Songs like Million Miles by Adam Hood
Based on a tempo of (+/- 10%) and a similar genre
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Judson Cole Band
16 Days
125 bpm • C Maj • 03:54 • -7.07db
14% Popularity • 57% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
14% Popularity • 57% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
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Adam Hood
Million Miles
125 bpm • G Maj • 03:49 • -8.74db
23% Popularity • 70% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
23% Popularity • 70% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Brandon Jenkins
Gypsy Angel
125 bpm • E Maj • 03:46 • -10db
14% Popularity • 48% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
14% Popularity • 48% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
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Zane Williams
Texas Like That
125 bpm • D Maj • 04:24 • -6.76db
25% Popularity • 60% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 23% Positiveness
25% Popularity • 60% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 23% Positiveness
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Jason Boland
Shades of Gray
126 bpm • G Maj • 06:16 • -10.08db
35% Popularity • 41% Danceability • 35% Energy • 74% Liveness
0% Instrumentalness • 34% Positiveness
35% Popularity • 41% Danceability • 35% Energy • 74% Liveness
0% Instrumentalness • 34% Positiveness
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Zac Wilkerson
Long as I Don't Lose You
126 bpm • B Maj • 03:47 • -6.78db
10% Popularity • 72% Danceability • 58% Energy • 25% Liveness
0% Instrumentalness • 57% Positiveness
10% Popularity • 72% Danceability • 58% Energy • 25% Liveness
0% Instrumentalness • 57% Positiveness
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Ryan Beaver
Rum & Roses
126 bpm • D Maj • 04:39 • -6.35db
20% Popularity • 46% Danceability • 51% Energy • 22% Liveness
0% Instrumentalness • 14% Positiveness
20% Popularity • 46% Danceability • 51% Energy • 22% Liveness
0% Instrumentalness • 14% Positiveness
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Adam Hood
Once They're Gone
125 bpm • A Maj • 04:19 • -3.33db
5% Popularity • 51% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
5% Popularity • 51% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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John Baumann
Eagle Ford
124 bpm • B min • 03:43 • -6db
16% Popularity • 74% Danceability • 69% Energy • 32% Liveness
0% Instrumentalness • 81% Positiveness
16% Popularity • 74% Danceability • 69% Energy • 32% Liveness
0% Instrumentalness • 81% Positiveness
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The Damn Quails
Down
124 bpm • G Maj • 03:39 • -4db
28% Popularity • 68% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
28% Popularity • 68% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Micky & The Motorcars
Road to You
126 bpm • D Maj • 04:01 • -5.42db
23% Popularity • 61% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
23% Popularity • 61% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Eleven Hundred Springs
We're from Texas
124 bpm • D Maj • 03:04 • -3.56db
31% Popularity • 64% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
31% Popularity • 64% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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The Wilder Blue
Janie Lynn
126 bpm • F Maj • 04:18 • -10.14db
29% Popularity • 45% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 20% Positiveness
29% Popularity • 45% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 20% Positiveness
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Adam Hood
Trying to Write a Love Song
126 bpm • A min • 02:35 • -5.07db
25% Popularity • 56% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
25% Popularity • 56% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Bart Crow
Life Comes at You Fast
124 bpm • G Maj • 02:53 • -5.41db
14% Popularity • 56% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
14% Popularity • 56% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
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The Damn Quails
Me and the Whiskey
124 bpm • G Maj • 04:08 • -7.68db
35% Popularity • 60% Danceability • 48% Energy • 32% Liveness
0% Instrumentalness • 34% Positiveness
35% Popularity • 60% Danceability • 48% Energy • 32% Liveness
0% Instrumentalness • 34% Positiveness
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Micky & The Motorcars
Rock Springs to Cheyenne
126 bpm • G Maj • 04:01 • -5.34db
25% Popularity • 49% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
25% Popularity • 49% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
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Brandon Rhyder
Haggard
126 bpm • A min • 03:30 • -5.41db
19% Popularity • 59% Danceability • 62% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
19% Popularity • 59% Danceability • 62% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
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Midnight River Choir
Run Away from Me
126 bpm • E min • 02:55 • -6.39db
20% Popularity • 55% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
20% Popularity • 55% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Ward Davis
Skeptic's Prayer
123 bpm • C# Maj • 03:17 • -10.33db
17% Popularity • 65% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
17% Popularity • 65% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Dolly Shine
Room to Breathe
126 bpm • B Maj • 04:01 • -11.63db
16% Popularity • 52% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
16% Popularity • 52% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Walt Wilkins
Paint the Town Beige
123 bpm • D Maj • 04:02 • -13.96db
14% Popularity • 64% Danceability • 20% Energy • 68% Liveness
0% Instrumentalness • 35% Positiveness
14% Popularity • 64% Danceability • 20% Energy • 68% Liveness
0% Instrumentalness • 35% Positiveness
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Flatland Cavalry
Honeywine
127 bpm • G Maj • 03:03 • -5.8db
32% Popularity • 52% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 48% Positiveness
32% Popularity • 52% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 48% Positiveness
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Brandon Rhyder
Freeze Frame Time
124 bpm • A# Maj • 07:36 • -9.02db
16% Popularity • 42% Danceability • 36% Energy • 83% Liveness
0% Instrumentalness • 28% Positiveness
16% Popularity • 42% Danceability • 36% Energy • 83% Liveness
0% Instrumentalness • 28% Positiveness
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Gethen Jenkins
Whiskey Bound
123 bpm • G Maj • 05:30 • -5.09db
25% Popularity • 40% Danceability • 60% Energy • 13% Liveness
3% Instrumentalness • 24% Positiveness
25% Popularity • 40% Danceability • 60% Energy • 13% Liveness
3% Instrumentalness • 24% Positiveness
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Six Market Blvd.
