Songs like Mind of Oswald by Dan O'Connor
Based on a tempo of (+/- 10%) and a similar genre
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Dan O'Connor
Mind of Oswald
150 bpm • A min • 03:27 • -5.4db
0% Popularity • 64% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
0% Popularity • 64% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Taking Back Sunday
Stood A Chance - Acoustic
150 bpm • G# Maj • 04:32 • -8.97db
14% Popularity • 45% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
14% Popularity • 45% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Snuff
Reach - Acoustic
150 bpm • B Maj • 02:54 • -10.8db
17% Popularity • 51% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
17% Popularity • 51% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Plà si
You & Me
150 bpm • A# Maj • 02:51 • -15db
18% Popularity • 57% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
18% Popularity • 57% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Jack Johnson
Fall Line
150 bpm • D Maj • 01:35 • -9.72db
47% Popularity • 61% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
47% Popularity • 61% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
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Herman Düne
I Wish That I Could See You Soon
151 bpm • D Maj • 03:04 • -9.84db
13% Popularity • 53% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
13% Popularity • 53% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Dan O'Connor
Freedom in the Sun
150 bpm • C min • 03:29 • -6.59db
0% Popularity • 69% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
0% Popularity • 69% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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The Boom Booms
Besandote
150 bpm • E Maj • 04:19 • -15.08db
11% Popularity • 48% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
11% Popularity • 48% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Elton Kipling
Need More Time
149 bpm • D Maj • 03:27 • -12.82db
23% Popularity • 62% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
23% Popularity • 62% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Jonny J Solo
Union Pacific Track
149 bpm • A Maj • 03:57 • -6.93db
16% Popularity • 59% Danceability • 44% Energy • 16% Liveness
1% Instrumentalness • 47% Positiveness
16% Popularity • 59% Danceability • 44% Energy • 16% Liveness
1% Instrumentalness • 47% Positiveness
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Isobel Campbell
Why Does My Head Hurt So?
151 bpm • D# Maj • 02:15 • -11.97db
11% Popularity • 50% Danceability • 23% Energy • 9% Liveness
85% Instrumentalness • 32% Positiveness
11% Popularity • 50% Danceability • 23% Energy • 9% Liveness
85% Instrumentalness • 32% Positiveness
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Daniel Pearson
Join the Masquerade
151 bpm • C Maj • 03:38 • -10.65db
32% Popularity • 50% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
32% Popularity • 50% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Electric Blue Yonder
Letters to Sadako
152 bpm • A min • 04:09 • -9.77db
16% Popularity • 42% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
16% Popularity • 42% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Mike Massé
Wild World
148 bpm • C Maj • 03:33 • -7.93db
13% Popularity • 51% Danceability • 55% Energy • 96% Liveness
0% Instrumentalness • 48% Positiveness
13% Popularity • 51% Danceability • 55% Energy • 96% Liveness
0% Instrumentalness • 48% Positiveness
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Busby Marou
Cruel to Be Kind
152 bpm • G Maj • 02:35 • -10.78db
12% Popularity • 57% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
12% Popularity • 57% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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The Expendables
Let Her Go - Acoustic
152 bpm • G# Maj • 04:07 • -5.92db
7% Popularity • 51% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
7% Popularity • 51% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Blind Melon
No Rain
148 bpm • A Maj • 03:37 • -9.34db
77% Popularity • 39% Danceability • 48% Energy • 26% Liveness
0% Instrumentalness • 57% Positiveness
77% Popularity • 39% Danceability • 48% Energy • 26% Liveness
0% Instrumentalness • 57% Positiveness
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Brunettes Shoot Blondes
Knock Knock
148 bpm • C# Maj • 02:16 • -9.7db
24% Popularity • 51% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
24% Popularity • 51% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Shimshai
All That I Am
147 bpm • A min • 05:16 • -13db
9% Popularity • 49% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
9% Popularity • 49% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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The Kooks
Always Where I Need To Be - NRK P3 Acous...
