Songs like Mignon, Act II: "Je suis Titiana" (Philine) by Ambroise Thomas

175 bpm • G Maj • 09:17 • -24.86db

25% Popularity • 21% Danceability • 3% Energy • 8% Liveness
77% Instrumentalness • 16% Positiveness

173 bpm • G Maj • 03:54 • -18.53db

29% Popularity • 39% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness

175 bpm • A# Maj • 04:41 • -18.31db

16% Popularity • 24% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness

172 bpm • G Maj • 07:37 • -20.89db

9% Popularity • 12% Danceability • 20% Energy • 12% Liveness
25% Instrumentalness • 4% Positiveness

172 bpm • E min • 03:41 • -13.09db

23% Popularity • 23% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness

176 bpm • G Maj • 03:09 • -20.76db

16% Popularity • 30% Danceability • 6% Energy • 76% Liveness
0% Instrumentalness • 7% Positiveness

176 bpm • D# Maj • 01:45 • -20db

1% Popularity • 36% Danceability • 10% Energy • 14% Liveness
47% Instrumentalness • 49% Positiveness

172 bpm • D# Maj • 03:01 • -22.22db

23% Popularity • 28% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness

171 bpm • D min • 01:45 • -17.6db

10% Popularity • 28% Danceability • 7% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness

171 bpm • G# Maj • 02:16 • -21.84db

16% Popularity • 21% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness

171 bpm • E Maj • 09:53 • -23.2db

18% Popularity • 29% Danceability • 9% Energy • 39% Liveness
10% Instrumentalness • 21% Positiveness

178 bpm • C# Maj • 04:09 • -21db

13% Popularity • 24% Danceability • 10% Energy • 11% Liveness
11% Instrumentalness • 5% Positiveness

176 bpm • D Maj • 04:48 • -24db

1% Popularity • 18% Danceability • 12% Energy • 59% Liveness
39% Instrumentalness • 7% Positiveness

169 bpm • D Maj • 02:58 • -18.35db

25% Popularity • 19% Danceability • 3% Energy • 12% Liveness
83% Instrumentalness • 11% Positiveness

180 bpm • E min • 01:12 • -7.06db

14% Popularity • 54% Danceability • 42% Energy • 26% Liveness
81% Instrumentalness • 47% Positiveness

179 bpm • C Maj • 10:38 • -19.02db

6% Popularity • 26% Danceability • 7% Energy • 8% Liveness
76% Instrumentalness • 16% Positiveness

168 bpm • F# Maj • 07:33 • -18.71db

11% Popularity • 17% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 3% Positiveness

168 bpm • E min • 03:38 • -17.19db

31% Popularity • 21% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness

171 bpm • C Maj • 04:16 • -18.96db

6% Popularity • 18% Danceability • 17% Energy • 22% Liveness
49% Instrumentalness • 4% Positiveness

181 bpm • A Maj • 06:06 • -21.93db

13% Popularity • 16% Danceability • 5% Energy • 24% Liveness
90% Instrumentalness • 15% Positiveness

167 bpm • C Maj • 01:27 • -34db

23% Popularity • 26% Danceability • 1% Energy • 8% Liveness
31% Instrumentalness • 3% Positiveness

166 bpm • A min • 04:39 • -20db

18% Popularity • 24% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness

168 bpm • F Maj • 04:50 • -18.65db

3% Popularity • 30% Danceability • 17% Energy • 55% Liveness
0% Instrumentalness • 18% Positiveness

182 bpm • A Maj • 01:13 • -20db

45% Popularity • 28% Danceability • 44% Energy • 8% Liveness
88% Instrumentalness • 52% Positiveness

170 bpm • F Maj • 10:45 • -22.98db

1% Popularity • 24% Danceability • 7% Energy • 22% Liveness
0% Instrumentalness • 4% Positiveness

164 bpm • G Maj • 03:45 • -15.05db

0% Popularity • 29% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness

163 bpm • F Maj • 01:10 • -24.75db

17% Popularity • 37% Danceability • 10% Energy • 8% Liveness
3% Instrumentalness • 14% Positiveness

195 bpm • C Maj • 02:08 • -30.07db

29% Popularity • 22% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness

160 bpm • D Maj • 01:42 • -20.36db

21% Popularity • 41% Danceability • 9% Energy • 8% Liveness
91% Instrumentalness • 19% Positiveness

154 bpm • C Maj • 07:44 • -19db

24% Popularity • 34% Danceability • 13% Energy • 8% Liveness
11% Instrumentalness • 37% Positiveness

170 bpm • D Maj • 04:38 • -28.17db

7% Popularity • 10% Danceability • 3% Energy • 9% Liveness
70% Instrumentalness • 4% Positiveness

153 bpm • D min • 01:04 • -31.8db

16% Popularity • 48% Danceability • 8% Energy • 9% Liveness
61% Instrumentalness • 47% Positiveness

149 bpm • A Maj • 04:35 • -18.83db

21% Popularity • 31% Danceability • 17% Energy • 54% Liveness
0% Instrumentalness • 6% Positiveness

152 bpm • E Maj • 05:45 • -15db

11% Popularity • 40% Danceability • 17% Energy • 12% Liveness
12% Instrumentalness • 30% Positiveness

168 bpm • A min • 10:34 • -21.1db

1% Popularity • 22% Danceability • 9% Energy • 6% Liveness
8% Instrumentalness • 4% Positiveness

168 bpm • A# Maj • 03:39 • -11.56db

10% Popularity • 31% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness

182 bpm • A# Maj • 03:33 • -17.15db

2% Popularity • 24% Danceability • 22% Energy • 23% Liveness
1% Instrumentalness • 17% Positiveness

165 bpm • D Maj • 02:18 • -19.04db

0% Popularity • 30% Danceability • 23% Energy • 52% Liveness
0% Instrumentalness • 22% Positiveness

164 bpm • C# Maj • 05:08 • -28.69db

6% Popularity • 22% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness

162 bpm • C# min • 05:33 • -23.13db

1% Popularity • 16% Danceability • 7% Energy • 15% Liveness
3% Instrumentalness • 4% Positiveness

153 bpm • D min • 06:42 • -14.06db

1% Popularity • 28% Danceability • 27% Energy • 32% Liveness
62% Instrumentalness • 32% Positiveness

148 bpm • A Maj • 02:13 • -33.39db

1% Popularity • 47% Danceability • 3% Energy • 10% Liveness
14% Instrumentalness • 57% Positiveness