Songs like Midsummer Night's Dream, Incidental Music, Op. 61, MWV M 13: No. 9 Wedding March by Felix Mendelssohn
Based on a tempo of (+/- 10%) and a similar genre
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Felix Mendelssohn
Midsummer Night's Dream, Incidental Musi...
74 bpm • C Maj • 05:06 • -12db
33% Popularity • 33% Danceability • 23% Energy • 6% Liveness
94% Instrumentalness • 11% Positiveness
33% Popularity • 33% Danceability • 23% Energy • 6% Liveness
94% Instrumentalness • 11% Positiveness
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Jeff String
Marriage of Figaro
74 bpm • D Maj • 04:00 • -14.33db
18% Popularity • 36% Danceability • 18% Energy • 9% Liveness
93% Instrumentalness • 33% Positiveness
18% Popularity • 36% Danceability • 18% Energy • 9% Liveness
93% Instrumentalness • 33% Positiveness
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Anton Rubinstein
Melody in F Major, Op. 3, No. 1
74 bpm • F Maj • 04:32 • -29db
19% Popularity • 36% Danceability • 4% Energy • 10% Liveness
86% Instrumentalness • 5% Positiveness
19% Popularity • 36% Danceability • 4% Energy • 10% Liveness
86% Instrumentalness • 5% Positiveness
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Frédéric Chopin
3 Nouvelles etudes, Op. posth.: II. Etud...
74 bpm • G# Maj • 02:31 • -37db
43% Popularity • 21% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 8% Positiveness
43% Popularity • 21% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 8% Positiveness
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John Williams
Remembrances
74 bpm • G min • 04:20 • -26.24db
37% Popularity • 7% Danceability • 3% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
37% Popularity • 7% Danceability • 3% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
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Georges Bizet
Carmen Suite No. 1: 3. Intermezzo
74 bpm • A# Maj • 02:33 • -30db
34% Popularity • 7% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
34% Popularity • 7% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
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Alexander Borodin
Borodin - String Quartet No.2 in D major...
74 bpm • A Maj • 08:37 • -19.03db
36% Popularity • 16% Danceability • 15% Energy • 4% Liveness
62% Instrumentalness • 9% Positiveness
36% Popularity • 16% Danceability • 15% Energy • 4% Liveness
62% Instrumentalness • 9% Positiveness
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George Frideric Handel
Passacaglia for Violin and Violoncello a...
74 bpm • G min • 07:21 • -23.88db
27% Popularity • 26% Danceability • 9% Energy • 8% Liveness
65% Instrumentalness • 24% Positiveness
27% Popularity • 26% Danceability • 9% Energy • 8% Liveness
65% Instrumentalness • 24% Positiveness
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Jacques Offenbach
Galop Infernal (Can-Can) - De La Opera "...
74 bpm • D Maj • 02:24 • -12.92db
37% Popularity • 52% Danceability • 40% Energy • 8% Liveness
79% Instrumentalness • 86% Positiveness
37% Popularity • 52% Danceability • 40% Energy • 8% Liveness
79% Instrumentalness • 86% Positiveness
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Gioachino Rossini
Guillaume Tell (William Tell): Overture ...
74 bpm • G Maj • 02:17 • -39db
37% Popularity • 41% Danceability • 2% Energy • 5% Liveness
89% Instrumentalness • 20% Positiveness
37% Popularity • 41% Danceability • 2% Energy • 5% Liveness
89% Instrumentalness • 20% Positiveness
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London Festival Orchestra
Beethoven : Hymn to Joy - The European H...
75 bpm • D Maj • 03:38 • -17db
19% Popularity • 26% Danceability • 8% Energy • 12% Liveness
92% Instrumentalness • 38% Positiveness
19% Popularity • 26% Danceability • 8% Energy • 12% Liveness
92% Instrumentalness • 38% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. M. Rave...
73 bpm • G# Maj • 00:55 • -39db
55% Popularity • 19% Danceability • 0% Energy • 9% Liveness
60% Instrumentalness • 32% Positiveness
55% Popularity • 19% Danceability • 0% Energy • 9% Liveness
60% Instrumentalness • 32% Positiveness
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Édouard Lalo
Symphonie Espagnole In D Minor, Op. 21: ...
