • F min • 02:52 • -10.59db
31% Popularity • 52% Danceability • 14% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
31% Popularity • 52% Danceability • 14% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
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Ray Noble & His Orchestra
Song Without Words
146 bpm • G min • 02:55 • -27.67db
1% Popularity • 30% Danceability • 3% Energy • 30% Liveness
70% Instrumentalness • 17% Positiveness
1% Popularity • 30% Danceability • 3% Energy • 30% Liveness
70% Instrumentalness • 17% Positiveness
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Al Bowlly & His Orchestra
Isle of Capri
130 bpm • F Maj • 03:28 • -10.54db
1% Popularity • 63% Danceability • 45% Energy • 32% Liveness
59% Instrumentalness • 75% Positiveness
1% Popularity • 63% Danceability • 45% Energy • 32% Liveness
59% Instrumentalness • 75% Positiveness
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Vic Damone
On the Street Where You Live - Single V...
130 bpm • B Maj • 02:43 • -9.75db
33% Popularity • 26% Danceability • 39% Energy • 40% Liveness
0% Instrumentalness • 40% Positiveness
33% Popularity • 26% Danceability • 39% Energy • 40% Liveness
0% Instrumentalness • 40% Positiveness
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Cliff Edwards
I Can't Give You Anything But Love
130 bpm • C# Maj • 03:00 • -15.33db
9% Popularity • 43% Danceability • 20% Energy • 52% Liveness
4% Instrumentalness • 54% Positiveness
9% Popularity • 43% Danceability • 20% Energy • 52% Liveness
4% Instrumentalness • 54% Positiveness
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Anton Karas
The Third Man Theme
130 bpm • G Maj • 04:25 • -12db
18% Popularity • 47% Danceability • 35% Energy • 33% Liveness
86% Instrumentalness • 87% Positiveness
18% Popularity • 47% Danceability • 35% Energy • 33% Liveness
86% Instrumentalness • 87% Positiveness
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Nick Lucas
Tip-toe thru' the tulips with me
130 bpm • G Maj • 02:46 • -16.08db
8% Popularity • 59% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
8% Popularity • 59% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Benny Goodman Quartet
Tea For Two
130 bpm • G# Maj • 03:06 • -15.36db
30% Popularity • 73% Danceability • 39% Energy • 7% Liveness
47% Instrumentalness • 85% Positiveness
30% Popularity • 73% Danceability • 39% Energy • 7% Liveness
47% Instrumentalness • 85% Positiveness
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Wayne Newton
Danke Schoen
147 bpm • A min • 02:35 • -8.71db
55% Popularity • 39% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
55% Popularity • 39% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Jimmy Dorsey & His Orchestra
The Breeze and I
129 bpm • G# Maj • 02:59 • -8.45db
19% Popularity • 40% Danceability • 32% Energy • 12% Liveness
13% Instrumentalness • 35% Positiveness
19% Popularity • 40% Danceability • 32% Energy • 12% Liveness
13% Instrumentalness • 35% Positiveness
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Ray Noble & His Orchestra
Oh, You Nasty Man
129 bpm • G# Maj • 03:05 • -22db
2% Popularity • 65% Danceability • 10% Energy • 10% Liveness
10% Instrumentalness • 74% Positiveness
2% Popularity • 65% Danceability • 10% Energy • 10% Liveness
10% Instrumentalness • 74% Positiveness
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Guy Lombardo & His Royal Canadians
A Sail Boat in the Moonlight
129 bpm • C Maj • 02:50 • -17.31db
23% Popularity • 46% Danceability • 12% Energy • 30% Liveness
7% Instrumentalness • 60% Positiveness
23% Popularity • 46% Danceability • 12% Energy • 30% Liveness
7% Instrumentalness • 60% Positiveness
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Les Brown
Bizet Has His Day
148 bpm • C min • 03:15 • -10db
24% Popularity • 64% Danceability • 38% Energy • 6% Liveness
6% Instrumentalness • 43% Positiveness
24% Popularity • 64% Danceability • 38% Energy • 6% Liveness
6% Instrumentalness • 43% Positiveness
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Fletcher Henderson
Shanghai Shuffle
129 bpm • F# Maj • 02:58 • -10db
21% Popularity • 72% Danceability • 54% Energy • 10% Liveness
90% Instrumentalness • 93% Positiveness
21% Popularity • 72% Danceability • 54% Energy • 10% Liveness
90% Instrumentalness • 93% Positiveness
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Vaughn Monroe
Ev'rday I Love You (Just a Little Bit Mo...
