Songs like Mille regretz by Josquin des Prez
Based on a tempo of (+/- 10%) and a similar genre
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Pierre de la Rue
Jam sauche
93 bpm • F min • 01:16 • -19db
34% Popularity • 23% Danceability • 14% Energy • 27% Liveness
98% Instrumentalness • 47% Positiveness
34% Popularity • 23% Danceability • 14% Energy • 27% Liveness
98% Instrumentalness • 47% Positiveness
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Josquin des Prez
Mille regretz
93 bpm • A min • 01:56 • -30db
32% Popularity • 21% Danceability • 1% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
32% Popularity • 21% Danceability • 1% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
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The Choir of Magdalen College, Oxford
I will exalt Thee
93 bpm • A min • 03:31 • -25.61db
21% Popularity • 23% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
21% Popularity • 23% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Tarquinio Merula
Canzoni overo sonate concertate per chie...
93 bpm • C Maj • 02:44 • -18db
20% Popularity • 53% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
20% Popularity • 53% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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David Kellner
Fantasia in D Major
93 bpm • C# Maj • 03:14 • -22.38db
18% Popularity • 39% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 14% Positiveness
18% Popularity • 39% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 14% Positiveness
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Stephen Stubbs
Refrain 2
93 bpm • A min • 01:43 • -41db
29% Popularity • 42% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 19% Positiveness
29% Popularity • 42% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 19% Positiveness
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Marc-Antoine Charpentier
A la venue de noël
92 bpm • C# min • 01:00 • -22.24db
27% Popularity • 46% Danceability • 17% Energy • 4% Liveness
54% Instrumentalness • 78% Positiveness
27% Popularity • 46% Danceability • 17% Energy • 4% Liveness
54% Instrumentalness • 78% Positiveness
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Josquin des Prez
De tous biens plaine
93 bpm • D# min • 01:23 • -18.17db
10% Popularity • 47% Danceability • 18% Energy • 17% Liveness
95% Instrumentalness • 55% Positiveness
10% Popularity • 47% Danceability • 18% Energy • 17% Liveness
95% Instrumentalness • 55% Positiveness
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Heinrich Ignaz Franz von Biber
Harmonia Artificioso Ariosa, Partia V in...
94 bpm • F# min • 04:20 • -21.45db
26% Popularity • 33% Danceability • 12% Energy • 11% Liveness
30% Instrumentalness • 19% Positiveness
26% Popularity • 33% Danceability • 12% Energy • 11% Liveness
30% Instrumentalness • 19% Positiveness
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Andrea Falconieri
Passacalle
93 bpm • G min • 02:46 • -19.19db
18% Popularity • 42% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
18% Popularity • 42% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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John Dowland
Lachrimæ Antiquæ
92 bpm • G min • 04:39 • -22.49db
11% Popularity • 11% Danceability • 6% Energy • 12% Liveness
94% Instrumentalness • 8% Positiveness
11% Popularity • 11% Danceability • 6% Energy • 12% Liveness
94% Instrumentalness • 8% Positiveness
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Robert Parsons
A Song of Mr Robert Parsons
92 bpm • G# min • 01:55 • -29db
26% Popularity • 12% Danceability • 1% Energy • 11% Liveness
98% Instrumentalness • 12% Positiveness
26% Popularity • 12% Danceability • 1% Energy • 11% Liveness
98% Instrumentalness • 12% Positiveness
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Jordi Savall
Allemande BWV 1011 (Re Mineur) (Bach)
92 bpm • D min • 05:08 • -25.63db
14% Popularity • 27% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 17% Positiveness
14% Popularity • 27% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 17% Positiveness
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Johan Svendsen
2 Swedish Folk-Melodies, Op. 27: No. 1 A...
92 bpm • E min • 03:10 • -23.3db
30% Popularity • 12% Danceability • 8% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
30% Popularity • 12% Danceability • 8% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
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Alessandro Piccinini
Toccata VIII
94 bpm • F# min • 01:48 • -22.35db
24% Popularity • 54% Danceability • 5% Energy • 12% Liveness
81% Instrumentalness • 14% Positiveness
24% Popularity • 54% Danceability • 5% Energy • 12% Liveness
81% Instrumentalness • 14% Positiveness
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Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75, Ad genua: ...
