Songs like Miles Away by Gail Jhonson
Based on a tempo of (+/- 10%) and a similar genre
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Doc Powell
Two Hearts
140 bpm • F Maj • 03:48 • -13.85db
30% Popularity • 72% Danceability • 45% Energy • 9% Liveness
92% Instrumentalness • 58% Positiveness
30% Popularity • 72% Danceability • 45% Energy • 9% Liveness
92% Instrumentalness • 58% Positiveness
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Gail Jhonson
Miles Away
140 bpm • G min • 04:06 • -8.07db
7% Popularity • 57% Danceability • 73% Energy • 19% Liveness
1% Instrumentalness • 30% Positiveness
7% Popularity • 57% Danceability • 73% Energy • 19% Liveness
1% Instrumentalness • 30% Positiveness
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Phil Denny
Solux
140 bpm • C# min • 04:04 • -5.36db
22% Popularity • 74% Danceability • 59% Energy • 4% Liveness
4% Instrumentalness • 60% Positiveness
22% Popularity • 74% Danceability • 59% Energy • 4% Liveness
4% Instrumentalness • 60% Positiveness
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LeBron
Kiss and Tell
140 bpm • C Maj • 04:08 • -10.24db
22% Popularity • 69% Danceability • 52% Energy • 10% Liveness
22% Instrumentalness • 51% Positiveness
22% Popularity • 69% Danceability • 52% Energy • 10% Liveness
22% Instrumentalness • 51% Positiveness
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Dee Brown
Beauty Within
140 bpm • F# Maj • 03:43 • -9.14db
39% Popularity • 70% Danceability • 73% Energy • 7% Liveness
85% Instrumentalness • 94% Positiveness
39% Popularity • 70% Danceability • 73% Energy • 7% Liveness
85% Instrumentalness • 94% Positiveness
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Urban Knights
You're The One For Me
139 bpm • D min • 04:02 • -8db
49% Popularity • 74% Danceability • 44% Energy • 26% Liveness
25% Instrumentalness • 63% Positiveness
49% Popularity • 74% Danceability • 44% Energy • 26% Liveness
25% Instrumentalness • 63% Positiveness
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Fattburger
Sizzlin'
142 bpm • C min • 04:28 • -9db
29% Popularity • 75% Danceability • 70% Energy • 10% Liveness
85% Instrumentalness • 98% Positiveness
29% Popularity • 75% Danceability • 70% Energy • 10% Liveness
85% Instrumentalness • 98% Positiveness
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Gail Jhonson
For You Mom
138 bpm • G Maj • 05:44 • -13.09db
1% Popularity • 26% Danceability • 10% Energy • 17% Liveness
68% Instrumentalness • 4% Positiveness
1% Popularity • 26% Danceability • 10% Energy • 17% Liveness
68% Instrumentalness • 4% Positiveness
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Andy Snitzer
Passion Play
138 bpm • B min • 04:10 • -6.83db
24% Popularity • 60% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
24% Popularity • 60% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Rocco Ventrella
Alleria
143 bpm • G Maj • 05:06 • -10db
18% Popularity • 49% Danceability • 41% Energy • 42% Liveness
81% Instrumentalness • 39% Positiveness
18% Popularity • 49% Danceability • 41% Energy • 42% Liveness
81% Instrumentalness • 39% Positiveness
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Jonathan Fritzén
Fading Away
142 bpm • F# min • 05:05 • -11.07db
34% Popularity • 72% Danceability • 28% Energy • 9% Liveness
76% Instrumentalness • 52% Positiveness
34% Popularity • 72% Danceability • 28% Energy • 9% Liveness
76% Instrumentalness • 52% Positiveness
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Urban Knights
You're The One For Me - Instrumental
138 bpm • G min • 04:04 • -8db
34% Popularity • 74% Danceability • 47% Energy • 28% Liveness
36% Instrumentalness • 51% Positiveness
34% Popularity • 74% Danceability • 47% Energy • 28% Liveness
36% Instrumentalness • 51% Positiveness
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Kevin Toney
Special Occasion
144 bpm • D min • 06:07 • -10.25db
16% Popularity • 55% Danceability • 55% Energy • 4% Liveness
1% Instrumentalness • 32% Positiveness
16% Popularity • 55% Danceability • 55% Energy • 4% Liveness
1% Instrumentalness • 32% Positiveness
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Jeff Kashiwa
Because of You
144 bpm • A# min • 04:44 • -8db
47% Popularity • 64% Danceability • 64% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
47% Popularity • 64% Danceability • 64% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
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Joe McBride
Oi Gata
144 bpm • B min • 04:17 • -10db
39% Popularity • 67% Danceability • 66% Energy • 9% Liveness
79% Instrumentalness • 80% Positiveness
39% Popularity • 67% Danceability • 66% Energy • 9% Liveness
79% Instrumentalness • 80% Positiveness
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Gail Jhonson
Herstory
136 bpm • C# Maj • 05:26 • -7.77db
3% Popularity • 74% Danceability • 54% Energy • 11% Liveness
85% Instrumentalness • 66% Positiveness
3% Popularity • 74% Danceability • 54% Energy • 11% Liveness
85% Instrumentalness • 66% Positiveness
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alan hewitt
Indigo
136 bpm • D min • 04:41 • -8.77db
10% Popularity • 72% Danceability • 65% Energy • 13% Liveness
84% Instrumentalness • 75% Positiveness
10% Popularity • 72% Danceability • 65% Energy • 13% Liveness
84% Instrumentalness • 75% Positiveness
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Jazz in Pink
Joy Joy!