High in Heaven
127 bpm • G Maj • 04:48 • -9.04db
10% Popularity • 58% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
10% Popularity • 58% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Charlie Shafter
Not My Girl
123 bpm • G Maj • 04:14 • -5.25db
10% Popularity • 59% Danceability • 64% Energy • 11% Liveness
3% Instrumentalness • 70% Positiveness
10% Popularity • 59% Danceability • 64% Energy • 11% Liveness
3% Instrumentalness • 70% Positiveness
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Micky & The Motorcars
Hearts from Above
123 bpm • E Maj • 03:29 • -2.83db
18% Popularity • 65% Danceability • 92% Energy • 34% Liveness
0% Instrumentalness • 71% Positiveness
18% Popularity • 65% Danceability • 92% Energy • 34% Liveness
0% Instrumentalness • 71% Positiveness
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The Dirty River Boys
Desert Wind
127 bpm • G Maj • 03:40 • -3.86db
18% Popularity • 59% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
18% Popularity • 59% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Kendell Marvel
Gypsy Woman
123 bpm • G# min • 03:33 • -9.54db
29% Popularity • 68% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
29% Popularity • 68% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Charlie Stout
I See Stars
123 bpm • G Maj • 02:35 • -14.2db
16% Popularity • 49% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
16% Popularity • 49% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Erick Willis
Please
122 bpm • G Maj • 03:29 • -8db
24% Popularity • 56% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
24% Popularity • 56% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Bart Crow
Loves Got A Hold On You
122 bpm • E Maj • 04:01 • -5.99db
20% Popularity • 56% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
20% Popularity • 56% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Micky & The Motorcars
Sister Lost Soul
123 bpm • A Maj • 04:13 • -4db
18% Popularity • 60% Danceability • 87% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
18% Popularity • 60% Danceability • 87% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
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Mark McKinney
Stolen Cash
128 bpm • G Maj • 04:06 • -4.64db
21% Popularity • 63% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 58% Positiveness
21% Popularity • 63% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 58% Positiveness
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Austin Meade
Born with a Broken Heart
128 bpm • C Maj • 03:20 • -7db
25% Popularity • 52% Danceability • 76% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
25% Popularity • 52% Danceability • 76% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
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Dalton Domino
Dallas
128 bpm • D Maj • 03:38 • -6.68db
15% Popularity • 64% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 59% Positiveness
15% Popularity • 64% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 59% Positiveness
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Folk Soul Revival
Other Side
128 bpm • G min • 02:41 • -6.04db
19% Popularity • 65% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 76% Positiveness
19% Popularity • 65% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 76% Positiveness
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Adam Hood
I'll Sing About Mine
122 bpm • A Maj • 04:34 • -3.24db
16% Popularity • 53% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
16% Popularity • 53% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Brandon Jenkins
The Maker
122 bpm • A min • 04:23 • -7.83db
10% Popularity • 68% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
10% Popularity • 68% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Max Stalling
Bass Run
129 bpm • G Maj • 04:18 • -6.56db
24% Popularity • 72% Danceability • 63% Energy • 27% Liveness
0% Instrumentalness • 74% Positiveness
24% Popularity • 72% Danceability • 63% Energy • 27% Liveness
0% Instrumentalness • 74% Positiveness
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The Washers
Two Left Feet
129 bpm • A Maj • 05:15 • -6db
18% Popularity • 56% Danceability • 68% Energy • 26% Liveness
0% Instrumentalness • 67% Positiveness
18% Popularity • 56% Danceability • 68% Energy • 26% Liveness
0% Instrumentalness • 67% Positiveness
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Walt Wilkins
Just Be
129 bpm • D Maj • 03:47 • -11.46db
19% Popularity • 66% Danceability • 39% Energy • 12% Liveness
3% Instrumentalness • 52% Positiveness
19% Popularity • 66% Danceability • 39% Energy • 12% Liveness
3% Instrumentalness • 52% Positiveness
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Micky & The Motorcars
Tonight We Ride
121 bpm • A Maj • 03:43 • -4db
31% Popularity • 62% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
31% Popularity • 62% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Adam Hood
Harder Stuff
122 bpm • G Maj • 04:32 • -12.4db
27% Popularity • 65% Danceability • 35% Energy • 34% Liveness
0% Instrumentalness • 20% Positiveness
27% Popularity • 65% Danceability • 35% Energy • 34% Liveness