75 bpm • D min • 07:58 • -18.48db
31% Popularity • 34% Danceability • 13% Energy • 9% Liveness
24% Instrumentalness • 28% Positiveness
31% Popularity • 34% Danceability • 13% Energy • 9% Liveness
24% Instrumentalness • 28% Positiveness
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Edvard Grieg
Grieg: Norwegian Dances, Op. 35: No. 2, ...
73 bpm • E Maj • 02:18 • -24db
16% Popularity • 30% Danceability • 9% Energy • 15% Liveness
89% Instrumentalness • 14% Positiveness
16% Popularity • 30% Danceability • 9% Energy • 15% Liveness
89% Instrumentalness • 14% Positiveness
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Ruth Laredo
Chopin: Grand Valse Brillante in A, Op. ...
75 bpm • G# Maj • 05:36 • -22.8db
27% Popularity • 29% Danceability • 15% Energy • 10% Liveness
89% Instrumentalness • 19% Positiveness
27% Popularity • 29% Danceability • 15% Energy • 10% Liveness
89% Instrumentalness • 19% Positiveness
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Felix Mendelssohn
Songs Without Words: Frühlingslied, Op....
73 bpm • A Maj • 02:05 • -17db
25% Popularity • 20% Danceability • 12% Energy • 7% Liveness
93% Instrumentalness • 10% Positiveness
25% Popularity • 20% Danceability • 12% Energy • 7% Liveness
93% Instrumentalness • 10% Positiveness
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Gabriel Fauré
Dolly, Op. 56: 1. Berceuse
75 bpm • E Maj • 02:39 • -28db
23% Popularity • 19% Danceability • 4% Energy • 9% Liveness
95% Instrumentalness • 7% Positiveness
23% Popularity • 19% Danceability • 4% Energy • 9% Liveness
95% Instrumentalness • 7% Positiveness
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Carl Philipp Emanuel Bach
Solfeggio No. 1 in C Minor, Wq. 117/2, H...
76 bpm • F min • 00:58 • -24.95db
64% Popularity • 28% Danceability • 20% Energy • 10% Liveness
92% Instrumentalness • 40% Positiveness
64% Popularity • 28% Danceability • 20% Energy • 10% Liveness
92% Instrumentalness • 40% Positiveness
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Joseph Haydn
National Anthem of the Federal Republic ...
72 bpm • D# Maj • 01:14 • -13.84db
18% Popularity • 25% Danceability • 31% Energy • 10% Liveness
88% Instrumentalness • 38% Positiveness
18% Popularity • 25% Danceability • 31% Energy • 10% Liveness
88% Instrumentalness • 38% Positiveness
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Richard Strauss
Also sprach Zarathustra, Op. 30: Sonnena...
76 bpm • C Maj • 01:31 • -18db
28% Popularity • 18% Danceability • 12% Energy • 13% Liveness
52% Instrumentalness • 14% Positiveness
28% Popularity • 18% Danceability • 12% Energy • 13% Liveness
52% Instrumentalness • 14% Positiveness
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Mikhail Glinka
Glinka: Overture from Ruslan and Ludmill...
76 bpm • D Maj • 05:50 • -18.41db
28% Popularity • 32% Danceability • 28% Energy • 70% Liveness
92% Instrumentalness • 38% Positiveness
28% Popularity • 32% Danceability • 28% Energy • 70% Liveness
92% Instrumentalness • 38% Positiveness
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Dmitri Shostakovich
Spanish Dance
76 bpm • D Maj • 02:12 • -13db
13% Popularity • 30% Danceability • 35% Energy • 72% Liveness
72% Instrumentalness • 50% Positiveness
13% Popularity • 30% Danceability • 35% Energy • 72% Liveness
72% Instrumentalness • 50% Positiveness
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John Williams
Theme From Schindler's List (Reprise)
72 bpm • G min • 02:59 • -33db
46% Popularity • 14% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 9% Positiveness
46% Popularity • 14% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 9% Positiveness
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AntonÃn Dvořák
8 Humoresques, Op. 101, B. 187: No. 7, P...
72 bpm • F# Maj • 03:30 • -25.08db
48% Popularity • 12% Danceability • 6% Energy • 14% Liveness
25% Instrumentalness • 14% Positiveness
48% Popularity • 12% Danceability • 6% Energy • 14% Liveness
25% Instrumentalness • 14% Positiveness
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Felix Mendelssohn
Elijah, Op. 70, MWV A25: Part II: Quarte...