153 bpm • D Maj • 02:49 • -5.05db
20% Popularity • 59% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
20% Popularity • 59% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Bob Love
Rain in the Valley
147 bpm • C Maj • 05:22 • -15.32db
17% Popularity • 52% Danceability • 16% Energy • 36% Liveness
0% Instrumentalness • 40% Positiveness
17% Popularity • 52% Danceability • 16% Energy • 36% Liveness
0% Instrumentalness • 40% Positiveness
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Michael McLean
Never Lose Touch
147 bpm • C Maj • 03:11 • -10.42db
8% Popularity • 51% Danceability • 34% Energy • 73% Liveness
0% Instrumentalness • 48% Positiveness
8% Popularity • 51% Danceability • 34% Energy • 73% Liveness
0% Instrumentalness • 48% Positiveness
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Jake W. Styles
Never Like That Again
154 bpm • E Maj • 02:52 • -8.62db
14% Popularity • 42% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
14% Popularity • 42% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Dale Sutton
I'm a Believer (Acoustic)
154 bpm • G Maj • 03:06 • -10.68db
19% Popularity • 49% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
19% Popularity • 49% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Stephen Lynch
In Defense of a Peepshow Girl
146 bpm • D Maj • 03:00 • -10.36db
12% Popularity • 53% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
12% Popularity • 53% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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The Amazing Devil
Drinking Song for the Socially Anxious
146 bpm • C min • 05:36 • -14.45db
46% Popularity • 65% Danceability • 26% Energy • 26% Liveness
0% Instrumentalness • 15% Positiveness
46% Popularity • 65% Danceability • 26% Energy • 26% Liveness
0% Instrumentalness • 15% Positiveness
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The Sunday Drivers
Like I Do
146 bpm • D Maj • 03:04 • -8.44db
12% Popularity • 58% Danceability • 29% Energy • 69% Liveness
0% Instrumentalness • 14% Positiveness
12% Popularity • 58% Danceability • 29% Energy • 69% Liveness
0% Instrumentalness • 14% Positiveness
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Bret Michaels
Somethin To Believe In
145 bpm • D# Maj • 04:38 • -13.22db
8% Popularity • 58% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
8% Popularity • 58% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
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Jack Johnson
Breakdown
146 bpm • C Maj • 03:28 • -9.59db
25% Popularity • 65% Danceability • 34% Energy • 34% Liveness
0% Instrumentalness • 56% Positiveness
25% Popularity • 65% Danceability • 34% Energy • 34% Liveness
0% Instrumentalness • 56% Positiveness
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Big Mountain
Upful & Right
155 bpm • A Maj • 03:28 • -9.9db
17% Popularity • 59% Danceability • 29% Energy • 31% Liveness
0% Instrumentalness • 28% Positiveness
17% Popularity • 59% Danceability • 29% Energy • 31% Liveness
0% Instrumentalness • 28% Positiveness
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Dan O'Connor
Strange New Creator
145 bpm • A min • 03:22 • -6.01db
0% Popularity • 70% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 42% Positiveness
0% Popularity • 70% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 42% Positiveness
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Amythyst Kiah
Fake Plastic Trees
156 bpm • A# Maj • 04:36 • -13.59db
11% Popularity • 39% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
11% Popularity • 39% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Ben Taylor
I Try
144 bpm • F# Maj • 02:32 • -14db
43% Popularity • 55% Danceability • 14% Energy • 11% Liveness
3% Instrumentalness • 42% Positiveness
43% Popularity • 55% Danceability • 14% Energy • 11% Liveness
3% Instrumentalness • 42% Positiveness
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United Duality
Turn The Tide
144 bpm • E Maj • 03:34 • -9.16db
29% Popularity • 70% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
29% Popularity • 70% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Ruth Atencia
Feel The Winter
157 bpm • B Maj • 02:11 • -9.08db
21% Popularity • 48% Danceability • 41% Energy • 38% Liveness
0% Instrumentalness • 54% Positiveness
21% Popularity • 48% Danceability • 41% Energy • 38% Liveness
0% Instrumentalness • 54% Positiveness
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Marco Pandolfi
Lions Eat First
143 bpm • C Maj • 02:52 • -9.83db
18% Popularity • 55% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
18% Popularity • 55% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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James Mick Nolan
A Minute of Song
143 bpm • G Maj • 01:03 • -14.83db
15% Popularity • 50% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
15% Popularity • 50% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Michael Learns To Rock
Wild Women - Acoustic from Puk Studio 19...