145 bpm • G# Maj • 04:21 • -7.43db
12% Popularity • 66% Danceability • 76% Energy • 10% Liveness
88% Instrumentalness • 95% Positiveness
12% Popularity • 66% Danceability • 76% Energy • 10% Liveness
88% Instrumentalness • 95% Positiveness
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Dave Bradshaw Jr.
Set Me Free
146 bpm • F Maj • 05:07 • -11.66db
22% Popularity • 61% Danceability • 55% Energy • 12% Liveness
86% Instrumentalness • 69% Positiveness
22% Popularity • 61% Danceability • 55% Energy • 12% Liveness
86% Instrumentalness • 69% Positiveness
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Marion Meadows
Between The Sheets
146 bpm • C Maj • 04:27 • -9.16db
35% Popularity • 62% Danceability • 52% Energy • 17% Liveness
1% Instrumentalness • 52% Positiveness
35% Popularity • 62% Danceability • 52% Energy • 17% Liveness
1% Instrumentalness • 52% Positiveness
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Cal Harris Jr.
Ordinary Days
146 bpm • C Maj • 03:41 • -12.55db
34% Popularity • 80% Danceability • 47% Energy • 35% Liveness
78% Instrumentalness • 61% Positiveness
34% Popularity • 80% Danceability • 47% Energy • 35% Liveness
78% Instrumentalness • 61% Positiveness
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Gail Jhonson
This Is Between You & Me
146 bpm • B min • 05:31 • -13.67db
2% Popularity • 55% Danceability • 62% Energy • 6% Liveness
62% Instrumentalness • 83% Positiveness
2% Popularity • 55% Danceability • 62% Energy • 6% Liveness
62% Instrumentalness • 83% Positiveness
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Jonathan Fritzén
In Your Eyes
146 bpm • B min • 04:50 • -10.92db
42% Popularity • 72% Danceability • 50% Energy • 8% Liveness
85% Instrumentalness • 66% Positiveness
42% Popularity • 72% Danceability • 50% Energy • 8% Liveness
85% Instrumentalness • 66% Positiveness
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Oli Silk
Get out Claws
132 bpm • A# min • 03:29 • -8.84db
35% Popularity • 78% Danceability • 47% Energy • 10% Liveness
81% Instrumentalness • 68% Positiveness
35% Popularity • 78% Danceability • 47% Energy • 10% Liveness
81% Instrumentalness • 68% Positiveness
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David Sanborn
Rikke
150 bpm • D min • 05:03 • -11.66db
41% Popularity • 72% Danceability • 52% Energy • 6% Liveness
68% Instrumentalness • 62% Positiveness
41% Popularity • 72% Danceability • 52% Energy • 6% Liveness
68% Instrumentalness • 62% Positiveness
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Michael Lington
Sunset (Por Do Sol)
150 bpm • C min • 04:21 • -9.91db
41% Popularity • 67% Danceability • 61% Energy • 23% Liveness
2% Instrumentalness • 83% Positiveness
41% Popularity • 67% Danceability • 61% Energy • 23% Liveness
2% Instrumentalness • 83% Positiveness
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David P Stevens
Breath Away
130 bpm • B min • 06:14 • -7.43db
1% Popularity • 67% Danceability • 61% Energy • 10% Liveness
1% Instrumentalness • 43% Positiveness
1% Popularity • 67% Danceability • 61% Energy • 10% Liveness
1% Instrumentalness • 43% Positiveness
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Gail Jhonson
Whisper Yours
150 bpm • C Maj • 03:48 • -9.14db
5% Popularity • 57% Danceability • 78% Energy • 23% Liveness
87% Instrumentalness • 78% Positiveness
5% Popularity • 57% Danceability • 78% Energy • 23% Liveness
87% Instrumentalness • 78% Positiveness
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Dan Siegel
Treasure Hunt
151 bpm • E min • 05:08 • -14.63db
33% Popularity • 71% Danceability • 44% Energy • 3% Liveness
84% Instrumentalness • 72% Positiveness