76 bpm • A# Maj • 03:34 • -25db
13% Popularity • 23% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 23% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Frédéric Chopin
Polonaise No. 6 in A-Flat Major, Op. 53,...
76 bpm • G# Maj • 07:21 • -19.9db
35% Popularity • 30% Danceability • 16% Energy • 11% Liveness
89% Instrumentalness • 21% Positiveness
35% Popularity • 30% Danceability • 16% Energy • 11% Liveness
89% Instrumentalness • 21% Positiveness
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Jacques Offenbach
Overture Orpheus in the Underworld
76 bpm • D Maj • 09:18 • -19.21db
25% Popularity • 18% Danceability • 14% Energy • 15% Liveness
78% Instrumentalness • 13% Positiveness
25% Popularity • 18% Danceability • 14% Energy • 15% Liveness
78% Instrumentalness • 13% Positiveness
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Bedřich Smetana
Dance Of The Comedians
76 bpm • C Maj • 05:27 • -14.49db
20% Popularity • 38% Danceability • 28% Energy • 77% Liveness
80% Instrumentalness • 30% Positiveness
20% Popularity • 38% Danceability • 28% Energy • 77% Liveness
80% Instrumentalness • 30% Positiveness
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John Williams
Jewish Town (Krakow Ghetto, Winter '41)
76 bpm • D min • 04:40 • -24.34db
39% Popularity • 17% Danceability • 11% Energy • 7% Liveness
62% Instrumentalness • 6% Positiveness
39% Popularity • 17% Danceability • 11% Energy • 7% Liveness
62% Instrumentalness • 6% Positiveness
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Léo Delibes
Lakmé / Act 1: "Sous le dôme épais" (...
71 bpm • B Maj • 04:57 • -16.97db
41% Popularity • 9% Danceability • 18% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
41% Popularity • 9% Danceability • 18% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Wedding March - Orchestral Version
77 bpm • C Maj • 04:22 • -18.68db
12% Popularity • 45% Danceability • 14% Energy • 12% Liveness
88% Instrumentalness • 17% Positiveness
12% Popularity • 45% Danceability • 14% Energy • 12% Liveness
88% Instrumentalness • 17% Positiveness
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Nikolai Rimsky-Korsakov
Tale of Tsar Saltan, Op. 57: Flight of t...
77 bpm • D min • 01:37 • -31db
49% Popularity • 44% Danceability • 2% Energy • 36% Liveness
97% Instrumentalness • 44% Positiveness
49% Popularity • 44% Danceability • 2% Energy • 36% Liveness
97% Instrumentalness • 44% Positiveness
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Arthur Fiedler
Le barbier de Séville Largo al factotum...
77 bpm • C Maj • 04:23 • -12db
25% Popularity • 36% Danceability • 43% Energy • 41% Liveness
88% Instrumentalness • 53% Positiveness
25% Popularity • 36% Danceability • 43% Energy • 41% Liveness
88% Instrumentalness • 53% Positiveness
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Carl Philipp Emanuel Bach
Solfeggio in C Minor, Wq. 117/2, H. 220
77 bpm • F min • 01:02 • -24.72db
58% Popularity • 26% Danceability • 15% Energy • 12% Liveness
92% Instrumentalness • 61% Positiveness
58% Popularity • 26% Danceability • 15% Energy • 12% Liveness
92% Instrumentalness • 61% Positiveness
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John Williams
Give Me Your Names
76 bpm • C min • 04:54 • -25.78db
32% Popularity • 7% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
32% Popularity • 7% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: I. Prelude
70 bpm • G Maj • 02:47 • -18.4db
18% Popularity • 34% Danceability • 14% Energy • 26% Liveness
95% Instrumentalness • 20% Positiveness
18% Popularity • 34% Danceability • 14% Energy • 26% Liveness
95% Instrumentalness • 20% Positiveness
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Felix Mendelssohn
Elijah, Op. 70, MWV A25: Part I: Aria: S...
77 bpm • D# Maj • 02:19 • -23.65db
17% Popularity • 28% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
17% Popularity • 28% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Franz Liszt
Piano Concerto No. 1 in E Flat Major, S....