94 bpm • F min • 01:15 • -25.85db
30% Popularity • 38% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 11% Positiveness
30% Popularity • 38% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 11% Positiveness
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Josquin des Prez
II. 1500 Nacimiento de Carlos V: Vive Le...
94 bpm • C Maj • 01:27 • -21.14db
12% Popularity • 47% Danceability • 5% Energy • 30% Liveness
96% Instrumentalness • 22% Positiveness
12% Popularity • 47% Danceability • 5% Energy • 30% Liveness
96% Instrumentalness • 22% Positiveness
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Andrea Falconieri
Ciaconna
94 bpm • C Maj • 03:28 • -17db
14% Popularity • 55% Danceability • 22% Energy • 20% Liveness
93% Instrumentalness • 78% Positiveness
14% Popularity • 55% Danceability • 22% Energy • 20% Liveness
93% Instrumentalness • 78% Positiveness
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Esaias Reusner
Delitiae testudinis Suite No. 13 in E-Fl...
94 bpm • D Maj • 03:48 • -27db
19% Popularity • 43% Danceability • 3% Energy • 9% Liveness
84% Instrumentalness • 19% Positiveness
19% Popularity • 43% Danceability • 3% Energy • 9% Liveness
84% Instrumentalness • 19% Positiveness
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Pierre Attaingnant
La Magdalena
92 bpm • C# min • 02:34 • -21.42db
31% Popularity • 32% Danceability • 19% Energy • 14% Liveness
85% Instrumentalness • 66% Positiveness
31% Popularity • 32% Danceability • 19% Energy • 14% Liveness
85% Instrumentalness • 66% Positiveness
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Giovanni Gabrieli
Sacrae symphoniae: Canzon septimi et oct...
92 bpm • C Maj • 02:39 • -18.34db
25% Popularity • 34% Danceability • 7% Energy • 9% Liveness
90% Instrumentalness • 16% Positiveness
25% Popularity • 34% Danceability • 7% Energy • 9% Liveness
90% Instrumentalness • 16% Positiveness
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Robert de Visée
Passacaille en ré mineur
92 bpm • C# min • 02:42 • -26.75db
12% Popularity • 32% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 21% Positiveness
12% Popularity • 32% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 21% Positiveness
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Francesco Spinacino
Recercare (I)
92 bpm • G min • 02:09 • -37.09db
33% Popularity • 35% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 53% Positiveness
33% Popularity • 35% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 53% Positiveness
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Stephen Stubbs
Improvisation I on the Folia bass
95 bpm • C# min • 07:45 • -23.17db
15% Popularity • 21% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
15% Popularity • 21% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
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Carl Friedrich Abel
Viola da Gamba Suite in D Minor: I. Arpe...
95 bpm • C# min • 02:03 • -35db
36% Popularity • 18% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
36% Popularity • 18% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
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Diego Ortiz
Recercadas del Trattado de Glosas: Recer...
95 bpm • D min • 01:42 • -27.15db
28% Popularity • 24% Danceability • 3% Energy • 10% Liveness
83% Instrumentalness • 21% Positiveness
28% Popularity • 24% Danceability • 3% Energy • 10% Liveness
83% Instrumentalness • 21% Positiveness
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Maurizio Cazzati
Ciaccona, Op. 23
95 bpm • C# Maj • 03:07 • -18db
15% Popularity • 49% Danceability • 24% Energy • 10% Liveness
30% Instrumentalness • 69% Positiveness
15% Popularity • 49% Danceability • 24% Energy • 10% Liveness
30% Instrumentalness • 69% Positiveness
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Alonso Mudarra
Fantasia Que Contrahaze La Harpa De Ludo...