0% Instrumentalness • 20% Positiveness
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Mike McClure
Fifty Billion
121 bpm • G# Maj • 03:39 • -7.34db
16% Popularity • 69% Danceability • 64% Energy • 21% Liveness
0% Instrumentalness • 80% Positiveness
16% Popularity • 69% Danceability • 64% Energy • 21% Liveness
0% Instrumentalness • 80% Positiveness
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Kyle Nix
Lightning on the Mountain
121 bpm • G Maj • 03:22 • -3.37db
18% Popularity • 49% Danceability • 95% Energy • 28% Liveness
0% Instrumentalness • 87% Positiveness
18% Popularity • 49% Danceability • 95% Energy • 28% Liveness
0% Instrumentalness • 87% Positiveness
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Cooder Graw
New Dress
130 bpm • G Maj • 03:21 • -4db
28% Popularity • 72% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
28% Popularity • 72% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Zac Wilkerson
Lonely Together Tonight
121 bpm • A# min • 04:04 • -9.56db
24% Popularity • 82% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
24% Popularity • 82% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Bart Crow
Bad Attitude
130 bpm • F# Maj • 02:41 • -4.52db
24% Popularity • 62% Danceability • 73% Energy • 35% Liveness
0% Instrumentalness • 72% Positiveness
24% Popularity • 62% Danceability • 73% Energy • 35% Liveness
0% Instrumentalness • 72% Positiveness
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Brandon Jenkins
My Feet Don't Touch the Ground
130 bpm • G Maj • 04:00 • -6db
30% Popularity • 68% Danceability • 47% Energy • 34% Liveness
0% Instrumentalness • 26% Positiveness
30% Popularity • 68% Danceability • 47% Energy • 34% Liveness
0% Instrumentalness • 26% Positiveness
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Keith Gattis
El Cerrito Place
130 bpm • E Maj • 05:58 • -8.93db
22% Popularity • 50% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
22% Popularity • 50% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
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Micky & The Motorcars
Carolina Morning
130 bpm • G Maj • 04:21 • -5.05db
18% Popularity • 46% Danceability • 84% Energy • 24% Liveness
2% Instrumentalness • 68% Positiveness
18% Popularity • 46% Danceability • 84% Energy • 24% Liveness
2% Instrumentalness • 68% Positiveness
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Adam Hood
Way Too Long
130 bpm • D Maj • 03:43 • -8db
30% Popularity • 53% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
30% Popularity • 53% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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The Damn Quails
Midnight Swagger
130 bpm • G Maj • 03:12 • -5db
37% Popularity • 59% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
37% Popularity • 59% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Ward Davis
15 Years in a 10 Year Town
120 bpm • C Maj • 03:08 • -7db
29% Popularity • 61% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
29% Popularity • 61% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Cody Canada
Lighthouse Keeper
130 bpm • F# min • 03:25 • -8.8db
19% Popularity • 39% Danceability • 70% Energy • 75% Liveness
0% Instrumentalness • 68% Positiveness
19% Popularity • 39% Danceability • 70% Energy • 75% Liveness
0% Instrumentalness • 68% Positiveness
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Phil Hamilton
You Can Have Me
120 bpm • E Maj • 04:01 • -13.1db
11% Popularity • 65% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
11% Popularity • 65% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
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Micky & The Motorcars
Carolina Morning
130 bpm • G Maj • 04:22 • -6.62db
29% Popularity • 58% Danceability • 90% Energy • 96% Liveness
0% Instrumentalness • 79% Positiveness
29% Popularity • 58% Danceability • 90% Energy • 96% Liveness
0% Instrumentalness • 79% Positiveness
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Adam Hood
New Deep Ellum Blues
120 bpm • E min • 03:37 • -1.99db
23% Popularity • 55% Danceability • 95% Energy • 39% Liveness
0% Instrumentalness • 87% Positiveness
23% Popularity • 55% Danceability • 95% Energy • 39% Liveness
0% Instrumentalness • 87% Positiveness
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The Dirty River Boys
Boomtown
120 bpm • G Maj • 03:42 • -6.26db
15% Popularity • 49% Danceability • 83% Energy • 35% Liveness
2% Instrumentalness • 50% Positiveness
15% Popularity • 49% Danceability • 83% Energy • 35% Liveness
2% Instrumentalness • 50% Positiveness
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The Damn Quails
Parachute
130 bpm • C Maj • 03:40 • -7.28db
28% Popularity • 68% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
28% Popularity • 68% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Kyle Nix
Shelby '65
120 bpm • C Maj • 03:21 • -4db
11% Popularity • 52% Danceability • 97% Energy • 35% Liveness
0% Instrumentalness • 66% Positiveness
11% Popularity • 52% Danceability • 97% Energy • 35% Liveness
0% Instrumentalness • 66% Positiveness
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Six Market Blvd.