71 bpm • D# Maj • 04:02 • -19.55db
26% Popularity • 28% Danceability • 25% Energy • 31% Liveness
79% Instrumentalness • 15% Positiveness
26% Popularity • 28% Danceability • 25% Energy • 31% Liveness
79% Instrumentalness • 15% Positiveness
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Jean-Jacques Rousseau
Ranz des vaches
70 bpm • D# Maj • 01:14 • -29db
29% Popularity • 47% Danceability • 0% Energy • 11% Liveness
21% Instrumentalness • 93% Positiveness
29% Popularity • 47% Danceability • 0% Energy • 11% Liveness
21% Instrumentalness • 93% Positiveness
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Igor Stravinsky
The Firebird (L'oiseau De Feu) - Suite (...
78 bpm • E Maj • 03:12 • -16.8db
46% Popularity • 12% Danceability • 22% Energy • 7% Liveness
51% Instrumentalness • 6% Positiveness
46% Popularity • 12% Danceability • 22% Energy • 7% Liveness
51% Instrumentalness • 6% Positiveness
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Georges Bizet
Bizet / Arr. Guiraud: Carmen Suite No. 1...
70 bpm • D# Maj • 02:31 • -30.26db
43% Popularity • 21% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 7% Positiveness
43% Popularity • 21% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 7% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: III. Gavotte (All...
78 bpm • G Maj • 03:31 • -21.35db
29% Popularity • 43% Danceability • 1% Energy • 12% Liveness
32% Instrumentalness • 35% Positiveness
29% Popularity • 43% Danceability • 1% Energy • 12% Liveness
32% Instrumentalness • 35% Positiveness
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AntonÃn Dvořák
Dvořák: 8 Humoresques, Op. 101, B. 187...
70 bpm • B Maj • 03:04 • -25.27db
27% Popularity • 29% Danceability • 3% Energy • 12% Liveness
85% Instrumentalness • 10% Positiveness
27% Popularity • 29% Danceability • 3% Energy • 12% Liveness
85% Instrumentalness • 10% Positiveness
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Franz Liszt
Friska from Hungarian Rhapsody No. 2
78 bpm • G Maj • 04:53 • -19.29db
10% Popularity • 32% Danceability • 22% Energy • 59% Liveness
74% Instrumentalness • 31% Positiveness
10% Popularity • 32% Danceability • 22% Energy • 59% Liveness
74% Instrumentalness • 31% Positiveness
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Felix Mendelssohn
A Midsummer Night's Dream, Incidental Mu...
78 bpm • C Maj • 04:58 • -17.76db
12% Popularity • 44% Danceability • 16% Energy • 10% Liveness
91% Instrumentalness • 18% Positiveness
12% Popularity • 44% Danceability • 16% Energy • 10% Liveness
91% Instrumentalness • 18% Positiveness
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Nikolai Rimsky-Korsakov
Scheherezade, Op. 35: I. The Sea and Sin...
70 bpm • E min • 10:14 • -17db
29% Popularity • 9% Danceability • 14% Energy • 23% Liveness
80% Instrumentalness • 4% Positiveness
29% Popularity • 9% Danceability • 14% Energy • 23% Liveness
80% Instrumentalness • 4% Positiveness
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Alexander Borodin
In the Steppes of Central Asia
69 bpm • A Maj • 07:04 • -30.05db
38% Popularity • 7% Danceability • 2% Energy • 17% Liveness
69% Instrumentalness • 4% Positiveness
38% Popularity • 7% Danceability • 2% Energy • 17% Liveness
69% Instrumentalness • 4% Positiveness
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Modest Mussorgsky
Pictures At An Exhibition: Promenade - I
79 bpm • F Maj • 01:51 • -17.1db
35% Popularity • 24% Danceability • 9% Energy • 17% Liveness
96% Instrumentalness • 14% Positiveness
35% Popularity • 24% Danceability • 9% Energy • 17% Liveness
96% Instrumentalness • 14% Positiveness
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AntonÃn Dvořák
Symphony No. 9 in E Minor, Op. 95 "From ...
79 bpm • C Maj • 07:16 • -14.62db
15% Popularity • 29% Danceability • 19% Energy • 15% Liveness
84% Instrumentalness • 31% Positiveness
15% Popularity • 29% Danceability • 19% Energy • 15% Liveness
84% Instrumentalness • 31% Positiveness
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Franz Liszt
Totentanz, S. 525
78 bpm • D min • 15:12 • -19.66db
33% Popularity • 27% Danceability • 19% Energy • 7% Liveness
79% Instrumentalness • 14% Positiveness
33% Popularity • 27% Danceability • 19% Energy • 7% Liveness
79% Instrumentalness • 14% Positiveness
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Felix Mendelssohn
Songs Without Words, Book VI Opus 67: No...
