Songs like Mimi Pinson by Roberto Goyeneche
Based on a tempo of (+/- 10%) and a similar genre
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Amores Tangos
Marioneta
100 bpm • D Maj • 03:18 • -9.79db
11% Popularity • 45% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
11% Popularity • 45% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Roberto Goyeneche
El Cantor de Buenos Aires
100 bpm • A Maj • 02:43 • -7.75db
18% Popularity • 53% Danceability • 47% Energy • 21% Liveness
0% Instrumentalness • 79% Positiveness
18% Popularity • 53% Danceability • 47% Energy • 21% Liveness
0% Instrumentalness • 79% Positiveness
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Héctor Varela
Silueta Porteña - Remastered
100 bpm • F# Maj • 03:07 • -5.69db
22% Popularity • 57% Danceability • 68% Energy • 10% Liveness
1% Instrumentalness • 55% Positiveness
22% Popularity • 57% Danceability • 68% Energy • 10% Liveness
1% Instrumentalness • 55% Positiveness
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Roberto Goyeneche y la Orquestra Tipica Porteña
Fuimos
100 bpm • D Maj • 03:48 • -4.88db
16% Popularity • 47% Danceability • 59% Energy • 37% Liveness
0% Instrumentalness • 61% Positiveness
16% Popularity • 47% Danceability • 59% Energy • 37% Liveness
0% Instrumentalness • 61% Positiveness
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Gisela Magri
Pobre Flor (Primera Ilusión)
101 bpm • B min • 02:06 • -8.42db
16% Popularity • 54% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
16% Popularity • 54% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Francisco Lomuto
No Hay Tierra Como la Mia
101 bpm • A Maj • 02:31 • -10.54db
26% Popularity • 68% Danceability • 35% Energy • 10% Liveness
16% Instrumentalness • 96% Positiveness
26% Popularity • 68% Danceability • 35% Energy • 10% Liveness
16% Instrumentalness • 96% Positiveness
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Jorge Vidal
Milonga burrera
101 bpm • A# min • 03:20 • -16db
17% Popularity • 61% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
17% Popularity • 61% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Roberto Goyeneche
Mi Tango Triste
100 bpm • F min • 03:34 • -8.64db
8% Popularity • 40% Danceability • 45% Energy • 25% Liveness
0% Instrumentalness • 64% Positiveness
8% Popularity • 40% Danceability • 45% Energy • 25% Liveness
0% Instrumentalness • 64% Positiveness
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Eduardo Falú
Zamba de la candelaria
99 bpm • G# min • 03:06 • -14db
26% Popularity • 48% Danceability • 28% Energy • 27% Liveness
0% Instrumentalness • 48% Positiveness
26% Popularity • 48% Danceability • 28% Energy • 27% Liveness
0% Instrumentalness • 48% Positiveness
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Alfredo Gobbi
Adoración
101 bpm • F# min • 03:06 • -9.93db
32% Popularity • 58% Danceability • 31% Energy • 15% Liveness
63% Instrumentalness • 58% Positiveness
32% Popularity • 58% Danceability • 31% Energy • 15% Liveness
63% Instrumentalness • 58% Positiveness
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Argentino Ledesma
Silueta porteña
101 bpm • E min • 02:06 • -7.32db
19% Popularity • 50% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
19% Popularity • 50% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Los Zucara
La Maldición de Malinche
99 bpm • A Maj • 03:24 • -15.73db
33% Popularity • 63% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
33% Popularity • 63% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Alfredo Abalos
Zamba del angel
98 bpm • G Maj • 04:49 • -13.24db
16% Popularity • 55% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
16% Popularity • 55% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Teresa Parodi
Pedro Canoero
102 bpm • C min • 03:22 • -7.41db
38% Popularity • 46% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
38% Popularity • 46% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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Hugo Del Carril
Nostalgias
102 bpm • C# min • 03:30 • -9.5db
24% Popularity • 55% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
24% Popularity • 55% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
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Roberto Goyeneche
Malena
102 bpm • B min • 02:19 • -10.52db
38% Popularity • 46% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
38% Popularity • 46% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Hugo Díaz
Volvio Una Noche
102 bpm • A min • 02:57 • -11db
26% Popularity • 55% Danceability • 29% Energy • 18% Liveness
74% Instrumentalness • 29% Positiveness