91 bpm • G Maj • 02:36 • -28.2db
20% Popularity • 25% Danceability • 8% Energy • 14% Liveness
91% Instrumentalness • 15% Positiveness
20% Popularity • 25% Danceability • 8% Energy • 14% Liveness
91% Instrumentalness • 15% Positiveness
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Michael Praetorius
Terpsichore*: Bransle de la Torche
91 bpm • C Maj • 02:14 • -26.03db
22% Popularity • 49% Danceability • 4% Energy • 18% Liveness
10% Instrumentalness • 46% Positiveness
22% Popularity • 49% Danceability • 4% Energy • 18% Liveness
10% Instrumentalness • 46% Positiveness
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Giuseppe Torelli
Trumpet Concerto in D Major, G. 28: I. A...
95 bpm • G# Maj • 02:07 • -13db
37% Popularity • 55% Danceability • 23% Energy • 12% Liveness
86% Instrumentalness • 77% Positiveness
37% Popularity • 55% Danceability • 23% Energy • 12% Liveness
86% Instrumentalness • 77% Positiveness
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Jordi Savall
Cantus Caravaggio I (Jordi Savall)
95 bpm • G min • 02:29 • -22.72db
18% Popularity • 12% Danceability • 4% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
18% Popularity • 12% Danceability • 4% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Joseph Haydn
String Quartet in C Major, Op. 20, No. 2...
96 bpm • C Maj • 09:30 • -28.48db
6% Popularity • 22% Danceability • 3% Energy • 12% Liveness
5% Instrumentalness • 12% Positiveness
6% Popularity • 22% Danceability • 3% Energy • 12% Liveness
5% Instrumentalness • 12% Positiveness
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Robert Ballard
Entrée de Luths
96 bpm • D min • 03:12 • -34db
15% Popularity • 42% Danceability • 5% Energy • 8% Liveness
98% Instrumentalness • 11% Positiveness
15% Popularity • 42% Danceability • 5% Energy • 8% Liveness
98% Instrumentalness • 11% Positiveness
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Ralph Vaughan Williams
6 Studies in English Folksong (Version f...
90 bpm • D# Maj • 01:23 • -29db
51% Popularity • 35% Danceability • 2% Energy • 11% Liveness
81% Instrumentalness • 13% Positiveness
51% Popularity • 35% Danceability • 2% Energy • 11% Liveness
81% Instrumentalness • 13% Positiveness
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Carl Friedrich Abel
27 Pieces (Excerpts): No. 20 in D Minor,...
96 bpm • C# min • 01:37 • -27db
10% Popularity • 25% Danceability • 8% Energy • 13% Liveness
86% Instrumentalness • 17% Positiveness
10% Popularity • 25% Danceability • 8% Energy • 13% Liveness
86% Instrumentalness • 17% Positiveness
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Stephen Stubbs
Recercar
90 bpm • A# Maj • 01:13 • -34db
26% Popularity • 37% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 48% Positiveness
26% Popularity • 37% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 48% Positiveness
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Jordi Savall
Lachrimae Antiquae
90 bpm • A min • 04:41 • -21.68db
20% Popularity • 10% Danceability • 5% Energy • 11% Liveness
86% Instrumentalness • 5% Positiveness
20% Popularity • 10% Danceability • 5% Energy • 11% Liveness
86% Instrumentalness • 5% Positiveness
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Tarquinio Merula
Merula : Ciaccona
96 bpm • C# Maj • 02:53 • -15.79db
15% Popularity • 44% Danceability • 20% Energy • 12% Liveness
9% Instrumentalness • 56% Positiveness
15% Popularity • 44% Danceability • 20% Energy • 12% Liveness
9% Instrumentalness • 56% Positiveness
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Paolo Pandolfo
sopra l'anticho canto de La Spagna
96 bpm • D min • 09:49 • -21.21db
12% Popularity • 24% Danceability • 10% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
12% Popularity • 24% Danceability • 10% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
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Pierre Attaingnant
Pavane
96 bpm • G min • 02:11 • -26db
30% Popularity • 70% Danceability • 9% Energy • 11% Liveness
89% Instrumentalness • 57% Positiveness
30% Popularity • 70% Danceability • 9% Energy • 11% Liveness
89% Instrumentalness • 57% Positiveness
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Dietrich Becker
Sonata & Suite in D-Dur: Sonata & Suite ...