69 bpm • F# min • 02:00 • -26.32db
60% Popularity • 26% Danceability • 9% Energy • 8% Liveness
90% Instrumentalness • 50% Positiveness
60% Popularity • 26% Danceability • 9% Energy • 8% Liveness
90% Instrumentalness • 50% Positiveness
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Vladimir Horowitz
A Midsummer Night's Dream: Wedding March...
69 bpm • C Maj • 06:42 • -22db
8% Popularity • 28% Danceability • 20% Energy • 10% Liveness
88% Instrumentalness • 17% Positiveness
8% Popularity • 28% Danceability • 20% Energy • 10% Liveness
88% Instrumentalness • 17% Positiveness
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Peter Warlock
Capriol Suite: 2. Pavane
80 bpm • G min • 02:10 • -26.42db
40% Popularity • 15% Danceability • 4% Energy • 25% Liveness
68% Instrumentalness • 4% Positiveness
40% Popularity • 15% Danceability • 4% Energy • 25% Liveness
68% Instrumentalness • 4% Positiveness
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Valentina Lisitsa
Rage Over A Lost Penny, Op. 129
80 bpm • G Maj • 06:13 • -19.43db
50% Popularity • 30% Danceability • 19% Energy • 9% Liveness
91% Instrumentalness • 32% Positiveness
50% Popularity • 30% Danceability • 19% Energy • 9% Liveness
91% Instrumentalness • 32% Positiveness
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AntonÃn Dvořák
Symphony No. 8 in G Major, Op. 88, B. 16...
79 bpm • G min • 05:50 • -23db
30% Popularity • 14% Danceability • 9% Energy • 36% Liveness
95% Instrumentalness • 34% Positiveness
30% Popularity • 14% Danceability • 9% Energy • 36% Liveness
95% Instrumentalness • 34% Positiveness
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Nikolai Rimsky-Korsakov
The Tale of Tsar Saltan: The Tale of Tsa...
80 bpm • G Maj • 01:30 • -27.64db
54% Popularity • 43% Danceability • 8% Energy • 35% Liveness
96% Instrumentalness • 24% Positiveness
54% Popularity • 43% Danceability • 8% Energy • 35% Liveness
96% Instrumentalness • 24% Positiveness
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Franz Liszt
Piano Concerto No. 2 in A Major, S. 125:...
78 bpm • G# Maj • 08:19 • -20db
28% Popularity • 22% Danceability • 13% Energy • 36% Liveness
72% Instrumentalness • 4% Positiveness
28% Popularity • 22% Danceability • 13% Energy • 36% Liveness
72% Instrumentalness • 4% Positiveness
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Joseph Haydn
Haydn: Cello Concerto No. 1 in C Major, ...
68 bpm • C Maj • 09:52 • -19db
36% Popularity • 37% Danceability • 11% Energy • 13% Liveness
85% Instrumentalness • 31% Positiveness
36% Popularity • 37% Danceability • 11% Energy • 13% Liveness
85% Instrumentalness • 31% Positiveness
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Edvard Grieg
Improvisations on Two Norwegian Folksong...
68 bpm • A min • 02:50 • -29.26db
33% Popularity • 28% Danceability • 4% Energy • 7% Liveness
91% Instrumentalness • 34% Positiveness
33% Popularity • 28% Danceability • 4% Energy • 7% Liveness
91% Instrumentalness • 34% Positiveness
► Preview
Felix Mendelssohn
Piano Concerto No. 1 in G Minor, Op. 25,...
80 bpm • G# Maj • 07:23 • -19db
32% Popularity • 48% Danceability • 19% Energy • 18% Liveness
90% Instrumentalness • 29% Positiveness
32% Popularity • 48% Danceability • 19% Energy • 18% Liveness
90% Instrumentalness • 29% Positiveness
► Preview
Franz von Suppé
Morning, Noon and Night in Vienna
80 bpm • F Maj • 08:08 • -14.05db
24% Popularity • 18% Danceability • 19% Energy • 27% Liveness
88% Instrumentalness • 10% Positiveness
24% Popularity • 18% Danceability • 19% Energy • 27% Liveness
88% Instrumentalness • 10% Positiveness
► Preview
Academy of St. Martin in the Fields
Peer Gynt Suite No.1 op. 46 Morning (All...