129 bpm • G min • 02:31 • -11.29db
15% Popularity • 66% Danceability • 22% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
15% Popularity • 66% Danceability • 22% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
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Ella Mae Morse
Mr. Five By Five
128 bpm • E min • 03:03 • -18.13db
27% Popularity • 76% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
27% Popularity • 76% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Ray Noble & His Orchestra
Over On The Sunny Side
148 bpm • G# Maj • 02:56 • -25.23db
1% Popularity • 67% Danceability • 5% Energy • 17% Liveness
92% Instrumentalness • 55% Positiveness
1% Popularity • 67% Danceability • 5% Energy • 17% Liveness
92% Instrumentalness • 55% Positiveness
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Frank Salvano & Ambassadors
Me and the Man in the Moon
128 bpm • D# Maj • 03:22 • -15.05db
18% Popularity • 72% Danceability • 16% Energy • 18% Liveness
75% Instrumentalness • 75% Positiveness
18% Popularity • 72% Danceability • 16% Energy • 18% Liveness
75% Instrumentalness • 75% Positiveness
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Al Bowlly & His Orchestra
My melancholy baby
128 bpm • G# Maj • 03:12 • -12.22db
2% Popularity • 46% Danceability • 19% Energy • 23% Liveness
0% Instrumentalness • 26% Positiveness
2% Popularity • 46% Danceability • 19% Energy • 23% Liveness
0% Instrumentalness • 26% Positiveness
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Larry Clinton & His Orchestra
Feeling Like A Dream
149 bpm • F Maj • 03:20 • -19.88db
16% Popularity • 52% Danceability • 14% Energy • 13% Liveness
1% Instrumentalness • 54% Positiveness
16% Popularity • 52% Danceability • 14% Energy • 13% Liveness
1% Instrumentalness • 54% Positiveness
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Jimmie Lunceford
Ain't She Sweet
149 bpm • C# Maj • 02:30 • -18.73db
28% Popularity • 76% Danceability • 14% Energy • 11% Liveness
2% Instrumentalness • 70% Positiveness
28% Popularity • 76% Danceability • 14% Energy • 11% Liveness
2% Instrumentalness • 70% Positiveness
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Patti Page With Orchestra
The Doggie In The Window
128 bpm • D Maj • 02:27 • -16.45db
15% Popularity • 63% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
15% Popularity • 63% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Ray Noble & His Orchestra
Hold My Hand
129 bpm • C Maj • 03:15 • -18.89db
5% Popularity • 46% Danceability • 26% Energy • 25% Liveness
84% Instrumentalness • 77% Positiveness
5% Popularity • 46% Danceability • 26% Energy • 25% Liveness
84% Instrumentalness • 77% Positiveness
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Jimmy Dorsey
I'm Steppin' out with a Memory Tonight
127 bpm • F min • 02:46 • -9.34db
25% Popularity • 52% Danceability • 29% Energy • 22% Liveness
12% Instrumentalness • 68% Positiveness
25% Popularity • 52% Danceability • 29% Energy • 22% Liveness
12% Instrumentalness • 68% Positiveness
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Vaughn Monroe
Riders in the Sky
127 bpm • A Maj • 02:56 • -5.08db
25% Popularity • 46% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
25% Popularity • 46% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Eddie Cantor
Makin' Whoopee
127 bpm • G min • 03:02 • -10db
24% Popularity • 55% Danceability • 27% Energy • 33% Liveness
16% Instrumentalness • 48% Positiveness
24% Popularity • 55% Danceability • 27% Energy • 33% Liveness
16% Instrumentalness • 48% Positiveness
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Al Bowlly
Dark Eyes
127 bpm • A# min • 02:54 • -16.05db
19% Popularity • 30% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