90 bpm • C# Maj • 01:29 • -18db
12% Popularity • 21% Danceability • 10% Energy • 11% Liveness
60% Instrumentalness • 11% Positiveness
12% Popularity • 21% Danceability • 10% Energy • 11% Liveness
60% Instrumentalness • 11% Positiveness
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Silvius Leopold Weiss
Deux pièces en fa majeur: II. Ciacconna...
90 bpm • C# min • 04:34 • -32db
29% Popularity • 26% Danceability • 7% Energy • 13% Liveness
96% Instrumentalness • 54% Positiveness
29% Popularity • 26% Danceability • 7% Energy • 13% Liveness
96% Instrumentalness • 54% Positiveness
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Alessandro Piccinini
Toccata XX
96 bpm • D min • 02:39 • -22.76db
16% Popularity • 37% Danceability • 12% Energy • 10% Liveness
91% Instrumentalness • 41% Positiveness
16% Popularity • 37% Danceability • 12% Energy • 10% Liveness
91% Instrumentalness • 41% Positiveness
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William Lawes
Pieces for 2 Lutes: III. Corant
90 bpm • A Maj • 01:46 • -31db
24% Popularity • 39% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 29% Positiveness
24% Popularity • 39% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 29% Positiveness
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Henry Purcell
Sonata A 2
89 bpm • G min • 06:47 • -17.27db
9% Popularity • 23% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
9% Popularity • 23% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Josquin des Prez
Qui velatus: Christum ducem
97 bpm • A min • 04:05 • -20.98db
5% Popularity • 18% Danceability • 16% Energy • 8% Liveness
4% Instrumentalness • 6% Positiveness
5% Popularity • 18% Danceability • 16% Energy • 8% Liveness
4% Instrumentalness • 6% Positiveness
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John Dowland
Mr. Dowland's Midnight, P. 99
89 bpm • C min • 01:55 • -27.71db
22% Popularity • 38% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 39% Positiveness
22% Popularity • 38% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 39% Positiveness
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Francesco Corbetta
Passacaille en sol mineur
89 bpm • F# min • 02:37 • -26.26db
21% Popularity • 43% Danceability • 7% Energy • 11% Liveness
9% Instrumentalness • 23% Positiveness
21% Popularity • 43% Danceability • 7% Energy • 11% Liveness
9% Instrumentalness • 23% Positiveness
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Dietrich Buxtehude
Sonata in A-Moll, BuxWV 272: Sonata in A...
89 bpm • G# min • 04:51 • -16.35db
13% Popularity • 41% Danceability • 25% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
13% Popularity • 41% Danceability • 25% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
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The Tallis Scholars
Tallis: Spem in Alium - 4. Respice (Repe...
89 bpm • D Maj • 01:27 • -15.9db
34% Popularity • 19% Danceability • 28% Energy • 3% Liveness
5% Instrumentalness • 4% Positiveness
34% Popularity • 19% Danceability • 28% Energy • 3% Liveness
5% Instrumentalness • 4% Positiveness
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Henry Purcell
Abdelazer, Z.570: 2. Rondeau
97 bpm • C# min • 01:38 • -20db
48% Popularity • 37% Danceability • 5% Energy • 11% Liveness
52% Instrumentalness • 48% Positiveness
48% Popularity • 37% Danceability • 5% Energy • 11% Liveness
52% Instrumentalness • 48% Positiveness
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Christopher Tye
In Nomine No. 20, 'Crye'
98 bpm • C# min • 01:54 • -24.23db
29% Popularity • 20% Danceability • 11% Energy • 9% Liveness
90% Instrumentalness • 22% Positiveness
29% Popularity • 20% Danceability • 11% Energy • 9% Liveness
90% Instrumentalness • 22% Positiveness
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John Dowland
Lachrimae or Seven Tears: XIV. The Earl ...