158 bpm • C Maj • 04:03 • -13.68db
16% Popularity • 64% Danceability • 27% Energy • 10% Liveness
21% Instrumentalness • 44% Positiveness
16% Popularity • 64% Danceability • 27% Energy • 10% Liveness
21% Instrumentalness • 44% Positiveness
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Lagwagon
To All My Friends (acoustic)
158 bpm • C Maj • 02:35 • -9.44db
19% Popularity • 62% Danceability • 48% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
19% Popularity • 62% Danceability • 48% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
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Future Folk
Over the Moon
142 bpm • E Maj • 05:12 • -9.85db
16% Popularity • 54% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
16% Popularity • 54% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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The Cruel Sea
Bohemian Rhapsody
142 bpm • A min • 03:07 • -13.68db
11% Popularity • 46% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
11% Popularity • 46% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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John T. Wurzer
Sins and Virtue
142 bpm • F Maj • 02:55 • -12.05db
10% Popularity • 48% Danceability • 41% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
10% Popularity • 48% Danceability • 41% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
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Catfish and the Bottlemen
7 - Acoustic
159 bpm • A# Maj • 04:12 • -6.15db
46% Popularity • 43% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
46% Popularity • 43% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Turbopótamos
No Love
141 bpm • F Maj • 03:12 • -10.69db
10% Popularity • 63% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
10% Popularity • 63% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Traffic Jam
My Dear - 2023 Remastered
141 bpm • F Maj • 02:27 • -7.1db
10% Popularity • 45% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
10% Popularity • 45% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Joey Cape
I Must Be Hateful
141 bpm • F Maj • 03:18 • -8.91db
27% Popularity • 58% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
27% Popularity • 58% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Jonathan Coulton
Flickr
160 bpm • F Maj • 02:47 • -11.07db
11% Popularity • 47% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
11% Popularity • 47% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
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Seraphim Verse
The Hidden Emotions in Your Heart
141 bpm • C# min • 03:17 • -12.21db
17% Popularity • 75% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
17% Popularity • 75% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Zachary Richard
Shades of Blue - 2 Meter Session
160 bpm • G# Maj • 03:44 • -17.31db
9% Popularity • 38% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
9% Popularity • 38% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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DENM
Wandering Soul (OurVinyl Sessions)
140 bpm • D Maj • 03:21 • -8.4db
29% Popularity • 60% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
29% Popularity • 60% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Seba Gaido & Martin Roman
The Girls is Mine - Acoustic Version
160 bpm • A Maj • 02:54 • -11.31db
31% Popularity • 64% Danceability • 32% Energy • 10% Liveness
2% Instrumentalness • 45% Positiveness
31% Popularity • 64% Danceability • 32% Energy • 10% Liveness
2% Instrumentalness • 45% Positiveness
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Steve Taylor
Viva la Vida (Acoustic Version)
140 bpm • C# Maj • 03:46 • -6.08db
23% Popularity • 60% Danceability • 44% Energy • 21% Liveness
0% Instrumentalness • 42% Positiveness
23% Popularity • 60% Danceability • 44% Energy • 21% Liveness
0% Instrumentalness • 42% Positiveness
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DoublYou
Cardigan
140 bpm • E Maj • 03:01 • -26.94db
7% Popularity • 66% Danceability • 22% Energy • 13% Liveness
59% Instrumentalness • 53% Positiveness
7% Popularity • 66% Danceability • 22% Energy • 13% Liveness
59% Instrumentalness • 53% Positiveness
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Dana and the Wolf
The Limit - Acoustic Version
140 bpm • F# min • 02:21 • -7.94db
16% Popularity • 71% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
16% Popularity • 71% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Danny Pagayanan
I Want You to Know
140 bpm • B min • 03:04 • -10.03db
9% Popularity • 60% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
9% Popularity • 60% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Jon Lajoie
High as F%#K
140 bpm • E Maj • 02:54 • -11.05db
37% Popularity • 52% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
37% Popularity • 52% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Troy Davis
I'm All Ears Tonight