68 bpm • E Maj • 04:19 • -23.72db
38% Popularity • 17% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
38% Popularity • 17% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Franz Liszt
Piano Concerto No. 1 in E Flat Major, S....
68 bpm • B Maj • 08:54 • -23db
26% Popularity • 23% Danceability • 14% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
26% Popularity • 23% Danceability • 14% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
► Preview
Orchestra of the Viennese Volksoper & Alfred Scholz
Tritsch Tratsch - Galopp Polka, Op. 214
80 bpm • A Maj • 02:42 • -20db
37% Popularity • 61% Danceability • 24% Energy • 13% Liveness
2% Instrumentalness • 77% Positiveness
37% Popularity • 61% Danceability • 24% Energy • 13% Liveness
2% Instrumentalness • 77% Positiveness
► Preview
Camille Saint-Saëns
Carnival of the Animals, R. 125: Aquariu...
81 bpm • A min • 02:01 • -31.36db
51% Popularity • 28% Danceability • 4% Energy • 10% Liveness
98% Instrumentalness • 13% Positiveness
51% Popularity • 28% Danceability • 4% Energy • 10% Liveness
98% Instrumentalness • 13% Positiveness
► Preview
Pablo de Sarasate
Zigeunerweisen, Op. 20
81 bpm • G min • 09:07 • -25.39db
27% Popularity • 22% Danceability • 7% Energy • 8% Liveness
30% Instrumentalness • 5% Positiveness
27% Popularity • 22% Danceability • 7% Energy • 8% Liveness
30% Instrumentalness • 5% Positiveness
► Preview
Mikhail Glinka
Ruslan and Ludmila: Overture
81 bpm • F Maj • 05:05 • -16.6db
22% Popularity • 29% Danceability • 30% Energy • 11% Liveness
92% Instrumentalness • 39% Positiveness
22% Popularity • 29% Danceability • 30% Energy • 11% Liveness
92% Instrumentalness • 39% Positiveness
► Preview
Alexander Borodin
In the Steppes of Central Asia
68 bpm • A Maj • 07:28 • -25.05db
34% Popularity • 7% Danceability • 3% Energy • 17% Liveness
84% Instrumentalness • 4% Positiveness
34% Popularity • 7% Danceability • 3% Energy • 17% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
Felix Mendelssohn
Violin Concerto In E Minor, Op. 64, MWV ...
81 bpm • E min • 12:19 • -22.99db
34% Popularity • 22% Danceability • 10% Energy • 14% Liveness
10% Instrumentalness • 12% Positiveness
34% Popularity • 22% Danceability • 10% Energy • 14% Liveness
10% Instrumentalness • 12% Positiveness
► Preview
Edward Elgar
Serenade for strings in E Minor, Op. 20
81 bpm • E min • 03:27 • -18.56db
27% Popularity • 22% Danceability • 9% Energy • 10% Liveness
88% Instrumentalness • 10% Positiveness
27% Popularity • 22% Danceability • 9% Energy • 10% Liveness
88% Instrumentalness • 10% Positiveness
► Preview
Jacques Offenbach
Orphée aux enfers: Overture (Arr. C. Bi...
81 bpm • G Maj • 08:53 • -19db
19% Popularity • 23% Danceability • 20% Energy • 6% Liveness
80% Instrumentalness • 16% Positiveness
19% Popularity • 23% Danceability • 20% Energy • 6% Liveness
80% Instrumentalness • 16% Positiveness
► Preview
Slovak Radio Symphony Orchestra
Gold Und Silber (Gold And Silver), Op. 7...
81 bpm • C Maj • 08:42 • -22.44db
31% Popularity • 18% Danceability • 6% Energy • 22% Liveness
94% Instrumentalness • 22% Positiveness
31% Popularity • 18% Danceability • 6% Energy • 22% Liveness
94% Instrumentalness • 22% Positiveness
► Preview
Ludwig van Beethoven
I. Allegro con brio
82 bpm • C min • 08:13 • -15db
19% Popularity • 34% Danceability • 21% Energy • 11% Liveness
90% Instrumentalness • 25% Positiveness
19% Popularity • 34% Danceability • 21% Energy • 11% Liveness
90% Instrumentalness • 25% Positiveness
► Preview
Heinrich Wilhelm Ernst
Grand Caprice on Schubert's "Der Erlkön...