97 bpm • C# min • 01:17 • -19.45db
22% Popularity • 32% Danceability • 11% Energy • 23% Liveness
96% Instrumentalness • 50% Positiveness
22% Popularity • 32% Danceability • 11% Energy • 23% Liveness
96% Instrumentalness • 50% Positiveness
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Michael Praetorius
Terpsichore*: Ballet du Roy
98 bpm • G min • 02:09 • -22db
22% Popularity • 33% Danceability • 9% Energy • 16% Liveness
6% Instrumentalness • 75% Positiveness
22% Popularity • 33% Danceability • 9% Energy • 16% Liveness
6% Instrumentalness • 75% Positiveness
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Josquin des Prez
Miserere mei, Deus: Domine labia mea ape...
88 bpm • A# Maj • 05:36 • -22.56db
5% Popularity • 12% Danceability • 14% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
5% Popularity • 12% Danceability • 14% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
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Francesco Corbetta
Partie de Chaconne en ut majeur
98 bpm • B Maj • 02:38 • -24.94db
12% Popularity • 39% Danceability • 11% Energy • 13% Liveness
87% Instrumentalness • 41% Positiveness
12% Popularity • 39% Danceability • 11% Energy • 13% Liveness
87% Instrumentalness • 41% Positiveness
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Giovanni Girolamo Kapsberger
Passacaglia
88 bpm • A min • 02:58 • -27db
19% Popularity • 44% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
19% Popularity • 44% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
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Jean-Baptiste Lully
Alcidiane: Ouverture
98 bpm • F# min • 01:37 • -26db
44% Popularity • 41% Danceability • 5% Energy • 7% Liveness
57% Instrumentalness • 38% Positiveness
44% Popularity • 41% Danceability • 5% Energy • 7% Liveness
57% Instrumentalness • 38% Positiveness
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Stephen Stubbs
Refrain 3
88 bpm • A min • 01:50 • -39.48db
22% Popularity • 43% Danceability • 0% Energy • 9% Liveness
96% Instrumentalness • 22% Positiveness
22% Popularity • 43% Danceability • 0% Energy • 9% Liveness
96% Instrumentalness • 22% Positiveness
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Paul Hindemith
Trauermusik
99 bpm • E min • 09:03 • -25db
10% Popularity • 18% Danceability • 8% Energy • 9% Liveness
73% Instrumentalness • 3% Positiveness
10% Popularity • 18% Danceability • 8% Energy • 9% Liveness
73% Instrumentalness • 3% Positiveness
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Josquin des Prez
In te Domine speravi
88 bpm • F Maj • 01:39 • -28.16db
6% Popularity • 42% Danceability • 5% Energy • 8% Liveness
95% Instrumentalness • 69% Positiveness
6% Popularity • 42% Danceability • 5% Energy • 8% Liveness
95% Instrumentalness • 69% Positiveness
► Preview
Johann David Heinichen
III. Un poco Allegro
99 bpm • E Maj • 02:23 • -35db
24% Popularity • 57% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 80% Positiveness
24% Popularity • 57% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 80% Positiveness
► Preview
Francesco Corbetta
Folias
98 bpm • C Maj • 03:14 • -26db
17% Popularity • 32% Danceability • 9% Energy • 9% Liveness
87% Instrumentalness • 48% Positiveness
17% Popularity • 32% Danceability • 9% Energy • 9% Liveness
87% Instrumentalness • 48% Positiveness
► Preview
John Dowland
Lachrimae
87 bpm • F# min • 05:15 • -37db
30% Popularity • 32% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 21% Positiveness
30% Popularity • 32% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 21% Positiveness
► Preview
John Ireland
Mother and Child: No. 3. Hope (arr. J. L...