19% Popularity • 30% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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Helen Kane
I Wanna Be Loved by You - Remastered
126 bpm • G# Maj • 02:47 • -10db
13% Popularity • 64% Danceability • 13% Energy • 28% Liveness
0% Instrumentalness • 46% Positiveness
13% Popularity • 64% Danceability • 13% Energy • 28% Liveness
0% Instrumentalness • 46% Positiveness
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Ray Noble & His Orchestra
What a Perfect Combination
127 bpm • G min • 02:30 • -12db
11% Popularity • 83% Danceability • 44% Energy • 9% Liveness
92% Instrumentalness • 83% Positiveness
11% Popularity • 83% Danceability • 44% Energy • 9% Liveness
92% Instrumentalness • 83% Positiveness
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Bix Beiderbecke
Clarinet Marmalade
125 bpm • F Maj • 03:12 • -10db
31% Popularity • 78% Danceability • 45% Energy • 8% Liveness
82% Instrumentalness • 96% Positiveness
31% Popularity • 78% Danceability • 45% Energy • 8% Liveness
82% Instrumentalness • 96% Positiveness
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Henry Hall
Here's to the Next Time
126 bpm • C Maj • 02:31 • -4db
9% Popularity • 69% Danceability • 77% Energy • 41% Liveness
16% Instrumentalness • 56% Positiveness
9% Popularity • 69% Danceability • 77% Energy • 41% Liveness
16% Instrumentalness • 56% Positiveness
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Jack Hylton & His Orchestra
Egyptian Ella
125 bpm • G min • 02:51 • -8.62db
19% Popularity • 81% Danceability • 56% Energy • 20% Liveness
20% Instrumentalness • 92% Positiveness
19% Popularity • 81% Danceability • 56% Energy • 20% Liveness
20% Instrumentalness • 92% Positiveness
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Todd Rollins & His Orchestra
The Boogie Man
153 bpm • E Maj • 03:06 • -6.54db
27% Popularity • 67% Danceability • 57% Energy • 9% Liveness
8% Instrumentalness • 73% Positiveness
27% Popularity • 67% Danceability • 57% Energy • 9% Liveness
8% Instrumentalness • 73% Positiveness
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Jimmy Dorsey
A You'Re Adorable
124 bpm • A min • 02:29 • -8db
32% Popularity • 58% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
32% Popularity • 58% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Marx Brothers
Everyone Says I Love You/Horse Feathers
124 bpm • F Maj • 01:29 • -9.92db
10% Popularity • 50% Danceability • 41% Energy • 17% Liveness
69% Instrumentalness • 56% Positiveness
10% Popularity • 50% Danceability • 41% Energy • 17% Liveness
69% Instrumentalness • 56% Positiveness
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Busby Berkeley
Where in the Money
124 bpm • G Maj • 02:36 • -10db
6% Popularity • 52% Danceability • 49% Energy • 61% Liveness
0% Instrumentalness • 89% Positiveness
6% Popularity • 52% Danceability • 49% Energy • 61% Liveness
0% Instrumentalness • 89% Positiveness
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Sammy Kaye
Daddy
154 bpm • A# Maj • 02:55 • -11.89db
24% Popularity • 68% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
24% Popularity • 68% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Jack Hylton & His Orchestra
Forty Seven Ginger Headed Sailors
124 bpm • A# Maj • 03:03 • -15.26db
13% Popularity • 82% Danceability • 32% Energy • 23% Liveness
7% Instrumentalness • 84% Positiveness
13% Popularity • 82% Danceability • 32% Energy • 23% Liveness
7% Instrumentalness • 84% Positiveness
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Helen Kane
I Wanna Be Loved by You - Alternate Vers...
124 bpm • G# Maj • 02:04 • -10.43db
15% Popularity • 65% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
15% Popularity • 65% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Noel Coward
Could You Please Oblige Us with a Bren G...