33% Popularity • 71% Danceability • 44% Energy • 3% Liveness
84% Instrumentalness • 72% Positiveness
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Vincent Ingala
Read Between the Lines
154 bpm • G min • 04:22 • -6.9db
49% Popularity • 60% Danceability • 72% Energy • 7% Liveness
66% Instrumentalness • 85% Positiveness
49% Popularity • 60% Danceability • 72% Energy • 7% Liveness
66% Instrumentalness • 85% Positiveness
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Jeff Golub
Turn Off The Lights
126 bpm • C Maj • 04:50 • -8db
43% Popularity • 82% Danceability • 41% Energy • 8% Liveness
53% Instrumentalness • 48% Positiveness
43% Popularity • 82% Danceability • 41% Energy • 8% Liveness
53% Instrumentalness • 48% Positiveness
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Brendan Rothwell
Now's the Time
125 bpm • B min • 03:38 • -10.91db
26% Popularity • 66% Danceability • 41% Energy • 13% Liveness
87% Instrumentalness • 41% Positiveness
26% Popularity • 66% Danceability • 41% Energy • 13% Liveness
87% Instrumentalness • 41% Positiveness
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Jonathan Fritzén
Melting
157 bpm • B min • 05:19 • -10.63db
38% Popularity • 57% Danceability • 49% Energy • 14% Liveness
70% Instrumentalness • 38% Positiveness
38% Popularity • 57% Danceability • 49% Energy • 14% Liveness
70% Instrumentalness • 38% Positiveness
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Gail Jhonson
And I Love Her
130 bpm • A# min • 04:18 • -12.71db
2% Popularity • 47% Danceability • 21% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
2% Popularity • 47% Danceability • 21% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
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Cal Harris Jr.
Shade Tree
157 bpm • F Maj • 04:38 • -12db
40% Popularity • 70% Danceability • 62% Energy • 44% Liveness
75% Instrumentalness • 70% Positiveness
40% Popularity • 70% Danceability • 62% Energy • 44% Liveness
75% Instrumentalness • 70% Positiveness
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Vincent Ingala
Echoes of the Heart
156 bpm • C# Maj • 03:58 • -9.15db
46% Popularity • 68% Danceability • 76% Energy • 6% Liveness
84% Instrumentalness • 86% Positiveness
46% Popularity • 68% Danceability • 76% Energy • 6% Liveness
84% Instrumentalness • 86% Positiveness
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Freddie Ravel
Blissin
124 bpm • B min • 03:55 • -7db
42% Popularity • 61% Danceability • 83% Energy • 6% Liveness
70% Instrumentalness • 92% Positiveness
42% Popularity • 61% Danceability • 83% Energy • 6% Liveness
70% Instrumentalness • 92% Positiveness
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Mitchell Coleman Jr
Serenity
160 bpm • G# Maj • 04:13 • -8.82db
1% Popularity • 74% Danceability • 65% Energy • 9% Liveness
68% Instrumentalness • 94% Positiveness
1% Popularity • 74% Danceability • 65% Energy • 9% Liveness
68% Instrumentalness • 94% Positiveness
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Paul Jackson, Jr.
To Be Like Him
122 bpm • G# min • 05:35 • -7.36db
33% Popularity • 69% Danceability • 64% Energy • 32% Liveness
77% Instrumentalness • 30% Positiveness
33% Popularity • 69% Danceability • 64% Energy • 32% Liveness
77% Instrumentalness • 30% Positiveness
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Gail Jhonson
To Tamina
128 bpm • G# Maj • 04:33 • -11.22db
2% Popularity • 45% Danceability • 48% Energy • 26% Liveness
82% Instrumentalness • 26% Positiveness
2% Popularity • 45% Danceability • 48% Energy • 26% Liveness
82% Instrumentalness • 26% Positiveness
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Cal Harris Jr.
