Songs like Miniera by Leo Nucci
Based on a tempo of (+/- 10%) and a similar genre
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Gaetano Donizetti
L'elisir d'amore / Act I: "Bel conforto"
119 bpm • F Maj • 01:59 • -18.62db
23% Popularity • 38% Danceability • 22% Energy • 10% Liveness
5% Instrumentalness • 31% Positiveness
23% Popularity • 38% Danceability • 22% Energy • 10% Liveness
5% Instrumentalness • 31% Positiveness
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Antonio Vivaldi
Dorilla in Tempe, RV 709 / Act I: Dell'a...
119 bpm • C Maj • 02:05 • -18.38db
24% Popularity • 52% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
24% Popularity • 52% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Gioachino Rossini
Il viaggio a Reims, Act I: Sextet: La mi...
119 bpm • G Maj • 02:17 • -19.66db
3% Popularity • 47% Danceability • 23% Energy • 48% Liveness
0% Instrumentalness • 44% Positiveness
3% Popularity • 47% Danceability • 23% Energy • 48% Liveness
0% Instrumentalness • 44% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K. 492 / Act 2: "Voi...
119 bpm • A# Maj • 02:50 • -20db
39% Popularity • 36% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
39% Popularity • 36% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Leo Nucci
Miniera
119 bpm • A Maj • 03:36 • -12db
34% Popularity • 40% Danceability • 21% Energy • 13% Liveness
1% Instrumentalness • 29% Positiveness
34% Popularity • 40% Danceability • 21% Energy • 13% Liveness
1% Instrumentalness • 29% Positiveness
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Heitor Villa-Lobos
Ária (Cantilena)
119 bpm • A min • 07:03 • -17db
24% Popularity • 24% Danceability • 16% Energy • 12% Liveness
56% Instrumentalness • 4% Positiveness
24% Popularity • 24% Danceability • 16% Energy • 12% Liveness
56% Instrumentalness • 4% Positiveness
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Vasily Solovyov-Sedoi
Midnight In Moscow
120 bpm • A min • 02:15 • -15db
22% Popularity • 32% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
22% Popularity • 32% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Teresa Berganza
7 Canciones Populares Españolas: El pan...
118 bpm • B min • 01:10 • -25.04db
29% Popularity • 41% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
29% Popularity • 41% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Gioachino Rossini
Péchés de vieillesse / Vol. III: Tiran...
117 bpm • C Maj • 04:28 • -17.42db
37% Popularity • 43% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
37% Popularity • 43% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 4: Entr'acte...
121 bpm • D Maj • 03:50 • -33db
40% Popularity • 18% Danceability • 2% Energy • 12% Liveness
15% Instrumentalness • 6% Positiveness
40% Popularity • 18% Danceability • 2% Energy • 12% Liveness
15% Instrumentalness • 6% Positiveness
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Leo Nucci
La mia canzone al vento
120 bpm • C Maj • 02:31 • -12.53db
15% Popularity • 40% Danceability • 25% Energy • 18% Liveness
1% Instrumentalness • 67% Positiveness
15% Popularity • 40% Danceability • 25% Energy • 18% Liveness
1% Instrumentalness • 67% Positiveness
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Wolfgang Amadeus Mozart
Voi Che Sapete - from 'Le Nozze Di Figar...
122 bpm • A# Maj • 02:42 • -13.53db
26% Popularity • 38% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
26% Popularity • 38% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Gioacchino Rossini
Rossini: La Cenerentola, Act 2: "Nacqui ...
122 bpm • E Maj • 06:22 • -15.82db
10% Popularity • 39% Danceability • 8% Energy • 56% Liveness
0% Instrumentalness • 8% Positiveness
10% Popularity • 39% Danceability • 8% Energy • 56% Liveness
0% Instrumentalness • 8% Positiveness
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Carlo Bergonzi
Puccini's Manon Lescaut - Donna Non Vidi...
