Songs like Milise Mou by Grigoris Bithikotsis
Based on a tempo of (+/- 10%) and a similar genre
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Mary Linda
Perasmenes Mou Agapes
104 bpm • D min • 01:51 • -7.94db
30% Popularity • 61% Danceability • 84% Energy • 28% Liveness
1% Instrumentalness • 79% Positiveness
30% Popularity • 61% Danceability • 84% Energy • 28% Liveness
1% Instrumentalness • 79% Positiveness
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Roza Eskenazi
Arapina mou Skertsoza - Remastered
104 bpm • F# min • 03:18 • -12db
11% Popularity • 58% Danceability • 27% Energy • 19% Liveness
0% Instrumentalness • 87% Positiveness
11% Popularity • 58% Danceability • 27% Energy • 19% Liveness
0% Instrumentalness • 87% Positiveness
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Grigoris Bithikotsis
Kaimos
104 bpm • F Maj • 05:34 • -11.76db
17% Popularity • 36% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
17% Popularity • 36% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Margarita Zorbala
Klais
104 bpm • G# Maj • 03:13 • -10db
23% Popularity • 44% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
23% Popularity • 44% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Kaiti Homata
Mia Agapi Gia To Kalokairi
103 bpm • D# min • 02:10 • -9db
32% Popularity • 55% Danceability • 46% Energy • 29% Liveness
0% Instrumentalness • 48% Positiveness
32% Popularity • 55% Danceability • 46% Energy • 29% Liveness
0% Instrumentalness • 48% Positiveness
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Maria Faradouri
Mila Siga
105 bpm • A min • 02:54 • -11.57db
11% Popularity • 55% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
11% Popularity • 55% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Manolis Mitsias
O Giannis O Fonias
105 bpm • F Maj • 03:13 • -8.3db
24% Popularity • 72% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
24% Popularity • 72% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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DROMOS bouzouki band
Hassapiko - Instrumental
105 bpm • A min • 03:24 • -7.04db
31% Popularity • 63% Danceability • 75% Energy • 12% Liveness
38% Instrumentalness • 71% Positiveness
31% Popularity • 63% Danceability • 75% Energy • 12% Liveness
38% Instrumentalness • 71% Positiveness
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Grigoris Bithikotsis
Milise Mou
104 bpm • G min • 03:24 • -8.91db
37% Popularity • 67% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
37% Popularity • 67% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Dimitris Zervoudakis
Me to kormi na kaigetai
105 bpm • A min • 03:17 • -10.31db
32% Popularity • 77% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
32% Popularity • 77% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Afroditi Manou
Ena Kalokeri
105 bpm • C min • 02:50 • -11.67db
22% Popularity • 30% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
22% Popularity • 30% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Volkan Konak
Sto'pa Kai Sto Ksanaleo
105 bpm • G Maj • 02:51 • -7.58db
23% Popularity • 48% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
23% Popularity • 48% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Saveria Margiola
Ama Htipisei Keravnos
105 bpm • D# min • 03:16 • -6.75db
26% Popularity • 78% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
26% Popularity • 78% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
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Giannis Vogiatzis
Thelo Konta Sou Na Meino
105 bpm • F Maj • 02:57 • -7db
28% Popularity • 39% Danceability • 42% Energy • 4% Liveness
0% Instrumentalness • 52% Positiveness
28% Popularity • 39% Danceability • 42% Energy • 4% Liveness
0% Instrumentalness • 52% Positiveness
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Grigoris Bithikotsis
Milise Mou - Remastered
103 bpm • G min • 03:22 • -5.05db
10% Popularity • 62% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
10% Popularity • 62% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
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Dionysis Savvopoulos
Ti Epaixa Sto Lavrio
103 bpm • B min • 02:25 • -15.28db
33% Popularity • 44% Danceability • 30% Energy • 8% Liveness
23% Instrumentalness • 52% Positiveness
33% Popularity • 44% Danceability • 30% Energy • 8% Liveness
23% Instrumentalness • 52% Positiveness
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Filippos Nikolaou
Pare, Pare, Pare Me
103 bpm • A# min • 03:27 • -10db
18% Popularity • 74% Danceability • 75% Energy • 56% Liveness
0% Instrumentalness • 81% Positiveness
18% Popularity • 74% Danceability • 75% Energy • 56% Liveness
0% Instrumentalness • 81% Positiveness
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Antonis Kalogiannis
O Metoikos (Le Meteque)
103 bpm • A Maj • 02:30 • -11.43db
23% Popularity • 46% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
23% Popularity • 46% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Evanthia Reboutsika
The Depots Are On Fire
103 bpm • E min • 03:04 • -7.28db
28% Popularity • 58% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
28% Popularity • 58% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Maria Faradouri
Me Fitepsane Se Kameni Gi
102 bpm • G min • 04:36 • -15db