26% Popularity • 55% Danceability • 29% Energy • 18% Liveness
74% Instrumentalness • 29% Positiveness
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Juan Ramos
Cristal
98 bpm • E Maj • 04:11 • -8.25db
26% Popularity • 44% Danceability • 32% Energy • 25% Liveness
0% Instrumentalness • 35% Positiveness
26% Popularity • 44% Danceability • 32% Energy • 25% Liveness
0% Instrumentalness • 35% Positiveness
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Ignacio Corsini
Tirana Unitaria
103 bpm • F min • 02:30 • -7.85db
20% Popularity • 68% Danceability • 44% Energy • 36% Liveness
0% Instrumentalness • 78% Positiveness
20% Popularity • 68% Danceability • 44% Energy • 36% Liveness
0% Instrumentalness • 78% Positiveness
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Omar Mollo
Como Dos Extraños
97 bpm • F Maj • 02:44 • -6.37db
28% Popularity • 45% Danceability • 42% Energy • 3% Liveness
0% Instrumentalness • 39% Positiveness
28% Popularity • 45% Danceability • 42% Energy • 3% Liveness
0% Instrumentalness • 39% Positiveness
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Alberto Castillo
Que Nadie Sepa Mi Sufrir
97 bpm • C min • 02:18 • -8.89db
25% Popularity • 66% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
25% Popularity • 66% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Rodrigo de la Serna y El Yotivenco
Milonga Lunfarda
97 bpm • E min • 02:10 • -7.69db
24% Popularity • 58% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
24% Popularity • 58% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Roberto Goyeneche
Cafetín de Buenos Aires
103 bpm • D Maj • 03:04 • -8.9db
22% Popularity • 47% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
22% Popularity • 47% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Hugo Díaz
Mi Buenos Aires Querida
103 bpm • C Maj • 02:30 • -10db
23% Popularity • 60% Danceability • 40% Energy • 10% Liveness
56% Instrumentalness • 40% Positiveness
23% Popularity • 60% Danceability • 40% Energy • 10% Liveness
56% Instrumentalness • 40% Positiveness
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Ignacio Corsini
La Pulpera de Santa Lucía
97 bpm • C# min • 02:59 • -8db
30% Popularity • 66% Danceability • 29% Energy • 23% Liveness
0% Instrumentalness • 64% Positiveness
30% Popularity • 66% Danceability • 29% Energy • 23% Liveness
0% Instrumentalness • 64% Positiveness
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José Larralde
Sobran las Palabras
97 bpm • E Maj • 04:08 • -9.2db
24% Popularity • 53% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
24% Popularity • 53% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Rubén Juárez
Milonga De Corralon
97 bpm • C# Maj • 02:42 • -16.74db
18% Popularity • 56% Danceability • 29% Energy • 22% Liveness
0% Instrumentalness • 81% Positiveness
18% Popularity • 56% Danceability • 29% Energy • 22% Liveness
0% Instrumentalness • 81% Positiveness
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Roberto Grela
Te Vas, Milonga
97 bpm • E min • 01:16 • -16.88db
23% Popularity • 33% Danceability • 42% Energy • 12% Liveness
94% Instrumentalness • 34% Positiveness
23% Popularity • 33% Danceability • 42% Energy • 12% Liveness
94% Instrumentalness • 34% Positiveness
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Maria Graña
El Corazón al Sur
97 bpm • C# min • 04:03 • -17.12db
24% Popularity • 54% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
24% Popularity • 54% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Fabian Fazio
Volver a Vivir
104 bpm • D Maj • 03:15 • -5.48db
19% Popularity • 59% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
19% Popularity • 59% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Aníbal Troilo
Tinta Roja
104 bpm • G Maj • 02:59 • -14.79db
17% Popularity • 49% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
17% Popularity • 49% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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Horacio Guarany
Cuando Ya Nadie Te Nombre
96 bpm • E min • 02:57 • -15.44db
42% Popularity • 65% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
42% Popularity • 65% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Héctor Varela y su Orquesta Típica
Gota De Lluvia - Vals
104 bpm • D Maj • 02:57 • -8db
24% Popularity • 55% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
24% Popularity • 55% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Nelly Omar
La Descamisada
96 bpm • E min • 01:37 • -4.77db
24% Popularity • 67% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
24% Popularity • 67% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
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Amores Tangos