Grown Folks Business
160 bpm • G# Maj • 04:38 • -11db
39% Popularity • 68% Danceability • 57% Energy • 17% Liveness
72% Instrumentalness • 51% Positiveness
39% Popularity • 68% Danceability • 57% Energy • 17% Liveness
72% Instrumentalness • 51% Positiveness
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Jonathan Fritzén
Turn Back Time
121 bpm • F min • 04:23 • -9.72db
42% Popularity • 78% Danceability • 61% Energy • 5% Liveness
92% Instrumentalness • 81% Positiveness
42% Popularity • 78% Danceability • 61% Energy • 5% Liveness
92% Instrumentalness • 81% Positiveness
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Jazz Holdouts
Summer Nights
122 bpm • G Maj • 04:06 • -10db
42% Popularity • 74% Danceability • 66% Energy • 10% Liveness
78% Instrumentalness • 56% Positiveness
42% Popularity • 74% Danceability • 66% Energy • 10% Liveness
78% Instrumentalness • 56% Positiveness
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Brian Hughes
Pamela
120 bpm • G# min • 05:16 • -10db
37% Popularity • 68% Danceability • 69% Energy • 9% Liveness
84% Instrumentalness • 79% Positiveness
37% Popularity • 68% Danceability • 69% Energy • 9% Liveness
84% Instrumentalness • 79% Positiveness
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Paul Jackson, Jr.
The East from the West
122 bpm • B min • 05:38 • -11.67db
37% Popularity • 74% Danceability • 50% Energy • 4% Liveness
61% Instrumentalness • 40% Positiveness
37% Popularity • 74% Danceability • 50% Energy • 4% Liveness
61% Instrumentalness • 40% Positiveness
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Gail Jhonson
Maybe Tomorrow
129 bpm • G# Maj • 04:51 • -10.1db
1% Popularity • 64% Danceability • 43% Energy • 10% Liveness
76% Instrumentalness • 42% Positiveness
1% Popularity • 64% Danceability • 43% Energy • 10% Liveness
76% Instrumentalness • 42% Positiveness
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Kim Scott
Treetops
120 bpm • F# Maj • 04:17 • -12.5db
41% Popularity • 69% Danceability • 37% Energy • 22% Liveness
81% Instrumentalness • 67% Positiveness
41% Popularity • 69% Danceability • 37% Energy • 22% Liveness
81% Instrumentalness • 67% Positiveness
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Jeff Kashiwa
Side by Side
120 bpm • F min • 05:04 • -6.44db
22% Popularity • 68% Danceability • 66% Energy • 13% Liveness
77% Instrumentalness • 46% Positiveness
22% Popularity • 68% Danceability • 66% Energy • 13% Liveness
77% Instrumentalness • 46% Positiveness
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Jazz Holdouts
Port Boulevard
120 bpm • G min • 04:13 • -9db
41% Popularity • 72% Danceability • 63% Energy • 16% Liveness
91% Instrumentalness • 82% Positiveness
41% Popularity • 72% Danceability • 63% Energy • 16% Liveness
91% Instrumentalness • 82% Positiveness
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Brian Hughes
Man About Town
120 bpm • D min • 05:32 • -7.67db
24% Popularity • 67% Danceability • 75% Energy • 20% Liveness
82% Instrumentalness • 53% Positiveness
24% Popularity • 67% Danceability • 75% Energy • 20% Liveness
82% Instrumentalness • 53% Positiveness
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Jeff Golub
Jesus Children Of America
120 bpm • G# Maj • 04:42 • -8.51db
40% Popularity • 84% Danceability • 57% Energy • 5% Liveness
78% Instrumentalness • 89% Positiveness
40% Popularity • 84% Danceability • 57% Energy • 5% Liveness
78% Instrumentalness • 89% Positiveness
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Gail Jhonson
I Wanna Luv U
126 bpm • D# Maj • 04:07 • -14.51db
0% Popularity • 72% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
0% Popularity • 72% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Dan Siegel
From The Heart
120 bpm • F# Maj • 03:44 • -8.97db
34% Popularity • 76% Danceability • 69% Energy • 6% Liveness
89% Instrumentalness • 79% Positiveness
34% Popularity • 76% Danceability • 69% Energy • 6% Liveness
89% Instrumentalness • 79% Positiveness
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Pamela Williams