116 bpm • A# Maj • 02:35 • -14.96db
25% Popularity • 21% Danceability • 28% Energy • 8% Liveness
4% Instrumentalness • 11% Positiveness
25% Popularity • 21% Danceability • 28% Energy • 8% Liveness
4% Instrumentalness • 11% Positiveness
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Gioachino Rossini
Il viaggio a Reims, Act I: Sextet: Donna...
117 bpm • D# Maj • 01:08 • -17.72db
3% Popularity • 56% Danceability • 27% Energy • 48% Liveness
0% Instrumentalness • 60% Positiveness
3% Popularity • 56% Danceability • 27% Energy • 48% Liveness
0% Instrumentalness • 60% Positiveness
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Victoria de los Ángeles
La Paloma
122 bpm • D Maj • 04:50 • -13db
18% Popularity • 40% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
18% Popularity • 40% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Chor der Staatsoper Wien
Giuseppe Verdi: Rigoletto - Scorrendo un...
123 bpm • A Maj • 01:45 • -21db
13% Popularity • 44% Danceability • 28% Energy • 14% Liveness
1% Instrumentalness • 80% Positiveness
13% Popularity • 44% Danceability • 28% Energy • 14% Liveness
1% Instrumentalness • 80% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Le nozze di Figaro, K. 492, Act ...
116 bpm • C min • 02:52 • -23.89db
31% Popularity • 32% Danceability • 5% Energy • 14% Liveness
1% Instrumentalness • 13% Positiveness
31% Popularity • 32% Danceability • 5% Energy • 14% Liveness
1% Instrumentalness • 13% Positiveness
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Joaquín Rodrigo
Concierto de Aranjuez: I. Allegro Con Sp...
123 bpm • D Maj • 06:01 • -19.9db
5% Popularity • 52% Danceability • 16% Energy • 11% Liveness
92% Instrumentalness • 30% Positiveness
5% Popularity • 52% Danceability • 16% Energy • 11% Liveness
92% Instrumentalness • 30% Positiveness
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George Frideric Handel
Serse, HWV 40 / Act 1: "Ombra mai fu"
114 bpm • E Maj • 03:24 • -15db
23% Popularity • 25% Danceability • 16% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
23% Popularity • 25% Danceability • 16% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Gioachino Rossini
Il viaggio a Reims, Act I: Finale: Zitti...
122 bpm • C Maj • 03:39 • -15.41db
3% Popularity • 43% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
3% Popularity • 43% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Umberto Giordano
Andrea Chénier / Act 3: "Son la vecchia...
114 bpm • G Maj • 04:14 • -22.64db
5% Popularity • 26% Danceability • 12% Energy • 35% Liveness
0% Instrumentalness • 4% Positiveness
5% Popularity • 26% Danceability • 12% Energy • 35% Liveness
0% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Keyboard Concerto in F Minor, BWV 1056: ...
124 bpm • G# Maj • 02:51 • -26.94db
21% Popularity • 57% Danceability • 2% Energy • 13% Liveness
94% Instrumentalness • 44% Positiveness
21% Popularity • 57% Danceability • 2% Energy • 13% Liveness
94% Instrumentalness • 44% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K.492 - Original ver...
125 bpm • C Maj • 03:35 • -12.81db
24% Popularity • 51% Danceability • 28% Energy • 28% Liveness
29% Instrumentalness • 33% Positiveness
24% Popularity • 51% Danceability • 28% Energy • 28% Liveness
29% Instrumentalness • 33% Positiveness
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Antonio Vivaldi
In furore iustissimae irae, RV 626: IV. ...
125 bpm • B min • 01:41 • -19db
36% Popularity • 64% Danceability • 20% Energy • 11% Liveness
11% Instrumentalness • 69% Positiveness
36% Popularity • 64% Danceability • 20% Energy • 11% Liveness
11% Instrumentalness • 69% Positiveness
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Riccardo Broschi
Artaserse, Act III, Scene 1: Aria "Son q...
125 bpm • C# Maj • 08:15 • -19.6db
21% Popularity • 45% Danceability • 16% Energy • 12% Liveness
1% Instrumentalness • 39% Positiveness
21% Popularity • 45% Danceability • 16% Energy • 12% Liveness
1% Instrumentalness • 39% Positiveness
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Gioachino Rossini
Il viaggio a Reims, Act I: Sextet: Natur...