Tormentosa
96 bpm • G Maj • 04:08 • -7db
12% Popularity • 62% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
12% Popularity • 62% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Horacio Molina
Naranjo en Flor
105 bpm • C Maj • 02:39 • -9.25db
14% Popularity • 55% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
14% Popularity • 55% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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Enrique Rodríguez
Japonesita
105 bpm • D Maj • 02:20 • -8.83db
4% Popularity • 65% Danceability • 48% Energy • 5% Liveness
24% Instrumentalness • 94% Positiveness
4% Popularity • 65% Danceability • 48% Energy • 5% Liveness
24% Instrumentalness • 94% Positiveness
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Francisco Lomuto
Que Tiempo Aquel de Ayer
96 bpm • C Maj • 02:34 • -8db
26% Popularity • 87% Danceability • 55% Energy • 4% Liveness
8% Instrumentalness • 94% Positiveness
26% Popularity • 87% Danceability • 55% Energy • 4% Liveness
8% Instrumentalness • 94% Positiveness
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Héctor Varela
Azúcar, Pimienta y Sal
105 bpm • F min • 03:17 • -11.97db
33% Popularity • 68% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
33% Popularity • 68% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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José Larralde
Ayer Bajé al Poblao
105 bpm • D# Maj • 04:03 • -8db
36% Popularity • 68% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
36% Popularity • 68% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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Amores Tangos
Los Cosos de al lao
105 bpm • E Maj • 02:56 • -7.78db
11% Popularity • 47% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
11% Popularity • 47% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Pedro Laurenz
Paisaje
105 bpm • A Maj • 02:51 • -6db
22% Popularity • 70% Danceability • 41% Energy • 31% Liveness
2% Instrumentalness • 86% Positiveness
22% Popularity • 70% Danceability • 41% Energy • 31% Liveness
2% Instrumentalness • 86% Positiveness
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Roberto Goyeneche
Mano a Mano
105 bpm • D min • 03:18 • -8.67db
27% Popularity • 50% Danceability • 41% Energy • 36% Liveness
7% Instrumentalness • 51% Positiveness
27% Popularity • 50% Danceability • 41% Energy • 36% Liveness
7% Instrumentalness • 51% Positiveness
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Rubén Juárez
Cafe La Humedad
105 bpm • G min • 03:17 • -10.84db
17% Popularity • 39% Danceability • 40% Energy • 31% Liveness
0% Instrumentalness • 48% Positiveness
17% Popularity • 39% Danceability • 40% Energy • 31% Liveness
0% Instrumentalness • 48% Positiveness
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Hermanos Abalos
El Gatito de Tchaicovsky
106 bpm • A min • 02:09 • -10.17db
24% Popularity • 72% Danceability • 55% Energy • 14% Liveness
47% Instrumentalness • 60% Positiveness
24% Popularity • 72% Danceability • 55% Energy • 14% Liveness
47% Instrumentalness • 60% Positiveness
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Edgardo Acuña
Tango Azul
95 bpm • D Maj • 03:40 • -7db
9% Popularity • 34% Danceability • 44% Energy • 14% Liveness
33% Instrumentalness • 40% Positiveness
9% Popularity • 34% Danceability • 44% Energy • 14% Liveness
33% Instrumentalness • 40% Positiveness
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Argentino Ledesma
En el cielo
95 bpm • D min • 03:01 • -9.7db
14% Popularity • 40% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
14% Popularity • 40% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Aníbal Troilo
Trenzas
106 bpm • D min • 03:17 • -15.58db
12% Popularity • 49% Danceability • 22% Energy • 30% Liveness
0% Instrumentalness • 58% Positiveness
12% Popularity • 49% Danceability • 22% Energy • 30% Liveness
0% Instrumentalness • 58% Positiveness
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Roberto Goyeneche
Alma De Loca
105 bpm • G Maj • 02:34 • -4.39db
25% Popularity • 44% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 80% Positiveness
25% Popularity • 44% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 80% Positiveness
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Julio Sosa
Mi Noche Triste
106 bpm • A min • 03:34 • -11.7db
15% Popularity • 54% Danceability • 35% Energy • 24% Liveness
0% Instrumentalness • 26% Positiveness
15% Popularity • 54% Danceability • 35% Energy • 24% Liveness
0% Instrumentalness • 26% Positiveness
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SEXTETO VISCERAL
Milonga de mis amores - Estilo Pedro Lau...