Ready to Throw
120 bpm • D Maj • 03:26 • -6.09db
17% Popularity • 67% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
17% Popularity • 67% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Micky & The Motorcars
Long Enough to Leave
120 bpm • A# Maj • 04:26 • -8.1db
17% Popularity • 58% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
17% Popularity • 58% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
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Matt Hillyer
A Little Less Whiskey
120 bpm • C Maj • 04:04 • -5.11db
16% Popularity • 72% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
16% Popularity • 72% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
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Turnpike Troubadours
7 Oaks
120 bpm • C Maj • 04:01 • -3.8db
33% Popularity • 62% Danceability • 95% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
33% Popularity • 62% Danceability • 95% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
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Bleu Edmondson
No Room for Mercy
120 bpm • E Maj • 03:46 • -5.95db
20% Popularity • 74% Danceability • 70% Energy • 9% Liveness
3% Instrumentalness • 45% Positiveness
20% Popularity • 74% Danceability • 70% Energy • 9% Liveness
3% Instrumentalness • 45% Positiveness
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Honeybrowne
Mile by Mile
120 bpm • A Maj • 04:19 • -5.27db
16% Popularity • 56% Danceability • 82% Energy • 21% Liveness
0% Instrumentalness • 47% Positiveness
16% Popularity • 56% Danceability • 82% Energy • 21% Liveness
0% Instrumentalness • 47% Positiveness
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Midnight River Choir
Princess of Peace
120 bpm • G Maj • 03:53 • -9.62db
12% Popularity • 59% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
12% Popularity • 59% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Micky & The Motorcars
Long Enough to Leave
120 bpm • G min • 04:28 • -6.66db
29% Popularity • 59% Danceability • 83% Energy • 95% Liveness
0% Instrumentalness • 39% Positiveness
29% Popularity • 59% Danceability • 83% Energy • 95% Liveness
0% Instrumentalness • 39% Positiveness
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John David Kent
My Girl
120 bpm • G Maj • 03:56 • -2.88db
24% Popularity • 58% Danceability • 88% Energy • 29% Liveness
0% Instrumentalness • 54% Positiveness
24% Popularity • 58% Danceability • 88% Energy • 29% Liveness
0% Instrumentalness • 54% Positiveness
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Brent Cobb
Dirt Road in Georgia
131 bpm • D Maj • 04:35 • -5.56db
30% Popularity • 53% Danceability • 57% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
30% Popularity • 53% Danceability • 57% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
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Folk Family Revival
Addicted to the Road
131 bpm • G# Maj • 03:55 • -9.96db
9% Popularity • 61% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
9% Popularity • 61% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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The Kyle Bennett Band
Adios
131 bpm • G# Maj • 03:34 • -5db
16% Popularity • 61% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
16% Popularity • 61% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
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Dalton Domino
July
131 bpm • G Maj • 03:24 • -5.44db
23% Popularity • 59% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
23% Popularity • 59% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
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John D. Hale Band
More Than I Can Handle
131 bpm • A Maj • 04:55 • -6db
18% Popularity • 57% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
18% Popularity • 57% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Brandon Jenkins
After All This Time
119 bpm • A# Maj • 03:14 • -8.25db
14% Popularity • 72% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
14% Popularity • 72% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Josh Grider
One Night Taco Stand
119 bpm • B Maj • 04:15 • -6.15db
25% Popularity • 65% Danceability • 63% Energy • 37% Liveness
0% Instrumentalness • 62% Positiveness
25% Popularity • 65% Danceability • 63% Energy • 37% Liveness
0% Instrumentalness • 62% Positiveness
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Ross Cooper
I Rode the Wild Horses
119 bpm • A# min • 03:59 • -7.25db
16% Popularity • 62% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
16% Popularity • 62% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Zac Wilkerson
I Cannot Love You
119 bpm • F# Maj • 04:43 • -8.94db
15% Popularity • 60% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