113 bpm • C Maj • 01:29 • -16.07db
3% Popularity • 39% Danceability • 29% Energy • 71% Liveness
0% Instrumentalness • 29% Positiveness
3% Popularity • 39% Danceability • 29% Energy • 71% Liveness
0% Instrumentalness • 29% Positiveness
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Gaetano Donizetti
Donizetti: L'elisir d'amore, Act 2: No. ...
126 bpm • A# Maj • 04:27 • -18.14db
32% Popularity • 31% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
32% Popularity • 31% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Sean Barrett
Life and Works: Rusalka (Act I: Song to ...
126 bpm • F# Maj • 05:50 • -25db
24% Popularity • 24% Danceability • 3% Energy • 39% Liveness
0% Instrumentalness • 4% Positiveness
24% Popularity • 24% Danceability • 3% Energy • 39% Liveness
0% Instrumentalness • 4% Positiveness
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Agnes Baltsa
Carmen (Act I, Sequedille)
112 bpm • D Maj • 02:04 • -14.83db
21% Popularity • 44% Danceability • 19% Energy • 69% Liveness
0% Instrumentalness • 21% Positiveness
21% Popularity • 44% Danceability • 19% Energy • 69% Liveness
0% Instrumentalness • 21% Positiveness
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Umberto Giordano
Andrea Chénier / Act 3: Lacrime e sangu...
112 bpm • F Maj • 01:48 • -16.59db
5% Popularity • 46% Danceability • 21% Energy • 30% Liveness
0% Instrumentalness • 23% Positiveness
5% Popularity • 46% Danceability • 21% Energy • 30% Liveness
0% Instrumentalness • 23% Positiveness
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Dame Joan Sutherland
I Puritani
112 bpm • D Maj • 03:05 • -15.82db
29% Popularity • 42% Danceability • 21% Energy • 10% Liveness
2% Instrumentalness • 23% Positiveness
29% Popularity • 42% Danceability • 21% Energy • 10% Liveness
2% Instrumentalness • 23% Positiveness
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Gioachino Rossini
Il Barbiere di Siviglia: Ecco, ridente i...
113 bpm • C Maj • 04:24 • -19.44db
6% Popularity • 34% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
6% Popularity • 34% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
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Beniamino Gigli
Mamma
112 bpm • G Maj • 03:34 • -7.15db
13% Popularity • 41% Danceability • 37% Energy • 39% Liveness
0% Instrumentalness • 37% Positiveness
13% Popularity • 41% Danceability • 37% Energy • 39% Liveness
0% Instrumentalness • 37% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30, Act III, Scen...
112 bpm • F# Maj • 03:28 • -19.1db
22% Popularity • 30% Danceability • 9% Energy • 24% Liveness
0% Instrumentalness • 18% Positiveness
22% Popularity • 30% Danceability • 9% Energy • 24% Liveness
0% Instrumentalness • 18% Positiveness
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Antonio Vivaldi
Orlando furioso, RV 728 / Act 2: "Ah fug...
126 bpm • C Maj • 02:21 • -12.62db
20% Popularity • 58% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
20% Popularity • 58% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Patricia Janečková
Pa pa pa - Die Zauberflöte
112 bpm • G Maj • 02:32 • -7.79db
19% Popularity • 56% Danceability • 48% Energy • 19% Liveness
1% Instrumentalness • 55% Positiveness
19% Popularity • 56% Danceability • 48% Energy • 19% Liveness
1% Instrumentalness • 55% Positiveness
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Wolfgang Amadeus Mozart
Così fan tutte, K. 588 / Act I: "E la f...
111 bpm • E Maj • 01:06 • -24.65db
26% Popularity • 45% Danceability • 12% Energy • 82% Liveness
0% Instrumentalness • 52% Positiveness
26% Popularity • 45% Danceability • 12% Energy • 82% Liveness
0% Instrumentalness • 52% Positiveness
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Gioachino Rossini
Rossini : La Cenerentola : Act 2 "Non pi...