9% Popularity • 43% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
9% Popularity • 43% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Grigoris Bithikotsis
Ena Amaxi Me Dio Aloga
102 bpm • G Maj • 02:42 • -9.29db
31% Popularity • 66% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
31% Popularity • 66% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
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Haris Alexiou
Teli Teli Teli
106 bpm • G min • 02:34 • -7.77db
43% Popularity • 75% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
43% Popularity • 75% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Filippos Nikolaou
Pare Pare Pare Me
102 bpm • F# min • 04:11 • -8db
26% Popularity • 70% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
26% Popularity • 70% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Roza Eskenazi
Ime Prezakias - Remastered
106 bpm • C# Maj • 03:16 • -16.15db
17% Popularity • 69% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
17% Popularity • 69% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Stamatis Kokotas
Mia Parenthesis Ke Mono
106 bpm • F Maj • 03:10 • -10.09db
13% Popularity • 41% Danceability • 42% Energy • 32% Liveness
0% Instrumentalness • 58% Positiveness
13% Popularity • 41% Danceability • 42% Energy • 32% Liveness
0% Instrumentalness • 58% Positiveness
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Nama
Odysseas
106 bpm • F# Maj • 02:54 • -6.01db
43% Popularity • 79% Danceability • 56% Energy • 25% Liveness
0% Instrumentalness • 81% Positiveness
43% Popularity • 79% Danceability • 56% Energy • 25% Liveness
0% Instrumentalness • 81% Positiveness
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Giota Negka
Oxygono
102 bpm • B min • 02:57 • -8db
23% Popularity • 67% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
23% Popularity • 67% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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Haris Alexiou
Mia Pista Apo Fosforo
106 bpm • D min • 05:18 • -8.53db
44% Popularity • 53% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
44% Popularity • 53% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Viky Moscholiou
Ta deilina
106 bpm • C# Maj • 02:48 • -5db
32% Popularity • 71% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
32% Popularity • 71% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Vicky Mosholiou
Ta Dilina
106 bpm • F min • 02:44 • -9db
32% Popularity • 52% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
32% Popularity • 52% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Manolis Aggelopoulos
Oso Axizis Esi
102 bpm • E min • 02:46 • -9.66db
31% Popularity • 72% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
31% Popularity • 72% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Stamatis Kokotas
Gie Mou Gie Mou
102 bpm • A min • 03:28 • -10.41db
15% Popularity • 51% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
15% Popularity • 51% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Antonis Vardis
Απόλυτη Εμπιστοσύνη
102 bpm • G Maj • 02:52 • -11db
24% Popularity • 74% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
24% Popularity • 74% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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George Dalaras
Den Thelo Pia Na Xanarthis
102 bpm • G Maj • 03:13 • -8db
35% Popularity • 69% Danceability • 54% Energy • 36% Liveness
0% Instrumentalness • 61% Positiveness
35% Popularity • 69% Danceability • 54% Energy • 36% Liveness
0% Instrumentalness • 61% Positiveness
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Grigoris Bithikotsis
Pou Petaxe T' Agori Mou - Remastered
107 bpm • A Maj • 03:17 • -7.33db
1% Popularity • 72% Danceability • 35% Energy • 4% Liveness
0% Instrumentalness • 63% Positiveness
1% Popularity • 72% Danceability • 35% Energy • 4% Liveness
0% Instrumentalness • 63% Positiveness
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Filippos Nikolaou
Logia Logia Logia
102 bpm • F min • 01:51 • -4.52db
14% Popularity • 61% Danceability • 79% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
14% Popularity • 61% Danceability • 79% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
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Yannis Moraitis
Politiko Hasapiko
107 bpm • G min • 03:40 • -14.77db
12% Popularity • 74% Danceability • 44% Energy • 7% Liveness
33% Instrumentalness • 61% Positiveness
12% Popularity • 74% Danceability • 44% Energy • 7% Liveness
33% Instrumentalness • 61% Positiveness
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Areti Ketime
Ta Omorfa Ta Galana Sou Matia
107 bpm • C Maj • 03:03 • -5.13db
20% Popularity • 72% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
20% Popularity • 72% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Sokratis Malamas
Kai Ti Den Kano
101 bpm • D min • 03:02 • -11.11db
27% Popularity • 68% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
27% Popularity • 68% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Litsa Diamanti
Nihta Stasou
107 bpm • G# Maj • 03:18 • -12db
34% Popularity • 44% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
34% Popularity • 44% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Grigoris Bithikotsis
Meros B': Ta Pathi / Tis Agapis Emata (H...