67 bpm • C Maj • 04:44 • -21db
32% Popularity • 37% Danceability • 18% Energy • 11% Liveness
86% Instrumentalness • 41% Positiveness
32% Popularity • 37% Danceability • 18% Energy • 11% Liveness
86% Instrumentalness • 41% Positiveness
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Felix Mendelssohn
Concerto for 2 Pianos and Orchestra in E...
81 bpm • E Maj • 07:31 • -20.15db
3% Popularity • 30% Danceability • 15% Energy • 14% Liveness
94% Instrumentalness • 37% Positiveness
3% Popularity • 30% Danceability • 15% Energy • 14% Liveness
94% Instrumentalness • 37% Positiveness
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Edvard Grieg
Piano Concerto in A Minor, Op. 16: I. Al...
82 bpm • A min • 12:33 • -21db
36% Popularity • 29% Danceability • 9% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
36% Popularity • 29% Danceability • 9% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
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Jacques Offenbach
The Can Can
82 bpm • D Maj • 01:49 • -15db
37% Popularity • 34% Danceability • 66% Energy • 7% Liveness
95% Instrumentalness • 88% Positiveness
37% Popularity • 34% Danceability • 66% Energy • 7% Liveness
95% Instrumentalness • 88% Positiveness
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Erik Satie
Gymnopédie No. 2 for Orchestra
67 bpm • G Maj • 03:46 • -24.75db
13% Popularity • 23% Danceability • 9% Energy • 9% Liveness
76% Instrumentalness • 18% Positiveness
13% Popularity • 23% Danceability • 9% Energy • 9% Liveness
76% Instrumentalness • 18% Positiveness
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![Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] cover art](https://i.scdn.co/image/ab67616d00001e02c21d253eed4ccdd547b4b94d)
Aram Khachaturian
Spartacus, Act III: Adagio of Spartacus ...
82 bpm • F# min • 09:23 • -21.48db
39% Popularity • 10% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
39% Popularity • 10% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Chicago Symphony Orchestra
M. Glinka: Overture To Opera "Ruslan and...
82 bpm • A Maj • 05:16 • -24.88db
20% Popularity • 24% Danceability • 14% Energy • 12% Liveness
88% Instrumentalness • 31% Positiveness
20% Popularity • 24% Danceability • 14% Energy • 12% Liveness
88% Instrumentalness • 31% Positiveness
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Felix Mendelssohn
Wedding March
67 bpm • C Maj • 04:30 • -13db
30% Popularity • 10% Danceability • 24% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
30% Popularity • 10% Danceability • 24% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Clavierbuchlein for Anna Magdalena Bach,...
67 bpm • G Maj • 01:29 • -28.95db
38% Popularity • 48% Danceability • 7% Energy • 15% Liveness
93% Instrumentalness • 80% Positiveness
38% Popularity • 48% Danceability • 7% Energy • 15% Liveness
93% Instrumentalness • 80% Positiveness
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Franz von Suppé
Poet and Peasant: Overture
82 bpm • D Maj • 09:24 • -13.07db
22% Popularity • 22% Danceability • 19% Energy • 7% Liveness
73% Instrumentalness • 21% Positiveness
22% Popularity • 22% Danceability • 19% Energy • 7% Liveness
73% Instrumentalness • 21% Positiveness
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John Williams
Making The List
82 bpm • C# Maj • 05:10 • -27.36db
32% Popularity • 8% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
32% Popularity • 8% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
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Frédéric Chopin
Fantasie-impromptu in C-Sharp Minor, Op....
82 bpm • C# Maj • 05:06 • -26.97db
48% Popularity • 14% Danceability • 8% Energy • 8% Liveness
89% Instrumentalness • 5% Positiveness
48% Popularity • 14% Danceability • 8% Energy • 8% Liveness
89% Instrumentalness • 5% Positiveness
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Nikolai Rimsky-Korsakov
Sheherazade, Op. 35: I. The Sea and Sinb...
82 bpm • B Maj • 09:59 • -21.68db
10% Popularity • 10% Danceability • 6% Energy • 17% Liveness
54% Instrumentalness • 4% Positiveness
10% Popularity • 10% Danceability • 6% Energy • 17% Liveness
54% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
A Midsummer Night's Dream, Incidental Mu...