99 bpm • E min • 01:31 • -29db
25% Popularity • 21% Danceability • 3% Energy • 8% Liveness
95% Instrumentalness • 12% Positiveness
25% Popularity • 21% Danceability • 3% Energy • 8% Liveness
95% Instrumentalness • 12% Positiveness
► Preview
Thomas Morley
Pavin
87 bpm • A Maj • 04:56 • -38.39db
5% Popularity • 26% Danceability • 1% Energy • 12% Liveness
93% Instrumentalness • 43% Positiveness
5% Popularity • 26% Danceability • 1% Energy • 12% Liveness
93% Instrumentalness • 43% Positiveness
► Preview
Julian Bream
John Dowland: Melancholy Galliard
87 bpm • G# Maj • 03:50 • -23.02db
18% Popularity • 44% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 26% Positiveness
18% Popularity • 44% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 26% Positiveness
► Preview
Giovanni Girolamo Kapsberger
Toccata arpeggiata
87 bpm • D min • 02:55 • -23.62db
14% Popularity • 21% Danceability • 24% Energy • 12% Liveness
94% Instrumentalness • 48% Positiveness
14% Popularity • 21% Danceability • 24% Energy • 12% Liveness
94% Instrumentalness • 48% Positiveness
► Preview
Heinrich Isaac
Motet: Parce, Domine
100 bpm • A min • 01:40 • -21.81db
25% Popularity • 13% Danceability • 10% Energy • 10% Liveness
52% Instrumentalness • 4% Positiveness
25% Popularity • 13% Danceability • 10% Energy • 10% Liveness
52% Instrumentalness • 4% Positiveness
► Preview
Claudio Monteverdi
Canzonette d'amore
100 bpm • B min • 02:36 • -25db
31% Popularity • 23% Danceability • 4% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
31% Popularity • 23% Danceability • 4% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Le Concert Des Nations
Quatrième Concert: Forlane. Rondeau - G...
100 bpm • D Maj • 02:49 • -16.26db
18% Popularity • 59% Danceability • 23% Energy • 10% Liveness
51% Instrumentalness • 78% Positiveness
18% Popularity • 59% Danceability • 23% Energy • 10% Liveness
51% Instrumentalness • 78% Positiveness
► Preview
Arcangelo Corelli
Sonata Op. 5, No. 10: Sarabanda
86 bpm • C# min • 03:57 • -29db
25% Popularity • 22% Danceability • 3% Energy • 11% Liveness
95% Instrumentalness • 5% Positiveness
25% Popularity • 22% Danceability • 3% Energy • 11% Liveness
95% Instrumentalness • 5% Positiveness
► Preview
Alessandro Scarlatti
Toccata in G Minor (Arr. E. Netzer for H...
100 bpm • C min • 05:16 • -23db
10% Popularity • 36% Danceability • 12% Energy • 12% Liveness
90% Instrumentalness • 7% Positiveness
10% Popularity • 36% Danceability • 12% Energy • 12% Liveness
90% Instrumentalness • 7% Positiveness
► Preview
Heinrich Ignaz Franz von Biber
Passagalia in G Minor
100 bpm • F# min • 08:18 • -20db
27% Popularity • 42% Danceability • 16% Energy • 10% Liveness
85% Instrumentalness • 24% Positiveness
27% Popularity • 42% Danceability • 16% Energy • 10% Liveness
85% Instrumentalness • 24% Positiveness
► Preview
William Boyce
Symphony No. 1 in B-Flat Major, Op. 2, "...