140 bpm • F Maj • 03:26 • -11.22db
11% Popularity • 75% Danceability • 40% Energy • 43% Liveness
0% Instrumentalness • 44% Positiveness
11% Popularity • 75% Danceability • 40% Energy • 43% Liveness
0% Instrumentalness • 44% Positiveness
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Kev Rowe
Beautiful to Me
140 bpm • A# Maj • 03:33 • -14.6db
14% Popularity • 56% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
14% Popularity • 56% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
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Conor Oberst
Ten Women
161 bpm • C Maj • 03:22 • -9.47db
2% Popularity • 38% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
2% Popularity • 38% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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James Michael Meadows
Beginning
139 bpm • A# Maj • 02:48 • -14.98db
8% Popularity • 50% Danceability • 18% Energy • 19% Liveness
0% Instrumentalness • 47% Positiveness
8% Popularity • 50% Danceability • 18% Energy • 19% Liveness
0% Instrumentalness • 47% Positiveness
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Frederick Paragas
Building a Better World
139 bpm • A# Maj • 04:04 • -8.71db
13% Popularity • 59% Danceability • 38% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
13% Popularity • 59% Danceability • 38% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
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Guster
Two Points for Honesty
139 bpm • D Maj • 03:41 • -8.86db
13% Popularity • 44% Danceability • 47% Energy • 98% Liveness
0% Instrumentalness • 32% Positiveness
13% Popularity • 44% Danceability • 47% Energy • 98% Liveness
0% Instrumentalness • 32% Positiveness
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Alamid
Your Love - Acoustic
138 bpm • G Maj • 04:26 • -13db
36% Popularity • 53% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
36% Popularity • 53% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Stephen Heaviside
Great Expectations
138 bpm • D Maj • 03:59 • -9db
12% Popularity • 64% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
12% Popularity • 64% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Jonathan Hultén
Anguished Are the Young
138 bpm • G# min • 03:24 • -5.65db
17% Popularity • 57% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
17% Popularity • 57% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
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Pernice Brothers
Ordinary Goldmine
164 bpm • A Maj • 03:18 • -5.9db
15% Popularity • 55% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
15% Popularity • 55% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Mike Stocksdale
Cryin' about It
137 bpm • C Maj • 03:27 • -11.66db
20% Popularity • 60% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
20% Popularity • 60% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Gregor McEwan
Winter Sleep
165 bpm • D# Maj • 01:36 • -10.11db
8% Popularity • 61% Danceability • 19% Energy • 14% Liveness
1% Instrumentalness • 64% Positiveness
8% Popularity • 61% Danceability • 19% Energy • 14% Liveness
1% Instrumentalness • 64% Positiveness
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Tony Sly
Second Act (End Credits)
138 bpm • E Maj • 03:00 • -9.24db
16% Popularity • 77% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
16% Popularity • 77% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Shep Gold
Rhetoric
165 bpm • F Maj • 02:08 • -12.39db
18% Popularity • 48% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
18% Popularity • 48% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Jack Johnson
The Horizon Has Been Defeated - Acoustic...
136 bpm • G Maj • 03:02 • -15.48db
30% Popularity • 54% Danceability • 32% Energy • 21% Liveness
0% Instrumentalness • 35% Positiveness
30% Popularity • 54% Danceability • 32% Energy • 21% Liveness
0% Instrumentalness • 35% Positiveness
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Vandaveer
Out Past The Moat
165 bpm • F Maj • 01:39 • -9.76db
13% Popularity • 38% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
13% Popularity • 38% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Debbie Juvenile
I Don't Want To Talk About It
136 bpm • A# Maj • 04:01 • -14.76db
4% Popularity • 55% Danceability • 27% Energy • 10% Liveness
16% Instrumentalness • 26% Positiveness
4% Popularity • 55% Danceability • 27% Energy • 10% Liveness
16% Instrumentalness • 26% Positiveness
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Joe Tunon
Come Together (Acoustic)
166 bpm • F# Maj • 04:06 • -6.84db
26% Popularity • 60% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
26% Popularity • 60% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Red Band
Military Madness
135 bpm • C Maj • 03:04 • -8.79db
16% Popularity • 64% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
16% Popularity • 64% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Passenger
A Song for the Drunk and Broken Hearted ...