101 bpm • E min • 03:48 • -9db
10% Popularity • 46% Danceability • 39% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
10% Popularity • 46% Danceability • 39% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
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Panos Kiamos
Ante Na Min Trelatho
107 bpm • D min • 03:25 • -4db
26% Popularity • 67% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
26% Popularity • 67% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Giorgos Zambetas
Ta Deilina
107 bpm • F min • 01:43 • -12db
15% Popularity • 74% Danceability • 37% Energy • 54% Liveness
0% Instrumentalness • 52% Positiveness
15% Popularity • 74% Danceability • 37% Energy • 54% Liveness
0% Instrumentalness • 52% Positiveness
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Haris Alexiou
Aman, Katerina Mou
101 bpm • D min • 03:24 • -6.23db
35% Popularity • 64% Danceability • 53% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
35% Popularity • 64% Danceability • 53% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
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Babis Goles
Hatzikyriakeio - Apo Vradys Xekinisa
107 bpm • D min • 03:04 • -6db
28% Popularity • 63% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
28% Popularity • 63% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Mihalis Violaris
Ta Rialia
101 bpm • A min • 02:28 • -5.46db
35% Popularity • 66% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
35% Popularity • 66% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Aliki Vougiouklaki
I Agapi Thelei Dyo
108 bpm • C min • 04:43 • -4db
26% Popularity • 57% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
26% Popularity • 57% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Sofia Vebo
To Proi Me Xipnas Me Filia
100 bpm • G Maj • 02:50 • -11.63db
31% Popularity • 57% Danceability • 39% Energy • 20% Liveness
0% Instrumentalness • 87% Positiveness
31% Popularity • 57% Danceability • 39% Energy • 20% Liveness
0% Instrumentalness • 87% Positiveness
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Yorgos Kazantzis
Itane Aeras
108 bpm • E min • 03:45 • -14db
20% Popularity • 48% Danceability • 21% Energy • 19% Liveness
0% Instrumentalness • 20% Positiveness
20% Popularity • 48% Danceability • 21% Energy • 19% Liveness
0% Instrumentalness • 20% Positiveness
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Viky Moscholiou
Aliti
108 bpm • D# Maj • 02:58 • -11.42db
26% Popularity • 46% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
26% Popularity • 46% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Eleftheria Christopoulou
Me Fonazoune Treli
108 bpm • D min • 02:42 • -11db
26% Popularity • 39% Danceability • 31% Energy • 20% Liveness
0% Instrumentalness • 69% Positiveness
26% Popularity • 39% Danceability • 31% Energy • 20% Liveness
0% Instrumentalness • 69% Positiveness
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Vasilis Skoulas
Mavra Mou Matia
108 bpm • A min • 03:28 • -9db
35% Popularity • 70% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
35% Popularity • 70% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Grigoris Bithikotsis
Oli I Rebetes Tou Dounia
108 bpm • D min • 03:36 • -6.92db
18% Popularity • 61% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
18% Popularity • 61% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Filippos Nikolaou
Megiemele
100 bpm • D Maj • 03:10 • -6.59db
10% Popularity • 82% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
10% Popularity • 82% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
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Nikos Papazoglou
Kaneis Edo Den Tragouda
100 bpm • D min • 03:07 • -5.17db
38% Popularity • 65% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
38% Popularity • 65% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Meri Lida
Kindinos Thanatos
108 bpm • D min • 01:45 • -7db
28% Popularity • 59% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
28% Popularity • 59% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
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Manolis Aggelopoulos
Kali Tihi
100 bpm • C# Maj • 03:21 • -9.77db
29% Popularity • 50% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
29% Popularity • 50% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Tolis Voskopoulos
Agonia
108 bpm • A min • 02:56 • -10.24db
29% Popularity • 57% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
29% Popularity • 57% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Manolis Pappos
Erinaki
108 bpm • A Maj • 01:29 • -12db
27% Popularity • 66% Danceability • 34% Energy • 21% Liveness
74% Instrumentalness • 70% Positiveness
27% Popularity • 66% Danceability • 34% Energy • 21% Liveness
74% Instrumentalness • 70% Positiveness
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Yiannis Saleas
Tin Agapi Yia Na Mathis
109 bpm • C min • 03:47 • -11db
12% Popularity • 42% Danceability • 47% Energy • 46% Liveness
0% Instrumentalness • 84% Positiveness
12% Popularity • 42% Danceability • 47% Energy • 46% Liveness
0% Instrumentalness • 84% Positiveness
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Giorgos Zambetas
Hasapiko Me Baglama
109 bpm • G min • 02:38 • -4db
26% Popularity • 85% Danceability • 72% Energy • 8% Liveness
91% Instrumentalness • 67% Positiveness
26% Popularity • 85% Danceability • 72% Energy • 8% Liveness
91% Instrumentalness • 67% Positiveness
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Maria Faradouri
Miroloi
109 bpm • C min • 04:10 • -13.36db