127 bpm • E Maj • 03:11 • -18db
18% Popularity • 43% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
18% Popularity • 43% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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![Zigeunermelodien, Op. 55, B. 104: Zigeunermelodien (Gypsy Melodies), Op. 55: No. 4, Songs my Mother taught me [Sung in German] cover art](https://i.scdn.co/image/ab67616d00001e026dd33ceae26466d0243ab588)
Antonín Dvořák
Zigeunermelodien, Op. 55, B. 104: Zigeun...
111 bpm • A# Maj • 02:09 • -21.3db
24% Popularity • 22% Danceability • 9% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
24% Popularity • 22% Danceability • 9% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
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Franz von Suppé
Fatinitza: March
111 bpm • G Maj • 02:32 • -11.89db
33% Popularity • 64% Danceability • 52% Energy • 12% Liveness
96% Instrumentalness • 78% Positiveness
33% Popularity • 64% Danceability • 52% Energy • 12% Liveness
96% Instrumentalness • 78% Positiveness
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Nicola Porpora
Polifemo: Nell' attendere mio bene (Ed. ...
128 bpm • A Maj • 05:11 • -11.94db
11% Popularity • 50% Danceability • 41% Energy • 31% Liveness
1% Instrumentalness • 35% Positiveness
11% Popularity • 50% Danceability • 41% Energy • 31% Liveness
1% Instrumentalness • 35% Positiveness
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Renata Tebaldi
Un Bel Di Vedremo (Madame Butterfly)
128 bpm • C# Maj • 04:52 • -10.89db
30% Popularity • 31% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
30% Popularity • 31% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Umberto Giordano
Andrea Chénier / Act 3: L'uccello è ne...
128 bpm • A Maj • 03:13 • -23.6db
4% Popularity • 43% Danceability • 16% Energy • 33% Liveness
0% Instrumentalness • 23% Positiveness
4% Popularity • 43% Danceability • 16% Energy • 33% Liveness
0% Instrumentalness • 23% Positiveness
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Gioachino Rossini
Canzonetta spagnuola "En medio a mis col...
127 bpm • A Maj • 04:09 • -21db
3% Popularity • 49% Danceability • 21% Energy • 67% Liveness
0% Instrumentalness • 37% Positiveness
3% Popularity • 49% Danceability • 21% Energy • 67% Liveness
0% Instrumentalness • 37% Positiveness
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Johannes Brahms
Hungarian Dance No. 1 in G Minor: Allegr...
128 bpm • G min • 03:28 • -16db
20% Popularity • 29% Danceability • 20% Energy • 9% Liveness
82% Instrumentalness • 37% Positiveness
20% Popularity • 29% Danceability • 20% Energy • 9% Liveness
82% Instrumentalness • 37% Positiveness
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Wolfgang Amadeus Mozart
Così fan tutte, K. 588 / Act I: "La mia...
128 bpm • G Maj • 01:52 • -22.15db
26% Popularity • 44% Danceability • 18% Energy • 53% Liveness
3% Instrumentalness • 70% Positiveness
26% Popularity • 44% Danceability • 18% Energy • 53% Liveness
3% Instrumentalness • 70% Positiveness
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Gaetano Donizetti
Spargi d’amaro pianto
129 bpm • D# Maj • 03:41 • -18db
14% Popularity • 38% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
14% Popularity • 38% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Beniamino Gigli
La spagnola
110 bpm • G Maj • 02:48 • -9.29db
15% Popularity • 44% Danceability • 28% Energy • 27% Liveness
0% Instrumentalness • 59% Positiveness
15% Popularity • 44% Danceability • 28% Energy • 27% Liveness
0% Instrumentalness • 59% Positiveness
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George Frideric Handel
Da Tempeste Il Legno Infranto (Cleopatre...
129 bpm • D# Maj • 05:57 • -13db
14% Popularity • 48% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
14% Popularity • 48% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
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Gioachino Rossini
Il viaggio a Reims, Act III: Finale: d. ...