86 bpm • A Maj • 02:55 • -23.37db
39% Popularity • 43% Danceability • 13% Energy • 25% Liveness
93% Instrumentalness • 69% Positiveness
39% Popularity • 43% Danceability • 13% Energy • 25% Liveness
93% Instrumentalness • 69% Positiveness
► Preview
Dmitri Shostakovich
24 Preludes, Op. 34: No. 10 in C-Sharp M...
86 bpm • B Maj • 01:45 • -27.62db
1% Popularity • 19% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
1% Popularity • 19% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
François Couperin
Second livre de pièces de clavecin, Ord...
86 bpm • A Maj • 02:44 • -17.92db
16% Popularity • 15% Danceability • 31% Energy • 15% Liveness
81% Instrumentalness • 55% Positiveness
16% Popularity • 15% Danceability • 31% Energy • 15% Liveness
81% Instrumentalness • 55% Positiveness
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Carl Orff
Musik zur Nacht: Siziliano (Carl Orff) f...
100 bpm • C Maj • 01:34 • -36.75db
34% Popularity • 20% Danceability • 1% Energy • 20% Liveness
35% Instrumentalness • 51% Positiveness
34% Popularity • 20% Danceability • 1% Energy • 20% Liveness
35% Instrumentalness • 51% Positiveness
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Henry Purcell
Purcell: Trumpet Sonata in D Major, Z. 8...
101 bpm • C# Maj • 01:16 • -11.42db
35% Popularity • 57% Danceability • 25% Energy • 8% Liveness
86% Instrumentalness • 73% Positiveness
35% Popularity • 57% Danceability • 25% Energy • 8% Liveness
86% Instrumentalness • 73% Positiveness
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Claudio Monteverdi
Ciaccona (Antonio Falconiero ca. 1585-16...
101 bpm • G Maj • 01:46 • -24db
34% Popularity • 47% Danceability • 15% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
34% Popularity • 47% Danceability • 15% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
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Emilio de' Cavalieri
Prima die Lectio prima: IV. Beth
86 bpm • F# min • 01:12 • -24db
37% Popularity • 9% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
37% Popularity • 9% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Robert de Visée
Prélude en ré mineur
86 bpm • C# min • 01:15 • -28db
35% Popularity • 25% Danceability • 4% Energy • 15% Liveness
76% Instrumentalness • 23% Positiveness
35% Popularity • 25% Danceability • 4% Energy • 15% Liveness
76% Instrumentalness • 23% Positiveness
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Josquin des Prez
Obsecro Te
86 bpm • C min • 05:41 • -38.36db
34% Popularity • 47% Danceability • 1% Energy • 8% Liveness
89% Instrumentalness • 30% Positiveness
34% Popularity • 47% Danceability • 1% Energy • 8% Liveness
89% Instrumentalness • 30% Positiveness
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Michael Praetorius
Terpsichore*: Volte
101 bpm • G Maj • 01:34 • -19db
21% Popularity • 63% Danceability • 14% Energy • 10% Liveness
4% Instrumentalness • 52% Positiveness
21% Popularity • 63% Danceability • 14% Energy • 10% Liveness
4% Instrumentalness • 52% Positiveness
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Henry Purcell
Suite From Abdelzar: I. Rondeau
101 bpm • C# min • 01:29 • -21db
44% Popularity • 52% Danceability • 9% Energy • 11% Liveness
74% Instrumentalness • 52% Positiveness
44% Popularity • 52% Danceability • 9% Energy • 11% Liveness
74% Instrumentalness • 52% Positiveness
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Pierre Francisque Carroubel
Spagnolette
86 bpm • D min • 03:35 • -25db
18% Popularity • 35% Danceability • 4% Energy • 10% Liveness
6% Instrumentalness • 28% Positiveness
18% Popularity • 35% Danceability • 4% Energy • 10% Liveness
6% Instrumentalness • 28% Positiveness
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Johannes Ockeghem
D'un autre amer: D'ung aultre amer
86 bpm • D min • 03:07 • -22.11db
15% Popularity • 15% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 8% Positiveness
15% Popularity • 15% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 8% Positiveness
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Robert de Visée
La Mascarade, Rondeau
86 bpm • F# Maj • 01:30 • -25.39db
13% Popularity • 39% Danceability • 10% Energy • 11% Liveness
84% Instrumentalness • 20% Positiveness
13% Popularity • 39% Danceability • 10% Energy • 11% Liveness
84% Instrumentalness • 20% Positiveness
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Stephen Stubbs
Refrain 1
86 bpm • A min • 01:41 • -39.5db
30% Popularity • 27% Danceability • 0% Energy • 6% Liveness
77% Instrumentalness • 12% Positiveness
30% Popularity • 27% Danceability • 0% Energy • 6% Liveness
77% Instrumentalness • 12% Positiveness
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Orlando Gibbons
Galliard
86 bpm • F# Maj • 02:56 • -25db
17% Popularity • 24% Danceability • 6% Energy • 29% Liveness
95% Instrumentalness • 33% Positiveness
17% Popularity • 24% Danceability • 6% Energy • 29% Liveness
95% Instrumentalness • 33% Positiveness
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Luigi Boccherini
Bocherini / Arr. Grützmacher: Cello Con...