67 bpm • E Maj • 06:20 • -23.84db
14% Popularity • 9% Danceability • 3% Energy • 27% Liveness
69% Instrumentalness • 4% Positiveness
14% Popularity • 9% Danceability • 3% Energy • 27% Liveness
69% Instrumentalness • 4% Positiveness
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Léo Delibes
Coppelia: Act I - Mazurka
82 bpm • G Maj • 04:08 • -20.01db
29% Popularity • 30% Danceability • 19% Energy • 10% Liveness
86% Instrumentalness • 32% Positiveness
29% Popularity • 30% Danceability • 19% Energy • 10% Liveness
86% Instrumentalness • 32% Positiveness
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Jean Sibelius
Sibelius: Karelia Suite, Op. 11: III. Al...
83 bpm • A Maj • 04:41 • -14db
17% Popularity • 44% Danceability • 28% Energy • 8% Liveness
67% Instrumentalness • 21% Positiveness
17% Popularity • 44% Danceability • 28% Energy • 8% Liveness
67% Instrumentalness • 21% Positiveness
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AntonÃn Dvořák
Humoresque, Op. 101, No. 7
83 bpm • F# Maj • 03:50 • -22.48db
44% Popularity • 15% Danceability • 9% Energy • 11% Liveness
7% Instrumentalness • 6% Positiveness
44% Popularity • 15% Danceability • 9% Energy • 11% Liveness
7% Instrumentalness • 6% Positiveness
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Luigi Boccherini
String Quintet E, Op.13, No.5: 3. Menuet...
83 bpm • A Maj • 04:10 • -30db
37% Popularity • 49% Danceability • 3% Energy • 15% Liveness
54% Instrumentalness • 32% Positiveness
37% Popularity • 49% Danceability • 3% Energy • 15% Liveness
54% Instrumentalness • 32% Positiveness
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Richard Strauss
Also sprach Zarathustra, Op. 30: Prelude...
83 bpm • A# Maj • 01:45 • -13.96db
14% Popularity • 16% Danceability • 22% Energy • 19% Liveness
60% Instrumentalness • 4% Positiveness
14% Popularity • 16% Danceability • 22% Energy • 19% Liveness
60% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Etude in F Minor
82 bpm • F min • 01:55 • -24.37db
58% Popularity • 19% Danceability • 10% Energy • 10% Liveness
87% Instrumentalness • 9% Positiveness
58% Popularity • 19% Danceability • 10% Energy • 10% Liveness
87% Instrumentalness • 9% Positiveness
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Pablo de Sarasate
Sarasate: Zigeunerweisen, Op. 20
83 bpm • C min • 08:37 • -20.64db
33% Popularity • 26% Danceability • 14% Energy • 5% Liveness
13% Instrumentalness • 13% Positiveness
33% Popularity • 26% Danceability • 14% Energy • 5% Liveness
13% Instrumentalness • 13% Positiveness
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Joseph Haydn
Haydn: String Quartet in C Major, Op. 76...
83 bpm • G Maj • 01:11 • -30db
52% Popularity • 24% Danceability • 2% Energy • 23% Liveness
48% Instrumentalness • 9% Positiveness
52% Popularity • 24% Danceability • 2% Energy • 23% Liveness
48% Instrumentalness • 9% Positiveness
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AntonÃn Dvořák
Serenade for Strings in E Major, Op. 22,...
83 bpm • E Maj • 04:17 • -18.28db
39% Popularity • 20% Danceability • 13% Energy • 27% Liveness
87% Instrumentalness • 6% Positiveness
39% Popularity • 20% Danceability • 13% Energy • 27% Liveness
87% Instrumentalness • 6% Positiveness
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Franz Liszt
Hungarian Rhapsody No. 2 in C Sharp Mino...
83 bpm • C# Maj • 09:03 • -21.03db
31% Popularity • 31% Danceability • 20% Energy • 12% Liveness
89% Instrumentalness • 17% Positiveness
31% Popularity • 31% Danceability • 20% Energy • 12% Liveness
89% Instrumentalness • 17% Positiveness
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Frédéric Chopin
Les Sylphides: 3. Valse
84 bpm • G Maj • 02:25 • -15db
21% Popularity • 27% Danceability • 19% Energy • 40% Liveness
82% Instrumentalness • 15% Positiveness
21% Popularity • 27% Danceability • 19% Energy • 40% Liveness
82% Instrumentalness • 15% Positiveness