111 bpm • C Maj • 01:32 • -19.41db
2% Popularity • 49% Danceability • 21% Energy • 69% Liveness
0% Instrumentalness • 34% Positiveness
2% Popularity • 49% Danceability • 21% Energy • 69% Liveness
0% Instrumentalness • 34% Positiveness
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Antonio Vivaldi
Juditha Triumphans, RV 644: Armatae face
129 bpm • C min • 03:22 • -18db
23% Popularity • 51% Danceability • 26% Energy • 29% Liveness
2% Instrumentalness • 63% Positiveness
23% Popularity • 51% Danceability • 26% Energy • 29% Liveness
2% Instrumentalness • 63% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Le nozze di Figaro, K. 492, Act ...
110 bpm • A# Maj • 02:52 • -12.73db
25% Popularity • 34% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
25% Popularity • 34% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Nikolai Rimsky-Korsakov
The Snow Maiden / Prologue: "S podruzham...
129 bpm • E Maj • 04:08 • -16db
11% Popularity • 38% Danceability • 17% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 38% Danceability • 17% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Carl Heinrich Graun
Cleopatra e Cesare, WV B:I:7: Tra le pro...
130 bpm • D# Maj • 07:24 • -13.34db
14% Popularity • 52% Danceability • 38% Energy • 8% Liveness
2% Instrumentalness • 53% Positiveness
14% Popularity • 52% Danceability • 38% Energy • 8% Liveness
2% Instrumentalness • 53% Positiveness
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Mario del Monaco
Notturno d'amore
130 bpm • G Maj • 03:48 • -10db
12% Popularity • 33% Danceability • 34% Energy • 11% Liveness
4% Instrumentalness • 30% Positiveness
12% Popularity • 33% Danceability • 34% Energy • 11% Liveness
4% Instrumentalness • 30% Positiveness
► Preview
Dame Joan Sutherland
Ah! Tardai troppo… O luce di quest ani...
109 bpm • C Maj • 06:13 • -18.65db
15% Popularity • 37% Danceability • 10% Energy • 29% Liveness
5% Instrumentalness • 6% Positiveness
15% Popularity • 37% Danceability • 10% Energy • 29% Liveness
5% Instrumentalness • 6% Positiveness
► Preview
Carl Maria von Weber
Oberon, J.306: Ouvertüre
131 bpm • D Maj • 08:58 • -19db
12% Popularity • 29% Danceability • 13% Energy • 12% Liveness
76% Instrumentalness • 11% Positiveness
12% Popularity • 29% Danceability • 13% Energy • 12% Liveness
76% Instrumentalness • 11% Positiveness
► Preview
Sulkhan Tsintsadze
6 Miniatures (Arr. T. Batiashvili for Vi...
131 bpm • A Maj • 02:32 • -27.51db
27% Popularity • 28% Danceability • 3% Energy • 8% Liveness
2% Instrumentalness • 26% Positiveness
27% Popularity • 28% Danceability • 3% Energy • 8% Liveness
2% Instrumentalness • 26% Positiveness
► Preview
George Frideric Handel
Semele, Act II: "Where'er You Walk"
131 bpm • A# Maj • 05:55 • -17.38db
10% Popularity • 25% Danceability • 22% Energy • 26% Liveness
1% Instrumentalness • 7% Positiveness
10% Popularity • 25% Danceability • 22% Energy • 26% Liveness
1% Instrumentalness • 7% Positiveness
► Preview
Christoph Willibald Gluck
Orfeo ed Euridice (Orphée et Eurydice),...
131 bpm • F min • 03:05 • -11db
12% Popularity • 40% Danceability • 25% Energy • 4% Liveness
1% Instrumentalness • 21% Positiveness
12% Popularity • 40% Danceability • 25% Energy • 4% Liveness
1% Instrumentalness • 21% Positiveness
► Preview
Renata Tebaldi
Verdi: La Forza del Destino: La Vergine ...