86 bpm • G min • 06:54 • -23.72db
44% Popularity • 13% Danceability • 12% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
44% Popularity • 13% Danceability • 12% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
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Josquin des Prez
De profundis
86 bpm • G# min • 06:01 • -21.78db
8% Popularity • 10% Danceability • 11% Energy • 10% Liveness
22% Instrumentalness • 4% Positiveness
8% Popularity • 10% Danceability • 11% Energy • 10% Liveness
22% Instrumentalness • 4% Positiveness
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Dietrich Buxtehude
Sonata in A-Moll, BuxWV 272: Sonata in A...
101 bpm • E Maj • 00:51 • -16.48db
22% Popularity • 22% Danceability • 12% Energy • 11% Liveness
77% Instrumentalness • 4% Positiveness
22% Popularity • 22% Danceability • 12% Energy • 11% Liveness
77% Instrumentalness • 4% Positiveness
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George Frideric Handel
Joseph and his Brethren HWV 59, Symphony...
85 bpm • D# min • 01:19 • -20.76db
18% Popularity • 16% Danceability • 7% Energy • 12% Liveness
75% Instrumentalness • 22% Positiveness
18% Popularity • 16% Danceability • 7% Energy • 12% Liveness
75% Instrumentalness • 22% Positiveness
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Jordi Savall
D'Après Le Mss. Flores De Música, 1357...
85 bpm • D min • 10:55 • -20db
21% Popularity • 26% Danceability • 14% Energy • 23% Liveness
85% Instrumentalness • 23% Positiveness
21% Popularity • 26% Danceability • 14% Energy • 23% Liveness
85% Instrumentalness • 23% Positiveness
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Charles Wuorinen
Josquiniana: I. Helas madame
101 bpm • D min • 03:16 • -30db
29% Popularity • 21% Danceability • 1% Energy • 10% Liveness
18% Instrumentalness • 10% Positiveness
29% Popularity • 21% Danceability • 1% Energy • 10% Liveness
18% Instrumentalness • 10% Positiveness
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Alessandro Scarlatti
Cello Sonata No. 3 in C Major: III. Amor...
101 bpm • C Maj • 01:55 • -25.81db
15% Popularity • 23% Danceability • 4% Energy • 11% Liveness
86% Instrumentalness • 16% Positiveness
15% Popularity • 23% Danceability • 4% Energy • 11% Liveness
86% Instrumentalness • 16% Positiveness
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Josquin des Prez
Missa "Mater Patris": Pleni sunt caeli
86 bpm • C# min • 02:04 • -19.53db
6% Popularity • 19% Danceability • 26% Energy • 19% Liveness
55% Instrumentalness • 4% Positiveness
6% Popularity • 19% Danceability • 26% Energy • 19% Liveness
55% Instrumentalness • 4% Positiveness