106 bpm • A Maj • 02:22 • -6db
32% Popularity • 70% Danceability • 56% Energy • 5% Liveness
31% Instrumentalness • 77% Positiveness
32% Popularity • 70% Danceability • 56% Energy • 5% Liveness
31% Instrumentalness • 77% Positiveness
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Amores Tangos
Milonga Cardinal
106 bpm • E min • 03:15 • -10db
21% Popularity • 69% Danceability • 42% Energy • 8% Liveness
47% Instrumentalness • 60% Positiveness
21% Popularity • 69% Danceability • 42% Energy • 8% Liveness
47% Instrumentalness • 60% Positiveness
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Raul Barboza
La Voz del Viento
106 bpm • A min • 03:45 • -18.13db
28% Popularity • 48% Danceability • 18% Energy • 11% Liveness
11% Instrumentalness • 37% Positiveness
28% Popularity • 48% Danceability • 18% Energy • 11% Liveness
11% Instrumentalness • 37% Positiveness
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Edmundo Rivero
El Conventillo
106 bpm • C min • 02:12 • -9.54db
22% Popularity • 58% Danceability • 46% Energy • 10% Liveness
8% Instrumentalness • 86% Positiveness
22% Popularity • 58% Danceability • 46% Energy • 10% Liveness
8% Instrumentalness • 86% Positiveness
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Roberto Goyeneche
Nocturno de Mi Barrio / Ese Muchacho Tro...
106 bpm • D min • 02:06 • -10.13db
16% Popularity • 54% Danceability • 52% Energy • 91% Liveness
0% Instrumentalness • 75% Positiveness
16% Popularity • 54% Danceability • 52% Energy • 91% Liveness
0% Instrumentalness • 75% Positiveness
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Julio Sosa
El Firulete
106 bpm • G# Maj • 02:12 • -8.69db
38% Popularity • 48% Danceability • 67% Energy • 83% Liveness
0% Instrumentalness • 64% Positiveness
38% Popularity • 48% Danceability • 67% Energy • 83% Liveness
0% Instrumentalness • 64% Positiveness
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Carlos Gardel
Milonga Sentimental
94 bpm • F min • 02:58 • -16.33db
35% Popularity • 67% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
35% Popularity • 67% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
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Dúo Fuertes Varnerín
Demasiada Presión
106 bpm • E min • 02:16 • -10.32db
20% Popularity • 64% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
20% Popularity • 64% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Aníbal Troilo
En Esta Tarde Gris
107 bpm • A min • 03:46 • -13.24db
14% Popularity • 46% Danceability • 27% Energy • 36% Liveness
0% Instrumentalness • 66% Positiveness
14% Popularity • 46% Danceability • 27% Energy • 36% Liveness
0% Instrumentalness • 66% Positiveness
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Alberto Podestá
Uno
107 bpm • G Maj • 03:59 • -13.62db
9% Popularity • 51% Danceability • 11% Energy • 10% Liveness
1% Instrumentalness • 32% Positiveness
9% Popularity • 51% Danceability • 11% Energy • 10% Liveness
1% Instrumentalness • 32% Positiveness
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Roberto Goyeneche
Naranjo en Flor
106 bpm • C Maj • 02:50 • -8.84db
16% Popularity • 44% Danceability • 56% Energy • 98% Liveness
0% Instrumentalness • 44% Positiveness
16% Popularity • 44% Danceability • 56% Energy • 98% Liveness
0% Instrumentalness • 44% Positiveness
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Teresa Parodi
Tarumba
107 bpm • C min • 02:39 • -10.49db
17% Popularity • 82% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
17% Popularity • 82% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Hugo Del Carril
Nostalgias
94 bpm • C# min • 03:40 • -11db
8% Popularity • 44% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
8% Popularity • 44% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Eladia Blázquez
Sueño De Barrilete
94 bpm • G min • 03:43 • -8db
12% Popularity • 47% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
12% Popularity • 47% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Juan Ramos
El Firulete
94 bpm • D Maj • 02:53 • -6.62db
30% Popularity • 57% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 91% Positiveness
30% Popularity • 57% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 91% Positiveness
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Tomi Lago
Tinta Roja
107 bpm • G Maj • 03:08 • -10.59db
14% Popularity • 52% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
14% Popularity • 52% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Roberto Goyeneche
Mimi Pinson
94 bpm • G Maj • 03:27 • -8.82db
6% Popularity • 40% Danceability • 45% Energy • 27% Liveness
0% Instrumentalness • 49% Positiveness