Close The Door
166 bpm • F min • 04:49 • -5.8db
28% Popularity • 65% Danceability • 69% Energy • 6% Liveness
52% Instrumentalness • 75% Positiveness
28% Popularity • 65% Danceability • 69% Energy • 6% Liveness
52% Instrumentalness • 75% Positiveness
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Jazz Holdouts
Simple Things
120 bpm • B min • 04:03 • -10.09db
38% Popularity • 66% Danceability • 67% Energy • 16% Liveness
83% Instrumentalness • 68% Positiveness
38% Popularity • 66% Danceability • 67% Energy • 16% Liveness
83% Instrumentalness • 68% Positiveness
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Everette Harp
Where Were You When I Needed You
166 bpm • G min • 04:42 • -9db
30% Popularity • 55% Danceability • 69% Energy • 8% Liveness
89% Instrumentalness • 76% Positiveness
30% Popularity • 55% Danceability • 69% Energy • 8% Liveness
89% Instrumentalness • 76% Positiveness
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Jackiem Joyner
I'm Waiting For You
168 bpm • D# min • 04:05 • -6.36db
50% Popularity • 62% Danceability • 79% Energy • 6% Liveness
51% Instrumentalness • 75% Positiveness
50% Popularity • 62% Danceability • 79% Energy • 6% Liveness
51% Instrumentalness • 75% Positiveness
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Gail Jhonson
Goodnight
120 bpm • F min • 04:48 • -11.82db
4% Popularity • 74% Danceability • 46% Energy • 12% Liveness
66% Instrumentalness • 52% Positiveness
4% Popularity • 74% Danceability • 46% Energy • 12% Liveness
66% Instrumentalness • 52% Positiveness
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Thom Rotella
Only 4 One Moment
168 bpm • D min • 04:24 • -8db
40% Popularity • 57% Danceability • 72% Energy • 20% Liveness
90% Instrumentalness • 70% Positiveness
40% Popularity • 57% Danceability • 72% Energy • 20% Liveness
90% Instrumentalness • 70% Positiveness
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Cal Harris Jr.
Inside Out
169 bpm • F Maj • 04:56 • -7db
35% Popularity • 51% Danceability • 92% Energy • 31% Liveness
32% Instrumentalness • 54% Positiveness
35% Popularity • 51% Danceability • 92% Energy • 31% Liveness
32% Instrumentalness • 54% Positiveness
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Freddie Fox
Still Lovin' You
170 bpm • C Maj • 04:13 • -11db
45% Popularity • 62% Danceability • 52% Energy • 8% Liveness
90% Instrumentalness • 78% Positiveness
45% Popularity • 62% Danceability • 52% Energy • 8% Liveness
90% Instrumentalness • 78% Positiveness
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Vincent Ingala
Kimi Trick
170 bpm • F min • 04:05 • -8db
47% Popularity • 48% Danceability • 67% Energy • 6% Liveness
77% Instrumentalness • 51% Positiveness
47% Popularity • 48% Danceability • 67% Energy • 6% Liveness
77% Instrumentalness • 51% Positiveness
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Fattburger
Spice
170 bpm • G min • 05:32 • -11db
37% Popularity • 60% Danceability • 56% Energy • 7% Liveness
84% Instrumentalness • 76% Positiveness
37% Popularity • 60% Danceability • 56% Energy • 7% Liveness
84% Instrumentalness • 76% Positiveness
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Gail Jhonson
Groovin' In Philly
168 bpm • E Maj • 04:36 • -9.36db
32% Popularity • 56% Danceability • 54% Energy • 10% Liveness
83% Instrumentalness • 60% Positiveness
32% Popularity • 56% Danceability • 54% Energy • 10% Liveness
83% Instrumentalness • 60% Positiveness
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Candy Dulfer
Smooth
170 bpm • F min • 04:35 • -7db
39% Popularity • 64% Danceability • 44% Energy • 9% Liveness
75% Instrumentalness • 56% Positiveness
39% Popularity • 64% Danceability • 44% Energy • 9% Liveness
75% Instrumentalness • 56% Positiveness
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Steve Laury
Getaway
170 bpm • F min • 04:55 • -14db
16% Popularity • 64% Danceability • 63% Energy • 5% Liveness
62% Instrumentalness • 79% Positiveness
16% Popularity • 64% Danceability • 63% Energy • 5% Liveness