15% Popularity • 60% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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The Kyle Bennett Band
Come On Radio
119 bpm • C Maj • 04:00 • -5.81db
24% Popularity • 63% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
24% Popularity • 63% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
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Ward Davis
I Got You
119 bpm • B min • 03:09 • -8db
30% Popularity • 78% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
30% Popularity • 78% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Zane Williams
Jayton and Jill
132 bpm • E Maj • 03:34 • -8.38db
35% Popularity • 53% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
35% Popularity • 53% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Mark McKinney
Lonely Bones
132 bpm • D Maj • 03:51 • -5.53db
22% Popularity • 60% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
22% Popularity • 60% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Josh Grider
West Texas Cloud Appreciation Society
132 bpm • C Maj • 04:03 • -6db
14% Popularity • 76% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
14% Popularity • 76% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Thieving Birds
Tryin' To Rain
132 bpm • G Maj • 06:47 • -6.16db
13% Popularity • 49% Danceability • 77% Energy • 34% Liveness
0% Instrumentalness • 28% Positiveness
13% Popularity • 49% Danceability • 77% Energy • 34% Liveness
0% Instrumentalness • 28% Positiveness
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Dolly Shine
Should've Known
118 bpm • E Maj • 04:32 • -8.25db
32% Popularity • 54% Danceability • 49% Energy • 12% Liveness
3% Instrumentalness • 26% Positiveness
32% Popularity • 54% Danceability • 49% Energy • 12% Liveness
3% Instrumentalness • 26% Positiveness
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Ward Davis
No Goin' Home
132 bpm • C# Maj • 03:12 • -6.41db
30% Popularity • 46% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 41% Positiveness
30% Popularity • 46% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 41% Positiveness
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Ryan Wilcox
Paranoia
118 bpm • C# min • 03:59 • -11.58db
18% Popularity • 75% Danceability • 38% Energy • 11% Liveness
1% Instrumentalness • 27% Positiveness
18% Popularity • 75% Danceability • 38% Energy • 11% Liveness
1% Instrumentalness • 27% Positiveness
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Micky & The Motorcars
Lost & Found
118 bpm • G Maj • 02:47 • -5.67db
19% Popularity • 50% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
19% Popularity • 50% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Dalton Domino
Love Is Dangerous
133 bpm • C Maj • 03:02 • -6.88db
9% Popularity • 58% Danceability • 51% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
9% Popularity • 58% Danceability • 51% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
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Thieving Birds
The Way That I'm Wired
132 bpm • G Maj • 03:06 • -11.28db
23% Popularity • 57% Danceability • 62% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
23% Popularity • 57% Danceability • 62% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
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Brandon Jenkins
The Whole World's Gone Crazy
117 bpm • G Maj • 03:24 • -6.27db
27% Popularity • 64% Danceability • 69% Energy • 26% Liveness
0% Instrumentalness • 43% Positiveness
27% Popularity • 64% Danceability • 69% Energy • 26% Liveness
0% Instrumentalness • 43% Positiveness
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Ward Davis
The Overpass
134 bpm • C Maj • 03:51 • -10.74db
15% Popularity • 52% Danceability • 20% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
15% Popularity • 52% Danceability • 20% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
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Callahan Divide
Happy
117 bpm • C# Maj • 04:21 • -5.52db
19% Popularity • 70% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
19% Popularity • 70% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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Micky & The Motorcars
Careless
117 bpm • D min • 03:44 • -5.8db
18% Popularity • 38% Danceability • 77% Energy • 24% Liveness
7% Instrumentalness • 42% Positiveness
18% Popularity • 38% Danceability • 77% Energy • 24% Liveness
7% Instrumentalness • 42% Positiveness
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Max Stalling
I Ain't Drinking Alone
117 bpm • C Maj • 03:56 • -6.68db
19% Popularity • 72% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
19% Popularity • 72% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