130 bpm • G Maj • 03:47 • -20db
20% Popularity • 22% Danceability • 17% Energy • 30% Liveness
82% Instrumentalness • 13% Positiveness
20% Popularity • 22% Danceability • 17% Energy • 30% Liveness
82% Instrumentalness • 13% Positiveness
► Preview
Evgeny Stetsyuk
Slutchaynyy Val's (Unexpected Waltz)
108 bpm • B min • 02:56 • -17.3db
16% Popularity • 44% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
16% Popularity • 44% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
► Preview
Albert Ketèlbey
In a Persian Market
108 bpm • D min • 06:46 • -23db
23% Popularity • 31% Danceability • 6% Energy • 10% Liveness
78% Instrumentalness • 9% Positiveness
23% Popularity • 31% Danceability • 6% Energy • 10% Liveness
78% Instrumentalness • 9% Positiveness
► Preview
Gioachino Rossini
Il Barbiere di Siviglia, Act I, Scene On...
108 bpm • G Maj • 02:55 • -31.23db
12% Popularity • 35% Danceability • 3% Energy • 12% Liveness
4% Instrumentalness • 36% Positiveness
12% Popularity • 35% Danceability • 3% Energy • 12% Liveness
4% Instrumentalness • 36% Positiveness
► Preview
Jules Massenet
Massenet: Manon, Act 3: "Je marche sur t...
108 bpm • G Maj • 05:06 • -19.09db
22% Popularity • 38% Danceability • 6% Energy • 5% Liveness
0% Instrumentalness • 7% Positiveness
22% Popularity • 38% Danceability • 6% Energy • 5% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Gaetano Donizetti
Lucrezia Borgia / Act 2: Era desso il fi...
108 bpm • D# min • 05:23 • -18db
12% Popularity • 36% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
12% Popularity • 36% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Henry Purcell
Come ye sons of art: Sound the Trumpet
108 bpm • C# Maj • 03:00 • -12.32db
23% Popularity • 54% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
23% Popularity • 54% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
► Preview
George Frideric Handel
Alcina, HWV 34 / Act 1: Tornami a vagheg...
131 bpm • A Maj • 04:41 • -14.91db
18% Popularity • 41% Danceability • 17% Energy • 11% Liveness
3% Instrumentalness • 38% Positiveness
18% Popularity • 41% Danceability • 17% Energy • 11% Liveness
3% Instrumentalness • 38% Positiveness
► Preview
Jerónimo Giménez
"La tarántula e un bicho"
108 bpm • C Maj • 01:32 • -19.52db
21% Popularity • 58% Danceability • 37% Energy • 17% Liveness
1% Instrumentalness • 90% Positiveness
21% Popularity • 58% Danceability • 37% Energy • 17% Liveness
1% Instrumentalness • 90% Positiveness
► Preview
Gioachino Rossini
Il Barbiere di Siviglia: La calunnia è ...
131 bpm • D Maj • 04:26 • -17db
11% Popularity • 43% Danceability • 20% Energy • 10% Liveness
1% Instrumentalness • 23% Positiveness
11% Popularity • 43% Danceability • 20% Energy • 10% Liveness
1% Instrumentalness • 23% Positiveness
► Preview
Benedetto Marcello
Quella fiamma che m'accende
132 bpm • G min • 03:56 • -22db
18% Popularity • 35% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
18% Popularity • 35% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Jacques Offenbach
Jacques Offenbach: Les contes d'Hoffmann...
132 bpm • D Maj • 03:35 • -33db
23% Popularity • 22% Danceability • 1% Energy • 29% Liveness
41% Instrumentalness • 10% Positiveness
23% Popularity • 22% Danceability • 1% Energy • 29% Liveness
41% Instrumentalness • 10% Positiveness
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Leo Nucci
Vivere
133 bpm • C Maj • 04:17 • -13.75db
7% Popularity • 40% Danceability • 26% Energy • 22% Liveness
0% Instrumentalness • 60% Positiveness
7% Popularity • 40% Danceability • 26% Energy • 22% Liveness
0% Instrumentalness • 60% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice / Act 3: Aria: "Che fa...