6% Popularity • 40% Danceability • 45% Energy • 27% Liveness
0% Instrumentalness • 49% Positiveness
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Rúben Juárez
Pasional
93 bpm • C min • 04:26 • -16.22db
18% Popularity • 34% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
18% Popularity • 34% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Adriana Varela
Cuesta Abajo
107 bpm • D Maj • 03:44 • -7.88db
30% Popularity • 59% Danceability • 50% Energy • 79% Liveness
0% Instrumentalness • 56% Positiveness
30% Popularity • 59% Danceability • 50% Energy • 79% Liveness
0% Instrumentalness • 56% Positiveness
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Eladia Blázquez
Viejo Tortoni
108 bpm • A Maj • 02:44 • -11db
18% Popularity • 46% Danceability • 37% Energy • 29% Liveness
0% Instrumentalness • 67% Positiveness
18% Popularity • 46% Danceability • 37% Energy • 29% Liveness
0% Instrumentalness • 67% Positiveness
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Jorge Vidal
Entre curdas
108 bpm • F# min • 02:49 • -16.51db
18% Popularity • 64% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
18% Popularity • 64% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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José Larralde
Afiche
93 bpm • F Maj • 04:13 • -8.7db
28% Popularity • 54% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
28% Popularity • 54% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Roberto Goyeneche
Pompas De Jabón
106 bpm • C Maj • 02:56 • -5.37db
18% Popularity • 49% Danceability • 54% Energy • 29% Liveness
0% Instrumentalness • 58% Positiveness
18% Popularity • 49% Danceability • 54% Energy • 29% Liveness
0% Instrumentalness • 58% Positiveness
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Tita Merello
Se Dice De Mi
93 bpm • E min • 03:28 • -9.07db
42% Popularity • 58% Danceability • 53% Energy • 53% Liveness
0% Instrumentalness • 45% Positiveness
42% Popularity • 58% Danceability • 53% Energy • 53% Liveness
0% Instrumentalness • 45% Positiveness
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Maria Graña
Caserón de Tejas
93 bpm • F Maj • 04:10 • -14db
19% Popularity • 44% Danceability • 12% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
19% Popularity • 44% Danceability • 12% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
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Eladia Blázquez
Contame Una Historia
108 bpm • C min • 03:05 • -8.34db
11% Popularity • 53% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
11% Popularity • 53% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Trio Hugo Diaz
Milonga de mis amores
108 bpm • A Maj • 02:55 • -8.78db
28% Popularity • 64% Danceability • 38% Energy • 12% Liveness
34% Instrumentalness • 78% Positiveness
28% Popularity • 64% Danceability • 38% Energy • 12% Liveness
34% Instrumentalness • 78% Positiveness
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Argentino Ledesma
Las cuarenta
108 bpm • E min • 02:57 • -12.38db
13% Popularity • 66% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
13% Popularity • 66% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Roberto Goyeneche
Canción Desesperada
107 bpm • B min • 02:23 • -8.38db
8% Popularity • 47% Danceability • 33% Energy • 9% Liveness
1% Instrumentalness • 54% Positiveness
8% Popularity • 47% Danceability • 33% Energy • 9% Liveness
1% Instrumentalness • 54% Positiveness
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Aníbal Troilo
El Bulin De La Calle Ayacucho
109 bpm • C min • 02:42 • -14.67db
11% Popularity • 56% Danceability • 27% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
11% Popularity • 56% Danceability • 27% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
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Los Trovadores
El Árbol Ya Fue Plantado
109 bpm • A Maj • 02:41 • -11.11db
13% Popularity • 66% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
13% Popularity • 66% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Julio Sosa
El Ultimo Café
108 bpm • G# Maj • 03:05 • -8.89db
39% Popularity • 42% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
39% Popularity • 42% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Julieta Laso
Fuga de Ausencias
92 bpm • B min • 02:34 • -6.91db
19% Popularity • 23% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
19% Popularity • 23% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Juan Ramos
Sueño de Barrilete
109 bpm • D min • 03:00 • -6.7db
22% Popularity • 51% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
22% Popularity • 51% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Roberto Goyeneche
Chau... No Va Más...!