62% Instrumentalness • 79% Positiveness
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Freddie Fox
Sweet Kisses
170 bpm • F Maj • 04:54 • -8.17db
42% Popularity • 58% Danceability • 50% Energy • 8% Liveness
44% Instrumentalness • 48% Positiveness
42% Popularity • 58% Danceability • 50% Energy • 8% Liveness
44% Instrumentalness • 48% Positiveness
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George Jinda
Between Dreams
170 bpm • G# Maj • 05:27 • -14db
29% Popularity • 68% Danceability • 65% Energy • 5% Liveness
64% Instrumentalness • 82% Positiveness
29% Popularity • 68% Danceability • 65% Energy • 5% Liveness
64% Instrumentalness • 82% Positiveness
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Vincent Ingala
Dream Girl
170 bpm • G min • 04:09 • -9.76db
32% Popularity • 62% Danceability • 65% Energy • 8% Liveness
74% Instrumentalness • 87% Positiveness
32% Popularity • 62% Danceability • 65% Energy • 8% Liveness
74% Instrumentalness • 87% Positiveness
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Everette Harp
I Just Can't Let Go
172 bpm • F Maj • 04:40 • -8db
39% Popularity • 58% Danceability • 56% Energy • 10% Liveness
9% Instrumentalness • 74% Positiveness
39% Popularity • 58% Danceability • 56% Energy • 10% Liveness
9% Instrumentalness • 74% Positiveness
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Christian de Mesones
Spirit
172 bpm • A Maj • 03:55 • -12db
22% Popularity • 52% Danceability • 47% Energy • 10% Liveness
29% Instrumentalness • 54% Positiveness
22% Popularity • 52% Danceability • 47% Energy • 10% Liveness
29% Instrumentalness • 54% Positiveness
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Jackiem Joyner
Last Dance
172 bpm • A min • 04:13 • -6.03db
26% Popularity • 60% Danceability • 75% Energy • 11% Liveness
26% Instrumentalness • 86% Positiveness
26% Popularity • 60% Danceability • 75% Energy • 11% Liveness
26% Instrumentalness • 86% Positiveness
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Sean U
Magic Hour
172 bpm • G min • 04:16 • -8.83db
38% Popularity • 60% Danceability • 77% Energy • 8% Liveness
82% Instrumentalness • 85% Positiveness
38% Popularity • 60% Danceability • 77% Energy • 8% Liveness
82% Instrumentalness • 85% Positiveness
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Brian Tarquin
Midnight Blue
172 bpm • G min • 04:49 • -11.28db
37% Popularity • 60% Danceability • 51% Energy • 17% Liveness
69% Instrumentalness • 18% Positiveness
37% Popularity • 60% Danceability • 51% Energy • 17% Liveness
69% Instrumentalness • 18% Positiveness
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Nate Harasim
Love's Taken Over
172 bpm • E min • 03:10 • -9db
32% Popularity • 56% Danceability • 82% Energy • 11% Liveness
86% Instrumentalness • 77% Positiveness
32% Popularity • 56% Danceability • 82% Energy • 11% Liveness
86% Instrumentalness • 77% Positiveness
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Jeff Kashiwa
The Lucky One
172 bpm • G# Maj • 04:52 • -5.92db
28% Popularity • 54% Danceability • 81% Energy • 8% Liveness
79% Instrumentalness • 73% Positiveness
28% Popularity • 54% Danceability • 81% Energy • 8% Liveness
79% Instrumentalness • 73% Positiveness
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Urban Knights
My Boo
173 bpm • D min • 04:16 • -6.81db
34% Popularity • 57% Danceability • 63% Energy • 12% Liveness
4% Instrumentalness • 80% Positiveness
34% Popularity • 57% Danceability • 63% Energy • 12% Liveness
4% Instrumentalness • 80% Positiveness
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Jaared
One More Time
174 bpm • G Maj • 03:52 • -4.66db
24% Popularity • 59% Danceability • 91% Energy • 24% Liveness
79% Instrumentalness • 84% Positiveness
24% Popularity • 59% Danceability • 91% Energy • 24% Liveness
79% Instrumentalness • 84% Positiveness
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Chris Geith
Tropical Summer Breeze
174 bpm • D min • 04:02 • -9.83db
45% Popularity • 57% Danceability • 84% Energy • 7% Liveness
94% Instrumentalness • 79% Positiveness