124 bpm • G Maj • 03:26 • -19.16db
16% Popularity • 72% Danceability • 18% Energy • 39% Liveness
18% Instrumentalness • 66% Positiveness
16% Popularity • 72% Danceability • 18% Energy • 39% Liveness
18% Instrumentalness • 66% Positiveness
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Flanagan & Allen
Underneath the Arches
123 bpm • C Maj • 03:01 • -16db
27% Popularity • 57% Danceability • 14% Energy • 10% Liveness
16% Instrumentalness • 54% Positiveness
27% Popularity • 57% Danceability • 14% Energy • 10% Liveness
16% Instrumentalness • 54% Positiveness
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Henry Hall and His Gleneagles Hotel Band
Home
123 bpm • G min • 03:14 • -14.02db
34% Popularity • 50% Danceability • 17% Energy • 11% Liveness
15% Instrumentalness • 46% Positiveness
34% Popularity • 50% Danceability • 17% Energy • 11% Liveness
15% Instrumentalness • 46% Positiveness
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The Warner Bros. Studio Orchestra
Play It Sam... Play "As Time Goes By"
123 bpm • C# Maj • 04:58 • -15db
20% Popularity • 34% Danceability • 36% Energy • 39% Liveness
1% Instrumentalness • 9% Positiveness
20% Popularity • 34% Danceability • 36% Energy • 39% Liveness
1% Instrumentalness • 9% Positiveness
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Slim Gaillard
Atomic Cocktail
123 bpm • F Maj • 02:41 • -13db
32% Popularity • 79% Danceability • 27% Energy • 10% Liveness
64% Instrumentalness • 53% Positiveness
32% Popularity • 79% Danceability • 27% Energy • 10% Liveness
64% Instrumentalness • 53% Positiveness
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Jack Hylton & His Orchestra
Life Is Just a Bowl of Cherries
155 bpm • C# min • 02:54 • -14.85db
14% Popularity • 43% Danceability • 35% Energy • 14% Liveness
78% Instrumentalness • 68% Positiveness
14% Popularity • 43% Danceability • 35% Energy • 14% Liveness
78% Instrumentalness • 68% Positiveness
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Henry Hall
Underneath the Arches
123 bpm • E min • 03:07 • -8.17db
14% Popularity • 54% Danceability • 49% Energy • 37% Liveness
0% Instrumentalness • 33% Positiveness
14% Popularity • 54% Danceability • 49% Energy • 37% Liveness
0% Instrumentalness • 33% Positiveness
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Danny Kaye
Civilization
155 bpm • C# Maj • 03:03 • -13.65db
24% Popularity • 61% Danceability • 23% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
24% Popularity • 61% Danceability • 23% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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Louis Jordan
Keep a Knockin' but You Can't Come in (A...
155 bpm • F# Maj • 02:31 • -9.05db
17% Popularity • 74% Danceability • 28% Energy • 3% Liveness
8% Instrumentalness • 71% Positiveness
17% Popularity • 74% Danceability • 28% Energy • 3% Liveness
8% Instrumentalness • 71% Positiveness
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Jimmy Dorsey & His Orchestra
Tangerine
155 bpm • B min • 03:12 • -11.09db
38% Popularity • 48% Danceability • 20% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
38% Popularity • 48% Danceability • 20% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
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Ray Noble & His Orchestra
Let Me Give Happiness To You
122 bpm • C Maj • 03:18 • -22db
10% Popularity • 60% Danceability • 5% Energy • 10% Liveness
52% Instrumentalness • 36% Positiveness
10% Popularity • 60% Danceability • 5% Energy • 10% Liveness
52% Instrumentalness • 36% Positiveness
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Vaughn Monroe
Riders In the Sky
122 bpm • E Maj • 03:04 • -8.84db
8% Popularity • 53% Danceability • 38% Energy • 27% Liveness
0% Instrumentalness • 27% Positiveness
8% Popularity • 53% Danceability • 38% Energy • 27% Liveness
0% Instrumentalness • 27% Positiveness