93 bpm • D min • 03:42 • -15.74db
6% Popularity • 39% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
6% Popularity • 39% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Osvaldo Pugliese y su Orquesta
Los Largos Del Pibe
109 bpm • F min • 02:55 • -10db
21% Popularity • 45% Danceability • 28% Energy • 32% Liveness
0% Instrumentalness • 35% Positiveness
21% Popularity • 45% Danceability • 28% Energy • 32% Liveness
0% Instrumentalness • 35% Positiveness
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Argentino Ledesma
Historia de un amor
109 bpm • G min • 02:24 • -8.49db
33% Popularity • 53% Danceability • 49% Energy • 5% Liveness
0% Instrumentalness • 59% Positiveness
33% Popularity • 53% Danceability • 49% Energy • 5% Liveness
0% Instrumentalness • 59% Positiveness
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El Zucara
A Redoblar
92 bpm • G# min • 04:52 • -10.71db
30% Popularity • 43% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
30% Popularity • 43% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Pedro Laurenz
La Vida Es una Milonga
109 bpm • F min • 02:24 • -5db
24% Popularity • 74% Danceability • 47% Energy • 40% Liveness
2% Instrumentalness • 91% Positiveness
24% Popularity • 74% Danceability • 47% Energy • 40% Liveness
2% Instrumentalness • 91% Positiveness
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Juan Ramos
Nostalgias
92 bpm • A min • 03:52 • -6.92db
26% Popularity • 42% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
26% Popularity • 42% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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Rubén Juárez
Los Cosos De Al Lao
91 bpm • C Maj • 03:28 • -9db
29% Popularity • 51% Danceability • 20% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
29% Popularity • 51% Danceability • 20% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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Roberto Goyeneche
Cristal
109 bpm • C Maj • 03:30 • -10.71db
8% Popularity • 44% Danceability • 40% Energy • 44% Liveness
1% Instrumentalness • 49% Positiveness
8% Popularity • 44% Danceability • 40% Energy • 44% Liveness
1% Instrumentalness • 49% Positiveness
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Trio Hugo Diaz
Milonga que peinan canas
110 bpm • G Maj • 02:21 • -9db
35% Popularity • 60% Danceability • 60% Energy • 19% Liveness
71% Instrumentalness • 79% Positiveness
35% Popularity • 60% Danceability • 60% Energy • 19% Liveness
71% Instrumentalness • 79% Positiveness
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Aníbal Troilo
Garúa
110 bpm • D min • 03:32 • -7.4db
23% Popularity • 50% Danceability • 38% Energy • 25% Liveness
0% Instrumentalness • 35% Positiveness
23% Popularity • 50% Danceability • 38% Energy • 25% Liveness
0% Instrumentalness • 35% Positiveness
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León Gieco
Canción Para Carito
110 bpm • F Maj • 03:36 • -14.65db
27% Popularity • 47% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
27% Popularity • 47% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Tomi Lago
Un Guiño
110 bpm • A Maj • 02:55 • -12db
24% Popularity • 54% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
24% Popularity • 54% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Rubén Juárez
Mi Bandoneon Y Yo
110 bpm • A# Maj • 02:48 • -14.95db
23% Popularity • 57% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
23% Popularity • 57% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Roberto Goyeneche
El Motivo
110 bpm • D min • 02:50 • -5.34db
7% Popularity • 40% Danceability • 57% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
7% Popularity • 40% Danceability • 57% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