45% Popularity • 57% Danceability • 84% Energy • 7% Liveness
94% Instrumentalness • 79% Positiveness
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Everette Harp
I Just Can't Stop Thinking About You
176 bpm • C min • 05:20 • -8.68db
39% Popularity • 56% Danceability • 64% Energy • 10% Liveness
86% Instrumentalness • 94% Positiveness
39% Popularity • 56% Danceability • 64% Energy • 10% Liveness
86% Instrumentalness • 94% Positiveness
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Spur Of The Moment
In Key
176 bpm • C min • 04:41 • -6.12db
41% Popularity • 53% Danceability • 60% Energy • 8% Liveness
90% Instrumentalness • 60% Positiveness
41% Popularity • 53% Danceability • 60% Energy • 8% Liveness
90% Instrumentalness • 60% Positiveness
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Rocco Ventrella
Feel Like Making Love
177 bpm • F min • 05:07 • -11.59db
20% Popularity • 64% Danceability • 47% Energy • 8% Liveness
84% Instrumentalness • 59% Positiveness
20% Popularity • 64% Danceability • 47% Energy • 8% Liveness
84% Instrumentalness • 59% Positiveness
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Michael Lington
Twice in a Lifetime
178 bpm • G min • 04:43 • -10.25db
43% Popularity • 58% Danceability • 53% Energy • 10% Liveness
55% Instrumentalness • 56% Positiveness
43% Popularity • 58% Danceability • 53% Energy • 10% Liveness
55% Instrumentalness • 56% Positiveness
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Phil Casagrande
Missing You
180 bpm • D min • 03:14 • -8.17db
45% Popularity • 70% Danceability • 34% Energy • 9% Liveness
85% Instrumentalness • 66% Positiveness
45% Popularity • 70% Danceability • 34% Energy • 9% Liveness
85% Instrumentalness • 66% Positiveness
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Matt Marshak
Back Yard Party "Will and Maggie's Place...
180 bpm • G min • 04:44 • -6.86db
15% Popularity • 67% Danceability • 60% Energy • 8% Liveness
88% Instrumentalness • 38% Positiveness
15% Popularity • 67% Danceability • 60% Energy • 8% Liveness
88% Instrumentalness • 38% Positiveness
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Everette Harp
All Jazzed Up (And Nowhere To Go)
176 bpm • F Maj • 05:07 • -8db
45% Popularity • 67% Danceability • 57% Energy • 13% Liveness
66% Instrumentalness • 50% Positiveness
45% Popularity • 67% Danceability • 57% Energy • 13% Liveness
66% Instrumentalness • 50% Positiveness
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Jazz in Pink
Come For Me
180 bpm • A min • 04:37 • -9.39db
1% Popularity • 54% Danceability • 59% Energy • 20% Liveness
89% Instrumentalness • 48% Positiveness
1% Popularity • 54% Danceability • 59% Energy • 20% Liveness
89% Instrumentalness • 48% Positiveness
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Jeff Golub
No Two Ways About It
181 bpm • E Maj • 03:59 • -8.46db
45% Popularity • 52% Danceability • 73% Energy • 6% Liveness
87% Instrumentalness • 90% Positiveness
45% Popularity • 52% Danceability • 73% Energy • 6% Liveness
87% Instrumentalness • 90% Positiveness
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Spontaneous Groovin' Combustion
Chicago Morning
200 bpm • A# Maj • 04:20 • -5.04db
16% Popularity • 48% Danceability • 76% Energy • 15% Liveness
1% Instrumentalness • 56% Positiveness
16% Popularity • 48% Danceability • 76% Energy • 15% Liveness
1% Instrumentalness • 56% Positiveness
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Pamela Williams
Elixir
202 bpm • F min • 04:49 • -7.58db
17% Popularity • 49% Danceability • 61% Energy • 10% Liveness
80% Instrumentalness • 30% Positiveness
17% Popularity • 49% Danceability • 61% Energy • 10% Liveness
80% Instrumentalness • 30% Positiveness
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Everette Harp
What's Going On
186 bpm • C# min • 05:46 • -6.85db
24% Popularity • 46% Danceability • 92% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
24% Popularity • 46% Danceability • 92% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