15% Popularity • 44% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
15% Popularity • 44% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Hainides
O Palios Skopos
109 bpm • D min • 04:46 • -14.14db
22% Popularity • 42% Danceability • 25% Energy • 10% Liveness
46% Instrumentalness • 43% Positiveness
22% Popularity • 42% Danceability • 25% Energy • 10% Liveness
46% Instrumentalness • 43% Positiveness
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Trio Chios
Pare Ta Hnaria Mou - Klarnet Edit
109 bpm • G min • 03:08 • -7.86db
18% Popularity • 53% Danceability • 50% Energy • 10% Liveness
73% Instrumentalness • 39% Positiveness
18% Popularity • 53% Danceability • 50% Energy • 10% Liveness
73% Instrumentalness • 39% Positiveness
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Margarita Zorbala
Pame San Allote
109 bpm • A# Maj • 03:11 • -8db
31% Popularity • 62% Danceability • 58% Energy • 26% Liveness
0% Instrumentalness • 84% Positiveness
31% Popularity • 62% Danceability • 58% Energy • 26% Liveness
0% Instrumentalness • 84% Positiveness
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Viky Moscholiou
Etsi Ein' I Zoi
99 bpm • B Maj • 02:42 • -7db
27% Popularity • 66% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
27% Popularity • 66% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
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Loudovikos ton Anogeion
Ioulios ki o anemos
109 bpm • A min • 03:07 • -16.28db
6% Popularity • 46% Danceability • 21% Energy • 12% Liveness
14% Instrumentalness • 37% Positiveness
6% Popularity • 46% Danceability • 21% Energy • 12% Liveness
14% Instrumentalness • 37% Positiveness
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Hrysoula Stefanaki
Ta Mavra Matia Sou
109 bpm • D min • 03:20 • -6.85db
8% Popularity • 50% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
8% Popularity • 50% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Nikos Xilouris
Hilia Miria Kimata
109 bpm • A min • 04:06 • -8.77db
28% Popularity • 53% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
28% Popularity • 53% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Ta paidia ap'tin Patra
Hathikes (Den Ehi Dromo Na Diavo)
109 bpm • F min • 03:13 • -10db
22% Popularity • 59% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
22% Popularity • 59% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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Meri Lida
Apagogi
99 bpm • D Maj • 03:19 • -9.18db
14% Popularity • 69% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
14% Popularity • 69% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Haris Alexiou
Ola Se Thimizoun
99 bpm • C min • 03:51 • -11.2db
40% Popularity • 48% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
40% Popularity • 48% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Grigoris Bithikotsis
Strose To Stroma Sou Gia Dio
99 bpm • G Maj • 03:47 • -10.12db
12% Popularity • 65% Danceability • 20% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
12% Popularity • 65% Danceability • 20% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Nikos Papazoglou
Den Eimai Poiitis
110 bpm • C Maj • 03:06 • -14db
28% Popularity • 48% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
28% Popularity • 48% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Lavrentis Machairitsas
Enas Tourkos Sto Parisi
98 bpm • D Maj • 04:41 • -12.43db
47% Popularity • 55% Danceability • 40% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
47% Popularity • 55% Danceability • 40% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
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Pitsa Papadopoulou
Alitheia Mou
110 bpm • B min • 04:46 • -7.45db
19% Popularity • 59% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
19% Popularity • 59% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Giorgos Tzortzis
Krasopino
98 bpm • G min • 03:02 • -7db
11% Popularity • 71% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
11% Popularity • 71% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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Margarita Zorbala
Mia Fora Ki Ena Kairo
110 bpm • A min • 03:14 • -13.51db
21% Popularity • 43% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
21% Popularity • 43% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Loukianos Kilaidonis
Ego Tha S' Agapo Kai Mi Se Noiazei
110 bpm • F min • 02:33 • -8.18db
31% Popularity • 78% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
31% Popularity • 78% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
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Vaggelis Germanos
O Kipouros
98 bpm • C Maj • 02:10 • -9.96db
36% Popularity • 55% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
36% Popularity • 55% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
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Pediki Horodia Spirou Lambrou
Esena Mono
98 bpm • A# min • 03:06 • -8db
35% Popularity • 65% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
35% Popularity • 65% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Maria Dimitriadi
Iroes
110 bpm • F Maj • 03:27 • -6.8db
25% Popularity • 43% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
25% Popularity • 43% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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Giorgos Zampetas
Oi Thalassinoi
110 bpm • C min • 02:47 • -8db
30% Popularity • 75% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
30% Popularity • 75% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Πίτσα Νέγκρι
Τα ζηλιάρικά σου μάτι�...