135 bpm • D Maj • 03:56 • -12.21db
27% Popularity • 64% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
27% Popularity • 64% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Honky Fish
Mashing Rain
135 bpm • A Maj • 02:14 • -19.73db
17% Popularity • 87% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
17% Popularity • 87% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Minor Majority
Silently Aware
167 bpm • D Maj • 01:41 • -10.38db
13% Popularity • 47% Danceability • 23% Energy • 19% Liveness
0% Instrumentalness • 59% Positiveness
13% Popularity • 47% Danceability • 23% Energy • 19% Liveness
0% Instrumentalness • 59% Positiveness
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Dan O'Connor
Twined
135 bpm • E Maj • 03:23 • -5.32db
0% Popularity • 60% Danceability • 54% Energy • 27% Liveness
0% Instrumentalness • 50% Positiveness
0% Popularity • 60% Danceability • 54% Energy • 27% Liveness
0% Instrumentalness • 50% Positiveness
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Aaron Freeman
(For a While I Couldn't) Play My Guitar ...
135 bpm • A# Maj • 04:46 • -10.16db
35% Popularity • 81% Danceability • 43% Energy • 11% Liveness
4% Instrumentalness • 65% Positiveness
35% Popularity • 81% Danceability • 43% Energy • 11% Liveness
4% Instrumentalness • 65% Positiveness
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Ivan Gerardo
Hold Me
135 bpm • C Maj • 03:06 • -14.93db
6% Popularity • 70% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
6% Popularity • 70% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Weezer
The Good Life - Live at X96 / 1997
135 bpm • D# min • 04:13 • -6.07db
26% Popularity • 62% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
26% Popularity • 62% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Jack Mangene
Ponies
135 bpm • F Maj • 04:42 • -11.83db
10% Popularity • 64% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
10% Popularity • 64% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Keith McInally
Latch
135 bpm • F# min • 02:56 • -9.24db
11% Popularity • 64% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
11% Popularity • 64% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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The Wanderer
Unite
134 bpm • E min • 02:36 • -13.32db
27% Popularity • 56% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
27% Popularity • 56% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Stone Temple Pilots
Interstate Love Song - Acoustic; 2019 Re...
134 bpm • E Maj • 03:59 • -11.44db
39% Popularity • 51% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
39% Popularity • 51% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Emmerson Nogueira
I Want to Break Free
135 bpm • A Maj • 03:24 • -9.36db
29% Popularity • 49% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
29% Popularity • 49% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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English Tree TV
Colors Song 2
168 bpm • C# Maj • 02:05 • -9.9db
10% Popularity • 54% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
10% Popularity • 54% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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AMH
3000 Miles
168 bpm • A Maj • 04:45 • -6.09db
15% Popularity • 50% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
15% Popularity • 50% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Dale Sutton
Scar Tissue - Acoustic
168 bpm • C Maj • 03:33 • -11.06db
28% Popularity • 40% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
28% Popularity • 40% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Lagwagon
Making Friends (acoustic)
134 bpm • A Maj • 02:25 • -13.62db
23% Popularity • 68% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
23% Popularity • 68% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Y-Limit
Nothing More
133 bpm • C# min • 03:10 • -11.59db
22% Popularity • 49% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
22% Popularity • 49% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Tahuna Breaks
Somebody's Daughter
133 bpm • A Maj • 03:33 • -12.44db
12% Popularity • 59% Danceability • 28% Energy • 25% Liveness
0% Instrumentalness • 56% Positiveness
12% Popularity • 59% Danceability • 28% Energy • 25% Liveness
0% Instrumentalness • 56% Positiveness
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George Harrison
Cosmic Empire (Day 2 Demo) (Take 1)
133 bpm • A Maj • 02:11 • -13.1db
43% Popularity • 70% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
43% Popularity • 70% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
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Josh Stone
Pigs On The Wing, Pt. 1
132 bpm • D Maj • 01:39 • -14.26db
24% Popularity • 56% Danceability • 25% Energy • 26% Liveness
0% Instrumentalness • 19% Positiveness
24% Popularity • 56% Danceability • 25% Energy • 26% Liveness
0% Instrumentalness • 19% Positiveness
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Dan Orkin
Robots
170 bpm • E Maj • 03:21 • -11.5db
7% Popularity • 57% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
7% Popularity • 57% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Erlend Øye
Friends and Lovers
132 bpm • F Maj • 03:30 • -10db
18% Popularity • 61% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
18% Popularity • 61% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Anberlin
Creep - Acoustic
170 bpm • G Maj • 04:15 • -9.1db
38% Popularity • 38% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
38% Popularity • 38% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