106 bpm • C Maj • 05:37 • -18.56db
21% Popularity • 28% Danceability • 20% Energy • 77% Liveness
0% Instrumentalness • 6% Positiveness
21% Popularity • 28% Danceability • 20% Energy • 77% Liveness
0% Instrumentalness • 6% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K. 492, Atto I Scene...
134 bpm • D Maj • 02:40 • -20.56db
30% Popularity • 45% Danceability • 11% Energy • 44% Liveness
0% Instrumentalness • 32% Positiveness
30% Popularity • 45% Danceability • 11% Energy • 44% Liveness
0% Instrumentalness • 32% Positiveness
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Gioachino Rossini
Petite messe solennelle: Gloria in excel...
106 bpm • F Maj • 02:14 • -24db
25% Popularity • 26% Danceability • 9% Energy • 9% Liveness
14% Instrumentalness • 15% Positiveness
25% Popularity • 26% Danceability • 9% Energy • 9% Liveness
14% Instrumentalness • 15% Positiveness
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Giulio Caccini
Tu ch'hai le penne, amore
134 bpm • G min • 02:08 • -21.96db
20% Popularity • 32% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
20% Popularity • 32% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Antonio Vivaldi
In furore iustissimae irae, RV 626: I. A...
134 bpm • B min • 04:29 • -18.72db
25% Popularity • 48% Danceability • 24% Energy • 31% Liveness
3% Instrumentalness • 53% Positiveness
25% Popularity • 48% Danceability • 24% Energy • 31% Liveness
3% Instrumentalness • 53% Positiveness
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Renata Tebaldi
Libiamo Ne' Lieti Calici (Brindisi) - la...
134 bpm • A# Maj • 03:04 • -13db
33% Popularity • 40% Danceability • 34% Energy • 40% Liveness
0% Instrumentalness • 35% Positiveness
33% Popularity • 40% Danceability • 34% Energy • 40% Liveness
0% Instrumentalness • 35% Positiveness
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Johannes Brahms
21 Hungarian Dances, WoO 1 (version for ...
135 bpm • G min • 03:01 • -17db
37% Popularity • 26% Danceability • 22% Energy • 15% Liveness
93% Instrumentalness • 53% Positiveness
37% Popularity • 26% Danceability • 22% Energy • 15% Liveness
93% Instrumentalness • 53% Positiveness
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Franco Corelli
Adriana Lecouvreur: Act I: la Dolcissima...
105 bpm • G# Maj • 02:10 • -9.37db
15% Popularity • 27% Danceability • 35% Energy • 23% Liveness
0% Instrumentalness • 12% Positiveness
15% Popularity • 27% Danceability • 35% Energy • 23% Liveness
0% Instrumentalness • 12% Positiveness
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Gioachino Rossini
Il viaggio a Reims, Act III: FInale: c. ...
105 bpm • G Maj • 01:10 • -17.77db
2% Popularity • 43% Danceability • 21% Energy • 51% Liveness
0% Instrumentalness • 41% Positiveness
2% Popularity • 43% Danceability • 21% Energy • 51% Liveness
0% Instrumentalness • 41% Positiveness
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Riccardo Broschi
Artaserse: Son qual nave
135 bpm • C# Maj • 07:31 • -14db
12% Popularity • 50% Danceability • 38% Energy • 16% Liveness
4% Instrumentalness • 46% Positiveness
12% Popularity • 50% Danceability • 38% Energy • 16% Liveness
4% Instrumentalness • 46% Positiveness
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Wolfgang Amadeus Mozart
Così fan tutte, K. 588 / Act I: "Una be...