98 bpm • A min • 02:41 • -9.97db
6% Popularity • 58% Danceability • 46% Energy • 25% Liveness
0% Instrumentalness • 92% Positiveness
6% Popularity • 58% Danceability • 46% Energy • 25% Liveness
0% Instrumentalness • 92% Positiveness
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Nikos Papazoglou
Treli Ki Adespoti
98 bpm • G min • 03:00 • -7db
35% Popularity • 66% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
35% Popularity • 66% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Poly Panou
Den Me Stefanonese
98 bpm • G min • 01:22 • -7.76db
14% Popularity • 63% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
14% Popularity • 63% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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Grigoris Bithikotsis
Omorfi Thessaloniki
97 bpm • E Maj • 01:42 • -11.46db
18% Popularity • 58% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
18% Popularity • 58% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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Alkinoos Ioannidis
Osa I Agapi Oneirevetai
111 bpm • G min • 03:12 • -11.98db
37% Popularity • 56% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
37% Popularity • 56% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Giorgos Zampetas
Minore Tis Avgis - Instrumental
111 bpm • F min • 04:38 • -7.11db
23% Popularity • 61% Danceability • 53% Energy • 10% Liveness
32% Instrumentalness • 58% Positiveness
23% Popularity • 61% Danceability • 53% Energy • 10% Liveness
32% Instrumentalness • 58% Positiveness
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Maria Seitanidou
Kaixis
111 bpm • G min • 04:32 • -7.66db
16% Popularity • 60% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
16% Popularity • 60% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
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Viky Moscholiou
To Adiexodo
112 bpm • A# Maj • 03:03 • -13.43db
21% Popularity • 59% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
21% Popularity • 59% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Trio Belcanto
Opa Nina Nai
97 bpm • F Maj • 01:52 • -6.94db
27% Popularity • 62% Danceability • 57% Energy • 23% Liveness
0% Instrumentalness • 89% Positiveness
27% Popularity • 62% Danceability • 57% Energy • 23% Liveness
0% Instrumentalness • 89% Positiveness
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Grigoris Bithikotsis
Ena To Helidoni
111 bpm • A min • 03:31 • -10db
22% Popularity • 69% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
22% Popularity • 69% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
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Doukissa
Pou Pas Choris Agapi
112 bpm • F Maj • 02:40 • -9db
26% Popularity • 69% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
26% Popularity • 69% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Loudovikos Ton Anogion
Pyli Tis Ammou
112 bpm • E min • 03:48 • -10.97db
16% Popularity • 50% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
16% Popularity • 50% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Manolis Lidakis
Aretousa
112 bpm • G min • 04:08 • -8.14db
26% Popularity • 66% Danceability • 43% Energy • 37% Liveness
0% Instrumentalness • 47% Positiveness
26% Popularity • 66% Danceability • 43% Energy • 37% Liveness
0% Instrumentalness • 47% Positiveness
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Stamatis Kokotas
Mi Mou Htipas Ta Mesanihta Tin Porta
97 bpm • F min • 03:20 • -12.71db
19% Popularity • 34% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
19% Popularity • 34% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Giannis Ntounias
Omorfi Thessaloniki
112 bpm • E Maj • 02:56 • -3.53db
26% Popularity • 61% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
26% Popularity • 61% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