135 bpm • C Maj • 02:24 • -20.2db
22% Popularity • 37% Danceability • 18% Energy • 9% Liveness
30% Instrumentalness • 42% Positiveness
22% Popularity • 37% Danceability • 18% Energy • 9% Liveness
30% Instrumentalness • 42% Positiveness
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Alessandro Scarlatti
Spesso vibra per suo gioco
135 bpm • G Maj • 01:03 • -22.18db
35% Popularity • 54% Danceability • 12% Energy • 14% Liveness
1% Instrumentalness • 59% Positiveness
35% Popularity • 54% Danceability • 12% Energy • 14% Liveness
1% Instrumentalness • 59% Positiveness
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Dmitri Shostakovich
The Gadfly Suite, Op. 97a: Romance
135 bpm • C# Maj • 04:16 • -15db
23% Popularity • 19% Danceability • 13% Energy • 13% Liveness
50% Instrumentalness • 4% Positiveness
23% Popularity • 19% Danceability • 13% Energy • 13% Liveness
50% Instrumentalness • 4% Positiveness
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Johann Nepomuk Hummel
Variations on 'Tyrolienne'
135 bpm • C Maj • 07:23 • -23.12db
10% Popularity • 42% Danceability • 7% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
10% Popularity • 42% Danceability • 7% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
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Nikolai Rimsky-Korsakov
Captivated by the Rose (The Nightingale)
135 bpm • F# min • 03:13 • -25.07db
5% Popularity • 20% Danceability • 1% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
5% Popularity • 20% Danceability • 1% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
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George Frideric Handel
Serse, HWV 40 / Act 1: "Ombra mai fu"
135 bpm • E Maj • 03:23 • -22db
31% Popularity • 22% Danceability • 8% Energy • 18% Liveness
8% Instrumentalness • 4% Positiveness
31% Popularity • 22% Danceability • 8% Energy • 18% Liveness
8% Instrumentalness • 4% Positiveness
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The Oscar's Orchestra
Coro de los Gitanos de Il Trovatore (De ...
135 bpm • G Maj • 02:59 • -14.95db
23% Popularity • 47% Danceability • 18% Energy • 5% Liveness
0% Instrumentalness • 36% Positiveness
23% Popularity • 47% Danceability • 18% Energy • 5% Liveness
0% Instrumentalness • 36% Positiveness
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Salvatore Cardillo
Core 'ngrato (orch. G. Chiaramello)
136 bpm • C# Maj • 03:13 • -21db
20% Popularity • 25% Danceability • 11% Energy • 14% Liveness
5% Instrumentalness • 6% Positiveness
20% Popularity • 25% Danceability • 11% Energy • 14% Liveness
5% Instrumentalness • 6% Positiveness
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Antonio Caldara
Selve amiche
136 bpm • A min • 03:07 • -26.38db
21% Popularity • 28% Danceability • 2% Energy • 6% Liveness
1% Instrumentalness • 4% Positiveness
21% Popularity • 28% Danceability • 2% Energy • 6% Liveness
1% Instrumentalness • 4% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia, Act I, No. 5: U...
104 bpm • E Maj • 06:08 • -20.4db
19% Popularity • 42% Danceability • 11% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
19% Popularity • 42% Danceability • 11% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
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Riccardo Muti
Verdi: Nabucco, Act 3: Coro di schiavi e...
104 bpm • C# Maj • 04:14 • -18.96db
8% Popularity • 17% Danceability • 8% Energy • 12% Liveness
34% Instrumentalness • 13% Positiveness
8% Popularity • 17% Danceability • 8% Energy • 12% Liveness
34% Instrumentalness • 13% Positiveness
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George Frideric Handel
Il Trionfo del Tiempo e del Disinganno, ...
136 bpm • F# min • 03:56 • -17.26db
8% Popularity • 42% Danceability • 26% Energy • 15% Liveness
36% Instrumentalness • 52% Positiveness
8% Popularity • 42% Danceability • 26% Energy • 15% Liveness
36% Instrumentalness • 52% Positiveness
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Tito Schipa
Marechiare
136 bpm • C# Maj • 02:32 • -12db
10% Popularity • 52% Danceability • 20% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
10% Popularity • 52% Danceability • 20% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
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Jacques Offenbach
La vie parisienne / Act I: "Je suis bré...
137 bpm • F Maj • 02:48 • -15.73db
9% Popularity • 44% Danceability • 31% Energy • 31% Liveness
29% Instrumentalness • 63% Positiveness
9% Popularity • 44% Danceability • 31% Energy • 31% Liveness
29% Instrumentalness • 63% Positiveness
